The Micro View of the Songs of 1948 @ SoY – The Duets – Female Female Duets

When I sort-listed female-female duets for 1948 from HFGK, the number worked out to be reasonably large. However, I could not find digital soft version on the net for almost half of them. Therefore, the songs that I could find YT link can be taken as fairly well-known to those who have good knowledge and interest of vintage era songs. From the perspective of my limited knowledge and interest of the songs of that era, I also found listening to these songs quite interesting.

Shamshad Begum + Geeta RoyOh Gori Tera Banka Chhaiya Jeet Ke Aaya Jang – Actress – Shyam Sundar – Raja Mahendi Ali Khan

Shamshad Begum + Geeta RoyAnkhon Ankhon Mein Dil Se Dil Ki Baat Kah Gaye – Actress – Shyam Sundar –

Amirbai Karanataki + RajkumariBasant Chhaya Charon Aur, Ho Chhaya Charon Aur – Amar Prem – Datta Thakor – Mohan Mishra, M A

Shamshad Begum + Geeta RoyPyari Tera Mera Mera Tera Pyar – Anjuman – Bulo C Rani – Majrooh Sultanpuri

Lata Mangeshkar + Ira NagarathAye Dil Meri Wafa Mein Koi Kasar Nahi Hai – Anokha Pyra – Anil Biswas – Shams Azimabadi

Geeta Roy  + Sulochana KadamChanda Ki Chandani Hai  Mauj Hai Bahar Mein – Chanda Ki Chandani – Gyan Dutt – D N Madhok

Shamshad Begum  + Johrabai AmbalewaliBaag Mein Koyaliya Yahi Gaye Re – Ghar Ki Izzat – Pt. Govind Ram – Ishwar Chandra Kapoor

Shamshad Begum + HamidaO Motorwali Chhori, Dil Leja Chori Chori – Grihasthi – Gulam Mohammad – Shakeel Badayuni

Shamshad Begum + Surinder KaurMeri Phool Bagiya Mein Aayee Hai, Lo Aayee Hai – Lal Dupatta – Gyan Dutt – Manohar Khanna

Lata Mangeshkar + Geeta RoyGori Sakhiyon Se Akhiyan Churay Rahi Hai – Majboor – Gulam Haider – Najim Panipat

Geeta Roy + RajkumariRoom Zoom Matwale Kale Badal Chhaa Gaye, Balam Ji Teri Yaad Dila Gaye – Suhag Raat – Snehal – Kedar Sharma

Geeta Roy + RajkumariBaaji Mori Payal Thunnak Thunnak Suno Ye Sandeshva – Suhag Raat – Snehal – Kedar Sharma

Geeta Roy + RajkumariKis Paapi Sang Ulazi Akhiyan Haye Akhiyan Maine Ro Ro Gavayee – Suhag Raat – Snehal – Kedar Sharma

Shamshad + Geeta RoyMere Dil Ki Dhadakano Mein Sakhi Kaun Aa Samaya – Suhag Raat – Snehal – Kedar Sharma

We will take up male-male duets and triads & triads+ in our next episode.

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ASHOK M VAISHNAV

In July 2011, I opted to retire from my active career as a practicing management professional. In the 38 years that I pursued this career, I had opportunity to work in diverse capacities, in small-to-medium-to-large engineering companies. Whether I was setting up Greenfield projects or Brownfield projects, nurturing the new start-ups or accelerating the stabilized unit to a next phase growth, I had many more occasions to take the paths uncharted. The life then was so challenging! One of the biggest casualty in that phase was my disregards towards my hobbies - Be with The Family, Enjoy Music form Films of 1940s to mid-1970s period, write on whatever I liked to read, pursue amateur photography and indulge in solving the chess problems. So I commenced my Second Innings to focus on this area of my life as the primary occupation. At the end of four years, I am now quite a regular blogger. I have been able to build a few very strong pen-relationships. I maintain contact with 38-years of my First Innings as freelance trainer and process facilitator. And yet, The woods are lovely, dark and deep. But I have promises to keep, And miles to go before I sleep, And miles to go before I sleep.

3 thoughts on “The Micro View of the Songs of 1948 @ SoY – The Duets – Female Female Duets”

    1. AKji,
      Thanks for the response and very rightly pointing out the error of re-proofreading the lyrics of mukhda of Mere Dil Ki Dhadkano….
      Female Female duets for 1948 have a very distinctive charm. Probably, when we look back, these set of songs seem to well epitomize the transition in character of Hindi Film Songs composition.
      Mere Dil Ki Dhadkano Mein (I have now corrected the words of mukhda) may be a very typical case, wherein music director may be considered as having no apparently direct linkage with the past tradition of music composition.

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