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Carnival of Blogs on Golden Era of Hindi Film Music

Carnival of Blogs on Golden Era of Hindi Film Music – October, 2019

Welcome to October 2019 edition of Carnival of Blogs on Golden Era of Hindi Film Music.

Lata Mangeshkar’s birthday has had a very extensive coverage this moth. We have picked up the representative articles here:

The Mangeshkar siblings – #Meena, #Lata, #Hridaynath, #Asha and #Usha with their mother #Shevanti.

We also poignantly take note of passing away of Viju Khote –

Remembering Kaalia – Following the success of Sholay, Viju Khote became a regular in Hindi films. Viju Khote is also remembered for his stint on TV, with Zabaan Sambhal Ke. He passed away on 30-9-2019, at the age of 77, due to multiple organ failure in his Mumbai home.

We pick up other tributes and memories:

SD Burman: ‘The Courage of His Convictions’ – Moti Lalwani  –

Raah Bani Khud Manzil – The Lingering Effect of Hemant Kumar Part 1  explores the talent and work of Hemant Kumar and Part 2 explores some of his compositions of merit and his opus as a music director in Hindi films.-  His music spelt class and showcased quality. His deep, resonant, sonorous and haunting voice cast a spell on his listeners. Vasanti Limaye pays a tribute to Hemant Kumar, singer and composer.

“Maajhi Naiya Dhoondhe Kinara” – Yunus Parvez was a familiar face in Hindi cinema over three decades from 1970s to 1990s. In stark contrast to his screen image, Yunus Parvez was a highly educated and extremely intelligent personality who was also active for a short period in the field of politics.

Shammi Kapoor: The Charisma of the Original Dancing HeroPeeyush Sharma– Revelling in the song, its emotion, the fine movements of the orchestra, the feelings that the lyrics carry, the message, the rhythm and gelling with it in celebration with complete physicality was what Shammi Kapoor was all about. For example –

Tasveerein banti hain kirnein-si chhanti hain  (Jeevan Jyoti, 1953) SD Burman/ Sahir/ Asha and Shammi Kapoor(for the last line).

Shailendra Sharma @ Golden Era of Bollywood has posted following memorial tribute posts:

Before Walt Disney, There Was Lotte Reiniger and the World’s First Animated Feature – The oldest surviving animated feature was not made by Walt Disney, but by a German puppeteer named Lotte Reiniger who escaped Nazi persecution to move to London and make adverts for the British Post Office. Her film, The Adventures of Prince Achmed (1926), was a creative and technical masterstroke that would have a huge influence on the generation of animators that followed, including those working in the United States.

October, 2019 episode of Fading Memories, Unforgettable Songs takes up (Shankar-) Jaikishan and Hasrat Jaipuri’s Songs Fading From the Memory : 1958 – 1959. This is in continuation to the series from the previous episodes which had listed some of the song from 1949 to 1954 and 1955 to 1957.

And, now commence the posts on other subjects.

Hato Kaahe Ko Jhoothi – Manzil – All That Fuss narrates the bitter sweet bickering and all that fuss about loving someone else and giving all the attention to that someone else.

The ‘Professional’ Songs are the songs that describe one’s profession or occupation. The list mandates stage performances and audio clips not to be includes in the post.

‘Saaransh’ revisited: ‘The ‘watershed’ that set Anupam Kher on the road to success – Sanjeev Kumar was almost cast as BV Pradhan in Mahesh Bhatt’s movie, Anupam Kher  recalls in recently published autobiography Lessons Life Taught Me, Unknowingly.

Shabana Azmi: Playing the Formidable Rukmini Bai in Mandi – From smiling chutzpah to high power kinetic outbursts, Shabana Azmi makes the formidable character of Rukmini Bai come alive in Shyam Benegal’s Mandi. Bubla Basu explores Shabana Azmi’s unbeatable oomph in this acclaimed film.

Following the overview article, Best songs of 1946: And the winners are?, we have taken up micro view of Duet Songs for 1946  We have covered Male- Female duets this month in four episodes – those of Mohammad Rafi, G M Durrani, Mukesh, Chitalkar, Ashiok Kumar, Surendra and Other male Singers in Part 1 and Part 2.. We plan to take up female-female duests and Traiads, Triads + in the last episode of this month.

To end the present post with a few duet songs of Mohammad Rafi with Lata Mangeshkar, each one of which basically has a link with the topics discussed in the present post, we have picked up:.

Dekho Rutha Na Karo, Bat Dil Ki Suno – Tere Ghar Ke Samne (1963) – S D Burman – Hasrat Jaipuri

Tum Lakh Chuupana Chahoge – Singapore (1960) – Shankar Jaikishan – Hasrat Jaipuri

Tumhare Bin Guzare Hai – Atmaram (1979) – Shankar Jaikishan – Vishweshar Sharma

Luska Luska Luska Lui Lui Sa….Tu Mera Copyright, Main Tera Copyright – Shararat (1959) – Shankar Jaikishan – Shailendra

I earnestly solicit your inputs for further broad-basing our cache for the content for our carnival of blogs on the Golden Era of Hindi film music.

Disclaimer: This monthly series of posts is my best-effort-based compilation of posts on Hindi film songs that I normally visit regularly. As I record my sincere thanks to all the original creators of these posts, any other posts that I have nor covered herein shows my lack of awareness of existence of such posts and is by no means any disrespect to their work. The copyrights to the posts, images and video clips remain the properties of the original creators.

By ASHOK M VAISHNAV

In July 2011, I opted to retire from my active career as a practicing management professional. In the 38 years that I pursued this career, I had opportunity to work in diverse capacities, in small-to-medium-to-large engineering companies. Whether I was setting up Greenfield projects or Brownfield projects, nurturing the new start-ups or accelerating the stabilized unit to a next phase growth, I had many more occasions to take the paths uncharted. The life then was so challenging!
One of the biggest casualty in that phase was my disregards towards my hobbies - Be with The Family, Enjoy Music form Films of 1940s to mid-1970s period, write on whatever I liked to read, pursue amateur photography and indulge in solving the chess problems.
So I commenced my Second Innings to focus on this area of my life as the primary occupation.
At the end of four years, I am now quite a regular blogger. I have been able to build a few very strong pen-relationships.
I maintain contact with 38-years of my First Innings as freelance trainer and process facilitator.
And yet,
The woods are lovely, dark and deep.
But I have promises to keep,
And miles to go before I sleep,
And miles to go before I sleep.

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