1960s /70s Hindi Film goer generation does not require any introduction of Rajendra Nath.
The Joy of Sharing – Leisure. Seriously
May 13, 2014
1960s /70s Hindi Film goer generation does not require any introduction of Rajendra Nath.
April 29, 2014
Ustad Alla Rakha’s 95th birthday has been celebrated in style by Google Doodle, as
On clicking the painted Alla Rakha doodle, Google redirects users to the search results page for ‘Alla Rakha’, which prominently features the Wikipedia page for the tabla maestro, as well as YouTube links to music recitals by the maestro, alongside Ravi Shankar and Zakir Hussain. Google has also listed a number of songs by Alla Rakha, as well as news centred on him.
His three sons – Zakir Hussain, Fazal Qureshi, and Taufiq Qureshi – are also respected tabla players.
Alla Rakha died on February 3, 2000 in Mumbai following a heart attack.
April 27, 2014
Carnival of Blogs on Golden Era of Hindi Film Music Arts and Entertainment, Blog Carnival, Film Music, Hemant Kumar, Hindi Films, Lachchiram, Lata Mangeshkar, Manohari Singh, Mohammad Rafi, Nanda, V K Murthy 2 Comments
Welcome to April 2014 edition of Carnival of Blogs on Golden Era of Hindi Film Music.
Welcome, spring!with a few songs for the spring.
Forgotten Composers Unforgettable Melodies (9): Lachhiram -A very awkward and unfamiliar name, and not among the mainstream composers, it is so great a coincidence that even as this Blog Carnival’s March 2014 edition was on net, SoY had published this post. Lachchiram Tomar appears to have given music for around 20 films, but even in these hyper-active internet days, one does not find pre-1950 songs on internet!
Arunkumar Deshmukh, in his comment @ 13states: Aye Dil Machal Machal Ke Yoon, Rota Hai Zaar Zaar Kya “ solo of Lata from film Main Suhagan Hoon is the ONLY song of Lata, Lachhiram ever composed. He was the ‘one film-one song’ composer of Lata.” This aspect was also strongly mentioned in Shri Ashok Dave’s post on Main Suhagan Hoon, wherein it is categorically stated that Lachhiram had rather a strong preference for Asha Bhosle. Obviously, the reasons for such a pattern are not evidenced.
We have one more post relating to Forgotten composers – Celebrating the Uncelebrated: Ten of my favourite songs by lesser-known composers.
Most satisfying aspect of the subject of ‘Forgotten’ Creators of “Unforgettable” Melodies is that there are still fairly large number of knowledgeable persons who keep on with their active contributions of these ‘geniuses’ on internet and do a great service of creating an unforgettable documentation of this vital aspect of Indian Cinema.
The haunting music of Hemant Kumar– i.e. haunting songs that for some reason remain etched in your mind and you keep humming or visualizing the song often. Or, when a song conveys deep emotions that are unforgettable or which leave an impact even when you are not listening to the song. Enjoy 22 of these songs on the player here.
Found: Vyjayanthimala’s Other Bharatanatyam Dance in Chittor Rani Padmini (1963, Tamil)! – Cinema Nritya Gharana had presenteda beautiful Bharatanatyam dance of Vyjayanthimala’s in the 1963 Tamil film Chittor Rani Padmini in the first post on V.S. Muthuswami Pillai, but lamented that the second dance at the end of the movie she was said to have performed for the king could not be located . [This article was covered in August 2013 edition of this Blog Carnival.] Well! The dance has now been located, at the rich treasure house of Kandasamy Sekkarakudi Subbiah Pillai’s YouTube channel, and it is fantastic!
There are two dances that feature performers who are not yet identified (but definitely would like to know more about) and there is one song for which the identity of some of the singers seems to be a subject of hot debate. So, for the first post devoted to Khazanchi (there will probably be more here), let’s delve into these… Some Mystery Singers and Dancers in Khazanchi (1941).
The Mystery of the Missing Songs- a list of the songs (I knew were) filmed and deleted for one reason or the other.
‘Ten of my favourite ‘classic poem’ songs’ lists ten songs that are, in whole or part, written by classic poets.
And as can be expected, there is at least one more of aTen of my favourite ghoda-gaadi songs “from pre-70s films that I’ve seen. Other than that, my requisites for the selected songs were:
1. That the person singing (on screen, that is) remains in the ghoda-gaadi through at least 80% of the song (which is whyAe dil hai mushkildoesn’t feature in this list).
2. Horse-drawn vehicles of all types qualify: tongas, Victorias, phaetons, even chariots. Horseback is out.
3. And, no two songs from the same film are allowed.”
SoY continues the great series on S D Burman and his songs with the leading playback singers, on the first death anniversary of Shamshad Begum with East meets West: Shamshad Begum’s songs by SD Burman.
We have some excellent material on one of most known ‘back-room’ face of Hindi Film Music – Manohari Singh.
In The Reed ManManohari Singh talks about his life and experiences, his colleagues and what it was like in the halcyon days of the Hindi film music world. [The post is penned byAshwin Panemangalore, who is primarily an electrical engineer, put in a long stint at L & T’s group of companies in software and instrumentation. After retiring in 2008 he is indulging in his passion for jazz.]
Manohari Singh – The Charming Pied Piper- Music lovers, both connoisseurs and common listeners, throng to listen to the mere sound of his instrument playing……Be it the Saxophone, Western (Key) Flute, the Clarinet or the Mandolin, there is a magical charm in the way he plays those instruments. There is unanimous agreement about the man’s extra special expressions, amazing breath control and inimitable tone of instrument playing.
Memories of Manohari Singh (1931 – 2010)is an anthological video clip capturing Manohari Singh’s work.
We also have two excellent posts presenting some important facets of legacies of two of the great (background) singers of Hindi Film Music world.
Lata Dinanath Mangeshkar Gramophone Record Museum : A National Heritage Made by Shri Suman Chaurasiya has more than 28000 records., of which records of Lata Mangeshkar’ s song number over 6000.
@ Beete Hue Din, Shishir Krishna Sharma’s article‘Tere Pyar Ka Aasra Chahta Hoon’ - Mahendra Kapoorremembers Mahendra Kapoor’s debut song,a duet ‘Kisi Ke Zulm Ki Tasweer Hai Mazdoor Ki Basti’ with Dhan Indorewala from the 1953 release movie ‘Madmast’. [ An interesting trivia – Music Director of this film – Madmast- V. Balsara and Dhan Indorewala went to marry later on.] Another song which Mahendra Kapoor sang for this movie was a qawwali with S.D.Batish, ‘Unhe Dekhein To Wo Munh Pher…Hamey Ankhein Dikhaate Hain’. …..
We also have some additional inputs by Shishir Krishna Sharma @ Mahendra Kapoor’s First Film Song He sang his first solo, “Kisko Daani Kahen … Tere Dar Ki Bhikmangi Hai Daata Duniya Saari” for Snehal Bhatkar’s Diwali Ki Raat in 1956.
The next song which he had sung was a Heer for the punjabi movie, Heer which had music by Anil Biswas. In addition to the above songs, He is also known to have recorded the following before participating in the competition:-
1. A few lines for the song “Ek Taraf Joru Ne Hai Nikaala” for composer Bulo C Rani in the movie Madhur Milan(1955). This song had been sung by Mohd Rafi, Geeta Dutt and A.R. Ojha and penned by Raja Mehdi Ali Khan.
2. A duet with Sabita Banerjee for composer Shanmukh Babu, “Oh Bedardi Jaane Ke Na kar Bahaane” for the movie Lalkaar(1956).
We eulogise passing away of V K Murthy, one of the most outstanding cinematographer, and Nanda, the beautiful and versatile actress of the Golden Era of Hindi Films.
The Masters : V K Murthy- Venkatrama Pandit Krishnamurthy’s journey to becoming VK Murthy, the eminent technician who was known as ‘Guru Dutt’s eyes’ is the stuff films are made of – a rags to riches story that began in the erstwhile princely state of Mysore in 1923.
No post on VK Murthy can be complete without the story behind the fantastic beamshot, for the song Waqt ne kiya,even though it’s been repeated in every tribute that has ever been written about the director, the film, or now, the cinematographer.
Here are a few of the video clips on V K Murthy:
Ten of my favourite Nanda songs“to celebrate Nanda’s life and career—and to wish her farewell—a selection of ten of her songs that I particularly like. These are all from pre-70s films that I’ve seen, and in each song, Nanda’s character does some—if not all—of the singing…… RIP, Nanda. You will be missed. Your sunny smiles and laughing eyes, your dignity, your ability to make your characters so believable—all will be remembered.”
Here are some more tributes to Nanda from You Tube:
During the period for the present edition, our friend Bhagwan Thavrani has remembered Pyar Ki Dastan Tum Suno To Kahen – Lata Mangeshkar (Music Director: Hemant Kumar) from Farar (1965). That reminded me to look for Dil-E-Nadaan Ko Sambhalun To from the same film, which shows Lata Mangeshkar as singer in the credits, but is believed to have been rendered by Suman Kalyanpur. In any case, Hemant Kuamr was at his melodious self, in the film. Here are the rest of the songs from the film:
Songs of Yore has presented Best songs of 1951: And the winners are?- After reviewing the best songs of 1955 and 1953, which were gap years in the Filmfare Awards (Baiju Bawra,1952 was the first film to get the Filmfare Awards for the best music, but in the later years no films of 1953 and 1955 won these awards, SoY now comes to the pre-Filmfare era with 1951. 1951 seems to have more than 110 films and 1000 songs. Without any doubt, all discussions are going to be as live as any discussions on SoY or the previous 1955 and 1953 posts have been.
One of the most iconic song from the year 1951 is Thandi Hawayein Laharati Aayen – Naujawan – Lata Mangeshkar, S D Burman. In Thandi Hawayein Legacy – Charles Bayer crooned “C’est la vie” in Algiers(1938) without even realizing what a big chain of inspirations he had set for the next generation of Indian music makers.
Old Is Gold has presented two part interview with Ghalib Khan , son of famous Hindi Film lyricist Asad Bhopali. Thefirst part of the interviewends with an outstanding song from Film Afasana (1951)’s Kismat Bigdi Duniya Badli – Mukesh (Husnalal Bhagatram).
Thesecond part of the interviewtakes us to our usual section on Mohammad Rafi with Miss Bombay (1949) song – Zindagi Bhar Gham Judaai Ka Hamen Tadpaayega First Version and Second Version (Hansraj Behl) and “Ek Naari Do Roop” song Dil Ka Soona Saaz Tarana Dhoondhega(Ganesh).
Here are three posts on Mohammad Rafi for the present edition of this Blog Carnival:
I am sure you will enjoy the present edition of our Blog Carnival and look forward to additions / inputs to enrich it further…….
April 20, 2014
Welcome to April 2014 edition of Carnival of Quality Management Articles and Blogs.
We continue with our topic for in-depth view: Nonconformity / Non – conformance, focusing on Non – conformance in this issue.
for noncompliance .
A non-conformance is a departure from an agreed arrangement between an approval authority (or orthodox position) and an individual or group performing work.
In the context of quality management an “arrangement” is commonly an agreement to conform to: A Work Product Standard; A Predefined Procedure; A Work Product Specification; A Documentation Plan; An International Standard for Best Practice.
Nonconformity refers to a failure to comply with requirements, whereas Nonconformance refers to a deficiency in a characteristic, documentation, or procedure that renders the quality of an item or activity unacceptable or indeterminate; nonfulfillment of a specified requirement.
A non-compliance is the failure to adhere to an Act or its Regulations
A non-conformance is the failure to comply with a requirement, standard, or procedure.
A Google search throws up a host of additional informative article and links in so far as Non-conformance / Non-compliance is concerned. Among several such results, we take a look at selected few, from different fields.
Failure or refusal to comply. In medicine, the term noncompliance is commonly used in regard to a patient who does not take a prescribed medication or follow a prescribed course of treatment.
The process of determining noncompliance is an important aspect of the International Atomic Energy Agency (IAEA) safeguards system, as well as the only established mechanism for determining noncompliance with the nuclear Nonproliferation Treaty (NPT) itself. Noncompliance with an NPT safeguards agreement constitutes violation of Article III of the NPT, the obligation to accept safeguards on all nuclear material, and, depending on the circumstances, possibly a violation of Article II, the obligation not to acquire nuclear weapons.
Noncompliance: Any action or activity associated with the conduct or oversight of research involving human subjects that fails to comply with the research plan as approved by a designated IRB or federal regulations or institutional policies governing such research. Non-compliance may range from minor to serious, be unintentional or willful, and may occur once or several times.
Noncompliance with regulations by enterprises is said to be rife in developing countries. Yet there is limited systematic evidence of the magnitude of noncompliance at the enterprise level. Making innovative use of two complementary data sources, this paper quantifies noncompliance for India’s Factories Act without the question of illegality ever being raised directly with enterprises. The paper finds that more than twice as many firms are not complying as are complying. Further, the number of non-compliant firms is much larger than the number of firms adjusting out of the regulation. Thus noncompliance with the Factories Act is a key feature of the “missing middle” in India. The paper explores the main trends and patterns of noncompliance and highlights a number of key issues for further analytical and policy research.
As we search for more results, we observe that more of the articles deal with the subject from Quality (Management or Function or Profession). Hence we will take a more detailed look at these articles in our future edition when will be having a look at the subject purely in terms of Quality (Management or Function or Profession).
Next, we turn our sails to our regular sections, starting with an international body actively engaged in furtherance of quality.
The Product Development and Management Association (PDMA) is the premier global advocate for product development and management professionals. Our mission is to improve the effectiveness of individuals and organizations in product development and management. This is accomplished by providing resources for professional development, information, collaboration and promotion of new product development and management.
The development of new products and services involves an integrated set of unique activities. PDMA is the only organization that focuses on addressing this challenge by providing the following opportunities for professional development: education, experience, networking and recognition.
Six Sigma is a well-known quality method. But like most quality techniques, its use changes and evolves as organizations do. In this episode, we discuss benefits and challenges associated with implementing Six Sigma; how to distinguish the Six Sigma belt colors; the potential return on investment of implementing Six Sigma; the basics of DMAIC; and play a fun game of “Name That Black Belt.”
Lean and Six Sigma Conference Audio
Costs and Savings
Our ASQ’s Influential Voice for the month is -Shon Isenhour
Based in Charleston, South Carolina, Shon Isenhour specializes in business process management, strategic planning, organizational change management, and reliability engineering. He has led improvement initiatives for industries such as pharmaceuticals, metals, petrochemical, paper, and power generation, among others. He is direction of education and work execution management at GPAllied. Shon writes about reliability on Reliability Now, with a tagline – Developing and Sustaining Improved Corporate Bottom Line Performance.
We take a detailed look at one of the posts on this blog.
Retention:Take the time to map out the skills you need the person to have and the learning objectives associated with those skills. Then the training can be customized to only provide the points and topics they need to be successful.
Application: Once a student has seen a new way to do something in the training environment they must apply the skills nearly immediately. This helps with the previous topic of retention but it also creates success and real world examples that can be used to continue the change process.
Culture Manipulation: With a pull from leadership and the success of quick application you can begin to manipulate the culture into the target state.
We do not have a fresh insight this month in so far as Curious Cat Management Improvement Carnival category is concerned.So we take a brief stay at Good Process Improvement Practices and related articles – Change is not Improvement – How to Improve – Where to Start Improvement – Operational Excellence – How to Manage What You Can’t Measure – Making Better Decisions – Find the Root Cause Instead of the Person to Blame
I look forward to your active participation in enriching the blog carnival as we pursue our journey …………….
March 30, 2014
Welcome to March 2014 edition of Carnival of Blogs on Golden Era of Hindi Film Music.
For the period under review, we have two excellent compilations w.r.t. Talat Mahamood birth anniversary on 24th February, 2014, from none other than Songs Of Yore.
These two articles lead us to search for a retrospective on similar articles on Talat Mahmood. Surprisingly, during the searches, one comes up either to vanilla Talat Mahamood songs catalogues or vanilla playlists, but not very incisive analyses that looks at Talat Mahmood’s career with different music directors at different phases / periods of the Golden Era of the Hindi Film Music.
The first one is a post written 4 years before, on Talat Mahmood’s 86th birthday – Ten of my favourite Talat Mahmood songs.
The second one is a review of Nakli Nawab(1962), in terms of an observation that films’s music Director, Babul, has used three playback singers for the hero – Manoj Kumar – in the film.
Talat Mahmood, in a duet with Asha Bhosle – Mast Aankhen Hai Ke Paimaane
Mukesh in Phoolon Se Rangeen Zameen Hai
Well, now that we have jumped over to Mohammad Rafi track, let us continue our present journey on that track and fathom what we have in store this month in so far as Mohammad Rafi is concerned.
Jabberwock returns to an infrequent series about old song sequences (some earlier entries Aashirwad, “Rail Gaadi” and the vitality of the well-done song sequence; the pleasures of “Saaf Karo Insaaf Karo and Cold water for Devdas – song sequences in Biwi aur Makaan) with thoughts on “Tere Mere Sapne” from Guide , in the article “Tere Mere Sapne”, a visual treat.
“Hindi cinema has a long history of the song sequence as a declaration of love or commitment, but rarely has it been done as well as it is here. This sequence lasts more than four minutes, but it is made up of only three shots, which increase progressively in length – in other words, there are only two cuts in the whole scene. While the song in itself is one of the loveliest we have ever had, the visualisation shows Vijay Anand’s talent for using the long, unbroken take to add dramatic intensity and continuity to a given situation.”
Shri Ashok Dave has presented one more of a rare combination of Mohammad Rafi with a music director who did not get due that his talent deserved – Lachhiram (Tamar) , through songs of Main Suhagan Hoon (1964) :
Two duets with Asha Bosle
Interestingly in such a Mohammad Rafi dominated film we have a Talat Mahmood solo – Ye Kis Manzil Pe Le Aayee Meri Badkismati Mujhko.
And of course, the film has a very pleasant Lata Mangeshkar number – Aye Dil Machal Machal Ke Yoon, Rota Hai Zaar Zaar Kya.
From now on, we will also document here songs that our friend, Bhagwan Thavraniforwards via his emails or SMSes. This month we have:
We now go back to our regular track of playlists featuring Hindi Films songs with a focused subject.
March is the month of Holi- which is not only the festival of colours by also of spoofs- somewhat alike what West does on 1st of April.
SoY has taken the opportunity to sprinkle a dash of A ‘serious’ review of Sangam (1964) in its Golden Jubilee Year and seriously analyses how ‘Raj Kapoor overturns Bollywood triangle to convey profound social messages’.
Dances on Footpath has added two wonderful images to celebrate the spirit of Holi.
We sign off the current edition of the blog carnival while Dusted Off explores some known advantages of blogging before diving deep into The funny side of blogging.
March 23, 2014
Welcome to March 2014 edition of Carnival of Quality Management Articles and Blogs.
Our topic for in-depth view is: Nonconformity / Non – conformance.
The Quality profession would tend to take these two words in the same stride. However, a closer look is likely to throw up some subtle difference – if not so much in the colloquial or practical meaning(s), certainly in terms of spirit of the content of the approach.
Hence, I have decided to take up Nonconformity, Non-conformance and their literal antonyms Conformity and Conformance for a separate detailed study each month, before we take up the discussions of these terms from the perspective of Quality Management – as a profession and as a function.
So, first, we take up Nonconformity in the present edition.
Apparently Nonconformity has far reaching different shades of meaning and intent in different fields, such as Gender Diversity, Religion, Psychology, Sociology, History and the similar other fields. Therefore, we would confine our discussions to the articles which remain GENERAL in nature.
If a fireman came to work in a police outfit or clown suit, that would be a clear case of nonconformity. Where there’s nonconformity, there’s difference.
Nonconformity means that someone is doing things differently from the norm.
Too much nonconformity can create chaos, but without a little nonconformity, life would be pretty boring.
Synonyms for Nonconformity
denial | disaffection | disagreement | disapprobation | disapproval | discordance | disobedience | dissent s| eccentricity s| exception | heresyta| | | heterodoxytar | iconoclasmta |insubordination| lawlessnessar| | negationta| | nonacceptance s| | noncompliance | | objection |opposition | originality | recalcitrance| | recusancy | rejectionar | strangeness |r| unconventionality | uniqueness | unorthodoxy | unruliness | vetor | violation | contumaciousness | |mutinousness | nonagreementar | nonconsent |
Antonyms for nonconformity
In the battle against conventional beliefs, we focus on three Unconventional Strategies for Life, Work and Travel. I define non-conformity as “a lack of orthodoxy in thoughts or beliefs” or “the refusal to accept established customs, attitudes, or ideas.”
Under the category Non-conformity on this blog, we have two articles that our draw our attention –
“The past always seems better when you look back on it than it did at the time. And the present never looks as good as it will in the future.” -Peter Benchley
You could accept less than you dreamed of, in other words. But why would you do that?
Chances are, there’s only one real option: keep working away. Tick-tock. Check off the tasks one at a time.
Two steps forward, one step back.
There is a fine line that separates conformity from nonconformity, and both of them from intelligent decision making. Although the distinction may seem clear, I believe the difference is far more complex than most people are aware of. Why? Because an accurate measure of conformity or nonconformity is based exclusively on an individual’s true understanding of a subject.
Traditional religions have generally prohibited tattoos on the grounds they encourage superficial thinking (what’s on the surface is not what matters).
The human mind is easily programmed, and human behavior is largely autonomous once the sub-conscious has a suggestion of what to do. By default, people seem inclined to conform to the ideas, environment and behaviors around them, at least as a means of survival and of fitting in. Unless an individual takes charge of their own mind and their own behavior, most people are content to follow along with what other people are doing, even if that means doing something self-destructive.
In no particular order, here are the top five ways to practice non-conformity in the world that we have created for ourselves – the matrix of self-destruction.
Monetary Non-conformity – The human race is enslaved to a corrupt and inflationary monetary system. To act as a balance to this, any opportunity to conduct life without using the dollar and the credit system is a stunning act of non-conformity.
Shun the Materialistic and the Entertainment Driven Lifestyle – To be realistic about one’s true needs and to consume less “stuff” makes one stand out as a non-conformist in today’s culture.
Health Rebel – Taking control of diet, finding some enjoyable type of exercise, and being courageous enough to try out alternative, non-pharmaceutical modalities of healing when possible, are, oddly enough, all one has to do in order to stand out as a health non-conformist.
Re-Education – The quality of the future can be seen in the quality of our youth, and the current models of building quality people seem to be falling short. Trying out new modalities of education for our children is an inspiring way to work towards a better vision for the future.
Experience-Based Spirituality – The non-conformist of today explores practices and ideas that work best to induce direct experience, following intuition to develop a connection to the sacred part of humanity, which is so routinely trampled in our hectic world. Finding inner peace through whichever religion or philosophy you choose is critical to creating a world free from toxic effects of collective fear.
These are certainly not the first words written on the subject, and are definitely the last! I am sure; there would be many more enlightening materials that would provide a far-more encompassing view of the subject. The more we know what we do-not-know of Nonconformity, we can turn the knowledge for creative use of nonconformity for sustained improvements.
Next, we turn our sails to our regular sections, starting with an international body actively engaged in furtherance of quality.
Culture is the driving force of quality. Creating and sustaining a quality culture are much-discussed topics in the quality community. In this episode, we explore the ways that quality culture contributes to organizational performance. We’ll also learn what quality leaders can do to take organizational culture into their own hands. We’ll also recognize quality engineers and their superhero status.
The Related Video – Driving Culture of Quality – adds further value.
A culture of quality can mean different things to different organizations. Determining what culture of quality means is the first step in the improvement journey.
Our ASQ’s Influential Voice for the month is – John Hunter
No doubt, we are familiar with the Management Improvement Carnival which has been the regular feature at The Carnival of Quality Management Articles and Blogs.
John Hunter has a background in online quality information management. He has developed quality improvement methods and software at the quality management office of the Secretary of Defense and the White House Military Office. He blogs at Curious Cat Management Blog .
John Hunter writes primarily about management improvement on this blog – which makes sense given the title – through the range of topics like Deming, lean thinking, innovation, customer focus, continual improvement, six sigma… In the very early days he had more on investing, economic data, science, engineering and travel. Then he created three new blogs (Curious Cat Investment and Economics Blog, Curious Cat Science and Engineering Blog, Curious Cat Travel Photos blog)
In this month’s edition we will take a look at his post Poor Results Should be Addressed by Improving the System Not Blaming Individuals.
“I should estimate that in my experience most troubles and most possibilities for improvement add up to the proportions something like this: 94% belongs to the system (responsibility of management), 6% special.” – Page 315 of Out of the Crisis by W. Edwards Deming
I look forward to your active “non-conformant” participation in enriching the blog carnival as we pursue our journey …………….
March 19, 2014
In the heart of Puri, Odisha lies a blooming cultural paradise. Raghurajpur – the heritage arts & crafts village – where every villager is an artist and every home is an artist’s studio. But their colourful lives have some dull moments. And we can help complete their #Half Story.
To find out how we can help, we need to visit Do Right, an initiative by TATA Capital Ltd.
“The essence of brand Tata Capital is encapsulated in the proposition – ‘we only do what’s right for you’. The Do Right initiative has been created to inspire people to ‘do right’ and provide platforms to enable people to do right.”
What is Half Stories?
In places you may never have been to lie Half Stories of people you may never have heard about. Real stories of obstacles, sacrifices and challenges. Stories that need your help for them to have a better ending. Half Stories: The Journey of Doing Right is an effort to find these untold stories.
Whether it’s by donating or by sharing, re-posting, and forwarding. Or by getting involved, inspired or just staying connected. Each one of us can lend full support to complete these Half Stories.
Follow the journey of Doing Right with Half Stories to identify unique stories of courage, perseverance and determination from some of the remotest parts of the country. These heart-warming Half Stories can be seen as we travel from Dharamsala to Guwahati, to find and do right by giving them the ending they deserve!
All you have to do is share!
We do not necessarily have to see these Half Stories from the point of giving a helping had only. Please do recall a previous post – Disappearing Trades: Portraits of India’s Obsolete Professions – LightBox
Well, it is not only about survival of these ancient and traditional professions as a form of art.
It is also not helping these individuals to torch the path of micro-entrepreneurship.
It is giving meaning to The Life in a manner that is sustainable, that helps in fostering and sustaining an socioeconomic ecosystem autogenously. It is making a human being take over control over his / her destiny in his / her hands, rather than being a parasite on the surrounding.