Welcome to May 2022 edition of Xth Volume of Carnival of Blogs on Golden Era of Hindi Film Music.
We straight away move on to our section on tributes and celebrations for the month –
Dadasaheb Phalke birth anniversary: The man who brought movie magic to India, captured in Harishchandrachi Factory – Sampada Sharma – On Father of Indian cinema, Dadasaheb Phalke’s 152nd birth anniversary, here’s revisiting Harishchandrachi Factory. The film chronicles Phalke’s journey of making the first motion picture in India.
How Ashok Kumar learned to ‘open his heart through his eyes’ – Nabendu Ghosh – A reissued biography – Dadamoni – The Life and Times of Ashok Kumar, Speaking Tiger- reveals Ashok Kumar’s early years as a reluctant actor in Hindi films produced by the Bombay Talkies studio.
Sunil Dutt, the Bollywood godfather to Amitabh Bachchan, Vinod Khanna, Sanjay Dutt: His career as a serial talent-spotter – Shaikh Ayaz – A closer peek into Sunil Dutt’s extraordinary life and times on his remembrance day – 25th May.
The Search for ‘Alam Ara’, India’s First Talking Film – Soutik Biswas – Earlier this month, a group of archivists in Mumbai recovered what now appears to be the only surviving link – a vintage machine which had been used to make prints of Alam Ara (Ornament of the World), the 1931 film that has disappeared – with the first Indian talking film.
Vasant Desai Part 1: A Multifaceted Talent presentsg some songs of Vasant Desai as a singer and music director from the Vintage Era.
Murmurs of a Different Dream: Progressive Writers and Their Contribution to Indian Cinema – This is the fifth article in a series on the history of the Indian film industry. Also read: Part I | Part II | Part III | Part IV
Shabana Azmi on Shaukat Kaifi: An honest mother, a committed professional, a great hostess – An excerpt from an anthology of essays – The Oldest Love Story – A Motherhood Anthology, edited by Rinki Roy Bhattacharya and Maithili Rao, Om Books International- on motherhood.
Happy Birthday Mac Mohan: Remembering Sholay’s Forgotten Villain – Khalid Mohamed – if the Karachi-born Makijany Mohan, aka Mac Mohan – frequently called Mac in his film roles – had survived a lung tumour, he would have been a year older today (24 April).
Nathli se toota moti re: Manna Dey’s Non-film Hindi Gems is a tribute t0 Manna Dey on his 103rd birth anniversary (1 May 1919 – 24 October 2013)
1942 – 1946 in the year 2018.
1947 – 1950 in the year 2019.
1951 – 1953 in the year 2020, and
1954-1955 in the year 2021
BollywooDirect recollects the reception given to music directors Kalyanji Anandji, who won the National Award for best music direction for Saraswatichandra, on 10–2–1970 at Bhulabai Desai Auditorium, Mumbai.
We now move on to posts on other subjects –
Pikoo, a Little-Known Satyajit Ray Film That Is Largely Ignored by His Admirers – Anjan Basu – Pikoo (1980), a 26-minute short Satyajit Ray made for French television, remains one of Ray’s least watched films in India. He had adapted the film his own short story Pikoor Diary (‘Pikoo’s Diary’),
तेरा नाम लिया……are really very few songs from Hindi films, when someone calls the other character by his/her name in a song.
Ten of my favourite ‘secondary romantic couple’ songs, Most of these are duets, but some are not.
Same Mukhda, Two Different Songs are the five pairs of songs which have at least the first four words of the mukhda in common.
From Bollywood Rewind – Sampada Sharma – Indian Express’s weekly column:
Sharmila Tagore’s Aradhana encapsulates the phony formula of damsels in distress disguised as strong women – Sharmila Tagore and Rajesh Khanna starrer Aradhana started the 15 film hit streak for Rajesh Khanna, as Tagore got a rather tough job of playing a damsel in distress who was supposedly strong.
Hrishikesh Mukherjee’s Chupke Chupke was the subtle antidote to the ‘angry young man’ era; a balance we have forgotten today – The 1970s were the era of the ‘angry young man’ but it was also the era where every ‘larger than life’ hero film was balanced with a subtle, almost relatable film. For every Deewar, there was a Chupke Chupke.
In continuation to our tradition of ending the post with a few songs of Mohammad Rafi that are relevant to the topics covered in the present episode, we will institute a series wherein we continue to listen to Mohammad Rafi and Lata Mangeshkar’s duet with a music director for the first time in a Hindi film, every month for the rest of the 2022,
Aag Lagi Ghar Mein..Jiski Laagi Lagan Bhagwaan – Patit Paawan (1956) – Bharat Vyas Jamal Sen
Ladi Ankh Se Ankh Mohabbat Ho Gayi – Pocketmaar (1956) – Rajendra Krishna – Madan Mohan
Tere Nainon Ne Jaadu Daala – Taangewali (1956) – Prem Dhawan – Salil Chowdhury
Jaare Jaare O Maakhan Chor Chalegi Na Ye Chori Teri Ye Jora Jori – Champakali – Rajendra Krishna – Hemant Kumar
Kali Ek Tumse Punchhu Baat Ki Jab Hoti Hai Aadhi Raat – Sakshi Gopal – Bharat Vyas – Chitragupta
I look forward to your inputs to enrich the contents of Carnival of Blogs on Golden Era of Hindi Film Music.
Disclaimer: This monthly series of posts is my best-effort-based compilation of posts on Hindi film songs that I normally visit regularly. As I record my sincere thanks to all the original creators of these posts, any other posts that I have nor covered herein shows my lack of awareness of existence of such posts and is by no means any disrespect to their work. The copyrights to the posts, images and video clips remain the properties of the original creators.