Welcome to April 2021 edition of IXth Volume of Carnival of Blogs on Golden Era of Hindi Film Music.
We pay our tribute to Shashikala (Javalkar) who left for heavenly abode on 04.04.2021.
Kyon Muje Itani Khushi De Di – Shashikala – Beete Hue Din – Shishir Krishna Sharma – is a comprehensive life sketch of Shashikala, published seven years back.
The Greats: Shashikala remembers various roles she has played on the screen.
Ten of my favourite Shashikala songs in which Shashikala lip-syncs to the song. These could be solos or duets.
Whilst on the subject, in our Fading Memory, Unforgettable Songs episode of March 2021, we had noted a very young Shashikala in Masti Bhari Bahar Ne Masatana Kar Diya (Pugree (1948) – Shamashad Begum – Ghulam Mohammad – Shakeel Badayuni)
We now move on to other tributes and memories:
8 songs that prove Anand Bakshi was Hindi cinema’s lyricist for the common man – Unnati Sharma and Shreyas Sharma – While some of his contemporaries and seniors like Sahir, Majrooh and Gulzar are considered more ‘poetic’, Anand Bakshi kept it simple and read the pulse of the masses.
A Daughter’s Tribute – Ratnottama Sengupta – A Films Division festival ‘A Daughter’s Tribute’, screened three documentaries made by daughters as tribute to their celebrated parent. Nargis by Priya Dutt, And They Made Classics…. by Ratnottama Sengupta and The Last Adieu by Shabnam Sukhdev, were screened at Nandan in Kolkata. Ratnottama Sengupta, the curator of the festival writes about the concept and the experience of the festival.
Book Review: Vinod Mehta’s ‘Meena Kumari: The Classic Biography’ – Instead of discussing Meena Kumari’s cinema (which, normally would be the main reason anyone would want to read this book), Mehta focuses on Meena Kumari’s personal life, and how that personal life affected her professional life.
‘Kohinoor’, the 1960s gem that had Bollywood’s tragedy king & queen at their comical best – Unnati Sharma – Starring Dilip Kumar and Meena Kumari, the 1960 film directed by S.U. Sunny broke the shackles of tragedy and provided audiences wholesome entertainment.
Shailendra Sharma @ Golden Era of Bollywood has posted following memorial tribute posts:
· Bollywood Songs for Expecting Mother or Parents
· The Songs written by Hasrat Jaipuri for Other Musi…
· Shamshad Begum – The Highest Paid Female Playback .
April 2021 episode of Fading Memories, Unforgettable Songs takes up Hasrat Jaipuri – Beyond Shankar Jaikishan: 1959, continuing the annual series of Hasrat Jaipuri’s songs with Music Directors Other Than SJ. Till now, we have covered –
The songs from 1950 to 1953 in 2017,
The songs from 1953 to 1955. In 2018
The songs from 1956 -1957 in 2019, and
The songs from 1958 in 2020
We now move on to songs on other subjects -.
Jogi, Bhogi or Dhongi brings the gay, colourful mood Holi.
Hindi songs with Tonga (Ghoda Gadi) beats lists only one song per composer. Here is one that is a gem for ever – O Matware Sajna Chala Gaya Mera Pyar, Dil Dhadke Main Kya KarooN, Hua Ye Paheli Baar – Faulad (1963) Asha Bhosle – G S Kohli – Faruq Kaiser
Songs with a Regional Twist lists the Hindi film songs that have a phrase or two or even an entire line which is from a different Indian language; but, the rest of the song is in Hindi.
Triad of Singers lists songs where three (or more as the case may be) playback singers sing for a single actor or actress in a single movie – for example.
Geeta Dutt (Aaja Bedardi Baalma), Lalita Deulkar (Bachpan Ki Yaad Dheere Dheere Pyar Ban Gai) & Surinder Kaur (Badnaam Na Ho Jaaye, Mohabbat Ka Fasana) – Film – Shaheed (1948)| Actress – Kamini Kaushal| Composer – Ghulam Haider
How vicarious songs came to the aid of bashful actors in Hindi films – Ajay Mankotia @ajaymankotia – How should the budding romance between the protagonists be depicted on screen, when the script forbids them from directly doing so? Enter buskers and vicarious music to aid.
The ‘College’ Songs is a list of songs picturised in a college campus or mostly in the college building.
Best songs of 1944: And the winners are? – SoY continues with year-wise reviews of the best songs of the year.
In continuation to our tradition of ending the post with a few songs of Mohammad Rafi, each one of which basically has a link with the topics discussed in the present post.
Dil Ko Chedti Hai Tamanna Tumhi To Ho – Lachak (1951) – with Asha Bhosle – Moti Ram – Hasrat Jaipuri
Mere Dilber Mujhpar Khafa Na Ho – Dharmputra (1961) – N Dutta – Sahir Ludyanvi
Aji Aisi Nazar Ko Kya Kahiye Jo Yaar Na Apna Pahechane – Johar Mehmood In Goa (1965) – Kalyanji Anandji – Farooq Qaiser
Haye Kya Ye Shararat, Kya Ada Hai, Tauaba Re Ye Shararat Kurban Is Ada Ke – Jung Aur Aman (1968) – G S Kohli – Anjaan
I look forward to your inputs to enrich the contents of Carnival of Blogs on Golden Era of Hindi Film Music.
Disclaimer: This monthly series of posts is my best-effort-based compilation of posts on Hindi film songs that I normally visit regularly. As I record my sincere thanks to all the original creators of these posts, any other posts that I have nor covered herein shows my lack of awareness of existence of such posts and is by no means any disrespect to their work. The copyrights to the posts, images and video clips remain the properties of the original creators.