Carnival of Blogs on Golden Era of Hindi Film Music – April, 2017

Welcome to April, 2017 edition of Carnival of Blogs on Golden Era of Hindi Film Music.

The first day of April is to make fun. We have picked up  a topical post to commence our present episode:

Some unique good good songs is an excellent presentation of songs that repeat words, so typical spoken style of Hindi language, e.g.

We will now take up the posts on the anniversaries or eulogies:

Then and now: How a ’40s movie star dealt with a bad marriage and prying eyes  -Kanan Devi broke off her short-lived marriage to Ashok Maitra after he objected to her career, thereby proving herself to be a truly independent spirit. – an excerpt with permission from Kanan Devi The First Superstar of Indian Cinema, Mekhala Sengupta, HarperCollins India.

Shamshad Begum with 3G, i.e. music directors Ghulam Haider, Ghulam Mohammad and Pt. Govind Ram,is a tribute to her on her 98th birth anniversary. The previous articles on Shamshad Begum @ SoY are available @ the tag Shamshad Begum.

The bit about Parveen Babi that you won’t find in the UG Krishnamurti biography – An outtake from the graphic novel by Nicolas C Grey and James Farley imagines the actress’s encounters with the philosopher. – Depicted here are the panels, which were not used in the final publication, the authors imagine the moment when Babi became a Krishnamurti follower – Reproduced with permission from This Dog Barking: The Strange Story of UG Krishnamurti, Nicolas C Grey and James Farley, HarperCollins India.

Yesterday’s Films For Tomorrow – It was but natural that legendary

PK Nair was a collector, a cinephile, a historian, an archivist, an evangelist, a teacher and a student of cinema

archivist and  ‘Celluloid Man’ PK Nair’s last wish was that his personal collection of books, journals and diaries be handed over the Film Heritage Foundation (FHF) to preserve after he passes on. Yesterday’s Films for Tomorrow was released recently in Mumbai to commemorate P K Nair’s 84th birthday.

Antara Nanda Mondal notes that this book is a remembrance of a person who was obsessed with not just the stories that cinema told, but with all its facets — the form, function and the ephemera of the moving image.

Peeyush Sharma pays tribute to K L Saigal with a journey through Saigal’s songs in Main Kya Janoon Kya Jadoo Hai: K L Saigal’s Magical Music .

‘KL Saigal’s Songs Started the Sugam Sangeet Revolution’ – In Conversation with Author Pran Nevile – Pran Nevile is the author of the authoritative book KL Saigal – Immortal Singer and SuperstarK.L. Saigal The Definitive Biography and the richly illustrated Nautch Girls of India: Dancers, Singers, Playmates.

After a successful career in the Indian Foreign Service and the United Nations, Pran Nevile turned to writing specializing in the study of Indian art and culture. His other books include Lahore – A sentimental Journey; The Raj Revisited; Love Stories from the Raj; Rare Glimpses of the Raj; Stories from the Raj – Sahibs, Memsahibs and Others; Beyond the Veil – Indian Women in the Raj and Marvels of Indian Painting: Rise and Demise of Company School.

In a conversation with Sundeep Pahwa in his Gurgaon home, Pran Nevile responds to a series of questions on K L Saigal drawn up by Peeyush Sharma and Sundeep Pahwa.

The April 2017 episode of Fading Memories, Unforgettable Songs was dedicated to Hasrat Jaipuri, recalling his songs for music directors other than Shanker Jaikishan. This post has covered songs from the beginning of his career till 1953.

Here are posts on other subjects as well:

Ten of my favourite ‘not-quite-duet’ songs aretechnically duets’: not songs in which both singers play an equal part in making the song what it is, but in which the ratio is somewhat skewed or in which one singer only hummed, while the other did the singing. E.g. Phir aane lagaa yaad wohi (Yeh Dil Kisko Doon, 1963): Interestingly, Yeh Dil Kisko Doon featured not one, but two, songs that were sung primarily by a man but had a woman pitching in occasionally to add another dimension to the song. In Kitni haseen ho tum, Asha Bhonsle sings half a line here, half a line there while Rafi sings the rest of the song. In Phir aane lagaa yaad wohi, however, the female singer (in this case, Usha Khanna) has even less to sing: all she sings is three words, repeated at intervals through the song: Pyaar ka aalam, while Rafi sings the rest of the song. It works very well in this dreamy dream sequence.

Here is a belated posting: Enchanting Salil Chowdhary  – Listen to 18 songs from Salil Chowdhary by clicking the link below. These songs are from the 1950s to early 70s and many of them feature brisk movements among notes and wonderful arrangements to create an enchanting experience: LINK TO PLAYLIST OF SALIL CHOWDHARY SONGS

Sound of Lollywood: An obscure movie has a hidden gem for qawwali fans – “Mere Paas Aao’ from ‘First Time’ is, by turns, spiritual and romantic and wholly enjoyable.

Sahir Ludhianvi’s ‘Woh Subah Kabhi Toh Aayegi’ finds new meaning in ‘Begum Jaan’ – A song written after 1947 aptly describes the condition of a newly independent India. –  The song Woh Subah Kabhi Toh Aayegi from Phir Subah Hogi (1958) appears in the climax of Begum Jaan, with the lyrics and context made relevant to the plot.

A Look at Some of The New Remixes of Old Bolywood Songs – Sharada  Iyer wades through remixed songs and their corresponding originals in this article.

Picture the song: When Amol Palekar grinned his way to success in ‘Ye Din Kya Aaye’ – The entire world of Basu Chatterjee’s ‘Chhoti Si Baat’ is contained in a six-minute musical interlude.

A pat of butter and a picnic basket of movie memories – This is written for the film section of the Amul India book, which you can get here.

A Ghulamm Mohd. Song – Ye Duniya Hai – Shair 1949 – Lata Mangeshkar, Mukesh

Ghantasala modulates the same phrase in several ways – ‘Emanene’ said in so many ways. As ‘barago’ says, once as question, then with anxiety, soothing and agitation.

Meethe Bol Bole, Bole Paayaliya – A Sparkling Jugalbandi of Music and DanceMeethe bol bole in Kinara is a beautiful sangam of classical excellence brought together by three maestros – the music of RD Burman, the lyrics and direction of Gulzar and the Kathak Nritya choreography of Gopi Krishna. Anand Desai and Antara Nanda Mondal explore the layers of musical delights and dance pieces hidden within this sparkling gem from Kinara, sung by Bhupinder Singh and Lata Mangeshkar.

We have taken the first step in our annual Micro View of Best Songs 1948 @SoY

We end our present episode with Dual Versions of the Same Song by Mohammad Rafi and Lata Mangeshkar – Sharada Iyer has presented 21 such songs with a small note for each song. I have picked up Mohammad Rafi’s version of Agar Bewafaa Tujhko Pehchaan Jaate…from an unheard film, Raat Ke Andere Mein (1969). The song is written and composed by Prem Dhawan

I trust you will always feel free to proffer your suggestions for making this series of posts more lively and informative….

Carnival of Quality Management Articles and Blogs – April, 2017

Welcome to April, 2017 edition of Carnival of Quality Management Articles and Blogs.

We will commence our episode with three articles on Quality, in general.

The Quest for Quality in the Modern EnterpriseMichael Heaps and Kathie Poindexter – The holy grail of quality is 360-degree visibility, measurable, real-time performance and the ability to go far beyond compliance into the realm of true, value adding and sustained improvement initiatives.

The other article – 4 Quality Management System Trends to Watch Out For In 2016  –  in fact, relates to QMS trends in 2016. However following takeaways seem relevant even for 2017:

  • Long and complex supply chains, along with an ever-changing regulatory landscape, present big compliance challenges.
  • The cloud has moved into mainstream business adoption as the value of subscription-based models and minimal on-premises infrastructure become clearly understood.
  • Business leaders are finally getting to grips with data analytics, and quality managers should be prepared to respond to this with meaningful uses of big data in their field.
  • The Internet of Things can play a transformational role in eliminating the human errors that can creep in with suboptimal systems and processes.

Jenny Brown in Top 7 Organizational Trends in Quality Management takes a quick look at the key trends that are offering the much needed competitive edge to organizations and impacting all quality initiatives to make them gain further momentum in future:

  1. Supplier-Specific Quality Standards of the Highest Levels
  2. Change Management for Higher Consistency in Work Processes
  3. Consistent and Continuous Evolutions in Quality Management
  4. ‘Six Sigma’ for Continuous Business Growth
  5. Quality Departments are Opting for Strategic Quality Planning by integrating many quality-related initiatives such as Lean, Kaizen, ISO registration, Six Sigma, and others in their strategy planning processes.
  6. Value to Supply—Quality Management is everywhere
  7. Social Equity and Environmental Sustainability

Quality management is being positively impacted by many latest organizational trends and is well set to dominate the future economy too. It’s expected that all industry sectors will be governed by this combination of project management and quality principles in the years to come.

We add one more column to our regular columns on our Blog Carnival for the current month. This is from Drucker Perspective column @ Management Matters Network. For the present we have –

Are You Asking the Right Questions? The most serious mistakes are not the result of wrong answers. The truly dangerous thing is asking the wrong questions….A wrong answer to the right question can, as a rule, be repaired and salvaged….But if you ask the wrong question and get the right answer, chances are it will take a lot longer to discover and it inevitably leads to even more costly errors.

We will now turn to our regular sections:

I have picked up the question with regard to clauses 8.4.1 and particularly 8.4.2 of ISO 9001:2015, should the other internal entities of the company (.i.e HR, IT, Sales …) absolutely necessary but outside of the perimeter be considered exactly like external providers. The answer being in affirmative, adds three comments: One, being captive, not all controls that would be applied to an outside body would be applicable. Two, use process approach (clause 4.4) to determine how these departments interact and interface with core QMS processes. And, three, exploit the concept of context of the organization (clause 4.1) to further explore these relationships.

ASQ CEO, Bill Troy has presented the Guest Post: How to Choose Continuous Improvement Software by Chris Moustakas, President & CEO of DevonWay. The best-performing organizations choose Continuous Improvement (CI) as the framework for achieving that agility of dealing with a barrage of regulatory hurdles, performance gaps, and inefficiencies, and have to move quickly to stay competitive. Most of the software models available in the market have their own challenges. ERP and QMS and BPM system software models do have elements what good CI software ought to incorporate, but it needs to be remembered that Continuous Improvement happens when you apply Quality principles to Operational needs.

We now watch two of the latest ASQ TV  episode:

Jim L. Smith’s Jim’s Gems for the month of March, 2017:

Defining Variability – Special cause variation generally comes as a surprise to the systemIn the early 1920s, Dr. Walter A. Shewhart of Western Electric Company developed a theory that there are two components to variation: an inherent component from random variation he called chance-cause variation and an intermittent variation due to special cause which he referred to as assignable cause variation…..Dr. Shewhart’s improvement approach was that assignable causes could be removed with an effective diagnostic program. At the same time, he became convinced that random (chance-cause) variation could not be removed without making basic process or product changes….It is important, therefore, to understand the implications of the two alternatives before making a decision as to actions, or inactions, to be taken….‘Special cause variation generally comes as a surprise because it acts as a signal to the system that something’s gone astray.’

Whilst on the subject, it would be interesting to learn what Dr. Edward Deming has to say on the subject of variability –

Lynda M. Finn in the third of a 4-part series on Deming’s system of management, SoPK has listed 6 common mistakes that businesses make – and why they make them

Mistake #1: Failure to plot data over time

Mistake #2: Neglecting to normalize

Mistake #3: Neglecting to stratify

Mistake #4: Treating a continuous metric as discrete

Mistake #5: Not identifying key metrics

Mistake #6: Acting inappropriately in the face of common cause variation

For other three parts of the series, read:

Part I: Systems Thinking and the Three Musketeers

Part II: The Trouble with Motivation

Part IV: How Do We Know What We Know?

I look forward to your active participation in enriching the blog carnival as we pursue our journey in exploring the happenings across quality management blogs…………

Note: The images depicted here above are through courtesy of respective websites who have the copyrights for the respective images.

The Micro View of the Songs of 1948 @ SoY : Setting The Stage

Wait for the curtains to go up for a review of songs for the particular year @ Songs of Yore is more than an eager wait. It is preganat with more unknown songs now.  Having covered songs of 1955, 1953, 1951, 1950 and 1949 in the previous years, SoY has now crossed the threshold well into the Vintage Era as it now ventures into ‘Best songs of 1948: And the winners are?

As noted in the overview turnkey article, we now enter the period which has two quite distinct characteristics:

One, Lata Mangeshkar did sing over 40 songs of which you can count about ten memorable and a couple of all-time great songs, yet she was not the sole pole star, as she became from 1949 onwards. Therefore, dividing the female playback singers as Lata Mangehkar and ‘others’ as (has been) done for 1949, 1950 and 1951 would not be a true reflection of reality.

Secondly, the Vintage Era also means entering a period of more unknown than known, therefore, the year-wise review would now be more a discovery trip.

The post under consideration – Best songs of 1948: And the winners are?  – has presented quite an  encompassing overview in an established template: –

Musical landmarks: Like a golden Jubilee (Mela) and a silver Jubileen (Anokhi Ada) under the belt Naushad hasestablished his morchical position. His nearest rival C ramchandra has Nadiya Ke Paar and Kidkiin the year under review. Ghulam Hiader has presened his swan song on now the Indian soil – Shaheed. Raj Kapoor directs his maiden film Aag with Ram Ganguly as music director. Lata Mangeshkar has hardly any presence in these films.

Other important musical compositions are no less noteworthy nor have lost their charm. We will enlist them here –

Anil Biswas:

Gajre

Door papia bola – Suraiya
Baras baras badly bhi bikhar gayi – Lata Mangeshkar

Veena

Wo teekhi nazron se mere dil par – Mukes

Husnlal Bhagatram

Tere Naino Ne Chori Kiya – Suraiya

O Door Jaanewale – Suraiya

Khemchand Prakash

Marne Ki Duaen Kyon ManguN– Kisore Kumar’s maiden solo song – Ziddi

Chanda Re..Ja Re Ja Re – Lata Mangeshkar – Ziddi

Ghulam Haider

Grihasthi

Tere naaz uthane ko ji chahta hai – Mukesh & Shamshad Begum

Pugree

Ek teer chalanewale ne dil loot liya – Mukesh & Sitara (Kanpuri)

S D Burman

Vidya

Laayi khushi ki duniya – Mukesh & Suraiya

Bahe na kabhi nain se neer – Mukesh

Debut

Asha Bhosle – Only a line Bahana Khush Ho Ke Sangam Manaye – in a chorus in the song Sawaan Aya Re – Chunariya

Kishore Kumar’s first duet with Lata Mangeshkar Ye Kaun Aya Re – Ziddi

Prem Dhawan Chanda Re..Ja Re Ja Re – Ziddi

RK Films Aag

Geeta Dutt – Lata Mangeshkar’s maiden duet Har Shai Pe Jawani Hai – Majboor

Mukesh – Lata Mangeshkar duet Ab Darne Ki Koi Baat Nahin – Majboor

Ab Yaad Na Kar – Ankoha Pyar

Khayyam (as Sharmaji & (Rehman) Vermaji with Aziz Khan) Dil Dil Yun YuN Karata Hai – Geeta Dutt, Aziz Hindi – Heer Ranja

Lata Mangeshkar first song with Shamshad Begum and Mohantara Khushiyan Manayen Na Kyun Ham.. Kismat Hamare Saath Hai.. Jalanewale Jala Karen – Khidki

Surinder Kaur Itne Door Hain Huzoor Kaise – Pyar Ki Jeet

Padmini as dancer-actor in Uday Shankar’s Kalpana

S Mohinder – as music director in film Sehra and as a singer Ae dil Uda Ke – Sehra

Jaan Nissar Akhtar – as lyricist in Shikayat

Sahir Ludyanavi – as a lyricist for Badal Rahi Hai Zindagi – Azadi Ki Rah Par

Snehal Bhatkar – as a music director in Suhaag Raat

Bharat Bhushna and Geeta Bali – as actors in Suhag Raat

Fact file and Trivia notes that five songs of Meena Kapoor for Anokha Pyar were recorded on Lata Mangeshkar; Leela Chitnis played mother for first time in Shaheed; Mohammad Rafi holds a falg pole in Watan Ki Rah Mein Watan Naujawan Shaheed Ho; Ameerbai Karnataki composed music for Shahnaz, once only in her career; Vidya Nath Seth sang firve songs for Rooplelka of which he composed one song too.

List Of Memorable Songs is a fairly representative list of films, music directors and known as well as less-known songs that were released in the year. I have re-compiled this list, under the title Memorable Songs of 1948, by adding the relevant link to YT file.

For the year under review, Special songs also cover the songs which open a path of discovery on their own well as they have thir own personality. In this case too, I have brought these songs on the same page with List of Memorable Songs of 1948.

The stage is now set to commence our journey into the Micro View of the Songs of 1948. As the List of Memorable Songs and Special Songs have covered most of the well-known songs for the year, we will restrict our micro-view to in-depth listening of not-so-well-known songs. We will then combine our impressions of these songs with that we already have for the well-known ones to present our point of view in so far as

Best male playback singer
Best ‘other’ female playback singer
Best songs of Lata Mangeshkar
Best duets
Best music director

are concerned for the year 1948.

All the posts that will appear on this subject here have been tagged as Songs of 1948 @ SoY.

Carnival of Blogs on Golden Era of Hindi Film Music – March 2017

Welcome to March, 2017 edition of Carnival of Blogs on Golden Era of Hindi Film Music.

This is the month when the North India in particular celebrate the fun and frlickings of aolourful Holi . We have picked up these  topical posts to commence our present episode:

We will now take up the posts on the anniversaries or eulogies:

“Phir Wohi Dil Laya Hoon” – Joy MukerjeeThe failure of “Humsaya” and the inability to release “Love in Bombay” resulted in Joy Mukerjee losing his stardom as soon as the 70’s dawned. To repay his debts, Joy was forced to act in B- and C- grade movies like “Ehsan”, “Puraskar”, “Mujrim”, “Aag aur Daag”, “Kahin Aar Kahin Par”. This ended up denting his reputation further. Joy’s sorrow and inner anguish reflected in his face and the sadness that had crept on his face was palpable….As a hero, Joy Mukerjee appeared only in 32 films.

Sai Paranjype’s ‘Katha’ is a fabulous fable about the most charming chawl in the worldBubla Basu – The renowned filmmaker’s 79th birthday is the perfect excuse to revisit one of her loveliest films, starring Naseeruddin Shah, Farooque Shaikh and Deepti Naval.

For Sahir Ludhianvi, the best kind of love was unrequitedNirupama Dutt – On the celebrated Urdu poet’s 96th birth anniversary, a reminder of his contradictory attitudes towards women and relationships.

The eyes have it in ‘Achcha Ji Main Haari’ from ‘Kalapani’Rudradeep Bhattacharjee – The song from Raj Khosla’s ‘Kalapani’ works on playful looks and sighs.

The Vanraj Bhatia interview: ‘My music was unique then and is perhaps unique even now’Greg Booth – The acclaimed 90-year-old composer looks back on the music he made and looks ahead to the opera he hopes to finish someday. Let us listen to: Sanvariya Dekh Zara from Shyam Benegal’s Sardari Begum (1996).

Films that are 50: A mad scientist, a vampire and willing victims in cross-border hit ‘Zinda Laash’Karan Bali  – The baggy adaptation of the Dracula legend proved to be a neat box office fit in Pakistan in 1967.

The March 2017 episode of Fading Memories, Unforgettable Songs was dedicated to S N Tripathi: Unremembered music director of remembered songs.

Here are posts on other subjects as well:

WHEN BOLLYWOOD ACTRESSES DECIDED TO MASQUERADE AS ‘MEN’!Sharada Iyer is a mirror image of her article Bollywood’s Drag-Queen Acts, wherein she has been able to muster of 18 films where the actresses have donned the man’s role.

Unko Yeh Shikayat Hai Ke Hum Kuch Nahin Kehte – When Silence Speaks Volumes – There are some songs that rise high above the regular and become proverbial. Such is the everlasting magic of this exquisite ghazal from Adalat (1958) which says volumes more than simple words could ever convey. Anand Desai and Antara Nanda Mondal explore the finer nuances of this quietly introspective ghazal, written by Rajinder Krishan, composed by Madan Mohan and sung by Lata Mangeshkar, which connects with the listener at a personal level.

Another Mujra in a Different Kitchen –is post about performances by people who are not necessarily stars and have not had huge studios invested in them, who are happy simply to practice and exhibit an art that they love. It may also be lot of fun to see people doing classical Indian or Bollywood dances in very ordinary surroundings, in front of objects as incongruous as, say, modern kitchen appliances.

Noor Jehan in Incomplete Film Tara (1949) – If completed and released on time, Tara might have become Noor Jehan’s first film in Pakistan. However, with the continuous string of flop Urdu films during the formative period of Pakistani Film Industry, someone advised Shaukat Hussain Rizvi/Noor Jehan to produce and direct a film in Punjabi instead of Urdu. Chanway, a Punjabi film released in 1951 became Noor Jehan’s first released film in Pakistan and a very successful one.

Guest Post: Rajinder Singh Bedi – My Uncle as I remember him in which Nischint Bhatnagar‘Nishi’, who is Mr Bedi’s niece (his younger brother’s daughter)  a heart-warming little insight into the man Rajinder Singh Bedi was.

In Film songs in classical ragas (11) – The evocative duo: Mand and Shivranjani.Subodh Agarwal carries forward his monumental contribution of presenting Hindi Films based on a particular classical Raag along with the basics of the Raag  that laypersons would understand and relish.

Best songs of 1948: And the winners are? Apart for the very meticulous Film Historians, it is the crowd-funding efforts of netizens that have made the Vintage Era of Hindi Films so much accessible to us. “Best songs of year” has become a most dependable platform to bring all these works on one page in a structured way.

This curtain raiser has provided so much fodder, that absorbing so much itself will take some before we I commence my micro-review journey for the year.

As the curtain on 1948’s songs has gone up, I have picked up Mohammad Rafi’s most known song on Gandhiji  to end the present episode:

Suno suno ae duniyawalo Bapu ki ye amar kahani (NFS) -lyrics Rajendra Krishna, music Husnlal-Bhagatram

I trust you will always feel free to proffer your suggestions for making this series of posts more lively and informative….

Carnival of Blogs on Golden Era of Hindi Film Music – February, 2017

Welcome to February, 2017 edition of Carnival of Blogs on Golden Era of Hindi Film Music.

This is the month when the world celebrated Valentine Day. We have picked up these  topical posts to commence our present episode:

Bachapan Ki Yaad Dheere Dheere Pyaar Ban Gayi – Shaheed (1948) – Lalita Deulkar – Ghulam Haider – Qamar Jalalabadi

We will now take up the posts on the anniversaries or eulogies:

The three distinct phases of OP Nayyar’s career –  Ravindra Kelkar pans three distinct musical styles, each corresponding to three time periods of O P Nayyar’s career.  Here are three illustrations, each for a respective phase:

Taare Chandani – Baaz (1953) – Geeta Roy (Dutt) – Majrooh Sultanpuri

Man More Ga Jhoom Ke – Mangu (1954) – Asha Bhosle – Majrooh Sultanpuri

Humdum Mere Khel Na Jano – Phir Wohi Dil Laya Hoon (1963) – Mohammad Rafi, Asha Bhosle – Majrooh Sultanpuri

Remembering Madhubala, Bollywood’s Very Own Marilyn Monroe – Khalid Mohamed- republished to mark Madhubala’s birth anniversary Madhubala’s end-years were spent in deflecting an illness which had a deadline. At one point, doctors had declared that Madhubala wouldn’t last beyond a period of two years. ..Despite that, she attempted to complete the last shooting spell required for Chalak co-featuring Raj Kapoor. Lore has it that since filmmakers had stopped approaching her to act, she threw caution to the wind, and steered towards film direction. Neither this project titled Farz Aur Ishq, nor Chalak, could get to the finishing line.

Cuckoo Did Get A Mention Here On Her Birthday This Year… – Even as there is no specific post on Cuckoo,  a new comment to the old post Discussion, Info and Great Pics Related to the Earliest Appearances of Cuckoo makes up for the loss.

We have two posts on Waheeda Raheman’s birthday –

  • Waheeda Rehman – The Woman of Substance On-Screen – In Pyaasa, Mujhe Jeene Do, The Guide, Teesri Kasam and Kaagaz Ke Phool – Waheeda’s best four movies to the author’s mind – Waheeda played the women who traded their charms for sustenance.” Vijay Kumar revisits these films from the perspective of the towering women characters in them played by Waheeda Rehman.
  • In Praise of Waheeda Rehman who had quite a few songs that are songs that are paeans to her beauty, praising her charm and her loveliness, while some of the others are sheer romance, in verse.

Hua jab se dil mein tera guzar, Mujhe chain hai na qaraar hai (Zara sun haseena-e-nazneenKaun Apna Kaun Paraya (1963) – Mohammed Rafi – Ravi – Shakeel Badayuni

Remembering Faiz Ahmed Faiz Through His Aching Words – Almas Khateeb – here’s looking at some of this subtle and sophisticated poet’s works, that’ll stay with us for years to come: Faiz Ahmed Faiz and His Beguiling Poetry.

The February 2017 episode of Fading Memories, Unforgettable Songs was dedicated to ‘Some of the Talat Mahmood Duets receding from the memory’.

Here are posts on other subjects as well:

the-corsican-brothersram-aur-shyam

Films that are 50: A Dilip Kumar double treat in ‘Ram Aur Shyam’  – Nirupama Kotru – The thespian proves that comedy is as easy as tragedy in the 1967 hit comedy, which was a remake of  the popular Telugu film Ramudu Bheemudu, which in turn was loosely based on Alexander Dumas’s The Corsican Brothers.

Los Angeles, 1975. Lata Mangeshkar takes the stage. Deafening applauseMohan DeoraRachana ShahOn Stage With Lata is a different kind of memoir: it is a short history of Mangeshkhar’s concerts in the United States of America, Canada, the Caribbean and the Fiji Islands between 1975 and 1998.

Audio master: ‘Kismet’ laid the foundation of the Hindi film song as we know itRudradeep Bhattacharjee – In the 1943 blockbuster, the essential elements and conventions of the movie tune were codified, including the mukhda-antara form. Musicologist Jayson Beaster-Jones notes, “Both the film and the music of ‘Kismet’ exemplify a point just before a critical moment of transition for Indian filmmaking.”

Hope for Mumbai’s single screen cinemas after New Excelsior gets a shiny makeover – Subhash Ghai’s cinema chain has renovated and relaunched the iconic Mumbai theatre with new amenities and fewer seats.

Flowers bloom in Bollywood – D P Rangan has presented a colorful spread of Hindi film songs on flowers.

My favourites: Ten answers to the ‘Kaun Aaya’ question is in response to songs on Kaun Aaya, such as:

Chaakuwaala chhuriwaala… aaya main mastaana (Al-Hilal, 1957)

Mehfil mein jo aaye tum (Vallah Kya Baat Hai, 1962)

Ghoomke aaya hoon main… Baajewaala Patialewaala (Basant, 1960)

The Adivasi Chain Dances (Santali and Dhimsa)Circle dance, or chain dance, is a style of dance done in a circle or semicircle to musical accompaniment, such as rhythm instruments and singing. Circle dancing is probably the oldest known dance formation and was part of community life from when people first started to dance.

We end today’s episode with a prayer composed also by Mohammad Rafi

Hazrat Adam Ka Wakeya

I trust you will always feel free to proffer your suggestions for making this series of posts more lively and informative….

Carnival of Quality Management Articles and Blogs – February, 2017

Welcome to February, 2017 edition of Carnival of Quality Management Articles and Blogs.

We will commence our episode with a few articles on Quality in our daily life.

We will now turn to our regular sections:

I have picked up the question Using the 10:1 ratio rule and the 4:1 ratio rule from the section Ask The Experts, ASQ, for our current episode. The question deals with the field of confidence in the results of calibration employed in the metrological and statistical practices recommended for Measurement and Monitoring Equipment.

ASQ CEO, Bill Troy has presented Chris Moustakas ‘s guest article – Quality Management, Continuous Improvement, and Their Relation to the Golden Circle. Chris Quotes: “ In his famous Ted talk, Simon Sinek argues that if you look at the world through the simple concentric layers of why-how-what (the Golden Circle), and push yourself as close as possible to the center circle, “why,” you position yourself to be more of a visionary than a doer. “What” we do to accomplish a goal is tactical, bland, and uninspiring. “How” we set ourselves up to accomplish that goal is strategic and implies direction. “Why” we do what we do is the million-dollar question, and where true inspiration originates.”

The subject of Golden Circle is so engrossing that I plan to devote the rest of our present episode to a few more articles on the topic.

First things first. Let us look at Executive Summary: The Golden Circle with Simon Sinek  by: Andy Partridge. When most organisations or people think, act or communicate they do so from the outside in, from WHAT to WHY. And for good reason – they go from the tangible to the intangible. We say WHAT we do, we sometimes say HOW we do it, but rarely say WHY we do WHAT we do….But not the inspired leaders and companies. Every single one of them, regardless of their size or industry thinks, acts and communicates from the inside out.

simon-sinek-quote-hire-people-for-money

How Would Simon Sinek Use The Golden Circle Rules to Explain Account-Based Marketing? – Sangram Vajre proposes a similar model for B2B Marketing:

b2b-golden-circle-model

Intrapreneurship starts with a WHY – This is part of the series of posts talking about Ecosystem Design – We fancy a good revolution where there is not difference between a customer and a worker. The employees believe in our Why and because of this choose to work in the company, and the customer believes in our Why and choose to buy in our stores. One of our goals is to find customer who believe what we believe and work together so that we can all succeed.

The Golden Circle of Innovation” – Though not focusing on the why, how and what, Crossan and Apaydin have generated an overview of all relevant theories on innovation, resulting in a framework for innovation, as depicted below….They mention two ‘dimensions of innovation’, both focusing on innovation itself and they mention several ‘determinants of innovation’, focusing on the way that innovation is accelerated and managed within organizations.

framework-for-innovation

We now watch two of the latest ASQ TV  episode:

  • Using Quality Tools at Work and Home – Yvonne Howze describes how she successfully uses quality tools in her professional and personal life, often with amusing consequences.
  • SR Offers Opportunities for Quality Professionals – “Sustainability is the goal,” says Andrea Hoffmeier in this ASQTV interview. Hoffmeier, explains how quality professionals can play a role in helping their organizations and clients reach the goal of sustainability through social responsibility. She also discusses how DMAIC can be adapted for the SR audiences.
  • Sherlock Holmes and the Case of Quality Methods – Matthew Barsalou, Statistical Problem Resolution Master Black Belt at BorgWarner Turbo Systems Engineering GmbH, discusses Sherlock Holmes, hypotheses, and root cause.
  • Becoming—and Remaining—An Engaged Company – Alyce Nelson, Executive Coach & Quality Principal, FAS. Inc., discusses how to keep staff engaged and how to keep from derailing organizational engagement.

Jim L. Smith’s Jim’s Gems for the month of January,2017:

Quality at the Source : QATS can produce dramatic quality improvements: Jim's GemsIn its purest form QATS defines that quality output is not only measured at the end of the production line but at every step of the manufacturing process and being the responsibility of each individual who contributes to the production of on-time delivery of a product or service…There are simple techniques for QATS to work effectively:

  • No-fault forward
  • Standardized work
  • Prepare the most important resource
  • Self-checks
  • Successive checks
  • Mistake-proof

Get In Sync : How do you reach the highest level of willingness, the level at which you boldly step forward? Bottom line, make sure you’re in sync by doing what really matters…to you.

I look forward to your active participation in enriching the blog carnival as we pursue our journey in exploring the happenings across quality management blogs…………

Note: The images depicted here above are through courtesy of respective websites who have the copyrights for the respective images.

Carnival of Blogs on Golden Era of Hindi Film Music – January, 2017

Welcome to January, 2017 edition of Carnival of Blogs on Golden Era of Hindi Film Music.

We will commence our current episode with the posts on the anniversaries or eulogies.

Which Was the True Voice of Pancham? – It will be 23 years since Pancham (R D Burman) on this day in 1994 left us music lovers with an awful feeling of loss just when we were about to celebrate his huge comeback. Peeyush Sharma recalls the many voices that he sang to us in, trying to really understand which his true voice was. All songs picked in this list had music by R D Burman himself. The voice had become known as a distinct and melodious one which had that ‘ras’ that was so typical of him. Mone poRe Ruby Roy (later reused as Meri bheegi bheegi si in Anamika) and Jete jete pathe holo deri (which had a Hindi reincarnation as the iconic Tere bina zindagi se koi shikwa to nahin in Aandhi) became chart-toppers in the Bengali non-film songs category.

Om Puri certainly deserved profuse eulogies in the print and net media. I have picked up the three representative ones here –

  • Om Puri – The Luminance of a Natural Actor  – Amitava Nag – Om Puri passed away on 6 January 2017 after four decades of acting. One of the pioneer faces of the Indian ‘parallel’ cinema movement of the 70s and 80s, Om Puri later on shifted to international cinema and remained a forceful actor till his last.
  • The original choice for Ahuja’s role in ‘Jaane Bhi Do Yaaro’ was… not Om Puri – Pankaj Kapoor was to play the builder Ahuja, but when he was cast in the larger role of Tarneja, Om Puri made his celebrated comic debut.
  • Everyman, comedian, sutradhaar: a tribute to Om Puri – It is a bit sad to realise that much of Puri’s best work was done between 25 and 35 years ago, that few roles in the final years did him justice…Much like the man whose hesitant voice and flashing eyes helped make them so memorable, they belong to us all. Or as JBDY’s Ahuja might slur, “Yeh films aap akayle ke nahin hain. Hum sab shareholder hain.”

Urdu Poet, Lyricist Naqsh Lyallpuri Dies at 88  – He first got break in the 1952 film Jaggu with the song Agar Teri Aakhon Se Aakhein Mila Doon (Asha Bhosale, Hansraj Behl).

From Hindi film music to raga-based symphonies, the remarkable journey of Anthony GonsalvesNaresh Fernandes pays rich tribute to the renowned musician, whose fifth death anniversary is on January 18, merged the Western classical music of his Goan heritage with Hindustani melodies.

Geeta Bali’s Personality Had the Energy of Shammi Kapoor’s Dance – Megha Mathur – This story is from The Quint’s archives and was first published on 21 January 2016. It is being republished to mark Geeta Bali’s death anniversary.

Kamal Amrohi made only four films. Fortunately for us, one of them was ‘Pakeezah’ – On the director’s birth anniversary, here is an excerpt from Vinod Mehta’s biography on Meena Kumari revisits the film’s troubled production.

The January 2017 episode of Fading Memories, Unforgettable Songs was dedicated to Dilip Dholakia as singer. This was preceded by the guest article Forgotten Composers Unforgettable Melodies (11): Dilip Dholakia, which I then had reblogged on 10-1-2017. Here we have looked at back at Dilip Dholakia from the lens of a music director of Hindi films.

Here are posts on other subjects as well:

Noor Jehan with R.D. Burman & Asha Bhosle – Asha Bhosle said that “Badnaam mohabbat kaun kare [Dost, 1944, Sajjad Hussain] is her favorite song by Noor Jehan.

noor-jehan-with-r-d-burman-asha-bhosleBharat Bhushan, Meena Kumari at premiere of Baiju Bawra (1952)

bharat-bhushan-meena-kumari-at-premiere-of-baiju-bawra-1952

From left to right: Bharat Bhushan, Meena Kumari, Meena Kumari’s sister Madhuri and Surendra, who played the role of the musician Tansen in the film.

When Cinema Matched Music Beat by Beat: Nadiya Kinare in Abhimaan  – The challenge of Nadiya kinare in Abhimaan was to create a supremely classical yet rustic song. SD Burman’s music, Majrooh Sultanpuri’s lyrics, Lata Mangeshkar’s voice along with Jaya Bhaduri and Amitabh Bachchan’s performance and Hrishikesh Mukherjee’s direction were ably supported by the competent technical crew and musicians. Anand Desai and Antara Nanda Mondal explore how master craftsmen of cinema and music matched every frame to a note in this song which can well be called a textbook in song composition and picturisation!

A snowy winter is the perfect excuse to get cuddly in Hindi film songsManish Gaekwad pens this sub-genre of Hindi Film Songs.

Film Songs Based on Classical Ragas (10) – Bihag and its family – Subodh Agrawal continues from where he had left off his series, Songs based on classical ragas.

My Favourites: ‘Kaun Aaya?’ Songs – Hindi films are full of rhetorical questions to which everyone, including the people asking those questions, know the answer… One such question is ‘Kaun aaya?’ The answer is obvious, of course (and the characters on screen know who has stolen their heart, resided in their soul, made them laugh…), but they ask (sing) the questions anyway.  The post has some excellent, but not more often heard songs –

Dhoondhta Hoon Jinko Raaton Ko Khayalon Main Mein’ – Shiv Kumar (Pathak) made his debut with Poonam KI Raat (1965). Here is the link to the song in the title of the post – Dhoondhta Hoon Jinko

Flashback 50 Years By Peeyush Sharma  – There is a marked shift in the style of compositions, change in the audience taste and acceptance of new music directors. Among the films that had their music release this year, Shankar Jaikishen, O P Nayyar and Usha Khanna each had 7 films while Madan Mohan and Ravi had five each and Hemant Kumar had three. Laxmikant Pyarelal had 10 releases to their credit – a defining year for their career. RD Burman gave his life’s first massive chart buster hit Teesri Manzil.  There were several others who scored memorable music scores in a single film or two.

  • (Part I): Shankar Jaikishan Hits of 1966 – Teesari Kasam, Gaban and Amrapali were the notable films from the point of view of the quality of songs.
  • (Part II): OP Nayyar Hits of 1966 – Bahaarein Phir Bhi Aayengi, Sawan Ki Ghata, Yeh Raat Phir Na Aayegi were the notable films from the point of view of the quality of songs.
  • (Part III): Madan Mohan Hits of 1966 – Mera Saaya, Neend Hamari Khwab Tumhare, Dulhan Ek Raat Ki were the notable films from the point of view of the quality of songs.

Steam behemoth rides in Bollywood – D P Rangan takes on the nostalgic trip to the younger days of most of the readers who are in 40+ age group.

Ten of my favourite non-romantic male-female duets which do not mention romantic love in any form, not even as part of a bhajan (the Radha-Krishna trope is one that comes to mind). And that the actors should both be adults (because there are far too many songs which have a female playback singer singing for a child onscreen) as in Saanwle-salone aaye din bahaar ke (Ek Hi Raasta, 1956).

Do actors have what it takes to stop lip-synching and start singing their own film songs? – No actor took playback singing as seriously as Premnath when he sang an Indian classical bandish Dagar Chalat Dekho in the little-known film Raja Kaka (1973). It was an enviable accomplishment that went unnoticed.

Odd(itie)s and Ends, Joys of Fusion, and Blogging Restlessness is a post that is a little more scattered and eclectic than usual, which may signal a direction for other posts to come.

Cinema classical: When Parveen Sultana trumped Kishore Kumar in ‘Hamein Tumse Pyar Kitna’Manish Gaekwad has kick started to showcase the voices of the stalwarts of Indian classical music in popular films with this song from Kudrat. Naushad introduced Parveen Sultana to Hindi moviegoers in Kaun Gali Gayo Shyam in Pakeezah (1972). The thumri was used in the background….Sultana returned to Hindi playback only in 1981 for Hamein Tumse Pyar Kitna, composed by RD Burman for the movie Kudrat. The track, in raag bhairavi, was written by Majrooh Sultanpuri. Parveen Sultana won the 1982 Filmfare trophy for her version of the song.

My Favourites: Songs of Promises – are all love songs, songs of promises between lovers. Not ‘aap ki kasam’ songs, or the breaking of promises but actual promises being asked for, or made. Promises of a future together, of hope that one will have someone with whom to share life’s struggles and happiness, of trust that one’s faith will not be betrayed. For example:

Picture the song: Guns and snogs in ‘Mile Mile Do Badan’ from ‘Black Mail’Nandini Ramnath narrates why we should trust Vijay Anand to insert a romantic song in the middle of a chase sequence and make it work…..

We end today’s episode with a INTERVIEW of Ahsan Qasim by Sanjeeb Updhyay about GREAT MOHD RAFI SAHAB – Part 1  ǁ Part 2 ǁ Part 3 ǁ Part 4

I trust you will always feel free to proffer your suggestions for making this series of posts more lively and informative….