Welcome to February, 2019 edition of Carnival of Blogs on Golden Era of Hindi Film Music.
MADHU BALA: The Bewitching Beauty of Bollywood – DP Rangan pays a rich tribute.
‘6 Iconic fashion statements we owe to Madhubala!’ looks back to some of the fashion trends that she made popular.
We also have post to remember Valentine’s Day – Ten of my favourite romantic serenades. It’s a list of romantic serenades, of people singing in praise of the person they’re in love with (or, as in the case of a couple of fraudulent characters in this list, pretending to be in love with).
For the Love of a Goddess – The article first takes through the narrative journey of a music documentary, Music for Goddess (by Amy Catlin-Jairazbhoy and Nazir Ali Jairazbhoy), which explores the sacred music, dance and rituals of devidasis and devidasas, women and men dedicated to the goddess Renuka/Yellamma. It then introduces the instrument, the chaundka—also called chaundke, which the followers of the Goddes use mainly in their dancing and singing. The chaundka sounds similar to the damru. Our cinema has used the chaundka in several songs. The article has listed some of these songs.
Suman Kalyanpur – Sweetness Personified – The name conjures memories of lilting sweet songs, solos and duets that have gained immortality and enriched our music heritage. Peeyush Sharma revisits some of her evergreen melodies, enjoyed and cherished by generations of music lovers. Of the two duets she could get to sing with Mohammad Rafi, Din ho ya raat hum rahein tere saath (Miss Bombay, 1957, Hans Raj Behl / Prem Dhawan) is perhaps more known than Duniya Ye Kehati Hai.. Meri Kismat Mein Likhi Wo Jo Mere Peechhe Baithi Hai
In a tribute to Bharat Vyas in his centenary birth year, last month we had touched Bharat Vyas – The Prolific Lyricist – I and Bharat Vyas – The Prolific Lyricist – II . In part III of the series, his songs from ‘70s has been covered.
Here’s to the Birth or Death Anniversaries of Three Classic Hindi Film Artists Who Certainly Should Not Have Died In Poverty – The article refers to Cuckoo, Meena Shorey and Rajkumari. [I have searched a song in which each one is associated in a duet with Mohammad Rafi. The songs are at the end of the present article.]
Shailendra Sharma @ Golden Era of Bollywood has posted following memorial tribute posts:
- Navketan’s Guide- From Pages to Celluloid
- I S Johar – A Versatile Bollywood Personality
- The First Generation Composers of Bollywood
- Madhubala- A Journey from Baby Mumtaz to Madhubala…
- The Great Dacoit Films of Bollywood
- Pakeezah was the Taj Mahal for Kamal Amrohi
- Songs were the Integral Part of Dev Anand Personal…
- Jagjit Singh and Chitra Singh’s chemistry worked l…
- The Rise and Fall of Iconic Studios and Banners of…
- Bhagwan Dada- The Original Dancing Star of Bollywo…
- Waheeda Rehman- A Journey from Kamini(C I D) to Nu…
- S D Burman was the Soul of Navketan Films
The flashback series has why you should watch Waqt (1965), because it’s a near-perfect summary of the “masala” film before the term was commonly used and why you should watch Mem Didi (1961) for the beautiful chemistry between three elderly character actors.
Waheeda Rehman 2.0 – The Grand Diva Of Hindi Cinema – Staying relevant is one of the most crucial elements of Hindi film industry and Waheeda Rehman is a living legend who has stayed relevant in every era since her debut in 1955 in Telugu and Tamil cinema.
February, 2019 episode of Fading Memories, Unforgettable Songs takes up Talat Mahmood’s duets with Mubarak Begum and Madhubala Jhaveri, in continuation to the previous articles . Some of the Talat Mahmood Duets receding from the memory and Talat Mahmood’s Duet Combinations with Rare Co-singers.
And, now the posts on other subjects:
Romancing the Pardesi is a varied collection of beautiful Pardesi songs of separation, longing, betrayal and hope.
What Time It Is? is a theme-based list that has songs mentioning the actual time in the opening line.
With Claps As Percussion – Songs With A Difference, which has several over-riding conditions, one of which it is that it should not be an O P Nayyar composition. Here is one song that comes up as result:
Nacho Jhoom Jhoom Ke – Sarhad (1960) – Chitalkar – C Ramchandra – Majrooh Sultanpuri
By the Sea Shore remembers the songs from the films of 50s-60s and 70s, picturized on a seashore or a beach.
Reluctant Singer? Take a Boat Ride – Transformation happens to many people when they are on a boat that has left the shores some time ago. The songs listed herein are the ones that were sung by such “What, me sing?” folks when on the land. This is a celebration of people who themselves manage to move a sea vessel from one place to another.
Tujhe chaand ke ‘bahaane’ dekhun ki ‘chhat’ par aa ja goriye is a rich collection of songs in which an excuse to go to the terrace is linked up.
‘The Guide’ in English: The story of Dev Anand’s abortive attempt to storm Hollywood – Based on RK Narayan’s novel of the same name, the film was directed by Tad Danielewski. But reviewers thought it was ‘clumsy and artless’.
Mose Chhal Kiye Jaaye – Kya Se Kya Ho Gaya – Guide – The Twofold Stunner -The Writer / Director, Vijay Anand, wants his songs to take his story forward. He opts for two different songs…back to back and Burman da composes those two songs. Both songs have the same notes!!!! Whereas Lata Mangeshkar song is an accusation of the feeling of cheating, Mohammad Rafi’s song is a romantic plea for the sake of his love.
Songs of दास्तान- ए – हाल – ए -दिल weave anguish or agitation, and some time happiness, or sheer romance, when a person comes up to tell his / her heart-felt feelings.
We are bit late in documenting ‘Songs in the Snow: Ten of my favourites’. The songs should feature some amount of snow; it need not necessarily be all against a backdrop of snow. And the snow, even if it’s not real should at least not look patently fake.
In our tradition of ending our post with article on Mohammad Rafi or a topical song of his, I have picked up a few songs, each one of which basically has a link with the topics discussed in the present post.
Akhiyan Mail Ke Jara Baat Karo Ji – Pardes (1950) – with Lata Mangeshkar – Ghulam Mohammad – ShakeelBadayuni
Aao Chale Manwa More Door Chale Kahin Re – Amar Prem (1948) – with Rajkumari – Dutt Thakur – Mohan Mishra
Tumhein Chupke Se Dil Mein Liya – Ek Do teen (1953) – with Asha Bhosle – Vinod – Aziz Kashmiri
Chowpati Par Kal Jo Tujhse – Afsana (1951) – with Shmashad Begum – Husnlal Bhagatram – Chander Oberoi
Kehdo Kehdo Jahan Se Kehdo Ishq Par Jor Nahin – April Fool (1964) – with Suman Kalyanpur – Shanker Jaikishan – Hasrat Jaipuri
Auraton Ke Dibbe Mein Mard Aa Gaya – Mud Mud Ke Na Dekh (1962) – With Suman Kalyanpur – Hansraj Behl – Prem Dhawan
Tere Peechhe Phirte Phirte Ho Gaya Pura Sal – Mud Mud Ke Na Dekh (1962) – With Suman Kalyanpur – Hansraj Behl – Prem Dhawan
I earnestly solicit your inputs for further broad-basing our cache for the content for our carnival of blogs on the Golden Era of Hindi film music.
Disclaimer: This monthly series of posts is my best-effort-based compilation of posts on Hindi film songs that I normally visit regularly. As I record my sincere thanks to all the original creators of these posts, any other posts that I have nor covered herein shows my lack of awareness of existence of such posts and is by no means any disrespect to their work. The copyrights to the posts, images and video clips remain the properties of the original creators.