Carnival of Blogs on Golden Era of Hindi Film Music – January 2015

Welcome to January, 2015 edition of Carnival of Blogs on Golden Era of Hindi Film Music.

It is Songs of Yore once again to bang start the New Year with The Jewel in the Crown of Naushad: ‘Rattan’ (1944) so as celebrate 2015 as the Year of Naushad in the 75th year of his debut.

On Naushad’s birthday (25th December), a different aspect of his music is presented in Eight Instrumental Dance Numbers by Naushad (and a pic from a ninth), which are positively delightful, even though they might not be as well-known as his vocal songs:

  1. Cuckoo in Anokhi Ada
  2. The snake dance from Dastan
  3. The festival dance in Mela
  4. Cuckoo in Aan
  5. The “Blind Man’s Bluff” dance in Dillagi
  6. Sitara Devi’s dance in Mother India
  7. The festival group dance from Dulari and 8. Geeta Bali’s gypsy dance in the same film

And a pic from Suraiya’s lovely little semi-classical dance at the miserable wedding in Anmol Ghadi:

suraiya-anmol ghadiOn C Ramchandra’s birth anniversary (12th January) SoY has chosen The Master of Musical Comedies C Ramchandra and his ‘Patanga’ (1949), “because it comes in the watershed year of the change of era when Lala Mangeshkar hits the scene like a tornado, and sweeps away the yesteryear singers like Amirbai Karnataki, Shamshad Begum etc.” On a more broader canvas, Ten of my favourite C Ramachandra songs….is specifically (the) songs which he composed, not just songs he sang.

My favourite O.P. Nayyar songs – It is an irony that one of the finest music composers in Hindi cinema is known today more for the one thing he did not do [did not record a song with Lata Mangeshkar], rather than what he did!

I have picked up Poocho Na Hamein (Mitti Mein Sona, 1960, Asha Bhosle) from the songs listed in the post.. There is no video available and the longer version of the song is also not easily traceable. There is another beautiful song in the same film sung by Asha Bhosle, Yeh duniya rahe na rahe kya pata, mera pyar tujhse rahega sada.

We have two excellent links to the Radio Ceylon program on O P Nayyar: Tribute to O.P.Nayyar~Radio Ceylon 28-01-2013~Morning – Part 1 and Part 2 and Part 3

OPN died a reclusive man, in touch with only a few friends on 28th January, 2007.

Remembering N. Dutta (Datta Naik) – 30th December, 2014 marks the 27th death anniversary of the unfairly under-rated and lesser known composer, Datta Naik, also credited as N. Dutta.

I have picked up these songs from the songs posted:

Chand Bhi Koi Diwana Hai (Apna Ghar Apni Kahani, 1968, Singers: Mahendra Kapoor and Asha Bhosle):

Aye Dil Zuban Na Khol (Naach Ghar, 1959, Lata Mangeshkar)

Nashe Mein Hum Nashe Mein Tum Mohammad Rafi-Suman Kalyanput (Black Cat, 1959).

Naina Kyun Bhar Aaye (Dharmputra, 1961, Asha Bhosle)

Laage To Se Nain (Chandi Ki Deewar, 1964, Talat Mahmood and Asha Bhosle)

In addition, I have one more song Askon Ne Jo Paaya Hai (Chandi Ki Diwar, Talat Mahmood), which has been very fondly been referred to by Captain Narendra Phanse in his regular article in Web Gurjari.

My favourite Mahendra Kapoor songs – Ends with a very rare song sung by Asha Bhosle, Usha Khanna and Mahendra Kapoor from the 1969 film B-grade film Killers, starring Ajit, Dara Singh and Sheikh Mukhtar. “Mere Dil Zindagi Safar Hai” is picturised on Helen and Dara Singh in a circus. A lovely song, Usha Khanna sings surprisingly well and MK has a small bit right towards the end. Brilliant music by OPN.

On her 76th birth anniversary on 8th January, from My favourite songs of Nanda, I have selected

Kajrey Badarwa (Pati Patni, 1966, Lata Mangeshkar, R D Burman)

Pyar Bhari Yeh Ghatayein (Qaidi No 911, Manna Dey-Lata Mangeshkar, Dattaram)

From my side I would add Thahariye Hosh Mein Aaoon To Chale Jaaiyega (Mohabbat Isko Kahate Hain, Mohammad Rafi, Suman Kalyanpur, Khayyam).

IMIRZA777 pays A Tribute… People who left us in 2014.

Last month, we had taken note of the articles published on Shailendra’s birth anniversary. We have been able to find two more very interesting video features – An Affair to Remember: Celebrating Shailendra, the lyrical genius and Rajya Sabha TV’s Virasat in which Rajesh Badal has anchored Lyricist ‘Shailendra’

A thumri from different films has presented Baat Chalat Nahi Chunari Rang Daari from Ladki – 1953 (Singer: Geeta Dutt, composer: C Ramchandra) and Rani Rupmati -1959 (Singers: Mohammad Rafi and Krishna Rao Chonkar, Music: S N Tripathi)

Our friend Samir Dholakia has forwarded Hanste dekha to boley sitaare…o piyaa pyaare, which sounds C Ramchandra-like, is composed by S D Burman for “Chaalis Baaba Ek Chor”(1954). Bhagwan Thavrani helps in remembering Jaane Kitni Baar Hriday Se Maine Use Pukara (Sapna – 1969 – Jaidev).

The story of Film Music will never be complete without taking the due cognizance of some of the great musicians and arrangers who worked ‘behind the curtain’ in creating these songs were Antony Gonsalves, Antanio Vaz (Chic Chocolate), Sebastian D’souza, Frank Fernand, Enoch Daniels, Van Shipley, Manohari Singh, Kersi Lord, Maruti Rao Keer among many others. One such unsung music arranger is Kishore Desai, presented @ Bahaaron se keh do mere ghar na aayen. A few of the popular songs of the golden period of Hindi film songs in which he played mandolin/sarod are as under:

Song Movie Music director
Bechain nazar betaab jigar Yasmeen (1955) C Ramchandra
Dil ka na karna aitbaar koi Halaku (1956) Shankar Jaikishan
Kaun aaya mere man ke dwaare Dekh Kabira Roya (1957 Madan Mohan
Ghadi ghadi mora dil dhadke Madhumati (1958) Salil Chowdhury
Sakhi re mera man uljhe tan dole (played Sarod) Chitralekha (1964) Roshan
Aage bhi jaane na tu Waqt (1965) Ravi
tum bin jaaun kahan (Rafi version) Pyaar Ka Mausam (1969) R D Burman

Kishore Desai composed many NFSes. The present article has remembered Bahaaron se keh do mere ghar na aayen (1965) Singer-Mukesh, Lyrics-Shiv Kumar Saroj. Incidentally, Captain Narendra Phanse in his regular article in Web Gurjari (referred hereinbefore, too) remembers Shiv Kumar Saoj’s song in Mukesh’s voice – Tere Labon Ke Muquabil Gulab Kya Hoga.

We also take note of Text of 75 Cult Songs (1931-2006), wherein, on the occasion of (in 2007) platinum Jubilee of talkies, ‘Screen’’s attempts to look at 75 cult songs – the creme-de-la-creme of mega-hits that have crossed economic, cultural and geographical barriers and thus defined and redefined tastes and trends in Hindi film music have been captured.

SoY has continued with the Multiple Version Songs series with Multiple Versions Songs (20): Male Solo and Duet or Chorus.

And now over to exclusive articles on Mohammad Rafi…

§ On the 90th birthday anniversary of Mohd Rafi saab some rare mix melodies

§ JIS RAAT KE KHAWB AAYE– RAFI (WITH NAUSHAD SPEAKS)- FILM- HABBA KHAATOON (UNRELEASED)

§ A Tribute to Mohd Rafi – Part 1- From among 25 songs presented in this part , I have selected Tum Poochtey Ho Ishq Bala Hai Ki Nahin (Nakli Nawab, 1962, Bipin-Babul)

§ A Tribute to Mohd Rafi – Part 2 also has a very wide range of duet songs, of which I have selected

Mat Poochiye Dil Hai Kahan, Dil Ki Manzil Hai Kahan (Hum Matwale Naujawan, 1961, Co-singer – Mukesh, MD: Chitragupta)

Tumhein Dil Se Chaaha Tumhein Dil Diya Hai (Chand Aur Suraj, 1965, Co-singer: Suman Kalyanpur, MD: Salil Choudhary

Dil Toh Pehle Se Hi Madhosh Hai (Baharein Phir Bhi Aayengi, 1966, Co-singer: Asha Bhosle, MD: OPN)

• And of course we have a score of recent posts on Meri Awaaz Suno

Ravi Shankar Sharma and Mohammad Rafi’s combination is remembered for generations

Why I see Rafi Sahab as a role model?

What makes Rafi Sahab the ONE and ONLY

Mohammed Rafi – Suron Ke Betaaj Badshah

Aa Rafi Phir Aa

We would continue our pursuit of the golden period of Hindi Film Music during 2015 …….

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Author: ASHOK M VAISHNAV

In July 2011, I opted to retire from my active career as a practicing management professional. In the 38 years that I pursued this career, I had opportunity to work in diverse capacities, in small-to-medium-to-large engineering companies. Whether I was setting up Greenfield projects or Brownfield projects, nurturing the new start-ups or accelerating the stabilized unit to a next phase growth, I had many more occasions to take the paths uncharted. The life then was so challenging! One of the biggest casualty in that phase was my disregards towards my hobbies - Be with The Family, Enjoy Music form Films of 1940s to mid-1970s period, write on whatever I liked to read, pursue amateur photography and indulge in solving the chess problems. So I commenced my Second Innings to focus on this area of my life as the primary occupation. At the end of four years, I am now quite a regular blogger. I have been able to build a few very strong pen-relationships. I maintain contact with 38-years of my First Innings as freelance trainer and process facilitator. And yet, The woods are lovely, dark and deep. But I have promises to keep, And miles to go before I sleep, And miles to go before I sleep.

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