37 Weirdly Beautiful Old-School Science and Tech Photos

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During its four-decade run, from the late 1930s to early 1970s, as one of the world’s premier weekly magazines, LIFE covered an utterly dizzying array of people and events. Best-known, of course, for its photographs and articles on World War II, the Space Race, the Vietnam War, Camelot, pop-culture icons like Marilyn Monroe and Sinatra and other major issues and world figures, from the very first LIFE also opened its pages to coverage of science and technology.

Staff photographers like Fritz Goro, Andreas Feininger, Yale Joel, J.R. Eyerman and others were justly celebrated for finding new and creative ways to illustrate the often-esoteric breakthroughs — and the scientists and engineers — transforming the world in the middle part of the last century. Often the magazine’s treatment of these issues and people was unreservedly admiring; at other times, LIFE cast a more skeptical eye on new developments, inventions and areas of research. But no matter how wry or laudatory its voice, the magazine’s ability to bring seemingly “unphotographable” concepts to light always helped to further the conversation around everything from space travel and atomic energy to the minuscule workings of human cells.

Here, LIFE.com presents a selection of photographs by some of history’s most innovative photographers — pictures that encompass the bizarre, heady and often beautiful worlds of science and technology as seen in the pages of LIFE.

Here are some of these photographs:

Handful of microelectronic parts.The Light Trail Of A HelicopterLaser ExperimentLife like models for use in science and1270526.jpgWorkmen stand beside gigantic pipe segments during construction of Montana's Fort Peck Dam in 1936

Read more: 37 Weirdly Beautiful Science and Tech Photos From LIFE Magazine | LIFE.com http://life.time.com/culture/37-weirdly-beautiful-science-and-tech-photos-from-life-magazine/#ixzz33y8EV0Qx

Beat The heat…….

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A man cooling off on a hot afternoon in Jammu, Jammu and Kashmir. -  Jaipal Singh/European Pressphoto Agency

A man cooling off on a hot afternoon in Jammu, Jammu and Kashmir. – Jaipal Singh/European Pressphoto Agency

Curtsey :

Image of the Day: June 2 | By THE NEW YORK TIMES

Carnival of Blogs on Golden Era of Hindi Film Music – May 2014

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Welcome to May 2014 edition of Carnival of Blogs on Golden Era of Hindi Film Music.

This month many of our regular blogs that we visit seem to have turned on to film reviews. Well, that provides us a good opportunity to test wider oceans.

Husnlal-Bhagatram – The ‘First’ Composer Duo – pens the narrative of the origin and rise of Husnlal – Bhagatram…. The duo is fond of fast pace, actualized mainly through dholak and employment of atonal drums such as matka or idiophones such as ghunghroo, etc.” …Another aspect of their composing style .. is that “they make a musical statement which consists of successive song-lines with a descending and repetitive tonal contours”, which “appears to resolve the melody into completeness and it seems easier to remember” and “very few notes are used in those lines”. …..

One style feature that makes many of Husnlal-Bhagatram’s fast-paced songs catchy and instantly likeable is their tendency to punctuate the melody lines with very short and catchy orchestral phrases as a trigger for repetition of words or line, or by inserting short pauses at the end of a mukhda or antara before the rhythm moves forward. There are many examples to illustrate this point but… here are two songs that .. can be easily identified as Husnlal-Bhagatram creations.

The first example is Suraiya’s popular ‘tere nainon ne chori kiya’ from ‘Pyar Ki Jeet (1948). The pause after ‘tere nainon ne’ is filled with a brief flute piece that becomes such an integral part of the tune that if you try humming the tune, that flute piece would instantly play in your mind. …………The other example is Lata’s ‘tum dil ko tod doge’ from ‘Farmaaish’ (1953). The prelude itself is enough for one to identify it as their creation, but look at the rest of the composition. The first line is broken right at the middle and filled with a music piece, then at the end of the line comes another music piece before the line is repeated in exactly the same manner. In the antaras, a similar approach is followed, although the musical punctuation is used at the end of each line and a lovely pause is introduced at the end of the cross-line.”

We have A lovely Mohammed Rafi – Suraiya duet from Sanam (1951), composed by Husnlal Bhagatram, Mohammed Rafi singing for Dev Anand and Suraiya singing for herself.

KHURSHEED BANO … Barso re .. Tansen.. A Forgotten songKursheed and Suraiya were the two singing actresses of Mumbai Film-world who have shared the honours with the renowned singer K.L. Saigal. This talented and famous actress/singer of the thirties and the forty’s, Khurshid Bano rested in peace on 18th April 2001 in Karachi, at the age of 87 years and thus an era of talent in terms of acting/singing in the film industry finally came to an end.

In Melody Makers of Yesteryears (Unforgettable melodies) – part 1, usha manohartakes up “Chitragupt, Sardar Mallik and Narayan Dutta who were not often approached by any of the top movie makers like Bimal Roy, Nasir Hussain, Guru Dutt , Raj Kapoor or Mehboob Khan, but nonetheless they did make an impact, and once in a while did get a chance to work with some top film makers. Whenever they composed music for any film, they came out with some of the most melodious and meaningful compositions .

In Part 2she takes up Dattaram, G S Kohli and Sapan Jagamohan.

In Part 3, Ajit Merchant, Iqbal Quereshi and Bipin Babul have been covered in details.

Fascinating True Story Of A Lata Mangeshkar Song Born in A Los Angeles Music Shop narrates a very interesting story of a song which later in the same year (1958) Salil Chwdury composed – a classical Bengali song in Raag Khamaj (Carnatic-Hari Kambhoji) using the lovely Sur Bahar Sitar, David Bernard (of that LA music shop) gifted him in Los Angeles.. Sitar is the only musical instrument that is predominantly heard in the orchestration of this entire private song.. Perhaps this is also the only song in the Indian music history today wherein only Sitar is heard throughout a song..This Bengali song, is “..Naa jeo naa rajani ekhono baki..aaro kichhu dite baki.. bole raatjaaga pakhi..” was sung by the legendary Lata Mangeshkar..and its Hindi version “O Sajana barkhaa bahaar aayee..Ras ki phuhaar laayi.. Akhiyon mein pyar laayi..” (Parakh-1959).

Funny Hindi Songs – 20 Best Old Hindi Comedy Songs – “The other day I was watching the weekend show on Times Now which featured some of the best old Hindi comedy songs of yesteryear. Thus was the birth of this hub. They showed around 9 -11 songs as for the time constraint which every program on TV has. Here on the net, we don’t have any such time constraint, so I went ahead to compile a list of best 20 funny Hindi songs…..All these songs are excellently written and in one form or the other will give you a happy feeling. If the lyrics don’t evoke the laughing gases in you then do watch the video and shake a leg with it.”

We take a pause here in our charting of new waters.

Sickle Songs? Has listed three songs:

Aai Sawan Rut Ai – Mela (9148) – Mukesh, Shamshad Begum – Naushad

Naache Re Dharati Ke PyaareHeera Moti (1959) – Lata Mangeshkar, Hemant Kumar – Salil Chudhary [This is the only song composed by Salil Chaudhary, all others were composed by Roshan)

Aaj Meri Man Men Sakhi – Aan (1952) – Lata Mangeshkar and Chorus – Naushad

Does anyone have any more of the songs to add on to this subject?

Multiple Version Songs (16): Rabindra Sangeet and Pankaj Mullickis a very tribute to Gurudev Rabindranath Thakur (7 May 1861 – 7 August 1941) and Pankaj Mullick (10 May 1905 – 19 February 1978) by guest author N Venkataraman.

SoY has also released one more of Multiple Version Songs post — Multiple Versions Songs (17): Haunting Melodies in Different Moods And Settings — guest written by yours truly.

We have a very interesting two part article by Shrikant Guatam, in his regular weekly (Gujarati) column “RangRaag” in ‘Madhuvan’   supplement of Janmabhoomi Pravasi. The article has listed Exceptional Partnerships – that of a music director and a lyricist – in the world of Hindi Film Music and have provided songs such partnerships have germinated. Since recording each of the song in the article here would entail copying the whole article, I have listed here the Partnership and the film(s) in which they have collaborated:

Hemant Kumar Sahir Ludhianvi Girl Friend 1960
Majrooh Sultanpuri Ek Hi Rasta 1956
Gulzar Khamoshi 1969
S D Burman Gulzar Bandini 1963
[just one song – Mora Gora Ang Lai Le – Lata Mangeshkar; beginning the long innings that Gulzar played donning lyricist cap, among several others]
Madan Mohan Gulzar Mausam 1975
Sahir Ludhianvi Railway Platform 1955
Ghazal 1964
(jointly with Jai Dev) Laila Majnu 1976
Majrooh Sultanpuri Aakhari Dao 1958
Naushad Majrooh Sultanpuri Shajahan 1946
Andaz 1949
Saathi 1968
Roshan Neeraj Nai Umar Ki Nai Fasl 1965
Laxmikant Pyarelal Hasrat Jaipuri Chhaila Babu 1967
Kalyanji Anandji Sahir Ludhianvi Nanha Farishta 1969
Gulzar Purnima 1965
Majrooh Sultanpuri Ishara 1964
Hasrat Jaipuri Ghar Ghar Ki Kahani 1970

Both parts of the article, in Gujarati, can be read here and here.

This spurred me to re-look at an article on Shailendra’s filmography. Shailendra’s is a classic 80-20 Pareto Principle case – his great bulk of the work is with Shaker Jaikishan, followed by work with S D Burman and Salil Chaudhary and to fair extent with Roshan. Interestingly he has an equally impressive list of ‘exceptional partnerships’. Here are these gems:

Basant Prakash Badnaam 1952
Sapan Jagmohan Begana 1963
Ninu Majumdar Bhai Saaheb 1954
Robin Banerjee Massom 1960
Shailesh Mukherjee Savera 1958
Shivram Narayan Naya Kadam 1958
Chitragupta Kal Hamara Hai 1959
R D Burman Chhote Nawab 1961
Manohar Chingari 1955
Sudhir Kar Kaanch Ki Gudiya 1961
Shardul Kwatra Piple Saheb 1954
Tees Maar Khaan 1955
Kalyanji Anandji Satta Bazar 1959
Kishore Kumar Door Gagan Ki Chhaon Men 1964
Hum Do Daku 1967
Door Ka Raahi 1971
Anil Biswas Sautela Bhai 1962
Chhoti Chhoti Baaten 1965
C. Ramchandra Chhatrapati Shivaji 1952
Anarkali 1953
Ravi Dilli Ka Thug 1958
Jawani Ki Hawa 1959
Nai Raahen 1959
Mukul Roy Shailab 1956
Detective 1958
Pandit Ravi Shankar Anuradha 1960

Our friend Bhagwan Thavrani remembers: Tum Na Aaye Sanam Shama Jalti Rahi – Bhootnath (1963) – Vedpal – Lata mangeshkar – wherein he especially takes note of “Meri Awaz Ko Jaane Kyaa Ho Gaya, Main Baharon Men Gaati Rahi Jogiya.

We now take up regular take on Mohammad Rafi :

  • Mohammad Rafi- A short film on his life and songs – Part 1, Part 2 , Part 3 of film on the songs and life of legendary singer Mohammad Rafi, with inputs of Vinod Viplav, who has written his first biography-Meri Awaz Suno. This short film was produced and aired by CNBC News and Entertainment TV Channel.
  • Meri Awaaz Suno – Part 1 – Memories of Madan Mohan through his timeless melodies sung by Mohammad Rafi – Features introduction by Madanji, new nostalgic comments by Madanji and tributes by Mala Sinha, Khayyam and Jagjit Singh. It also features snippets of songs from Aakhari Dao (1958), Ghazal (1964), Suhagan (1964), Sharabi (1964), Haqueequat (1964) and Mera Saaya (1966).

Meri Awaaz Suno – Part 2 – Memories of Madan Mohan through his timeless melodies sung by Mohammad Rafi – Features tributes by Lataji, Pt. Shivkumar Sharma, Jaidev, Majrooh Sultanpuri and Jatin-Lalit. It also features snippets of songs from Aap Ki Parchhaiyan (1964), Dulhan Ek Raat Ki (1966), Heer Ranjha (1970), Naunihal (1967), Chirag (1969), Hanste Zakhm (1973), Laila Majnu (1976) and Tere Bagair (2009).

Each of our episodes is able to scratch the surface of all the great work done by a vast number of fans, lovers and knowledgeable people on the web, i.e. leaving out even a greater amount of documentation done on the print media. Let us salute these great work and join in bring up more and more of such work in our reach…….

Carnival of Quality Management Articles and Blogs – May 2014

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Welcome to May 2014 edition of Carnival of Quality Management Articles and Blogs.

We have taken up detailed look at the fundamentals of Nonconformity (Ref: Blog Carnival Edition of March 2014) / Nonconformance (Ref : Blog Carnival Edition of April 2014) as well as Conformity / Conformance, before we take in these words for a more specific angle of Quality.

In the present edition we switch our attention to Conformity, beginning with definitions:

Conformity @ Merriam-Webster Dictionary

: behavior that is the same as the behavior of most other people in a society, group, etc.

: the fact or state of agreeing with or obeying something

Synonyms

accord, accordance, agreement, conformance, congruence, congruency, congruity, consonance, harmony, tune

Antonyms

conflict, disagreement, incongruence, incongruity, incongruousness

Related Words

compatibility; assimilation, integration; oneness, solidarity, togetherness; affinity, empathy, sympathy

Near Antonyms

contrast, discrepancy, disparateness, disparity, dissimilarity, distinction, distinctiveness, distinctness, diverseness, diversity, unlikeness; deviance, divergence; discord, discordance, dissension (also dissention), dissent, dissidence, disunity, friction, strife; variability, variance; incompatibility

Conformity @ Dictionary.com

1. action in accord with prevailing social standards, attitudes, practices, etc.

2. correspondence in form, nature, or character; agreement, congruity, or accordance.

3. compliance or acquiescence; obedience.

4. ( often initial capital letter ) compliance with the usages of an established church, especially the Church of England.

5. Geology . the relationship between adjacent conformable strata.

We now turn to more fundamental aspects of conformity.

Conformity @ Wikipedia looks at the subject from a more general point of view.

Conformity is the act of matching attitudes, beliefs, and behaviors to group norms. Norms are implicit, unsaid rules, shared by a group of individuals, which guide their

Which line matches the first line, A, B, or C? In the Asch conformity experiments, people frequently followed the majority judgment, even when the majority was wrong.

Which line matches the first line, A, B, or C? In the Asch conformity experiments, people frequently followed the majority judgment, even when the majority was wrong.

interactions with others. This tendency to conform occurs in small groups and/or society as a whole, and may result from subtle unconscious influences, or direct and overt social pressure. Conformity can occur in the presence of others, or when an individual is alone.

Although peer pressure may manifest negatively, conformity can have good or bad effects depending on the situation. Driving on the correct side of the road could be seen as beneficial conformity. With the right environmental influence, conforming, in early childhood years, allows one to learn and thus, adopt the appropriate behaviours necessary to interact and develop correctly within one’s society. Conformity influences formation and maintenance of social norms, and helps societies function smoothly and predictably via the self-elimination of behaviors seen as contrary to unwritten rules. In this sense it can be perceived as a positive force that prevents acts that are perceptually disruptive or dangerous.

As conformity is a group phenomenon, factors such as group size, unanimity, cohesion, status, prior commitment, and public opinion help determine the level of conformity an individual displays.

In What Is Conformity? @ About.Com – Psychology Kendra Cherry refers to Deautsch and Gerard (1955), who have identified two key reasons why people conform: informational influence – happens when people change their behavior in order to be correct- and normative influence – from a desire to avoid punishments (such as going along with the rules in class even though you don’t agree with them) and gain rewards (such as behaving in a certain way in order to get people to like you).

Types of Conformity :
  • Normative conformity involves changing one’s behavior in order to fit in with the group.
  • Informational conformity happens when a person lacks knowledge and looks to the group for information and direction.
  • Identification occurs when people conform to what is expected of them based upon their social roles. Zimbardo’s famous Stanford Prison Experiment is a good example of people altering their behavior in order to fit into their expected roles.
  • Compliance involves changing one’s behavior while still internally disagreeing with the group.
  • Internalization occurs when we change our behavior because we want to be like another person.

In ‘ Deadly conformity is killing our creativity. Let’s mess about more’ Henry Porter @ the guardian | The Observer,

People’s lives would be more fulfilling if they were given greater freedom in the workplace……. apart from encouraging the well-appreciated conditions for creativity in the workplace, we perhaps need to understand that the structures for taking decisions and driving things forward are not the same ones we should use to find innovation and make the most of the unexploited 85% of our intelligence. Power and hierarchies are the enemy of creativity.

We now narrow down our area of study to some of the specific examples of conformity at work:

Conformity Analysis – As part of the transportation planning and programming process, The Chicago Metropolitan Agency for Planning (CMAP) staff evaluates the impact of proposed transportation activities on the region’s air quality.

Conformity of Production – Conformity of Production (COP) is a means of evidencing the ability to produce a series of products that exactly match the specification, performance and marking requirements outlined in the type approval documentation.

Please follow these links to documents that explain COP in more detail:

Conformity assessment is the process used to show that a product, service or system meets specified requirements…….The main forms of conformity assessment are certification, inspection and testing. Although testing is the most widely used, certification is the best known.

ISO has many standards relating to performing conformity assessment as well as many other publication and resources which can be accessed at resources for conformity assessment.

Next, we turn our sails to our regular sections, starting with an international body actively engaged in furtherance of quality- Abu Dhabi Quality and Conformity Council.

QCC is an Abu Dhabi government entity consisting  of a council of regulators with a mandate to ensure provision of quality infrastructure in line  with global standards, and to support regulators and government organizations through offering quality and conformity facilities, expertise and resources, promote a culture of quality towards consume.

And then move over to ASQ TV Episode- Lean with a Touch of Six Sigma – “You hear about lean and six sigma, and lean six sigma. Is there a difference? Learn how lean and six sigma work together and how NOT to mistake the tools.”

We would also leverage this opportunity to visit related videos:

Uncover the differences between Lean, Six Sigma and Lean Six Sigma – “Lean Six Sigma subject matter experts and instructors Chad Smith and Chris Hayes describe the core differences between Lean and Six Sigma.”

Waste Analysis – “The simplest thing an organization can do in applying lean is to identify waste in its processes and then work to eliminate them. To get started, conduct a waste analysis. It typically looks for waste in eight categories.” [Do visit identifying waste too.]

Is Lean (and Six Sigma) the way to go – “Lean expert, David Behling, and Six Sigma expert, Maria Pamment, discuss the relevance of lean and Six Sigma, the challenges of implementing lean and how to get executive support.” [Do visit David Behling's lean insights too.]

The Lighter Side–Lucy Hates Waste – In this classic comedy clip, we see an example of overproduction (one of the eight wastes of lean). Too bad eating extra product isn’t always a delicious option.

Lean Improves Response Time and Increases Revenue for Global Lender – One global lender was losing 40% of its applications for auto loans in Latin America. The organization used Six Sigma and lean tools to improve response time AND increase revenue in the process. [Do visit Case study too.]

Our ASQ’s Influential Voice for the month is – Dr. Lotto Lai

Dr. Lotto LaiBased in Hong Kong, China, Dr. Lotto Lai specializes in scientific research, quality assurance, and management. Dr. Lotto Lai has over 15 year hands-on experience in scientific research, quality assurance and management in Commercial Laboratory, University Testing Centre, Certification Body and Consultants Firm. He is Chairman & Fellow in HKSQ, MHKIE, SrMASQ, CMQOE and IRCA QMS Lead Auditor. He blogs at Quality Alchemist. The site already depicts publication of 52 posts in the year 2014, till date. The articles present a wide panorama of events that take place at HKSQ and other topics related to the subject of Quality.

We do not have a fresh insight this month in so far as Curious Cat Management Improvement Carnival category is concerned.

So we take a have look @ Interview on PDSA, Deming, Strategy and MoreBill Fox interviewed John Hunter and has posted the interview on his web site: Predicting Results in the Planning Stage.

I look forward to your active participation in enriching the blog carnival as we pursue our journey …………….

Rajendra Nath – Then…..and….. Now

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1960s /70s Hindi Film goer generation does not require any introduction of Rajendra Nath.

 

Rajendra Nath …..Then rajindernath..... thenRajendra Nath…. Now (He passed away in 2008)

rajindernath....now

Curtsey:  ‘Meri Lottery Lag Jaane Waali Hai’ : Rajinder Nath

Google celebrates Ustad Alla Rakha’s 95th Birthday

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Ustad Alla Rakha’s 95th birthday has been celebrated in style by Google Doodle, as

ustad-alla-rakhas-95th-birthday-born-1919

 

Many other prominent news media  like Zee News, The Hindu Business LineTime of India,  IBN Live,  NDTV Gadgets etc. have prominently taken note of this initiative.

On clicking the painted Alla Rakha doodle, Google redirects users to the search results page for ‘Alla Rakha’, which prominently features the Wikipedia page for the tabla maestro, as well as YouTube links to music recitals by the maestro, alongside Ravi Shankar and Zakir Hussain. Google has also listed a number of songs by Alla Rakha, as well as news centred on him.

Ustad Alla Rakha

His three sons – Zakir Hussain, Fazal Qureshi, and Taufiq Qureshi – are also respected tabla players.
Alla Rakha died on February 3, 2000 in Mumbai following a heart attack.

Carnival of Blogs on Golden Era of Hindi Film Music – April 2014

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Welcome to April 2014 edition of Carnival of Blogs on Golden Era of Hindi Film Music.

Welcome, spring!with a few songs for the spring.

Forgotten Composers Unforgettable Melodies (9): Lachhiram -A very awkward and unfamiliar name, and not among the mainstream composers, it is so great a coincidence that even as this Blog Carnival’s March 2014 edition was on net, SoY had published this post. Lachchiram Tomar appears to have given music for around 20 films, but even in these hyper-active internet days, one does not find pre-1950 songs on internet!

Arunkumar Deshmukh, in his comment @ 13states: Aye Dil Machal Machal Ke Yoon, Rota Hai Zaar Zaar Kya “ solo of Lata from film Main Suhagan Hoon is the ONLY song of Lata, Lachhiram ever composed. He was the ‘one film-one song’ composer of Lata.” This aspect was also strongly mentioned in Shri Ashok Dave’s post on Main Suhagan Hoon, wherein it is categorically stated that Lachhiram had rather a strong preference for Asha Bhosle. Obviously, the reasons for such a pattern are not evidenced.

We have one more post relating to Forgotten composers – Celebrating the Uncelebrated: Ten of my favourite songs by lesser-known composers.

Most satisfying aspect of the subject of ‘Forgotten’ Creators of “Unforgettable” Melodies is that there are still fairly large number of knowledgeable persons who keep on with their active contributions of these ‘geniuses’ on internet and do a great service of creating an unforgettable documentation of this vital aspect of Indian Cinema.

The haunting music of Hemant Kumar– i.e. haunting songs that for some reason remain etched in your mind and you keep humming or visualizing the song often. Or, when a song conveys deep emotions that are unforgettable or which leave an impact even when you are not listening to the song. Enjoy 22 of these songs on the player here.

Lata Mangeshkar Sings for Laxmikant Pyarelal -Part 1talks about Lata – LP collaboration in 60s andPart 2talks about period from 1970 till 1996.

Found: Vyjayanthimala’s Other Bharatanatyam Dance in Chittor Rani Padmini (1963, Tamil)! – Cinema Nritya Gharana had presenteda beautiful Bharatanatyam dance of Vyjayanthimala’s in the 1963 Tamil film Chittor Rani Padmini in the first post on V.S. Muthuswami Pillai, but lamented that the second dance at the end of the movie she was said to have performed for the king could not be located . [This article was covered in August 2013 edition of this Blog Carnival.] Well! The dance has now been located, at the rich treasure house of Kandasamy Sekkarakudi Subbiah Pillai’s YouTube channel, and it is fantastic!

There are two dances that feature performers who are not yet identified (but definitely would like to know more about) and there is one song for which the identity of some of the singers seems to be a subject of hot debate. So, for the first post devoted to Khazanchi (there will probably be more here), let’s delve into these… Some Mystery Singers and Dancers in Khazanchi (1941).

The Mystery of the Missing Songs- a list of the songs (I knew were) filmed and deleted for one reason or the other.

Ten of my favourite ‘classic poem’ songs’ lists ten songs that are, in whole or part, written by classic poets.

My Favourites: Ghoda-Gaadi Songs -Here are these songs, “in the memory of an animal-drawn vehicle that gave us some wonderful melodies. But with some caveats.

  • The songs can encompass any sort of horse-drawn vehicle – carriages, phaetons, Victorias, carts.
  • The whole song had to be picturised on the vehicle. (That took care of two of my favourite songs, Ye kya kar dala tune from Howrah Bridge and Sun bairi balam from Bawre Nain.)
  • It had to include the hero and  the heroine, even if only one of them were singing. (I originally titled this post Ghoda, Ghodi and Ghoda-Gaadi.) That deleted two other songs from my list: Chhoti si ye zindagani re from Aah, and Jhoome re neela ambar jhoomefrom Ek Gaaon ki Kahani.”

And as can be expected, there is at least one more of aTen of my favourite ghoda-gaadi songs “from pre-70s films that I’ve seen. Other than that, my requisites for the selected songs were:
1. That the person singing (on screen, that is) remains in the ghoda-gaadi through at least 80% of the song (which is whyAe dil hai mushkildoesn’t feature in this list).
2. Horse-drawn vehicles of all types qualify: tongas, Victorias, phaetons, even chariots. Horseback is out.
3. And, no two songs from the same film are allowed.”

SoY continues the great series on S D Burman and his songs with the leading playback singers, on the first death anniversary of Shamshad Begum with East meets West: Shamshad Begum’s songs by SD Burman.

We have some excellent material on one of most known ‘back-room’ face of Hindi Film Music – Manohari Singh.

In The Reed ManManohari Singh talks about his life and experiences, his colleagues and what it was like in the halcyon days of the Hindi film music world. [The post is penned byAshwin Panemangalore, who is primarily an electrical engineer, put in a long stint at L & T’s group of companies in software and instrumentation. After retiring in 2008 he is indulging in his passion for jazz.]

Manohari Singh – The Charming Pied Piper- Music lovers, both connoisseurs and common listeners, throng to listen to the mere sound of his instrument playing……Be it the Saxophone, Western (Key) Flute, the Clarinet or the Mandolin, there is a magical charm in the way he plays those instruments. There is unanimous agreement about the man’s extra special expressions, amazing breath control and inimitable tone of instrument playing.

Memories of Manohari Singh (1931 – 2010)is an anthological video clip capturing Manohari Singh’s work.

We also have two excellent posts presenting some important facets of legacies of two of the great (background) singers of Hindi Film Music world.

Lata Dinanath Mangeshkar Gramophone Record Museum : A National Heritage Made by Shri Suman Chaurasiya has more than 28000 records., of which records of Lata Mangeshkar’ s song number over 6000.

@ Beete Hue Din, Shishir Krishna Sharma’s article‘Tere Pyar Ka Aasra Chahta Hoon’ – Mahendra Kapoorremembers Mahendra Kapoor’s debut song,a duet ‘Kisi Ke Zulm Ki Tasweer Hai Mazdoor Ki Basti’ with Dhan Indorewala from the 1953 release movie ‘Madmast’. [ An interesting trivia – Music Director of this film – Madmast- V. Balsara and Dhan Indorewala went to marry later on.] Another song which Mahendra Kapoor sang for this movie was a qawwali with S.D.Batish, ‘Unhe Dekhein To Wo Munh Pher…Hamey Ankhein Dikhaate Hain’. …..

We also have some additional inputs by Shishir Krishna Sharma @ Mahendra Kapoor’s First Film Song He sang his first solo, “Kisko Daani Kahen … Tere Dar Ki Bhikmangi Hai Daata Duniya Saari” for Snehal Bhatkar’s Diwali Ki Raat in 1956.

The next song which he had sung was a Heer for the punjabi movie, Heer which had music by Anil Biswas. In addition to the above songs, He is also known to have recorded the following before participating in the competition:-

1. A few lines for the song “Ek Taraf Joru Ne Hai Nikaala” for composer Bulo C Rani in the movie Madhur Milan(1955). This song had been sung by Mohd Rafi, Geeta Dutt and A.R. Ojha and penned by Raja Mehdi Ali Khan.

2. A duet with Sabita Banerjee for composer Shanmukh Babu, “Oh Bedardi Jaane Ke Na kar Bahaane” for the movie Lalkaar(1956).

We eulogise passing away of V K Murthy, one of the most outstanding cinematographer, and Nanda, the beautiful and versatile actress of the Golden Era of Hindi Films.

The Masters : V K Murthy- Venkatrama Pandit Krishnamurthy’s journey to becoming VK Murthy, the eminent technician who was known as ‘Guru Dutt’s eyes’ is the stuff films are made of – a rags to riches story that began in the erstwhile princely state of Mysore in 1923.

Iconic beam shot by V K Murthy  for Waqt Ne Kiya Kya Haseen Sitam
No post on VK Murthy can be complete without the story behind the fantastic beamshot, for the song Waqt ne kiya,even though it’s been repeated in every tribute that has ever been written about the director, the film, or now, the cinematographer.

Here are a few of the video clips on V K Murthy:

Ten of my favourite Nanda songs“to celebrate Nanda’s life and career—and to wish her farewell—a selection of ten of her songs that I particularly like. These are all from pre-70s films that I’ve seen, and in each song, Nanda’s character does some—if not all—of the singing…… RIP, Nanda. You will be missed. Your sunny smiles and laughing eyes, your dignity, your ability to make your characters so believable—all will be remembered.”

Here are some more tributes to Nanda from You Tube:

During the period for the present edition, our friend Bhagwan Thavrani has remembered Pyar Ki Dastan Tum Suno To Kahen – Lata Mangeshkar (Music Director: Hemant Kumar) from Farar (1965). That reminded me to look for Dil-E-Nadaan Ko Sambhalun To from the same film, which shows Lata Mangeshkar as singer in the credits, but is believed to have been rendered by Suman Kalyanpur. In any case, Hemant Kuamr was at his melodious self, in the film. Here are the rest of the songs from the film:

Songs of Yore has presented Best songs of 1951: And the winners are?- After reviewing the best songs of 1955 and 1953, which were gap years in the Filmfare Awards (Baiju Bawra,1952 was the first film to get the Filmfare Awards for the best music, but in the later years no films of 1953 and 1955 won these awards, SoY now comes to the pre-Filmfare era with 1951. 1951 seems to have more than 110 films and 1000 songs. Without any doubt, all discussions are going to be as live as any discussions on SoY or the previous 1955 and 1953 posts have been.

One of the most iconic song from the year 1951 is Thandi Hawayein Laharati Aayen – Naujawan – Lata Mangeshkar, S D Burman. In Thandi Hawayein Legacy – Charles Bayer crooned “C’est la vie” in Algiers(1938) without even realizing what a big chain of inspirations he had set for the next generation of Indian music makers.

Old Is Gold has presented two part interview with Ghalib Khan , son of famous Hindi Film lyricist Asad Bhopali. Thefirst part of the interviewends with an outstanding song from Film Afasana (1951)’s Kismat Bigdi Duniya Badli – Mukesh (Husnalal Bhagatram).

Thesecond part of the interviewtakes us to our usual section on Mohammad Rafi with Miss Bombay (1949) song – Zindagi Bhar Gham Judaai Ka Hamen Tadpaayega First Version and Second Version (Hansraj Behl) and “Ek Naari Do Roop” song Dil Ka Soona Saaz Tarana Dhoondhega(Ganesh).

Here are three posts on Mohammad Rafi for the present edition of this Blog Carnival:

I am sure you will enjoy the present edition of our Blog Carnival and look forward to additions / inputs to enrich it further…….

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