Welcome to February, 2015 edition of Carnival of Blogs on Golden Era of Hindi Film Music.
As has become a set pattern, we begin with articles form or regular blogs, commemorating anniversaries:
Kavi Pradeep: The singer of Message Songs – As tribute on the centenary of Kavi Pradeep (6 February 1915 – 11 December 1998) – the article goes on to present some songs sung by him, because he is in the class of singers who could not sing anything which was less than captivating.
Happy Birthday, Waheeda ji, from where we have picked up these two songs:
Haaye gazab kahin taara toota (Teesri Kasam, 1966. Asha Bhosle, Shankar-Jaikishen). We will add Mubarak Begum’s piece – Hai Muhobbat Bahut – to this list. Just as a bonus, here is her dance number (Yaeru pooti poovaye from Kaalam Maari Poochu (remade into Telugu as Rojulu Marayi). This tune was adapted to in Hindi for the film Bambai Ka Babu, as Dekhane Mein Bhola Hai, some years down the line.
The Masters: Khayyam spans the career that spanned more than six decades, with long stretches in between where Khayyam did not compose for films at all. In all, he composed for 54 films (and 17 other unreleased ones) and totalled up 626 songs (including those for TV serials and other non-film albums including those for Begum Akhtar and Mohammed Rafi).
And now onto some of the other – regular- offerings:
UttarMegh and Dekh Kabira Roya is also the inspired by the Meghadutam, which has been a source of inspiration of many an artist. ‘While PurvaMegh describes the scenic beauty that the cloud messenger would pass by on his way to Alaka nagari, as narrated by a certain Yaksha who is separated from his wife on account of negligence of duty and hence cursed by Kubera to be exiled for a year, UttarMegh is full of virah-bhava. ..The great painter Nana Joshi has created nine visualisations of the verses of UttarMegh…. That UttarMegh was a possible inspiration for the great lyricist Rajinder Krishan when he penned the lyrics for Dekh Kabira Roya – Meri Veena Tum Bin Roye and Ashqon se teri hamne [It is also interesting to note that the two songs are back to back in the movie] as well as Bairan Ho Gyai Raina – or even Amiya Chakraborty, the director of the movie, is what this post sets out to explore.
Some Favorite (Relatively) Contemporary Versions of Classic Hindi Film Songs is the result of the urge to throw together some of my favorite contemporary versions of old Hindi film songs. The songs included here – Hai Apna Dil To Awara, Chin Chin Choo, Piya Tu Ab To Aaja– also come from a slightly wider range than the area that the blog usually focuses on these days, stretching in one case all the way into the early 1970s. But all of these songs were composed by music directors who produced many classics during the Golden Age, and all of them were originally sung by artists who became prominent during the Golden Age or the Vintage Era.
Different versions of ‘Tum Bhulaye Na Gaye’ by Feroza Begam… This is one of the loveliest songs that one cannot get tired of listening it again and again. There is something special about it. Firoza Begum in her unique and beautiful voice has infused agony and angst into this engrossing composition of Kamal Dasgupta…. original version , subsequent version and the one when she was almost 70 .
A few random musings:
Salil Chaudhury – A narrative documentary movie on Salil Chowdhury directed by Jagadish Banerjee and produced by Films Division…..
Cinema Cinema – Director Shah Krishna compiled this compelling documentary of Indian cinema after spending two years searching through film archives from all over the world. Included are films from the turn of the 20th century through the 1970s to illustrate various schools of filmmaking and the historical progression of the art form.
- Dhuwen ki gaadi udaaye liye jaaye
- Ae dil bahak na jaana
- Yahaan To Katey Mauj Se Zindagi
- Meri Aur Unki Preet Puraani Chal Chal Jaaun Ya Mumbai Laa
- Khushi Do Ghadi Ki – Kishore Kumar -DOOR KA RAHI (1970
Naresh Mankad also chips in with
Whilst on Pankaj Mullik, we also recall that Samir Dholakia has sent
And now over to exclusive articles on Mohammad Rafi…
Mohammad Rafi Timeline showcases his endless collections.
Mohammed Rafi: An Antique voice of showman Raj Kapoor – An Accolade to Raj Kapoor and Mohammed Rafi on their 90th Birthday By Biman Baruah – Mohammad Rafi has sung second highest songs for Raj Kapoor, after Mukesh, in films like Barsaat (1949), Andaz (1949), Dastan (1950), Sargam (1950), Amber (1952), Paapi (1953), Do Ustad (1959), Chhalia (1960), Nazrana (1961), Ek Dil Sau Afsane (1963) and Mera Naam Joker (1970).
We continue our pursuit of the golden period of Hindi Film Music …….