Come 1st April and rest assured that SoY will come up with something brilliant. For the present, Some thoughts on taxonomic-mathematical analysis of Hindi films and songs has a fairly lashing tongue in the cheek, but that would not take away the merits of three core ideas – viz. Duet Balance Index (DBI) – ‘Duets that are really solos’, Popularity-Quality Index (PQI) – Popularity versus quality and Mathematical Analysis of Bollywood Triangles and Other Films presented therein.
We turn our sails to our regular fair –
Shamshad Begum songs by Naushad – SoY’s tribute to Shamshad Begum on her 96th birth anniversary (14 April 1919 – 23 April 2013). Shamshad Begum’s entry is credited to Ghulam Haider. Nonetheless she sang with same élan with most of the music directors of the vintage era. When Naushad used her voice first time in Shahjehan (1946) , Shamshad Begum was already at her peak. As she went on to sing a wide range of moods and scales in around 60 songs with Naushad, her portfolio was concurrently getting richer with other music directors like C Ramchandra, S D Burman, Ghulam Mohammad and others. She blazed a scorching trail with O P Nayyar. It remains a very typical irony of the vagaries of Hindi Film Music that she was quite easily replaced with Lata Mangeshkar and Asha Bhosle by Naushad and O P Nayyar respectively in course of 50s.
SoY has picked up Shamshad Begum songs of C Ramchandra in Shamshad Begum songs by C Ramchandra as a tribute on the 2nd death anniversary of the legendary singer.” During a brief period in the late 1940s, before Lata Mangeshkar happened in a big way to C Ramchandra, Shamshad Begum was his most important singer, and he was at his creative best. The combination gave some everlasting songs, which are an important part of our musical legacy.”
We recall our April 2013 episode of our blog carnival, wherein we carried a few more articles and a downpour of obituaries on her passing away. We add a few more here:
By selecting a range of songs form films of different time scale, Asha Parekh-A charming and talented actress provides a fan’s insight to Asha Parekh’s career graph. To this we supplement Unknown Facts About Asha Parekh.
Words by Anna Morcom on Pakeezah (with accompanying videos from Tommydan) – looks back at (main) songs as interestingly seen in the book, Illicit Worlds of Indian Dance on 43rd anniversary of Meena Kumari’s death.
We pick up two songs from My favourite Meena Kumari songs:
- Lau Lagati geet gaati (Bhabhi ki Chudiyan, 1961, Lata Mangeshkar, Sudhir Phadke)
- Chand Hai Wohi (Parineeta, 1953, Geeta Dutt, Arun Kumar)
Uff Ye Beqaraar Dil Kahan Luta Na Poochhiye is a tribute to (Smt.) Bela Bose Sengupta on her 74th birthday on 18th April, 2015. We pick up a few of the songs listed out at the end of the article:
- Yeh Na Thi Hamari Kismat – Main Nashe Mein Hoon (1959) – Shanker Jaikishan – Usha Mangeshakar
- Saakiya ek Jaam Woh Bhi to De De – Neend Hamari Khawb Tumhare (1966) – Madan Mohan – Asha Bhosle, Mubarak Begum
- Hai Nazar Ka Ishara Sambhal Jaiye – Anita (1967) – Laxmikant Pyarelal – Lata Mangeshakar, Usha Mangeshakar
- Uff Ye Beqaraar Dil Kahan Luta Na Poochhiye – Dil Aur Mohabbat (1968) – O P Nayyar – Asha Bhosle
The Lost Films of Helen – This video slideshow shines a light on some Helen films that haven’t been seen since they were originally released many years ago. They are presumed to be lost forever.
Tune, Composer, Language – It’s All the Same attempts at highlighting some examples where a wide arrange of music directors have re-use their tunes within the same language, within the same period of 1940s -1950s.
Double delight with Fusion – Fusion in this post is to mean something totally different from a mere fusion of instrumental music – a mix of two different singing styles in the vocals in the same song. 12 of these ‘Fusion’ songs (from 1950s to 2010) are placed in the player.
Now we move over to Samir Dholakia ‘s choice for the month –
- Mere do naina matware – Namaste Jee (1965) – G S Kohli. – Lata Mangeshkar
- Maan jaa arre buddhoo jaan jaa Post by Avinash Scrapwala for the song Maan Jaa Arre Buddhu Jaan Jaa – Return Of Johny (1972) – N Datta – Asha Bhosle, Lyrics – SR Saaz,
- Hum Tum Yeh Bahar – Amber (1952) – Gulam Mohammad – Mohammad Rafi (for Raj Kapoor), Lata mangeshkar
- O Kaali Ghata Ghir Aayi Re – Kali Ghata (1951) Shankar Jaikishan – Lata Mangeshkar Mohammed Rafi
- Tum Ho Saath Raat Be Haseen Hai – Mohar  – Madan Mohan – Lata Mangeshkar
- Sajan Ki Ot Leke Haathon Mein Haath Leke. Zevrat (1949) – Hansraj Behl -Mohammad. Rafi.. Lata Mangeshkar
Naresh Mankad has remembered Budhdham Sharanam Gachchami – Angulimaal (1960) – Anil Biswas – Manna Dey, Meena Kapoor, and Chorus. This is indeed a more known song. But it has a very different version (predecessor, in terms of timeline) in Anjali (1957), sung by Mohammad Rafi, and composed by Jaidev.
In the end we take up (our customary) very special songs / articles on Mohammad Rafi –
- Saawan Ki Ghatao – is A duet from Aage Badho 1947 (Sudhir Phadke ) filmed on very young Dev Anand and Khurshid Bano.
- Mohammed Rafi : The amusing voice of Randhir Kapoor enlists songs that Mohammad Rafi sang for the elder Kapoor of the third generation.
- Mohammed Rafi’s association with most cultured comedian: Deven Varma – Rafi Sahab sung two duets for Deven Verma in QAWWALI KI RAAT – Iqbal Quereshi – (1964). The two duets, “Husnwaale Husn Ka Anjaam Dekh, Dubte Suraj Ke Waqt Sham Dekh” by Rafi-Asha Bhosle and “Jaate Jaate Ek Nazar Bhar Dekh Lo” by Rafi-Shamshad Begum filmed on Deven Verma and Mumtaz.
- Mohammed Rafi Award, while advocating renaming Filmfare Best Male Singer award has listed all major awards that Mohammadi Rafi’s Hall of Fame adorns.
- The combination of OP Nayyar and Mohammad Rafi was like tea and milk, creating a very unique, invigorating brew. We would addon Mere Sanam (1965) here simply to buttress the point – Rafi gets to sing four fantastic solos –Pukarta Chala Hoon Main, Humdum mere maan bhi jaao; the heart-rending Tukde hain mere dil ke aye yaar tere aansoo and Hue hain tumpe aashiq ham bura mano bhala maano and three lovely duets as well (with Asha Bhosle) – Roka kai baar maine dil ki umang ko, Haji Baba mere sanam se mera milne ka waada, and finally the lovely song that did not make it to the screen, Humne toh dil ko aapke kadmon mein. Simply divine.
We will end April month’s episode with a very typical Shanker-Jaikishan – Mohammad Rafi songs of 1960s – from (of course) the film ‘April Fool’ – a song which has one of the longest prelude, studded with a huge ensemble of violins, wherein Rafi has taken flights to all the scales –
Aa Gale Lag Jaa, Mere Sapane, Mere Apne, Mere Paas Aa…….
We continue our pursuit of the golden period of Hindi Film Music …….