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In my view

Google celebrates Ustad Alla Rakha’s 95th Birthday

Ustad Alla Rakha’s 95th birthday has been celebrated in style by Google Doodle, as

ustad-alla-rakhas-95th-birthday-born-1919

 

Many other prominent news media  like Zee News, The Hindu Business LineTime of India,  IBN Live,  NDTV Gadgets etc. have prominently taken note of this initiative.

On clicking the painted Alla Rakha doodle, Google redirects users to the search results page for ‘Alla Rakha’, which prominently features the Wikipedia page for the tabla maestro, as well as YouTube links to music recitals by the maestro, alongside Ravi Shankar and Zakir Hussain. Google has also listed a number of songs by Alla Rakha, as well as news centred on him.

Ustad Alla Rakha

His three sons – Zakir Hussain, Fazal Qureshi, and Taufiq Qureshi – are also respected tabla players.
Alla Rakha died on February 3, 2000 in Mumbai following a heart attack.

Categories
Carnival of Blogs on Golden Era of Hindi Film Music

Carnival of Blogs on Golden Era of Hindi Film Music – April 2014

Welcome to April 2014 edition of Carnival of Blogs on Golden Era of Hindi Film Music.

Welcome, spring!with a few songs for the spring.

Forgotten Composers Unforgettable Melodies (9): Lachhiram -A very awkward and unfamiliar name, and not among the mainstream composers, it is so great a coincidence that even as this Blog Carnival’s March 2014 edition was on net, SoY had published this post. Lachchiram Tomar appears to have given music for around 20 films, but even in these hyper-active internet days, one does not find pre-1950 songs on internet!

Arunkumar Deshmukh, in his comment @ 13states: Aye Dil Machal Machal Ke Yoon, Rota Hai Zaar Zaar Kya “ solo of Lata from film Main Suhagan Hoon is the ONLY song of Lata, Lachhiram ever composed. He was the ‘one film-one song’ composer of Lata.” This aspect was also strongly mentioned in Shri Ashok Dave’s post on Main Suhagan Hoon, wherein it is categorically stated that Lachhiram had rather a strong preference for Asha Bhosle. Obviously, the reasons for such a pattern are not evidenced.

We have one more post relating to Forgotten composers – Celebrating the Uncelebrated: Ten of my favourite songs by lesser-known composers.

Most satisfying aspect of the subject of ‘Forgotten’ Creators of “Unforgettable” Melodies is that there are still fairly large number of knowledgeable persons who keep on with their active contributions of these ‘geniuses’ on internet and do a great service of creating an unforgettable documentation of this vital aspect of Indian Cinema.

The haunting music of Hemant Kumar– i.e. haunting songs that for some reason remain etched in your mind and you keep humming or visualizing the song often. Or, when a song conveys deep emotions that are unforgettable or which leave an impact even when you are not listening to the song. Enjoy 22 of these songs on the player here.

Lata Mangeshkar Sings for Laxmikant Pyarelal –Part 1talks about Lata – LP collaboration in 60s andPart 2talks about period from 1970 till 1996.

Found: Vyjayanthimala’s Other Bharatanatyam Dance in Chittor Rani Padmini (1963, Tamil)! – Cinema Nritya Gharana had presenteda beautiful Bharatanatyam dance of Vyjayanthimala’s in the 1963 Tamil film Chittor Rani Padmini in the first post on V.S. Muthuswami Pillai, but lamented that the second dance at the end of the movie she was said to have performed for the king could not be located . [This article was covered in August 2013 edition of this Blog Carnival.] Well! The dance has now been located, at the rich treasure house of Kandasamy Sekkarakudi Subbiah Pillai’s YouTube channel, and it is fantastic!

There are two dances that feature performers who are not yet identified (but definitely would like to know more about) and there is one song for which the identity of some of the singers seems to be a subject of hot debate. So, for the first post devoted to Khazanchi (there will probably be more here), let’s delve into these… Some Mystery Singers and Dancers in Khazanchi (1941).

The Mystery of the Missing Songs– a list of the songs (I knew were) filmed and deleted for one reason or the other.

Ten of my favourite ‘classic poem’ songs’ lists ten songs that are, in whole or part, written by classic poets.

My Favourites: Ghoda-Gaadi SongsHere are these songs, “in the memory of an animal-drawn vehicle that gave us some wonderful melodies. But with some caveats.

  • The songs can encompass any sort of horse-drawn vehicle – carriages, phaetons, Victorias, carts.
  • The whole song had to be picturised on the vehicle. (That took care of two of my favourite songs, Ye kya kar dala tune from Howrah Bridge and Sun bairi balam from Bawre Nain.)
  • It had to include the hero and  the heroine, even if only one of them were singing. (I originally titled this post Ghoda, Ghodi and Ghoda-Gaadi.) That deleted two other songs from my list: Chhoti si ye zindagani re from Aah, and Jhoome re neela ambar jhoomefrom Ek Gaaon ki Kahani.”

And as can be expected, there is at least one more of aTen of my favourite ghoda-gaadi songs “from pre-70s films that I’ve seen. Other than that, my requisites for the selected songs were:
1. That the person singing (on screen, that is) remains in the ghoda-gaadi through at least 80% of the song (which is whyAe dil hai mushkildoesn’t feature in this list).
2. Horse-drawn vehicles of all types qualify: tongas, Victorias, phaetons, even chariots. Horseback is out.
3. And, no two songs from the same film are allowed.”

SoY continues the great series on S D Burman and his songs with the leading playback singers, on the first death anniversary of Shamshad Begum with East meets West: Shamshad Begum’s songs by SD Burman.

We have some excellent material on one of most known ‘back-room’ face of Hindi Film Music – Manohari Singh.

In The Reed ManManohari Singh talks about his life and experiences, his colleagues and what it was like in the halcyon days of the Hindi film music world. [The post is penned byAshwin Panemangalore, who is primarily an electrical engineer, put in a long stint at L & T’s group of companies in software and instrumentation. After retiring in 2008 he is indulging in his passion for jazz.]

Manohari Singh – The Charming Pied Piper– Music lovers, both connoisseurs and common listeners, throng to listen to the mere sound of his instrument playing……Be it the Saxophone, Western (Key) Flute, the Clarinet or the Mandolin, there is a magical charm in the way he plays those instruments. There is unanimous agreement about the man’s extra special expressions, amazing breath control and inimitable tone of instrument playing.

Memories of Manohari Singh (1931 – 2010)is an anthological video clip capturing Manohari Singh’s work.

We also have two excellent posts presenting some important facets of legacies of two of the great (background) singers of Hindi Film Music world.

Lata Dinanath Mangeshkar Gramophone Record Museum : A National Heritage Made by Shri Suman Chaurasiya has more than 28000 records., of which records of Lata Mangeshkar’ s song number over 6000.

@ Beete Hue Din, Shishir Krishna Sharma’s article‘Tere Pyar Ka Aasra Chahta Hoon’ – Mahendra Kapoorremembers Mahendra Kapoor’s debut song,a duet ‘Kisi Ke Zulm Ki Tasweer Hai Mazdoor Ki Basti’ with Dhan Indorewala from the 1953 release movie ‘Madmast’. [ An interesting trivia – Music Director of this film – Madmast- V. Balsara and Dhan Indorewala went to marry later on.] Another song which Mahendra Kapoor sang for this movie was a qawwali with S.D.Batish, ‘Unhe Dekhein To Wo Munh Pher…Hamey Ankhein Dikhaate Hain’. …..

We also have some additional inputs by Shishir Krishna Sharma @ Mahendra Kapoor’s First Film Song He sang his first solo, “Kisko Daani Kahen … Tere Dar Ki Bhikmangi Hai Daata Duniya Saari” for Snehal Bhatkar’s Diwali Ki Raat in 1956.

The next song which he had sung was a Heer for the punjabi movie, Heer which had music by Anil Biswas. In addition to the above songs, He is also known to have recorded the following before participating in the competition:-

1. A few lines for the song “Ek Taraf Joru Ne Hai Nikaala” for composer Bulo C Rani in the movie Madhur Milan(1955). This song had been sung by Mohd Rafi, Geeta Dutt and A.R. Ojha and penned by Raja Mehdi Ali Khan.

2. A duet with Sabita Banerjee for composer Shanmukh Babu, “Oh Bedardi Jaane Ke Na kar Bahaane” for the movie Lalkaar(1956).

We eulogise passing away of V K Murthy, one of the most outstanding cinematographer, and Nanda, the beautiful and versatile actress of the Golden Era of Hindi Films.

The Masters : V K Murthy– Venkatrama Pandit Krishnamurthy’s journey to becoming VK Murthy, the eminent technician who was known as ‘Guru Dutt’s eyes’ is the stuff films are made of – a rags to riches story that began in the erstwhile princely state of Mysore in 1923.

Iconic beam shot by V K Murthy  for Waqt Ne Kiya Kya Haseen Sitam
No post on VK Murthy can be complete without the story behind the fantastic beamshot, for the song Waqt ne kiya,even though it’s been repeated in every tribute that has ever been written about the director, the film, or now, the cinematographer.

Here are a few of the video clips on V K Murthy:

Ten of my favourite Nanda songs“to celebrate Nanda’s life and career—and to wish her farewell—a selection of ten of her songs that I particularly like. These are all from pre-70s films that I’ve seen, and in each song, Nanda’s character does some—if not all—of the singing…… RIP, Nanda. You will be missed. Your sunny smiles and laughing eyes, your dignity, your ability to make your characters so believable—all will be remembered.”

Here are some more tributes to Nanda from You Tube:

During the period for the present edition, our friend Bhagwan Thavrani has remembered Pyar Ki Dastan Tum Suno To Kahen – Lata Mangeshkar (Music Director: Hemant Kumar) from Farar (1965). That reminded me to look for Dil-E-Nadaan Ko Sambhalun To from the same film, which shows Lata Mangeshkar as singer in the credits, but is believed to have been rendered by Suman Kalyanpur. In any case, Hemant Kuamr was at his melodious self, in the film. Here are the rest of the songs from the film:

Songs of Yore has presented Best songs of 1951: And the winners are?– After reviewing the best songs of 1955 and 1953, which were gap years in the Filmfare Awards (Baiju Bawra,1952 was the first film to get the Filmfare Awards for the best music, but in the later years no films of 1953 and 1955 won these awards, SoY now comes to the pre-Filmfare era with 1951. 1951 seems to have more than 110 films and 1000 songs. Without any doubt, all discussions are going to be as live as any discussions on SoY or the previous 1955 and 1953 posts have been.

One of the most iconic song from the year 1951 is Thandi Hawayein Laharati Aayen – Naujawan – Lata Mangeshkar, S D Burman. In Thandi Hawayein Legacy – Charles Bayer crooned “C’est la vie” in Algiers(1938) without even realizing what a big chain of inspirations he had set for the next generation of Indian music makers.

Old Is Gold has presented two part interview with Ghalib Khan , son of famous Hindi Film lyricist Asad Bhopali. Thefirst part of the interviewends with an outstanding song from Film Afasana (1951)’s Kismat Bigdi Duniya Badli – Mukesh (Husnalal Bhagatram).

Thesecond part of the interviewtakes us to our usual section on Mohammad Rafi with Miss Bombay (1949) song – Zindagi Bhar Gham Judaai Ka Hamen Tadpaayega First Version and Second Version (Hansraj Behl) and “Ek Naari Do Roop” song Dil Ka Soona Saaz Tarana Dhoondhega(Ganesh).

Here are three posts on Mohammad Rafi for the present edition of this Blog Carnival:

I am sure you will enjoy the present edition of our Blog Carnival and look forward to additions / inputs to enrich it further…….

Categories
Carnival of Quality Management Articles and Blogs

Carnival of Quality Management Articles and Blogs – April 2014

Welcome to April 2014 edition of Carnival of Quality Management Articles and Blogs.

We continue with our topic for in-depth view: Nonconformity / Non – conformance, focusing on Non – conformance in this issue.

Refusal | objection | dissent | protest | disobedience | disagreement

         and Antonyms

concurrence |acceptance |agreement |approval

for noncompliance .

A non-conformance is a departure from an agreed arrangement between an approval authority (or orthodox position) and an individual or group performing work.

In the context of quality management an “arrangement” is commonly an agreement to conform to: A Work Product Standard; A Predefined Procedure; A Work Product Specification; A Documentation Plan; An International Standard for Best Practice.

Nonconformity refers to a failure to comply with requirements, whereas Nonconformance refers to a deficiency in a characteristic, documentation, or procedure that renders the quality of an item or activity unacceptable or indeterminate; nonfulfillment of a specified requirement.

A non-compliance is the failure to adhere to an Act or its Regulations
A non-conformance is the failure to comply with a requirement, standard, or procedure.

A Google search throws up a host of additional informative article and links in so far as Non-conformance / Non-compliance is concerned. Among several such results, we take a look at selected few, from different fields.

Failure or refusal to comply. In medicine, the term noncompliance is commonly used in regard to a patient who does not take a prescribed medication or follow a prescribed course of treatment.

The process of determining noncompliance is an important aspect of the International Atomic Energy Agency (IAEA) safeguards system, as well as the only established mechanism for determining noncompliance with the nuclear Nonproliferation Treaty (NPT) itself. Noncompliance with an NPT safeguards agreement constitutes violation of Article III of the NPT, the obligation to accept safeguards on all nuclear material, and, depending on the circumstances, possibly a violation of Article II, the obligation not to acquire nuclear weapons.

Noncompliance: Any action or activity associated with the conduct or oversight of research involving human subjects that fails to comply with the research plan as approved by a designated IRB or federal regulations or institutional policies governing such research. Non-compliance may range from minor to serious, be unintentional or willful, and may occur once or several times.

Noncompliance with regulations by enterprises is said to be rife in developing countries. Yet there is limited systematic evidence of the magnitude of noncompliance at the enterprise level. Making innovative use of two complementary data sources, this paper quantifies noncompliance for India’s Factories Act without the question of illegality ever being raised directly with enterprises. The paper finds that more than twice as many firms are not complying as are complying. Further, the number of non-compliant firms is much larger than the number of firms adjusting out of the regulation. Thus noncompliance with the Factories Act is a key feature of the “missing middle” in India. The paper explores the main trends and patterns of noncompliance and highlights a number of key issues for further analytical and policy research.

As we search for more results, we observe that more of the articles deal with the subject from Quality (Management or Function or Profession). Hence we will take a more detailed look at these articles in our future edition when will be having a look at the subject purely in terms of Quality (Management or Function or Profession).

Next, we turn our sails to our regular sections, starting with an international body actively engaged in furtherance of quality.

The Product Development and Management Association (PDMA) is the premier global advocate for product development and management professionals. Our mission is to improve the effectiveness of individuals and organizations in product development and management. This is accomplished by providing resources for professional development, information, collaboration and promotion of new product development and management.

The development of new products and services involves an integrated set of unique activities. PDMA is the only organization that focuses on addressing this challenge by providing the following opportunities for professional development: education, experience, networking and recognition.

Updates can be obtained from PDMA News blog for association news or the PDMA Blog which features content from PDMA members.

And then move over to ASQ TV Episode- Six Sigma

Six Sigma is a well-known quality method. But like most quality techniques, its use changes and evolves as organizations do. In this episode, we discuss benefits and challenges associated with implementing Six Sigma; how to distinguish the Six Sigma belt colors; the potential return on investment of implementing Six Sigma; the basics of DMAIC; and play a fun game of “Name That Black Belt.”

Lean and Six Sigma Conference Audio

Costs and Savings

DMAIC

Our ASQ’s Influential Voice for the month is -Shon Isenhour

Shon IsenhourBased in Charleston, South Carolina, Shon Isenhour specializes in business process management, strategic planning, organizational change management, and reliability engineering. He has led improvement initiatives for industries such as pharmaceuticals, metals, petrochemical, paper, and power generation, among others. He is direction of education and work execution management at GPAllied. Shon writes about reliability on Reliability Now, with a tagline – Developing and Sustaining Improved Corporate Bottom Line Performance.

We take a detailed look at one of the posts on this blog.

Education Without Application Is Just Entertainment: 3 things that can help create a return on education.

Retention:Take the time to map out the skills you need the person to have and the learning objectives associated with those skills. Then the training can be customized to only provide the points and topics they need to be successful.

Application: Once a student has seen a new way to do something in the training environment they must apply the skills nearly immediately. This helps with the previous topic of retention but it also creates success and real world examples that can be used to continue the change process.

Culture Manipulation: With a pull from leadership and the success of quick application you can begin to manipulate the culture into the target state.

We do not have a fresh insight this month in so far as Curious Cat Management Improvement Carnival category is concerned.So we take a brief stay at Good Process Improvement Practices and related articles – Change is not ImprovementHow to ImproveWhere to Start ImprovementOperational ExcellenceHow to Manage What You Can’t MeasureMaking Better DecisionsFind the Root Cause Instead of the Person to Blame

I look forward to your active participation in enriching the blog carnival as we pursue our journey …………….