Carnival of Quality Management Articles and Blogs – April 2014

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Welcome to April 2014 edition of Carnival of Quality Management Articles and Blogs.

We continue with our topic for in-depth view: Nonconformity / Non – conformance, focusing on Non – conformance in this issue.

Refusal | objection | dissent | protest | disobedience | disagreement

         and Antonyms

concurrence |acceptance |agreement |approval

for noncompliance .

A non-conformance is a departure from an agreed arrangement between an approval authority (or orthodox position) and an individual or group performing work.

In the context of quality management an “arrangement” is commonly an agreement to conform to: A Work Product Standard; A Predefined Procedure; A Work Product Specification; A Documentation Plan; An International Standard for Best Practice.

Nonconformity refers to a failure to comply with requirements, whereas Nonconformance refers to a deficiency in a characteristic, documentation, or procedure that renders the quality of an item or activity unacceptable or indeterminate; nonfulfillment of a specified requirement.

A non-compliance is the failure to adhere to an Act or its Regulations
A non-conformance is the failure to comply with a requirement, standard, or procedure.

A Google search throws up a host of additional informative article and links in so far as Non-conformance / Non-compliance is concerned. Among several such results, we take a look at selected few, from different fields.

Failure or refusal to comply. In medicine, the term noncompliance is commonly used in regard to a patient who does not take a prescribed medication or follow a prescribed course of treatment.

The process of determining noncompliance is an important aspect of the International Atomic Energy Agency (IAEA) safeguards system, as well as the only established mechanism for determining noncompliance with the nuclear Nonproliferation Treaty (NPT) itself. Noncompliance with an NPT safeguards agreement constitutes violation of Article III of the NPT, the obligation to accept safeguards on all nuclear material, and, depending on the circumstances, possibly a violation of Article II, the obligation not to acquire nuclear weapons.

Noncompliance: Any action or activity associated with the conduct or oversight of research involving human subjects that fails to comply with the research plan as approved by a designated IRB or federal regulations or institutional policies governing such research. Non-compliance may range from minor to serious, be unintentional or willful, and may occur once or several times.

Noncompliance with regulations by enterprises is said to be rife in developing countries. Yet there is limited systematic evidence of the magnitude of noncompliance at the enterprise level. Making innovative use of two complementary data sources, this paper quantifies noncompliance for India’s Factories Act without the question of illegality ever being raised directly with enterprises. The paper finds that more than twice as many firms are not complying as are complying. Further, the number of non-compliant firms is much larger than the number of firms adjusting out of the regulation. Thus noncompliance with the Factories Act is a key feature of the “missing middle” in India. The paper explores the main trends and patterns of noncompliance and highlights a number of key issues for further analytical and policy research.

As we search for more results, we observe that more of the articles deal with the subject from Quality (Management or Function or Profession). Hence we will take a more detailed look at these articles in our future edition when will be having a look at the subject purely in terms of Quality (Management or Function or Profession).

Next, we turn our sails to our regular sections, starting with an international body actively engaged in furtherance of quality.

The Product Development and Management Association (PDMA) is the premier global advocate for product development and management professionals. Our mission is to improve the effectiveness of individuals and organizations in product development and management. This is accomplished by providing resources for professional development, information, collaboration and promotion of new product development and management.

The development of new products and services involves an integrated set of unique activities. PDMA is the only organization that focuses on addressing this challenge by providing the following opportunities for professional development: education, experience, networking and recognition.

Updates can be obtained from PDMA News blog for association news or the PDMA Blog which features content from PDMA members.

And then move over to ASQ TV Episode- Six Sigma

Six Sigma is a well-known quality method. But like most quality techniques, its use changes and evolves as organizations do. In this episode, we discuss benefits and challenges associated with implementing Six Sigma; how to distinguish the Six Sigma belt colors; the potential return on investment of implementing Six Sigma; the basics of DMAIC; and play a fun game of “Name That Black Belt.”

Lean and Six Sigma Conference Audio

Costs and Savings

DMAIC

Our ASQ’s Influential Voice for the month is -Shon Isenhour

Shon IsenhourBased in Charleston, South Carolina, Shon Isenhour specializes in business process management, strategic planning, organizational change management, and reliability engineering. He has led improvement initiatives for industries such as pharmaceuticals, metals, petrochemical, paper, and power generation, among others. He is direction of education and work execution management at GPAllied. Shon writes about reliability on Reliability Now, with a tagline – Developing and Sustaining Improved Corporate Bottom Line Performance.

We take a detailed look at one of the posts on this blog.

Education Without Application Is Just Entertainment: 3 things that can help create a return on education.

Retention:Take the time to map out the skills you need the person to have and the learning objectives associated with those skills. Then the training can be customized to only provide the points and topics they need to be successful.

Application: Once a student has seen a new way to do something in the training environment they must apply the skills nearly immediately. This helps with the previous topic of retention but it also creates success and real world examples that can be used to continue the change process.

Culture Manipulation: With a pull from leadership and the success of quick application you can begin to manipulate the culture into the target state.

We do not have a fresh insight this month in so far as Curious Cat Management Improvement Carnival category is concerned.So we take a brief stay at Good Process Improvement Practices and related articles – Change is not ImprovementHow to ImproveWhere to Start ImprovementOperational ExcellenceHow to Manage What You Can’t MeasureMaking Better DecisionsFind the Root Cause Instead of the Person to Blame

I look forward to your active participation in enriching the blog carnival as we pursue our journey …………….

Carnival of Blogs on Golden Era of Hindi Film Music – March 2014

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Welcome to March 2014 edition of Carnival of Blogs on Golden Era of Hindi Film Music.

For the period under review, we have two excellent compilations w.r.t. Talat Mahamood birth anniversary on 24th February, 2014, from none other than Songs Of Yore.

  • The first of the articles – The Mentor and the Protégé: Talat Mahmood songs by Anil Biswas – commemorates Talat Mahamood’s 90th birth day. While Anil Biswas was not the most prolific  with Talat Mahmood as compared to C Ramchandra, Ghulam Mohammad and Madan Mohan, he remains the most important composer for him, so much so that you mention Talat Mahmood and Anil Biswas comes to mind.
  • The article that follows on SoY, is also about an equally rare combination of Talat Mahmmod’s Hindi Songs career – with S D Burman : Talat Mahmood’s songs by SD Burman. Talat Mahmood had only about 15 songs with S D Burman, a fraction of the songs SDB has with Mohammad Rafi and Kishore Kumar. But his impact was way beyond his numbers, and SD Burman created several immortal songs with him, as he did with Mukesh with about the same number of songs, as can be seen in this article and comments thereto.

These two articles lead us to search for a retrospective on similar articles on Talat Mahmood. Surprisingly, during the searches, one comes up either to vanilla Talat Mahamood songs catalogues or vanilla playlists, but not very incisive analyses that looks at Talat Mahmood’s career with different music directors at different phases / periods of the Golden Era of the Hindi Film Music.

The first one is a post written 4 years before, on Talat Mahmood’s 86th birthday – Ten of my favourite Talat Mahmood songs.

The second one is a review of Nakli Nawab(1962), in terms of an observation that films’s music Director, Babul, has used three playback singers for the hero – Manoj Kumar – in the film.

Talat Mahmood, in a duet with Asha Bhosle – Mast Aankhen Hai Ke Paimaane

Mukesh in Phoolon Se Rangeen Zameen Hai

And two of Mohammad Rafi classics – Tum Poochhati Ho Ishq Bhala Hai Nahin and Chheda Jo Dil Ka Fasana

Well, now that we have jumped over to Mohammad Rafi track, let us continue our present journey on that track and fathom what we have in store this month in so far as Mohammad Rafi is concerned.

Jabberwock returns to an infrequent series about old song sequences (some earlier entries Aashirwad, “Rail Gaadi” and the vitality of the well-done song sequence; the pleasures of “Saaf Karo Insaaf Karo and Cold water for Devdas – song sequences in Biwi aur Makaan) with thoughts on “Tere Mere Sapne” from Guide , in the article “Tere Mere Sapne”, a visual treat.

“Hindi cinema has a long history of the song sequence as a declaration of love or commitment, but rarely has it been done as well as it is here. This sequence lasts more than four minutes, but it is made up of only three shots, which increase progressively in length – in other words, there are only two cuts in the whole scene. While the song in itself is one of the loveliest we have ever had, the visualisation shows Vijay Anand’s talent for using the long, unbroken take to add dramatic intensity and continuity to a given situation.”

Shri Ashok Dave has presented one more of a rare combination of Mohammad Rafi with a music director who did not get due that his talent deserved – Lachhiram (Tamar) , through songs of Main Suhagan Hoon (1964) :

Two duets with Asha Bosle

Interestingly in such a Mohammad Rafi dominated film we have a Talat Mahmood solo – Ye Kis Manzil Pe Le Aayee Meri Badkismati Mujhko.

And of course, the film has a very pleasant Lata Mangeshkar number – Aye Dil Machal Machal Ke Yoon, Rota Hai Zaar Zaar Kya.

From now on, we will also document here songs that our friend, Bhagwan Thavraniforwards via his emails or SMSes. This month we have:

  • Chandrama Ja Unse Keh Do – Bharat Milap – Lata Mangeshkar, Mahender Kapoor
  •  Tumhi Ne Dil Mera – Air Mail (1960) – Mohammad Rafi, Suman Kalyanpur – Music Director – Sardul Quatra.
  •  Interestingly here too, we have a Mohammad Rafi solo Jo Aaj Tak Hua Na – Gule Bakawali 1963 – Music Director – Hansraj Behl, as well as a Talat Mahmood solo JIYUNGA JAB TALAK- CHINGARI(1955) – Music Director Manohar

We now go back to our regular track of playlists featuring Hindi Films songs with a focused subject.

  • My Favourites: Songs in Disguise –“would have only disguised heroes, not heroines (who could be disguised or not, if they were part of the duets), and b) the hero had to be singing, not just remain a spectator. And, oh, just for me, because I like making things difficult for myself – only one song per hero.”
  • Ten of my favourite wind songs – “There have been songs addressed to the wind, songs about the wind. Here are ten of my favourites, in no particular order. The only restrictions I’ve imposed on myself are: (a) As always, the song should be from a film I’ve seen, from before the 1970s And (b) the song should have a word synonymous with wind (hawa, saba, pawan, etc) in the first line of the song.”
  • SoY had done a very interesting article Suman Kalyanpur outshines Lata Mangeshkar on October 4, 2010. The purpose of recalling this article is one of the recent comments by Rakesh Srivastava as well as discussions linked to that comment. These discussions provide us a wealth of Suman Kalayanpur songs. The comment by AM has meticulously listed Suman Kalyanpur’s songs composed by Shanker Jaikishan.
  • In Magic of Raj Kapoor and Shanker Jaikishen, rsbaab has presented an interesting analysis, certainly predominant in RK-SJ films, but nonetheless went on become hallmark of SJ’s style elsewhere too. SJ’s extensive use of preludes, blend of harmony + tempo in the orchestration, descending notes of mukhda line in the higher notes and gradually make each line of the mukhda end on a lower note , very heart tugging lyrics, use of rich and full-bodied tone instrumentsand appealing (folk) dances .
  • Bollyviewer @ Old Is Gold has now moved to a new address – Masala Punch. We take that opportunity to visit an earlier post My favorite piano-songs, where in at least one character is actually playing the piano.

March is the month of Holi- which is not only the festival of colours by also of spoofs- somewhat alike what West does on 1st of April.

SoY has taken the opportunity to sprinkle a dash of A ‘serious’ review of Sangam (1964) in its Golden Jubilee Year and seriously analyses how ‘Raj Kapoor overturns Bollywood triangle to convey profound social messages’.

Dances on Footpath has added two wonderful images to celebrate the spirit of Holi.

Holi 1Holi 2

We sign off the current edition of the blog carnival while Dusted Off explores some known advantages of blogging before diving deep into The funny side of blogging.

Carnival of Quality Management Articles and Blogs – March 2014

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Welcome to March 2014 edition of Carnival of Quality Management Articles and Blogs.

Our topic for in-depth view is: Nonconformity / Non – conformance.

The Quality profession would tend to take these two words in the same stride. However, a closer look is likely to throw up some subtle difference – if not so much in the   colloquial or practical meaning(s), certainly in terms of spirit of the content of the approach.

Hence, I have decided to take up Nonconformity, Non-conformance and their literal antonyms Conformity and Conformance for a separate detailed study each month, before we take up the discussions of these terms from the perspective of Quality Management – as a profession and as a function.

So, first, we take up Nonconformity in the present edition.

Apparently Nonconformity has far reaching different shades of meaning and intent in different fields, such as Gender Diversity, Religion, Psychology, Sociology, History and the similar other fields.  Therefore, we would confine our discussions to the articles which remain GENERAL in nature.

  • Merriam-Webster Dictionary defines Nonconformity as ‘failure or refusal to behave the way most people behave: failure or refusal to conform’.

If a fireman came to work in a police outfit or clown suit, that would be a clear case of nonconformity. Where there’s nonconformity, there’s difference.

Nonconformity means that someone is doing things differently from the norm.

Too much nonconformity can create chaos, but without a little nonconformity, life would be pretty boring.

  • Theasarus.com defines Nonconformity  as  ‘belief, behaviour different from most’.

Synonyms for Nonconformity

denial  | disaffection | disagreement | disapprobation | disapproval | discordance |  disobedience | dissent s| eccentricity s| exception | heresyta| | | heterodoxytar | iconoclasmta |insubordination| lawlessnessar| | negationta| | nonacceptance s| | noncompliance | | objection |opposition | originality | recalcitrance| | recusancy | rejectionar | strangeness |r| unconventionality | uniqueness | unorthodoxy | unruliness | vetor | violation | contumaciousness | |mutinousness | nonagreementar | nonconsent |

Antonyms for nonconformity

acceptance | agreement | allowance | approval |concurrence | endorsement | harmony |normality | obedience |observance | orthodoxy | peace | permission |ratification | sanction | usualness

In the battle against conventional beliefs, we focus on three Unconventional Strategies for Life, Work and Travel. I define non-conformity as “a lack of orthodoxy in thoughts or beliefs” or “the refusal to accept established customs, attitudes, or ideas.”

Under the category Non-conformity  on this blog, we have two articles that our draw our attention –

“The past always seems better when you look back on it than it did at the time. And the present never looks as good as it will in the future.” -Peter Benchley

  • In Limbo – Being between things is tough. There’s a bright future ahead! You can picture it, just out of reach in the near distance.

You could accept less than you dreamed of, in other words. But why would you do that?

Chances are, there’s only one real option: keep working away. Tick-tock. Check off the tasks one at a time.

Two steps forward, one step back.

There is a fine line that separates conformity from nonconformity, and both of them from intelligent decision making.  Although the distinction may seem clear, I believe the difference is far more complex than most people are aware of.  Why?  Because an accurate measure of conformity or nonconformity is based exclusively on an individual’s true understanding of a subject.

 

Traditional religions have generally prohibited tattoos on the grounds they encourage superficial thinking (what’s on the surface is not what matters).

The human mind is easily programmed, and human behavior is largely autonomous once the sub-conscious has a suggestion of what to do. By default, people seem inclined to conform to the ideas, environment and behaviors around them, at least as a means of survival and of fitting in. Unless an individual takes charge of their own mind and their own behavior, most people are content to follow along with what other people are doing, even if that means doing something self-destructive.

In no particular order, here are the top five ways to practice non-conformity in the world that we have created for ourselves – the matrix of self-destruction.

Monetary Non-conformity – The human race is enslaved to a corrupt and inflationary monetary system. To act as a balance to this, any opportunity to conduct life without using the dollar and the credit system is a stunning act of non-conformity.

Shun the Materialistic and the Entertainment Driven Lifestyle – To be realistic about one’s true needs and to consume less “stuff” makes one stand out as a non-conformist in today’s culture.

Health Rebel – Taking control of diet, finding some enjoyable type of exercise, and being courageous enough to try out alternative, non-pharmaceutical modalities of healing when possible, are, oddly enough, all one has to do in order to stand out as a health non-conformist.

Re-Education – The quality of the future can be seen in the quality of our youth, and the current models of building quality people seem to be falling short. Trying out new modalities of education for our children is an inspiring way to work towards a better vision for the future.

Experience-Based Spirituality – The non-conformist of today explores practices and ideas that work best to induce direct experience, following intuition to develop a connection to the sacred part of humanity, which is so routinely trampled in our hectic world. Finding inner peace through whichever religion or philosophy you choose is critical to creating a world free from toxic effects of collective fear.

These are certainly not the first words written on the subject, and are definitely the last! I am sure; there would be many more enlightening materials that would provide a far-more encompassing view of the subject. The more we know what we do-not-know of Nonconformity, we can turn the knowledge for creative use of nonconformity for sustained improvements.

Next, we turn our sails to our regular sections, starting with an international body actively engaged in furtherance of quality.

  • National Institute of Science and Technology of  US Department of Commerce is one of the USA’s oldest physical science laboratories. US Congress established the agency to remove a major handicap to U.S. industrial competitiveness at the time—a second-rate measurement infrastructure that lagged behind the capabilities of England, Germany, and other economic rivals. Today, NIST measurements support the smallest of technologies—nanoscale devices so tiny that tens of thousands can fit on the end of a single human hair—to the largest and most complex of human-made creations, from earthquake-resistant skyscrapers to wide-body jetliners to global communication networks. A-Z subject index — alphabetical listing of research topics, activities, programs, products, and services would help to explore NIST’s web site to learn about its current projects.

And then move over to ASQ TV Episode Culture of Quality:

Culture is the driving force of quality. Creating and sustaining a quality culture are much-discussed topics in the quality community. In this episode, we explore the ways that quality culture contributes to organizational performance. We’ll also learn what quality leaders can do to take organizational culture into their own hands. We’ll also recognize quality engineers and their superhero status.
The Related Video – Driving Culture of Quality –  adds further value.
A culture of quality can mean different things to different organizations. Determining what culture of quality means is the first step in the improvement journey.

Our ASQ’s Influential Voice for the month is – John Hunter

No doubt, we are familiar with the Management Improvement Carnival which has been the regular feature at The Carnival of john-hunterQuality Management Articles and Blogs.

John Hunter has a background in online quality information management. He has developed quality improvement methods and software at the quality management office of the Secretary of Defense and the White House Military Office. He blogs at Curious Cat Management Blog .

John Hunter writes primarily about management improvement on this blog – which makes sense given the title – through the range of topics like Deming, lean thinking, innovation, customer focus, continual improvement, six sigma… In the very early days he had more on investing, economic data, science, engineering and travel. Then he created three new blogs (Curious Cat Investment and Economics Blog, Curious Cat Science and Engineering Blog, Curious Cat Travel Photos blog)

In this month’s edition we will take a look at his post Poor Results Should be Addressed by Improving the System Not Blaming Individuals.

“I should estimate that in my experience most troubles and most possibilities for improvement add up to the proportions something like this: 94% belongs to the system (responsibility of management), 6% special.” – Page 315 of Out of the Crisis by W. Edwards Deming

I look forward to your active “non-conformant” participation in enriching the blog carnival as we pursue our journey …………….

Carnival of Blogs on Golden Era of Hindi Film Music – February 2014

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Welcome to February 2014 edition of Carnival of Blogs on Golden Era of Hindi Film Music.

We commence the present edition with three consecutive posts on Mukesh @ Conversations Over Chai

  • The Legends: Mukeshpresents author’s favourite Mukesh solos that he sang for many others (than Raj Kapoor), and successfully, at that.

These articles also prod us to take a retrospective look at article son Mukesh on the blogs tha we regularly visit on these pages:

  • @ Songs of Yore:

My favourite happy songs of Mukesh – songs that differ from Mukesh stereotyped image of THE singer of sad songs.

Mukesh’s best happy duets – “ a peppy song becomes peppier in a duet, especially if the male singer is one whose natural instinct favours soulful, slow emotional songs” as can be heard in these Mukesh duets.

Mukesh and his romance with ‘Dil’  – There was something special about Mukesh and ‘dil’, not only his romantic heart but his romancing the heart- dil songs of incredible beauty.

Songs of Yore continues to blaze the 2014 trail with:

Door Papiha Bola: Suraiya by Anil Biswas – presents Suaraiya’s songs under the baton of Anil Bisaws, reaffirming an  otherwise what is considered as an underrated bond of the two legends, in comparison to Suraiya’s  songs under other music directors like Naushad, Hushnalal Bhagatram , Ghulam Mohammad  or Anil Biswas’s songs with other playback singers like  Lata Mangeshkar, Meena Kapoor.

Songs of Atariya – With a tribute to Begum Akhtar in her Centenary Year – watch atariya in these settings to realize the intrinsic beauty in the lore associated with this word.

We also take a retrospective tour to some other articles on Suraiya:

  • Nivedita Ramakrishnan wrote One day I discovered Suraiya – when Suraiya passed away, for India Abroad, March 12, 2004. The article was reproduced @ Cinema Corridor on the occasion of her ninth death anniversary.
  • Anmol Fankar’s Suraiya on LP Records also brings the days of chronicler of this carnival where vinyl records used to be his major source of access to the songs of Golden Era of HFM. These records still continue to reminisce those moments when we used to listen these records from his erstwhile painstakingly built collection.

Dances on Footpath presents third Cuckoo’s birthday post – Happy Birthday, Cuckoo Moray!. The one was an equally substantial post in 2011, and the second was a small one, with her song from Mirza Sahiban, posted in 2013.

Conversations Over Chai presents  “One of my favourite actresses of the period, as much for beauty and screen presence as for her acting skills, here are my pick of what I think are her [Ten]  best roles” in The Divas: Sadhana.

The article on the Suraiya – Anil Biswas combination @ Songs of Yore has an interesting participant in the discussions – Lavnaya Shah, daughter of  a noted HFM lyricist and poet  Pandit Narendra Sharma. She also has written Daughter remembers: ‘ Jyoti ~ Kalash’ – the daughter’s tribute to the poem (and one of the most iconic songs)  Jyoti Kalash Chhalake . The discussions also provides us link to an abridged version of Life and Career of Pandit Narendra Sharma.

Valentine’s Day has given us two posts – both seem to be grudging contributions to the spirit of romance.

Dusted Off has presented Songs of romantic love – in ten moods -  “with a twist: not necessarily a serenade to a loved one, and not necessarily two lovers billing and cooing to each other. Instead, romantic love in its different forms and shapes and tones and hues. All of these songs are about romantic love (not maternal/fraternal/patriotic/devotional or other forms of the sentiment), and they’re all from pre-70s films that I’ve seen. And they’re each in a distinct mood that shows some aspect of romantic love.”

Conversations over Chai has presented “some beautiful songs that make you feel that romance is still alive, that if ‘love’ exists, this is how it should be/feel like, songs that make you feel all mushy for a while” in My Favourites : Love Songs.

For this edition’s Mohammad Rafi articles we have:

Till we meet again next month…. I look forward to your inputs for enriching the carnival…

Carnival of Quality Management Articles and Blogs – February 2014

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Welcome to February 2014 edition of Carnival of Quality Management Articles and Blogs.

Our discussion topic for the present edition of the Blog Carnival is Quality Assurance vs. Quality Control. The subject does seem well-worn out. However, the internet search reveals several articles appearing in the recent time frame too.  As I read through the articles, I did find quite interesting bits of informative light in these articles. And, hence the topic for the current edition.

  • We commence our look-in of the topic with Overview @ ASQ, wherein we get to look at the classic definitions:

The terms “quality assurance” and “quality control” are often used interchangeably to refer to ways of ensuring the quality of a service or product. The terms, however, have different meanings.

Assurance: The act of giving confidence, the state of being certain or the act of making certain.
Quality Assurance: The planned and systematic activities implemented in a quality system so that quality requirements for a product or service will be fulfilled.

Control: An evaluation to indicate needed corrective responses; the act of guiding a process in which variability is attributable to a constant system of chance causes.
Quality Control: The observation techniques and activities used to fulfill requirements for quality.

  • The sight dealing exclusively with different meanings –  www.diffen.com  -  has this to state:

Quality Assurance is process oriented and focuses on defect prevention; while quality control is product oriented and focuses on defect identification. It goes on to illustrate the difference with the help of a chart

Because “assurance” means that you know you did everything needed to make something that works right, while “control” means that you have no idea whether any or all of your batch o’junk is worth anything until you examine each item.

In the case of software, QA means that you know that the code you are making fulfills the requirements, QC is discovering that your process of writing code was not adequate to assure that you didn’t create a lot of bugs along with your features.ChrisBaugh

QM-QA-QCAs the quality movement matured and improved, it developed into Quality Management. Now the emphasis has widened to include developments in systems thinking and management systems.  Quality management is a much broader field.  While it includes quality planning, as well as quality control and quality assurance, it also includes quality improvement and extends beyond just QA and QC to a systems approach and looking at the quality management system as a whole.

  • Difference between QA and QC, while neatly laying out the differences in a tabular format, focuses on failure prevention as the key to Quality Assurance, as against failure detection of the Quality Control.

Quality Assurance: a Strategy of Prevention whereas Quality Control: a Strategy of Detection.

  • What is the difference between Quality Assurance and Quality Control?   differentiates these as :“Prevention over inspection” and “DIRFT – Do It Right the First Time”. At the heart of these two concepts lies the idea that everything we produce should be produced error free from the start, because it’s more costly to fix an error afterwards.
  • BBC’s article on Product analysis and evaluation states that – Designers and manufacturers use product analysis to help them develop ideas for new or improved products and to analyse the work of other designers. Quality assurance is a system of checks and inspections to ensure high standards throughout design and manufacture.

Quality Control is defined as a system for verifying and maintaining a desired level of quality in an individual test or process.  Quality control activities span the testing process from the moment of specimen collection until the time the physician receives the report.  Quality Assurance (QA) is defined by the College of American Pathologists as systematic monitoring of quality control results and quality practice parameters to assure that all systems are functioning in a manner appropriate to excellence in health care delivery.  Quality assurance is a coordinated system designed to detect, control and prevent the occurrence of errors and, ultimately, to further a clinician’s ability to appropriately care for his or her patient. A number of quality control/quality assurance measures for cytopathology have been specified by the Clinical Laboratory Improvement Amendments of 1988.  All quality assurance processes must be described and documented in a quality assurance program in the laboratory.

Simply put, quality assurance is the act of creating, monitoring and maintaining the overall quality system (the marching orders).

Quality control is the act of carrying out those orders during the process of creating the product or deliverable.

The quality control manager will probably be interested in product yield, reacts to changing conditions, focuses on the product, provides a production line function, and finds faults. The aim of quality control is to offer the highest quality of product or service to the client, thereby meeting or even exceeding the client requirements.

QC focuses on the product produced. This focus is two-fold, ensuring that both customer and producer share the same vision of quality, and that work is objectively reviewed to eliminate defects. First goal is to reduce the “Quality Gap”, the gap between customer expectations (not necessarily stated) and the development team’s understanding of the explicit requirements. The second goal of the Quality Control entity is to find defects before they reach the customer.

QA focuses on processes and their continuous improvement. Its goal is to reduce variance in processes in order to predict the quality of an output (final or interim product), gather best practices for the company, reduce cost, and reduce time to market. QA is strongly linked to innovation and creativity. Quality Assurance neither imposes nor defines processes for other people, but it provides advice and support to the process owner, which leads to the ability to measure success and make decisions based on facts. A well-known approach to Quality Assurance is the PDCA (Plan Do Check Act) Cycle.

And here are few of the detailed reference articles:

Understanding consumer behavior can help quality assurance (QA) people allocate resources.

A comparison of commonly used quality assurance alternatives, classified according to generic methods of dealing with defects, leads to an integrated approach for software quality assurance and improvement.

Twenty multiple-choice questions test your knowledge of quality control statistics.

We take a look beyond our focus topic @ Random Thoughts posted by Michael Wade

  • In many cases, we should not worry so much about what to do beyond our current efforts; rather we should consider what to stop doing.
  • In a similar vein, searching for new facts can be less productive than reviewing our current knowledge and learning what doesn’t withstand scrutiny.
  • Frequently tally up your assumptions. Don’t look for magic bullets. The difficult path may be the fastest.
  • If you could travel to the next decade, which of our present practices would cause you to wonder, “How could they have ever thought that would work?” If you were a stock, would you be a Buy, Hold or Sell?
  • An executive’s passion for inaction can be as revealing as an x-ray.
  •  No one boasts of hard work more than a non-producer.

The Blog Carnival does strongly recommend to bookmark Magazine back issues @ Quality Digest.

Next, we turn our sails to our regular sections, starting with an international body actively engaged in furtherance of quality.

The International Register of Certificated Auditors (IRCA) – world’s original and largest international auditor certification body.

IRCA provides two main services:

  1. Certification of auditors of management systems
  2. Approval of training organizations and certification of their auditor training courses

The site has several useful services, like IRCA e-Library, which can be accessed by registering therein.

And then move over to ASQ TV Episode – Global Supply Chain

In today’s global economy, most organizations know they can’t go at it alone. To build products and services that customers demand, businesses must forge partnerships with each other. So how do you ensure you’re adding the right partners to your supply chain process? Include quality in the equation. This episode explores:

  1. Quality considerations when building a global supply chain.
  2. Keys to a synced-up supply chain.
  3. A tool that rates suppliers and helps them improve.

Our ASQ’s Influential Voice for the month is – : Babette N. Ten Haken.

Babette N. Ten HakenBabette is founder and president of sales at Aerobics for Engineers, LLC. She works to build revenue-producing business strategies for technical start-ups seeking investors and early customers. She is a professional mentor for the National Science Foundation Innovation Corps program, a Six Sigma Green Belt, and mentor at the Center for Entrepreneurship, University of Michigan. She has been recognized as one of the 2013 top 50 sales and marketing influencers. Her blog is called Sales Aerobics for Engineers.

The blog has these sections:

The blog has wide ranging articles on Sales, of which  - Creating Professional Sustainability – Creating your professional sustainability strategy encompasses considering all the activities you engage in pre- and post- “sale. “– yourself as a Professional Person of Worth – has direct message for Sales and Marketing professionals. Importantly, the underlying message also holds equally true for Quality Professionals.

And we finally round up our present edition with  John Hunter’s 6th Annual Curious Cat Management Blog Review  wherein each of the participants post reviews of several blogs on their blog. Links to all the 2013 Management Blog Review posts are listed below, ordered by the number of years each author has participated in the annual review.

I look forward to your active participation in enriching the blog carnival as we pursue our journey through the rest of 2014…………….

Carnival of Blogs on Golden Era of Hindi Film Music – December 2013

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Welcome to December 2013 edition of Carnival of Blogs on Golden Era of Hindi Film Music.

This month’s Anniversary section has lead article from the current period of a blog and then is further supported by some excellent articles/ clips form the past archives.

Songs of Yore presents some of her well-known and not so well-known songs while felicitating 77th birth anniversary of Sudha Malhotra in a well-researched article Sudha Malhotra: The last of the niche singers of the Golden Era.

For a more detailed look at ghazals of Sudha Malhotra, a visit to SongsPK.co is called for.

IMIRZA777 has remembered birthday of Geeta Dutt @ Happy Birthday Geeta Dutt.. 23 November 1930.

8th of December was birthday of Sharmila Tagore as well Dharmendra. Shrikant Guatam, in his regular (Gujarati) column   “Rang Raag” in Janmabhoomi Pravasi’s  Sunday supplement “Madhuvan”  of 8th December 2013 has aptly caught one more coincidence – the pair has done EIGHT films together . These are – Devar, Anupama, Satyakam, Yakeen, Ek Mahal Ho Sapno Ka, Mere Humdum Mer Dost, Chupke Chupke, Sunny.

Conversations Over Chai presents favourite Hindi films roles of Shramila Tagore in The Divas: Shamila Tagore.

On the second death anniversary of Dev Anand, Conversations over Chai “discovered a wealth of songs where Dev Anand was either drunk or pretend drunk, or at least holding a glass… to raise a metaphorical toast to an actor and a gentleman …to list some beautiful songs that he lip-synched on screen in Intoxicating Dev Anand.

Conversations over Chai then goes on pay a very unique tribute to Raj Kapoor on his 89th birthday – quite an interesting and thought-provoking quiz in The Only Showman.

We also pick up Portrait of the Director: Raj Kapoor   from YT channel DoordarshanNational  and a highly personalised interview, LIVING LEGND RAJ KAPOOR,  by SimiGarewalOfficial, wherein Raj Kapoor talks about his emotional evolution… his regrets.. his loves.. his music .. his films and his philosophies…… with a treat of haunting scenes and songs from his films.

14th December was also 47th anniversary of Shailendra’s passing away. Pravin Thakkar has penned the multi-faceted portrait of Shailendra in his article published in his (Gujarati) column Rajatpat Na Rang in Kutchhmitra’s Sunday supplement Madhuvan of 8th December 2013.

We supplement several clips form YT archives regarding Shailendra – A Compilation of Title songs – listing 21 title songs penned by Shailendra by शैलेंद्र के गीत | Songs of Shailendra; A Small Tribute to Shailendra by crazyoldsongs and NDTV.com’s Remembering lyricist Shailendra over and above  Chauthi Kasam (Part I, Part II and Part III) by ABP News, which we have covered in the October 2013 edition of this blog carnival.

Dances on the Footpath has posted Nalini Jaywant Songs in Nastik (1954), with English Subtitles, in honor of Nalini on her third death anniversary.

We now move over to visiting articles covering a varied interests from different blogs / websites.

Asha Bhonsle needs no introduction, but how many of us know about Asha Posle ? Ceratinly not many. However Atul’s Song A Day, in the article Aankh ke paani aankh mein rah has presented Asha Posle’s this song from 1947 film Pagdandi.

Our good friend, Shakeel Akhtar, in his article pakeezah and dupatta laments about several crafts that have been obliterated over the tides of modernism. Some of the trades so vividly narrated in the song Inhi Logon Le Leena Dupaataa Mera have triggered this article. Incidentally, we had earlier reblogged a similar content from TIME’s Lightbox  @ Disappearing Trades: Portraits of India’s Obsolete Professions – LightBox.

Dusted Off has presented “famous songs, but lip-synched by not so famous artists in Ten of my favourite ‘Who’s that lip-synching?’ songs.

Songs of Yore has brought out KC Dey’s songs in ‘Devdas’ (1935). These songs are:

Arunkumar Deshmukh has come up with one more of an extensive and well-researched treatise on a very novel topic – confusions of similar names in Hindi Film Industry @ Anmol Fanakaar in the article ‘same name confusions – part 1, part 2 and part 3’.

N Venkatraman has picked up the thread of Hindi – Tamil versions songs in Multiple Version Songs (15): In the ‘Realm of Remakes @ Song of Yore – Multiple version songs.

We also have an interesting variety of the presentation of the content – Cineplot article Tanuja talks about her top ten Hindi Films, as the title suggests has Tanuja’s own views on her top ten films.

Songs of Yore has ended a long vigil of its followers in announcing the Best songs of 1953: Final Wrap Up 4.  The survey article together with Wrap Up 1 on the best male playback singer, Wrap Up 2 on the best female playback singer and Wrap Up 3 on the best duets and the present final Wrap Up together represent probably the most unique and comprehensive discussion of the entire music of a particular year.

Nahm has presented Preet banaake toone jeena sikhaaya@ Atul’s Song A Day. The clip was 12 minutes long, and it had all 5 stanza’s in it by Mukesh on Raj Kapoor, with intermittent dialogues and a small portion or rather a stanza of the song by Suman Kalyanpur on Waheeda Rehman.

Our each episode has several intersting pieces on Mohammad Rafi. In the case of ‘Teesri Kasam’, there is no sign of Rafi here, still Shankar – Jaikishan as many as four singers for Waheeda Rehman. Tables had turned and how, for Lata Mangeshkar by 1966 vis-à-vis Shankar-Jaikishan can be judged from this.

And as  contrast look at Raj Hath (1956), wherein  Dusted Off has singled out one of the great Mohammad Rafi gem -“one song in particular is beautiful and very well-known – Aaye bahaar banke lubhaakar chale gaye   - in a very detailed review.

Nasir’s Eclectic Blog  is mainly a Tribute to the Legendary Indian Playback Singer, Mohammed Rafi, containing categories dedicated to Rafi’s Romantic Songs Transliterated/TranslatedRafi’s Sad Songs Transliterated/Translated, Rafi’s Philosophical Songs,  Rafi’s Filmy Devotional SongsPeppy Songs of Mohammed Rafi ,  Articles on Mohammed Rafi Sahaab.

Our friend Bhagwan Thavrani brings back Mohammad Rafi’s Toofan Mein Pyaar Kahan song,  Itni Badi Duniya Jahan Itna Bada Mela , composed by  Chitragupta.

Biman Baruah remembers a highly fruitful relationship with three generations of Roshans – Mohammed Rafi with legacy of composer RoshanRoshan(lal Nagrath) , Rakesh Roshan (for films directed under his banner) or Rajesh Roshan (for songsa composed under his baton) and Hrithik Roshan (in terms of his Mohammad Rafi songs with Hrithik as child artist).

You are right! This last phase was our section on Mohammad Rafi. We will continue our listings on Mohammad Rafi in our future episodes as well.

We conclude our series of Carnivals of Blogs on Golden Era of Hindi Film Music for the year 2013 with this episode.

Wishing you all a very a very exciting journey to the world of Golden Era of Hindi Film Music in 2014 as well…………………

Carnival of Blogs on Golden Era of Hindi Film Music – November 2013

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Welcome to November 2013 edition of Carnival of Blogs on Golden Era of Hindi Film Music.

The last bastion of male playback singers of the Golden Era of Hindi Film Music, Manna Dey, finally chose to give the fight with his failing health take over. As can be expected there was a universal feeling of loss among the fans of Film Music.

We record here some of the wide array of tributes that have poured  in:

The articles /video clips, to fair extent, present the breadth, width and depth of od Manna Dey’s songs.હિંદી ફિલ્મ સંગીતના સુવર્ણયુગના એક એક અધ્યાયનો અંત..

And now we will take a look at articles, from newspapers /channels, that present a collage of his personality.

And one of the rarest cover songs (which I heard for the first time when searching for Manna Dey for his rare pieces) is my tribute to The Great Singer – Yeh Kooche Yeh Neelaam Ghar Dil Kashi Ke   - Pyaasa - SD Burman.

How can we have a November edition of a blog carnival on Hindi Films songs without any post on the Festival of India – Diwali. Dances on Footpath presents us  Ai Duniya Bata … Ghar Ghar Men Diwali Hai, Mere Ghar Men Andhera – Film Kismet (1943) – Amirbai Karnataki –  Anil Biswas – in My Favorite Diwali Song of All Time.

HMSinghNovember is also month of birth of Har Mandir Singh ‘Humraz’ – the compiler of Hindi Film Geet Kosh, a unique, encyclopaedic, reference compendium of Hindi Film Songs, from 1931. Biren Kothari had paid rich tribute to him when Har Mandir Sa’ab turned 60 @ હરમંદિરસીંઘ ‘હમરાઝ’: ફિલ્મી ગીતગંગાનું ગીતકોશમાં અવતરણ કરનાર ભગીરથ. I could also find one more post on Har Mandir Singh @ Hindi film Geet Kosh. And the latest is again a Biren Kothari article commemorating the 62nd birthday @ ફિલ્મશતાબ્દિએ આપણને મળેલી અનોખી ભેટ – a gift to the centenary of Films. This gift is in the form of a compilation: ‘SILENT & HINDI TALKIE FILMS INDEX’ (1913-2012)

Whilst on the subject compilations of Hindi Film Songs, let us record our sincerest appreciation of yeomen’s work done by:

There are a legion of blogs and sites, including unimaginably varied postings of video clips on YT, who have been carrying on with the great task of immortalizing Films songs by bringing them on internet.

We pay our deepest appreciation to all these foot soldiers.

We now turn to our regulars:

Evergreen Indian film music concludes the well-detailed and discussed three-part article -Top 3 Composers of Golden Era . The article has a medley of 18 songs that includes folk songs, classical tunes, western feel, Ghazals, Qawwalis, Bidaai and of course romantic songs .   The three parts of the article are:

We have not been able to cover Kalayanji Anandji till now.

In Top hits of Kalyanji Anandji, magical duets, the 8 tracks player plays songs randomly from this mix of 25 songs.  The earlier posts have  covered various facets – their affinity to Mukesh, their mastery of string instruments, songs with Lata Mangeshkar and exceptional use of chorus as a natural extension of the song and adding a sense of rhythm and tempo.

Songs of Yore has done two excellent posts at the ‘end’ of a great series on S D Burman: SD Burman’s Bengali songs and their Hindi versions – which, interestingly intersects with its series on Multiple version songs – and The ultimate SD Burman: His pure Bengali songs -  songs that easily can seen as ‘soul of his music’.

The post on SDB’s Bengali songs also provides us references to two more posts on SBD: His Non-film songs and Harveypam’s post on his film songs.

Before we end this edition, we have interesting articles on Mohammad Rafi.

Dr. Souvik Chatterji   - Looking back at Jaikishan and remembering his bond with Mohammad Rafi – has emphatically submitted that had Jaikishan not passed away  in 1971, Rafi’s dominance in bollywood music not suffered at all.
Bollyviewer @ Old Is Gold  has line up a Rafi song for each letter of the alphabet*, in  The A-Z of Mohammed Rafi.  Just to make things more interesting, the author decided to restrict to his duets or group performances from B/W films.
As can be expected, YT has several channels designed for compiling songs of Mohammad Rafi from the perspective segmenting the songs from differing aspects.  We will document such channels here, beginning with Great Rafi AND Rafi Duets.

*Aphabetical memeing also provides us back references to:

It seems that some of our regular blogs had devoted the period under review to Film Review more. That gave us a quick opportunity to take at some of the blogs who are not as prolific as some of the regular blogs.

Well, that has made the current edition quite content-heavy. Isn’t it……?

Carnival of Quality Management Articles and Blogs – November 2013

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Welcome to November 2013 edition of Carnival of Quality Management Articles and Blogs.

We have few good leads for Social Responsibilities vis-à-vis Quality.

Raj Sapru, Former Director, Advisory Services in  BSR Insight presents Sustainability: What’s Quality Got to Do With It? :  As the relative upstart to quality (which is three times older), CSR may follow a similar path, moving from executive mandate to corporate function to a set of integrated values. Some even argue that the success of CSR integration will be measured by a diminishing need for a corporate-level CSR or sustainability function—and there are many lessons from the path that quality has taken.

BSR’s recent report in partnership with the American Society of Quality, “CSR and Quality: A Powerful and Untapped Connection,” explores in more depth the connection between CSR
Building Socially Responsible Organizations:  ASQ’s social responsibility (SR) initiative, TheSRO, has a new website. If you haven’t checked it out yet, I strongly encourage you to do so. Here’s the link: www.thesro.org. It’s mission is to “increase the use and impact of quality to meet the diverse needs of the world.”
Increasingly, accountability and social responsibility are the expectation of consumers around the globe. To be socially responsible, people and organizations must behave ethically and with sensitivity toward social, cultural, economic, and environmental issues…….We believe that quality offers the tools to meet these emerging needs. TheSRO is a collaborative movement to integrate socially responsible practices into systematic approaches that meet the diverse needs of the world. To learn more about the connection between quality and SR, click here

As an organization, Business for Social Responsibility’s mission is to work with business to create a just and sustainable world. We envision a world in which everyone can lead a prosperous and dignified life within the boundaries of the Earth’s natural resources.
BSR ‘s Theory of Change believes that a just and sustainable world will result when the unique skills and resources of all sectors—business, civil society, and government—are aligned toward that goal. The role of business is to create and deliver products and services in a way that treats people fairly, meets individual’s needs and aspirations within the boundaries of our planet, and encourages market and policy frameworks that enable a sustainable future.

Lowell Centre for Sustainable Production  – By taking up the challenge of pursuing the long-term goal of Lowell Center projects and affiliates to redefine environmentalism and occupational health and safety while also demonstrating how these concepts are compatible with new systems of production and consumption that are healthy for workers, environmentally sound, economically viable, and socially accountable.

At this point, we take a sudden detour to more technical aspects of Quality.

October 2013 issue of IRCA’s magazine INform  brings Japan’s inside scoop on the new ISO 9001 standard and tests your standards knowledge in our exclusive quiz

In its technical section, Richard Green talks about the generic approach to transition training for future Management Systems Standards.

Whilst on the subject of enriching Internal Audit as a tool for Quality Improvement, in a regular column in  Quality Digest , GOTTFRIED GIRITZER    suggests Using Internal Audits as an Efficiency Improvement Tool to check for the efficiency of the System . Formal “Internal Auditor” trains co-auditors. For them it’s not necessary to have education and training as an internal auditor. It is only their duty to study all the relevant regulations of the management system that are valid for the department in question prior the internal audit.

51 Objects in ISO 9001 has identified 51 objects in ISO 9001,which should exist or be implemented in order to control customer satisfaction. 34 (66%) of these objects are processes/procedures. In a few cases quality dimensions of these objects are explicitly mentioned: commitment (5.1), customer focus (5.2) competence, awareness (6.2.2), traceability (7.5.3) and continuity (8.5.1). Some key words are: control (6), design and development (6), quality (3) and review (3).

The Most Common Mistakes with ISO 9001 to Avoid has re-visited the fundamental basis for pursuing the design and implementation of ISO 900 standards, so as to align the overall business strategy with the body of QMS within the organization.

APPLY THE PDCA CYCLE FOR CONTINUOUS IMPROVEMENT ON EPCI PROJECT has graphically explained application of continual improvement in project management set up.

Jørgen Winther@ The No Crisis Blog has put the PDCA in its right perspective – “a cultural habit – not a project , not something that can be done by force, but a way of working on every day basis” in How Long is “Continuous”? – On PDCA.

We once again take a turn to take on a macro view of Quality.

Greg Goodwin has posted 3 Questions to Answer When Shaping Your Quality Management Culture, because achieving a model of operational excellence  and optimizing the company’s key resources of people, processes, and technology requires the efforts of the entire organization.

The three questions are:
1.      Are you cultivating quality management leaders in your organization?
In order to best manage quality and foster an environment of innovation and continuous improvement, it’s important to provide a corporate framework while leaving room for some decisions that may be best left to local leaders.
     2.  What is the proper ratio of corporate versus local quality management?
The most effective approach is usually a “hybrid” between the two that focuses on standardizing only the processes that are essential to meeting the organization’s overall quality goals, allowing for continuous improvement and local control where they are deemed more effective.
    3. What is the role of technology in building a quality culture?
On top of the superior data collection and analysis capabilities enabled, having integrated solutions is an important way of improving communication and collaboration around quality.

Shaun Spearmon , an engagement leader at Kotter International loves  Lewis Carroll’s quote, “If you don’t know where you are going, any road will get you there.” In the article, Your Company Vision: If It’s Complicated, It Shouldn’t Be,  he amplifies that visions are intended to clarify the pathway forward. When effective, the vision statement has an illuminating quality that allows organizations to move fast and with great precision. Simply stated:  It’s NOT complicated.

Kurt J. Harden@ Cultural OfferingThey don’t care about you  touches upon one of toughest lessons to teach new employees, in the workforce, is a simple guiding service principle:  They don’t care about you.

It isn’t a sad commentary on society; it is commerce.  It is basic psychology and can be incredibly liberating.  Armed with this understanding and acting on it, your problems may actually lessen, your load may even lighten as you serve others with greater focus. ……Learn the lesson and you are on your way to success.

Caroline Ceniza-Levine , on Forbes  – has quoted Albert Einstein – Not everything that counts can be counted, and not everything that can be counted counts. in  What Is The Better Metric: Feelings Or Numbers?.  And then builds up: Einstein has it exactly right. There is no one suitable metric for everything. You have to run the numbers and understand your data. But not everything can be boiled down to numbers, nor should it.
Ideas for World Quality Month 2013 : November is the Fourth Annual World Quality Month, a celebration of quality, its impact on the world, and quality practitioners whose knowledge, experience, and passion make improved quality available for anyone who asks. You can learn more about the event on www.worldqualitymonth.org.

Eyesore 9001 & Other Humor Documents – Face it, Quality is a tough profession, and sometimes you need a break from the stress. This is where Oxebridge’s free humour documents come in.
EYESORE 9001 was first published in 2004, and has since been downloaded over 250,000 times. It’s a hilarious and biting look at not only the ISO 9001 standard, but the machine behind the creation of such standards. Updated for ISO 9001:2008, you can still download it for free below.

DUMBAS9100 takes on the aviation, space and defence industries, with this parody of the aerospace standard AS9100. For mature readers only (some adult language), you can download it here.

We begin our usual round of ASQ Videos with 2013 World Quality Month, supplemented with Videos with keyword “World Quality Month”

ASQ TV Episode 10: Teamwork: Learn what makes a team work successfully to accomplish goals and deliver results.

Our ASQ’s Influential Voices this month is Daniel John Zrymiak.

Daniel Jon Zrymiak“Daniel John Zrymiak is from Surrey, British Columbia, Canada. He has worked in quality for two decades, mostly recently at Accenture as a Mobilization Lead. Daniel is active in ASQ as a Quality Press author and reviewer, member leader, and Technical Committee chair (Finance and Governance – Quality Management Division). He blogs at AQualitEvolution.

“With respect to Quality, I have as many questions as answers, and through the exchange I hope to create a community of like-minded people to help advance our profession in order to achieve and sustain relevance and positive breakthroughs as we pursue and realize our ideals.””

A QualitEvolution is intended to capture positions and experiences as a participant in the evolution of the Quality profession into the 21st century. From its origins as the brainchild of Corporate Industrial Statisticians, our profession has transformed and evolved to incorporate and adapt to the demands and expectations of our modern existence.

The scope of the subject matter within A QualitEvolution extends to the furthest ranges of quality, business transformation, management science, and all that jazz ..”

And we finally round up our present edition with- John Hunter’s Management Improvement Carnival # 201.

There cannot be iota of doubt that what we cover in each episode here may not be totally representative of what was written on Quality. It is also not all that I came across to read. It is only what I found to be interesting in so far as tour main topic – QUALITY – is concerned. Hence, it also can be taken as an accepted fact that your constructive inputs would go a l..o..n..g way to enrich the content on this carnival………

Carnival of Blogs on Golden Era of Hindi Film Music – August 2013

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Welcome to August 2013 edition of Carnival of Blogs on Golden Era of Hindi Film Music.

It seems we have a rich fare on dances in this edition.

Dances on Footpath’ remembers month of August for the Independence that India earned on 15t August, 1947 by Ten Favorite Songs and/or Dances from The Year 1947.

‘Dances on Footpath’ also has Five Favorite Dances to the Voice of Rajkumari this month, mostly solos, a couple of great duets, half mujras, half street or theater performances, some on familiar visual terrain and some extremely unusual-looking… but all really good dance sequences from the 1940s or early ’50s, featuring the sweet, unmistakable voice of Rajkumari.

In Vyjayanthimala’s Devadasi Dance in Piya Milan (Choreographed by V.S. Muthuswami Pillai)Minai’s Cinema Nritya Gharana has assembled a vivid analysis and comparison of Devdasi choreography, in the dance song Aaja Kahun Kana   as, different from Bharatnatyam, in Chittoor Rani Padminini dance song by leveraging the Vyjayntimala, the performer and  the choreographer- the hereditary nattuvanar V.S. Muthuswami Pillai, as the common links.

A visit to not-so-regularly-updated blog, ‘A Blog Of My Favourite Vintage Bollywood Stuff’ presents us with Some of my favourite song-dance combinations of the vintage era.

Madhulika Liddle continues to come up with quite interesting themes @ ‘Dusted Off’. We have Ten of my favourite “I am -” songs this month – where the singer introduces himself/herself by name. The “comments” to this post also further enriches the theme.

Dusted Off’’s review of Love in Bombay(2013), – “or 1971, if you go by the year the film was made, not the year the film was released. Or 1974, which was when the censor certificate dates from”, but finally released, in 2013, by sons of Joy Mukherjee after his death – needs a special mention here for the 1971-period songs of Shanker Jaikishan, who had so stunningly teamed up with Joy Mukherjee in “Love in Tokyo” : Maazaa naav ahe Ganpat Rao, Na main boli na woh bola, Saiyyaan saiyyaan,  and Rani Nacho

Shilpi Bose’s ‘Tarun Bose and The World of Cinema’  – Oonche Log (1965)– is an excellent, narrative of the film,  particularly from the point of view of Tarun Bose’s character in the film. Incidentally, “Oonche Log” also takes me back to the days of my first year of college year at Vallabh Vidyanagar (Anand, Gujarat) in 1965-66. We used to hire cycles at ½ a rupee, and make a trip to near-by Anand for a Saturday night show to see the film released on that Friday. We had gone to see Oonche Log for “on-the-screen-histrionic-duel” between Ashok Kumar and Raaj Kumar, but came back highly impressed by the dual bonus of Tarun Bose’s performance and Chitragupt’s music in the film.  Here are those songs to complete that recall:  Jaag Dil-e-Deewana (Mohammad Rafi), Aaja Re Mere Pyaar Ke Raahi Raah Sanvarun Badi Der Se (Mahendra Kapoor and Lata Mangeshkar), Haayere Tere Chanchal Nainwa (Lata Mangeshkar), Kaisi Tune Rit Rachi Bhagwan (Manna Dey and Asha Bhosle).

In Coolone160’s Sadhana- an elegant and timeless actress, we have a playlist that presents the multi-faceted theatrical personality of Sadhana.

We have had opportunity to visit a couple of more blogs this month.

We pick up SAMAY O DHEERE CHALO (Rudali – Asha Bhosle – Bhupen Hazarika – Gulzar) from Mukhtar   Sheikh’s My Vision of the Songs as a first sample. We can look forward to regular visits this blog.

Visit to ‘A Blog Of My Favourite Vintage Bollywood Stuff’ also benefited us by way of these gems: A lovely Mohammed Rafi – Suraiya duet from Sanam (1951) and My favourite Rafi songs.

Songs of Yore has kindly hosted the guest article – Forgotten Composers Unforgettable Melodies (8): Avinash Vyas  – by yours truly, in memory of Avinash Vyas’s anniversary on 20th August.

While presenting Best songs of 1953: Wrap Up 1, AKji has commenced wrapping up the discussions on the different categories for The Best Songs of 1953 @ Songs of Yore. We would take a detailed look at the entire process of review collectively, when we will have all the articles in this series available @ SoY.

I do await your keen observations on the Hindi Film Songs of the Golden Era…….and continue the search for more varied content……till we met again next month……

Carnival of Blogs on Golden Era of Hindi Film Music – July 2013

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Welcome to July 2013 edition of Carnival of Blogs on Golden Era of Hindi Film Music.

Incidentally, we have several pairs of articles on each of the subject in this edition.

“Luck very rarely smiled on Madan Mohan in terms of hit films. He always composed great music for “B” type movies which did not do well at the box-office. The music was always heavenly. Three such examples are Anpadh (1962), Jahanara (1964) and Sharabi (1965). A great composer who deserved lot more than the single National Award he won for the composition of Dastak’s song.  14th of July was the anniversary of Madan Mohan.”# Shri Shrikant Guatam, in his regular weekly column in Janmabhoomi Pravasi’s “Madhuvan” supplement, has presented “successful songs of Madan Mohan in unsuccessful films”. Among the films he has chosen for this article, we pick up “Dulhan Ek Raat Ki”, which has been reviewed by Shri Ashok Dave @ his blog-post. (Both articles are in Gujarati.)

The outstanding Madan Mohan “Dulhan Ek Raat Ki” (1966) gems which went on to become (and are) popular with critics and fans are:

Ek Haseen Shaam Ko Dil Mera Kho Gaya – Mohammad Rafi

Maine Rang Li Aaj Chunariyaan Tere Rang MenLata Mangeshkar

Aapne Apana Banaya Meharbani Aapki- Mahendra Kapoor, Lata Mangeshkar

And Madan Mohan vintage song – Sapno Men Mere Tum Aao To So Jaaun – Lata Mangeshkar

And here are songs where Madan Mohan continued to dare with experimentation while blending his distinct style:

Kai Din Se Hai Bekal, Ai Dil Ki Lagan Ab Le Chal – Lata Mangeshkar

Hamaar Kaha Maano, O  Rajaji – Asha Bhosle, Usha Mangeshkar

Kabhi Ay Haqueekat-e- Muntazir, Nazar Aa Libase – A Quawali – Lata Mangeshkar and Chorus

Zindagi Hai Dulhan Ek Raat Ki – Bhupinder

Ghayal Hiraniya Van Men – Bhupinder

Kisi Ka Kuchh Kho Gaya Hai, Jiski Shay Hai Woh Aake – Mohammad Rafi

And, a bonus find, thanks to YT, Paiyaan Padungi – Lata Mangeshkar

#Old Classic Hindi Songs has songs of Madan Mohan on this special page.

Geeta Dutt Anniversary also falls in [20th]  July. “Songs of Yore” paid a tribute by way of Geeta Dutt’s best songs by SD Burman. The article has a link to the list of Geeta Dutt’s (around) 70 + solos, composed by S D Burman @ The Legendary Nightingale.. Geeta Dutt . To this Old Classic Hindi Songs has gone on to add several songs of Geeta (Roy) Dutt that were previously posted, again under a separate heading, towards the bottom part of the separate page.

In  a rare tribute to Kanan Devi, to “Dances on Footpath”’s Seven Beautiful Songs with Kanan Devi, Who Lived April 22, 1916 to July 17, 1992. We have a rich supplement of previously posted songs of Kanan Devi, by Old Classic Hindi Songs, grouped under a separate heading, listed towards the bottom of the separate page below Madan Mohan’s songs. Click here for Kanan Devi’s songs.

Pran - The Legend…And Pran” (Kishan Sikand), The Villain of Hindi Screen, and an equally transformed ‘character actor’ in his second innings, agreed to call “The End”. “Dusted Off” vividly narrates Pran Saheb’s multi-faceted commanding presence on the screen in Pran: In Memoriam . We choose to remember his Dil KI Umange Hai Jawan from Munimji. In a pairing tribute, “Filmi Geek”’s Thank you, Pran saheb, and value-adding discussion thereat, also present Pran Saheb’s songs, one of which narrates  a “song from “’Rahu Ketu’ (1978) , picturized on PremNath and Pran. They are singing to each other, and it is a qawwali. -Main hoon tera Prem and Main hoon tera Pran, probably one of a kind song in the Indian Film history, wherein two characters sing using their own professional a.k.a. real name.”

We take the opportunity to recall Shrikant Gautam’s article in his regular column in ‘Madhuvan’ supplement of Janmabhoomi Pravasi on the occasion of  Pran Saheb being decorated with (a highly belated) Dada Saheb Phalke award.[Blog Carnival’s  April 2013 Edition].

Dances on The Footpath’ presents seven of Anil Biswas songs in Happy Birthday, Anil Biswas!, to which we have a paired brief sketch of Anil Biswas along with this video clip by  IMIRZA777.

An now we move on to a pair of articles on [or is it “in”?] 1953 – Songs of Yore, continuing the trend initiated last year – with the songs of the year 1955, has mesmerizingly thrown the gauntlet to pick up Best songs of 1953: And the winners are?. The post has generated one of the highest numbers of discussion “comments”, wherein SoY readers have expressed views on quite a wide horizon of their choices. To which Dances on The Footpath presents us an intertwined comparison of films ‘New Delhi (1956) with ‘Dupatta’ (A 1952 Pakistani film) with reference to the character enacted by Sandhya in V. Shantaram’s film Teen Batti Char Rasta (1953), in a 2009 post. The song that epitomizes the discussion is: Akhiyan hai yeh roop ki pyasi – Lata Mangeshkar, music direction by Shivram Krishna.

Teen Batti Char Rasta has a very unique multilingual song, rendered by different singers to the music composed by different music directors. Among the languages represented therein, we would, obviously, choose, the Gujarati piece @  - 4.00, rendered by Asha Bhosle for which Avinash Vyas composed the music. Here is the ‘original’ song Chaanu Re Chhapanu Kain Thay Nahin ( You can to do dream secretly)  - also rendered by Asha Bhosle on Avinash Vyas’s composition.

And how can we have month of an active monsoon without posts of monsoon songs? Dusted Off has penned Ten Memorable Rain Scenes. We have a pairing post by ‘Let Us Talk Bollywood’- Baarish (1957) no rain, but drenched in beauty and fun.
We have paired posts, too – Sunahari Raaten’s Baarish (1957) and Sharmi Ghosh Dastidar’s Raw appeal (Baarish). These three reviews collectively present us songs from the film: Yeh muh aur daal masoor ki; Dane dane pe likha hai;     Zulf hai;    Kehte hai pyaar jisko ;sad version Kehte hai pyaar jisko;  Phir wohi chaand;  Hum toh jaani pyaar karega and Mr. John ya Baba Khan ya lala Roshanadan.

We have two quite unique posts, emanating from Dusted Off’s post mentioned here above – Bollywood Food Club’s Johnnie Walker in Bollywood   and Apni East India Company’s Bolly Chandeliers. The former presents Johnnie Walker bottle and the latter one presents Chandeliers in our Hindi Films.

We have some excellent posts on Mohammad Rafi this month.

Vijay Bavdekar, Nagpur has painstakingly recalled Rafi’s Ever Remembered Songs Composed By Less Remembered Music Directors.

Ashok Dave, in his review (in Gujarati) of Baiju Bawra (1952) presents raagmala, in which  Mohammad Rafi is in his elements, which has following classical music pieces:

(1) Raag Lalit: Piyu Piyu Re Karat Hai Papiha, Ab Kaho Kaise Raakhun Jiya….

(2) Raag Gaud Malhar: RoomZoom Badariya Barase, Un bin Mora Jiya Tarase

(3) Raag Puriya Dhanashri:  Ajab Tori Prabhu Aan Baan Dekhi, Baag Men Ban Me Neelgagan Men, Dekhat Hun Teri Shan.

(4) Raag Bageshri: Hay Ri Ai Kaise Main Ghar Aaun Mitwa, Tumre Jiyara Baat Chalat Mose Roke Daro Thagawa

Rajiv Nair presents Relationship between Mohammed Rafi saab and Mahendra Kapoor. The post has refrences to – Mahendra Kapoor’s award – winning song @ the Metro Murphy All-India singing competition (1957): Ilaihi koi tamanna nahin,  “composed by Rafi saab for the competition” and  the song Mohammad Rafi called up to share with Mahendra Kapoor :“Tum Jo Mil Gaye Ho (Hanste Zakhm, 1973) by composer Madan Mohan. Dad cried and so did Rafi saab, such was the melody and the mood.”

I am quite sure listening to each of the songs that present edition of this Blog Carnival is as much sheer joy, as it was to me in listening and compiling here!

Did I miss any major blog post or an article here? Do let me know, so as to widen the reach of this Blog Carnival.

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