Carnival of Blogs on Golden Era of Hindi Film Music – Volume XI – January 2023 Edition

Welcome to January 2023 edition of XIth Volume of Carnival of Blogs on Golden Era of Hindi Film Music.

Mehfil Mein Meri opens the New Year with A New Beginning………., with a new subject to one’s liking.

So True….. everything is done in full flow when you do it because you like it.

Indeed, a very good thought to begin the New Year.

SoY opens the new year account with ‘Parent’-‘Adult’-‘Child’ in songs has also an implicit message that every ‘adult’ should continue to strive to keep ‘child’ within remain live throughout the life cycle.

Presently we move on to our section on tributes and celebrations for the month –

Hrishikesh Mukherjee: Master of the Middle Path By Ratnottama Sengupta – A heartfelt piece as a centenary tribute to master filmmaker Hrishikesh Mukherjee.  – “This is one of the biggest ironies of life you know! That, as we grow in years, we grow more experienced, and richer in thought. But, the more we have to give to the world, the less equal, less capable our body gets…”

An exclusive pen and ink sketch of Hrishikesh Mukherjee by renowned artist Subrata Gangopadhyay

Pyarelal Santoshi: Jack of All Trades? – D P Ranagn pays tribute to polymath  Pyare Lal (P.L.) Santoshi

Films Are Art, Not Commerce was the motto that Khwaja Ahmed (K.A.) Abbas that remains a testament to this man’s dedication, commitment and perseverance.

Continuing the series, the year-wise review of Lata Mangeshkar’s career, on Lata Mangeshkar, Mehfil Mein Teri revisits favourites from the year 1956 in 1956 – Lata Mangeshkar

The Masters: Kaifi Azmi b- Born Sayyed Athar Husain Rizvi on in Mijwan (Azamgarh, Eastern Uttar Pradesh) in a zamindar family, Kaifi Azmi demonstrated his poetic skills very early on.

“Hum Ko Mann Ki Shakti Dena Mann Vijay Karein” – Lalita Kumari – Born in Peshawar on July 6, 1938, Lalita Kumari entered the world of Hindi films through Navketan’s AandhiyaN (1952).

Behind the ScenesA Patchwork Quilt is just that – a patchwork of memories – of Paranjpye’s life, travels, plays, films – and the persons and personalities she met along the way.

November 2022 episode of Fading Memories, Unforgettable Songs takes up Jaidev: Brilliant, But Underrated, Composer:  1976 – 1977. Till now,

In 2018, we listened to his songs from the most successful films phase of 1955 to 1963.

In 2019, we listened to his more remembered songs from his less remembered films for 1964 to 1970,

in 2020, we listened to highly appreciated songs from the films that did not succeed in 1971,

In 2021, we recalled the songs that have faded out because the films flopped in 1972-1973, and

In 2022, we listened to his melodies form relatively not so known films for the years 1974 and 1975

Shailendra Sharma @ Golden Era of Bollywood has not posted the memorial tribute posts for the month till the writing for the present post.:

We now move on to posts on other subjects –

Contribution of Marathi Composers in Bollywood – Part I focuses on Snehal Bhatkar and  N Dutta, Part II on Dattaram, Sudhir Phadke and Vasant Desai and Part III on C Ramchandra.

Some Favorite Noor Jehan Film Songs Related to Lal Shahbaz Qalandar (and some other Qalandars too), the songs that come from the playback singing that she did in Pakistani films revolving around Lal Shahbaz Qalandar – or, in at least one or two cases, other Qalandars or saints in the Sufi tradition

Chal Ri Sajani Ab Kya Soche – Torn Between Two WorldsChal ri sajani ab kya soche is synonymous with the bidaai, the heart-breaking moment of departure when the bride steps across the threshold into an unknown world. Shirish Waghmode revisits this classic created by the SD Burman-Majrooh-Mukesh team and emoted in perfect sync by Suchitra Sen and Dev Anand along with Nasir Hussain (the father) and Achala Sachdev (the mother) for Raj Khosla’s Bombai Ka Babu.

Javed Akhtar on how cinema has changed: ‘Improved on the form though lost out on the context’ – A Book ExcerptNasreen Munni Kabir’s conversation book ‘Talking Life’ follows ‘Talking Films’ and ‘Talking Songs’.

Bhabhi Songs Part 1: With the DevarSome of the songs do not specifically have these kinship terms mentioned in the lyrics but the characters on screen play the role of the devar and bhabhi.

Ten of my favourite ‘two songs in one’, the songs where the two styles of the song alternate

The ‘Fusion Songs’ lists songs that has seamlessly interwoven two different styles of music in the song

Songs of Anger focuses on Hindi films songs with the words the words krodh (क्रोध)/ khafa (ख़फ़ा)/naaraaz (नाराज़)/gussa (ग़ुस्सा)

From Bollywood Rewind – Sampada Sharma – Indian Express’s weekly column:

Gulzar’s Parichay is a study of a dysfunctional family, but can we accept that ours is broken? – Gulzar’s Parichay is a humble reminder that love might be the solution to all problems but to actually solve those problems, loving each other is never sufficient.

Basu Chatterjee’s Khatta Meetha is India’s version of Modern Family, but with all the problematic tropes – Khatta Meetha might seem like a harmless, innocent film that is designed to appeal to the good-heartedness of a regular middle class family. But the movie casually ignores the tropes that it introduces and turns it into plot points.

Gulzar’s Achanak is what Akshay Kumar’s Rustom would have been if it didn’t take the easy way out – In Gulzar’s 1973 film Achanak, an army officer murders his cheating wife and her lover but then we start questioning how this relationship even disintegrated.

We have moved forward with Micro View of Duets for 1943, with Female-Female Duets(+) and Triads(+) to conclude with My Top Duets.

In continuation to our tradition of ending the post with a few songs of Mohammad Rafi, for the year, it is planned to recall the first duet Mohamad Rafi and Geeta Dutt had with a music director.

Jai Hind Ki Yeh KahaniyaN – Mansarovar (1946) – Deepak/IshwarChandra Kapoor – S N Tripathi

Sambhal Sambhal Ke Jaiyao O Banjare… Dilli Door Hai – Saajan (1947) – with Lalita Deolkar – Rammurti Chaturvedi – C Ramchandra

Phool Ko Le Baitha Khaar, Tera Kanto Se Hai Pyar – Chunariya (1948) – Mulkraj Bhakri – Hansraj Behl

Badla Hua Duniya Mein Ulfat Ka Fasana Hai – Hamari Manzil (1949) – Qamar Jalalabadi – Husnlal Bhagatram

I look forward to your inputs to enrich the contents of Carnival of Blogs on Golden Era of Hindi Film Music.

Disclaimer: This monthly series of posts is my best-effort-based compilation of posts on Hindi film songs that I normally visit regularly. As I record my sincere thanks to all the original creators of these posts, any other posts that I have nor covered herein shows my lack of awareness of existence of such posts and is by no means any disrespect to their work. The copyrights to the posts, images and video clips remain the properties of the original creators