Welcome to June, 2017 edition of Carnival of Blogs on Golden Era of Hindi Film Music.
It is a great pleasure to open the curtains of June 2017 post of blog carnival series with Songs of Yore completes seven years that presents what has by now been a well-established tradition of presenting some quite unusual songs and songs of some unique personality form the world of music on the occasion of celebration of the birth anniversary of this blog. Master Madan is the case in point this year.
We will now take up the posts on the anniversaries or eulogies:
‘Not very beautiful but vivacious’: How Nargis was cast in her breakthrough movie ‘Taqdeer’ – Kishwar Desai – June 1 marks the birth anniversary of Nargis, one of Indian cinema’s greatest actresses. Nargis had appeared in a few films in small roles before Taqdeer, which was directed by Mehboob Khan. She was 14 at the time, and was paired with Motilal.
The Spontaneity of Nutan That Rose Above ‘Acting’ – Antara Nanda Mondal pays a tribute to the legendary actress Nutan with a brief journey through some of her immortal songs – in which she essayed an amazing variety of roles. Her spontaneity and versatility made her rise above the accepted norms of ‘acting’ in mainstream cinema.
Nutan speaks about Bimal Roy is recently added by the Youtube channel WildfilmsIndia which features many videos of a geographical, historical and cultural nature.
KA Abbas, ‘biggest bulk buyer of tickets’ of his own films and eternal dreamer – Juhi Saklani– The medium was always the message for Khwaja Ahmed Abbas (June 7, 1914-June 1, 1987), the celebrated writer, filmmaker and columnist.
Chaar Rahein – K A Abbas at the junction between tradition and progress – is one of the most structurally interesting Hindi films of its time, with separate stories coming together through the device of the crossroads and the personal journeys of the characters passing it. Two years earlier, Hrishikesh Mukherjee’s debut film Musafir had used a house and its landlord to link three discrete narratives. If the “makaan” in that film represents a society made up of many types of people, Char Dil Char Rahein is about the tradition-modernity conflict facing a nation; it is, literally and otherwise, set at the intersection between old roads and a new one.
Sajjad Hussain, the composer whose music has endured ‘with a tenacity that defies reason’ – Rudradeep Bhattacharjee – June 15 marks the birth centenary of the multi-instrumentalist and legendary composer of the movies ‘Sangdil’ and ‘Rustam Sohrab’. …Hussain’s work in the film, a historical titled Daiwayogaya (1959) (a Sinhala film), has largely escaped our attention. This, among other things, means that most of us have been bereft of the pleasure of listening to the spellbinding Adarayai Karunawai.
Sudhir, in his tribute post on Atul’s Songs a Day remembers Sajjad Hussain thru’ Chali Pawan Purvaai, Chali Pawan (Dharam, 1945; Singers – Naseem Banu, Ratanbai).
Gaddeswarup Blog adds Sajjad Hussain: A biography and his perhaps most popular song…
Ye Hawa Ye Chandani Teri Ek Nazar Ka Khumar Hai – Sangdil (1952) – Talat Mahmood
The June 2017 episode of Fading Memories, Unforgettable Songs was dedicated to V Balsara, known probably more for his mastery in playing different musical instruments.
Here are posts on other subjects as well:
Documentary retraces the journey of the woman from Faizabad who became Begum Akhtar – Nandini Ramnath – Nirmal Chander’s visually sumptuous (documentary) ‘Zikr Us Parivash Ka’ is a cradle-to-grave account of one of India’s most celebrated classical music artist.
Two snake dances from S.D. Burmam and one from Naushad
O Pardesiya..Pyar Ki Bahar Leke, Dil Ka Qarar Leke… – Bahar (1951) – Shamshad Begum – S D Burman
Serpent Dance – Guide (1965) – S D Burman
Snake Dance – Dastan (1950) – Naushad
Film Songs Based on Classical Ragas (12) – A morning with Asavari/Jaunpuri in which the guest author Subodh Agrawal decodes the similar ragas Asavari, Jaunpuri and Dev Gandhar with his characteristic clarity.
‘Roop Tera Mastana’ simply refuses to grow old – Arun Fulara – ‘Aradhana’ director Shakti Samanta filmed the song in a single audacious take.
My Favourites: Memorable Scenes From Hindi Films, depicting many moods; scenes that, if you tell the name of the film, are the ones one will immediately recollect.
Before ‘Tubelight’, ‘Dr Kotnis Ki Amar Kahani’ dreamt of Hindi-Chini bhai bhai – Nandini Ramnath – V Shantaram’s 1946 movie retraces the journey of Indian doctor Dwarkanath Kotnis from Sholapur to the Chinese battlefield.
Homes and Houses: Ten songs – Hindi cinema has done ample justice to the concept of ‘home’ and ‘house’, from songs like Ek bangla bane nyaara to films like Dastak, Biwi aur Makaan, Hamaara Ghar, Gharaunda and Tere Ghar ke Saamne. The author has picked pre-1970 songs of Homes that are envisioned, homes that are hoped for, homes that light up with joy because of the coming of a festival or the arrival of a loved one, homes destroyed. Here are a couple picks form the list:
- Saamne gali mein mera ghar hai (Mirza Sahibaan, 1947)
- Rehne ko ghar do (Biwi aur Makaan, 1966)
Cycle trails of Bollywood – After taking us through horses, tongas and steam engine, DP Rangan now logically takes us on a joy-ride of cycle songs. Along the way, he also writes a dissertation on its history.
Nain se nain from generation to generation
Ustad Fateh Ali Khan of Patiala – Raag Darbari
Raag Darbari fusion with rock music – composed by his nephews Wali hamid ali khan & Kamran Akhtar
Shah Rukh Khan’s Doodle Among Stunning Rare Film Collectibles, Stills, Artwork in Osian’s Auction – Antara Nanda Mondal– Among the rare collectibles in the auction are a bunch of original artworks by renowned filmmakers Satyajit Ray and Mani Kaul. Besides there are original publicity-material art for Andaz (1949), Anari (1959), Guide (1965), Deewaar (1975) and others. A huge collection of rare posters, showcards, lobby cards, photographic stills from the golden 1950’s period to the era of Amitabh Bachchan to the current trinity of Salman, Shah Rukh and Aamir Khan go under the hammer at the prestigious auction on 22 June, 2017.
In our series Micro View of Best Songs 1948 @SoY, we have commenced the detailed posts on Male Solo songs with those of Mohammad Rafi and Mukesh.
To end the today’s post with an article on Mohammed Rafi, I have zeroed upon an old post – Seven of My Favorite Rafi Songs– from Dances on Footpath. The author also has noted that these seven songs are not appreciated as Rafi songs go. Well, of the seven songs mentioned therein YT link 4 links have become dysfunctional. At least two songs do certainly would not be qualified as “unappreciated” So here are just two songs that stand out:
Nazron Ke Teera Maare Kas Kas – Do Ustaad (1959) – with Asha Bhosle – O P Nayyar – Qamar Jalalabadi
My Dearo Dearo Mummy Nahin – Nagina (1951) – with Shmashad Begum – Shanker Jaikishan
I trust you will always feel free to proffer your suggestions for making this series of posts more lively and informative….