Melodies, Movies & Memories – Nalin Shah

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Movies, Memories and Melodies - Nalin Shah

Melodies, Movies & Memories – Nalin Shah © 2016
Publisher: Saarthak Prakashan, Ahmedabad ǁ Price: Rs. 300
ISBN: 978 – 93 – 84076 – 17 – 7 ǁ Buy Online

 

 

 

“The act of writing on vintage Hindi Music is akin to documenting the Ganga without having any idea of Gangotri”, writes Urvish Kothari in the preface to a well – known writer of film history-related articles, Nalin Shah’s maiden book Melodies, Movies & Memories.

nalin shahHowever to Nalin Shah, the obsession of the vintage Hindi films and its music is rooted in his early boyhood, when he wrote articles for various Gujarati periodicals on the subject of vintage film music. Later on, his writings for Filmfare, G (a film magazine of Vaju Kotak’s Chitralekha group), Playback & Fast Forward, The Pioneer, The Times of India, Hindustan Times, The Hindu, Mid-day etc. attained the stature for their authentic content, objective point-of- view and accurate analysis. ‘Writing for press enabled (Nalin Shah) to reflect on artistes as people and their place in the wider world. As a Development Officer at Life Insurance Corporation of India, in his primary professional career, Nalin Shah also had had frequent opportunities to travel to different cities all over India. These helped him to clarify his thought-process, as well as to check (and many times cross-check and re-check) and to verify “facts”. All these experiences and interactions then were distilled into lucid and engrossing stories, covering a wide panorama of subjects. He has conducted lecture-demonstrations on the history of film music and staged audio-visual shows on KL Saigal, Naushad, Khemchand Prakash, New Theatres, Mehboob Khan, Bombay Talkies. We now get to read these stories between the two covers in the present book.

In spite of relatively active publishing of film related works, the fact remains that over the years, different communication channels of the industry, like Gramophone companies, or the public communication media or the film correspondents or journalists, as a whole has not enough to preserve or document the multiple facets of the film-making, its music and its history. The advent of internet and the evolving digital platforms have been now very imaginatively been put to use by some of the very dedicated, little-known film enthusiasts to supplement the very pioneering and path-breaking works in the print media in so far as the first two decades of the Hindi Films and its world of music. Nalin Shah’s present book is not simply a documentation of history nor is it the plain narratives of stories. While maintaining very high standards of reporting, he develops story in quite an interesting style of writing. He has also been very particular in maintaining a professional arm’s length objectivity even with people, events or songs for which he has developed a deep personal like or proximity. Here is one typical illustration, picked up from the very first chapter – In Search of Gold – of the book:

I find the music of 1940s more enchanting than anything heard before or after. The music of 1950s too was extremely melodious though more ostentatious. The decline started in 1960s….However, the relevance of term ‘Golden’ to a musical age is dependent on many factors including the time and the environment. But the academic question cannot take away the appeal of any music composed at any time if it has an inherent charm.

The book apparently does not have very specified divisions, in terms of the subjects of the contents of the stories. But a little more analytical view reveal a few discerning patterns of presentations of the subject matters.

Subjects, like travails of the artistes through the days of glittering Sunrise adulations to abject poverty or loneliness of the Sunset days or A Matter of Inspiration behind a particular song have been dealt with in fairly insightful details.

Nalin Shah’s discerning choice of songs to illustrate or emphasize the matter of the subject, on one hand imparts high clarity to the point of view being presented, and on the other hand helps the reader to rekindle memories of some of very rare gems of that era.

The book also has very judiciously enriched the memories of the era with the help of some very rare photographs of the artistes with whom Nalin Shah has maintained personal contacts. References to these rare songs and use of these photographs elevate the book to a level of a collector’s prized trophy.

Nalin Shah with Naushad at Viramgam where Naushad wanted to revive his past in Viramgam before the start of his career as music director

Nalin Shah with Naushad at Viramgam where Naushad wanted to revive his past in Viramgam before the start of his career as music director

When the author takes up the subjects of reasons and aftermath of break up music duos or the First Lady of Hindi Film Music directors (Saraswati Devi), the Rhythm in Songs, or the legendary tales of Peti- masters (as the music directors were then known), he seems to have chosen a very concise narrative format to drive his point of view home.

The articles, like The End of an era – Studios and Institutions, Vintage Music – The Saviour or Radio Ceylon: Jane Kahan Gaye Who Din, not only place some of the otherwise hazy or misattributed or misinformed records straight, but also have documented some of the pioneering and path-breaking roles played by several individuals. Some of these endeavours reached the status of the institutions that left profound impact on the industry. It would not be out of place to record at this stage, that articles of this stature, and any other representation for that matter, can go a long way in building up the right type of public opinion about the different aspects of films.

The role of lyricists also has been given its due recognition in the book. The portrayal of how different lyricists tackled the themes for a particular song or the how the use of the original literary works of the poet-lyricists have been used with or without modifications or the role of a lyricist or the music director or the star who enacted in on the screen is spread over different articles – The Writer’s Dominance, The Poet’s Lament and The Song, ShAIR and the Star.

In any historical perspective analysis, the topics like how much role the destiny played in making the preeminent position of Lata Mangeshkar in the post-partition years or how would the music scene have taken shape if Noorjehan had chosen not to migrate to Pakistan have always remained quite contentious and thorny issues of the debate among film critics, historians and fans. In ‘Daughter of Destiny – Why a Lata Can Not Be Reborn’ and ‘Noorjehan, Lata and Partition’, Nalin Shah has succeeded in balancing the facts with perceptions and opinions.

We also get the taste of Nalin Shah’s considered forthright views on the subjects of film awards in ‘A Matter of Awards’, ‘Phalke, Who ?’ or ‘An Award named ‘Lata Mangeshkar’’.

The author also opines that ‘Moral Values’ in films not necessarily reflect the times but the degeneration in the minds of the films maker. Whilst on the subject, he does not miss the opportunity to record ‘the irony that delinquent film-makers welcome the controversy that can help generate some free publicity for a product which may otherwise may not be that sale-able on its own merits.

The book also finds adequate space for other contemporary subjects of Menace of Remix or The Genesis of Piracy, which underscore the fact that no one can claim to be holier than thou. The big service can be made if the original (genuine) music is ‘made available at an affordable price to the public.

‘Melodies, Movies and Memories’ must have scratched only the tip of vast treasure of treasure of documents, photographs and memories of insightful anecdotes that Nalin Shah has very assiduously built along with his “enviable storehouse of 78-RPM records”. We fondly hope that when the book is published in a digital format of e-book, addition of the soundtracks of the songs that have been referred to in the book also (as far as possible) be added on to make this book as the most memorable and immortal gift that a person who has been witness to more than half of the life span of the Hindi Film industry can bequeath the future generations.

We join the publishers in wishing that the present book “is just a precursor to many more”.

Super Economies: The Settings of an International Plot: Shall or Shall Not?

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Super Economies

America, India, China and The Future of World
By Raghav Bahl
ISIN: 978-06-7008-812-6 ǁ Publishers: Random House ǁ Price: Rs. 699/-

In the first part, we looked at the preamble that Raghav Bahl builds for his case for India’s potential case in the coveted SuperEconomy club. In this second part, we look at the Raghav Bahl’s separate chapter-wise exploration of the past events of the international stage, wherein the involvement US, China and India, translated into the future case of ‘Shall it or shall it not ?’ for India’s Super Economy status.

Super economies 2In “From Falling Towers to Falling Tickers”, Bahl sees “The Dawn of Super Economy Era”. The events of 9/11uninteionally created the new opportunities for the developing nations, hastened the levelling of global playing field, ushering in new geopolitical order, whose contours would be boldly sharpened by the collapse of Lehman Brothers seven years later. The three most important words of the decade following 9/11 turned out to be not ‘war on terror’ but ‘made in China’ – be it supply of cheap goods or pouring in of Chinese savings into US Dollar….It was no accident that ubiquitous term now used to describe the first wave of globalization – BRIC(S)- was coined in aftermath of 9/11. The customised model of these countries, based essentially on free-market capitalization, allowed India and China to heal quickly from the wounds of 2008 financial meltdown.

Raring to Go” focuses on “A Growing Concert of Democracies” in the face of newly assertive China’s experiment to strengthening its grip over trade and diplomacy. Rare Earths became the symbol. By the turn of 20th century, China was supplying over 90% of world’s rare earth metals, even though its own resources were of the order of third of the global reserves. The true extent of China’s stranglehold on rare earth became alarmingly clear after a show-down with Japan in September, 2010. Even as it denied any official embargo, the shipments of rare earths to Japan drastically dwindled. China’s efforts to improve order and price leverage unintentionally driven the revival of global rare-earth production in the US and allied democracies. The united economic power of the democratic world proved to be an antidote to China’s combativeness.

Neutral No More” portrays the developments in Burma during the end-of-20th-century-beginning-of-21st-century. During the course of mid-20th century, Burma’s relation kept swinging between India and China. However nullifying the results of 1990 elections, the Military Junta sought to isolate Burma back towards democratic reforms by way of series of trade and economic sanctions. That gave China a right window to enlarge influence in the resource-rich land. However, by mid-1990s, India’s leadership began to adopt a ‘strategic realistic policy’, which favoured the limited engagement with Burma’s military rulers. Burmese military leadership’s wariness of Chinese-backed Maoist insurgency in the hills went on to aggravate over a period of time. So the Junta started diversifying its support system. India went on balancing its relationship with autocratic regime on one hand and the pro-democracy movement on the other hand. By 2011, the Junta was disbanded and was replaced by nominally civilian government. The new government hardly lost any time in unchaining Chinese shackles over its economy. Burma was now deftly playing the same multi-alignment game, mastered by the countries such as Kazakhstan in trying to escape the Soviet-Russian sphere of bear-hug influence. With most recent win Aung San Suu Kyi’s NLD the sense of transformation is now palpable.

The Burmese Story reinforces the efficacy of rare-earth showdown coordination of the democratic nations to counteract Chinese adventurism. India’s new strategic ties with countries, as varied as Japan, Australia, Singapore, Indonesia, South Korea, Vietnam, erstwhile Soviet-bloc countries as well as its neighbours continues to gain its strong impetus against the mighty dragon under PM Narendra Modi’s present central government too.

A Region at Sea” maps, primarily, South China and, secondarily, the Indian Ocean, as the main theatres of rivalry for the 21st century Super Economies. The fact that 80% China’s oil imports travels through the crowded Strait of Malacca across South China Sea partly underscores the strategic importance of the erstwhile historic events. China appears keen to expand its presence not only in South and East China Seas but also in Indian Ocean, where it has ‘helped’ in ramping up the ports in Sri Lanka, Bangladesh and Pakistan.

China’s increasing marine power has spurred small littoral states like Vietnam, Singapore and Malaysia to bolster their naval capabilities. Though, albeit tentatively. India keeps backing their tiffs with China.

China’s actions in South China Sea have tested the alignments of 21st century in much the same way its approach to Burma and rare-earth metals did. Deterring China in the South China Sea has proven far more challenging for Team Democracy than solving rare-earth crisis or winning over Burma. For one thing, many Chinese harbour an unshakable conviction that their sovereign claims are legitimate. At the same time, it also believes that US has absolutely no legitimate claim to the region, and is merely using its power to egg on China’s rival claimants….Fortunately, China is not eager enough incite actual military conflict in Asia’s waters.

In the age of Super Economies, the most promising bulwark against Chinese creep comes not from US but from the rapidly strengthening bond between Japan and India. Outwardly, Asia’s two largest democracies have little in common, but their cultural and religious connections stretch back to centuries.

To be sure, India and Japan have gone out of their way to reassure China their goal is not containment. As their bond solidified, the language of Indo-Japanese partnership grew less circumspect….To hedge its bets, China has explored broad new west-oriented foreign policy.

The fact remains that the today’s world powers don’t need to choose between being rival or allies; they can be both, or neither. Managing such bifurcated relationship requires a revolutionary kind of teamwork, careful coordination of policy, purpose and rhetoric among the like-minded countries.

Aligned With India, But Allied With Pakistan” is ‘The Great American Paradox’. The 9/11 incidents linked Osama Bin Laden’s liquidation, US presence in Afghanistan and similar incidents led to sinking of Pakistani public opinion of America to the lowest. Correspondingly, Americans too did not think much better of Pakistanis…The imploding US-Pakistan alliance heartened – or less surprised – India. The cross border sponsoring of extremist terrorism seems to have accelerated the convergence of US-India strategic interests. For America, the old adage – India can be friend, but not ally and Pakistan can be an ally but not a friend – was seen to be turned upside down. Pakistan was behaving neither like a friend nor like an ally and India was suddenly exhibiting signs of becoming both.

With Osama Bin Laden dead and Afghanistan’s future uncertain, what was left of US-Pakistan partnership quietly unravelled…One of the tensest issues between them was nukes – or rather, the security of nuclear armament in the hands of Pakistan. As the only Muslim-majority country in the world with a successful nuclear weapons programme, Pakistan would be the first stop for Islamic radicals looking for nuclear option. Pakistan’s continuing ability to secure nuclear arms remains suspect in US eyes.. As Pakistan’s behaviour grew increasingly defiant and irrational, the US found itself looking more and more to India. While preparing for departure from Afghanistan, India seemed more in place to occupy the US space. So far, India’s assistance to Afghanistan has been entirely economic and humanitarian…The continued instability in Afghanistan seems to raise the risk of India – Pakistan (probably nuclear, this time) war. The best option to try to reduce Pakistan’s India-obsession is to increase the cross-border trade and transit between the two countries. Another option is for India to rise above squabbling and push for progress on the Kashmir issue, fostering the dialogue while reducing it military presence and addressing humanitarian abuses…But the best hope may yet come from another giant presence lurking on the border – China. China has remained on the side-lines for most of the Afghan conflict; however it has started adopting a more active role once the present theatre starts to wind down. China also continues to exert subtle pressure on Pakistan t crack down harder on terrorism if its wants their economic relationships to grow.

Afghan region could end up being the first great theatre of Super Economic collaboration among US, China and India. Unlike in South China Sea or the Indian Ocean, where they play a competitive game of brinkmanship, their strategic interests align in seeing an orderly, growing AfPak as their best chance for curbing terrorism and advancing peace and prosperity in the region, and beyond.

We will continue with Raghav Bahl’s detailed background analyses in the next part – Super Economies: America and India – Heritage Link, Democratic States – Positives Enough for Convergence !? on 21st February, 2016………………….

Carnival of Blogs on Golden Era of Hindi Film Music – January, 2016

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Welcome to January, 2016 edition of Carnival of Blogs on Golden Era of Hindi Film Music.

We will begin our present issue with a tributes that were originally published in December, 2015. However, ours being a curative post, we will need to take such topical posts into our stride as a natural hazard for such curative exercises.

Week starting on 20th December is A Very Significant Week for Birth and Death Anniversaries. This post, though, has decided to include numbers that are less likely to appear on people’s greatest hits list – Nalini Jaywant (20 December), Vasant Desai (22 December), Noor Jehan (23 December), Mohammad Rafi (24 December), Naushad (25 December).

Naushad’s Priceless Moment: ‘Anmol Ghadi’ (1946) – Anmol Ghadi is the only link that connects up three greats. Naushad, Rafi and Noorjehan are also linked in an incredibly eerie way –Noorjehan’s death anniversary falls on December 23 (2000), Rafi was born on 24 December (1924) and Naushad’s birth anniversary falls on December 25 (1919).

Bimal Roy: The Eastern Mystic Who Made FilmsVijay Kumar explores the deeper existential layers of thoughts, views, emotions and relationships in Bimal Roy’s iconic films.. At the point of his death, he was working on two projects: Mahabharat and Maha Kumbh. In his death, the country missed out, on celluloid, what would have been the most authentic deconstruction and interpretation of the greatest epic, namely Mahabharat, and an understanding and exposition of the largest human congregation on the face of Earth, namely Maha Kumbh..

Bimal Roy’s Madhumati – Untold Stories from Behind the Scenes By Sathya SaranRinki Roy BhattachBimal Roy’s Madhumati – Untold Stories from Behind the Scenesaya, BimBack cover of the book with a comment from Amitabh Bachchanal Roy’s daughter has written this book as almost an offering to her father’s memory. Not party to any more of the actual work on Madhumati, Rinki’s book is an account of her search for stories about the film to know how it was made and the elements that went into making it one of the masterpieces of Indian cinema.

In his comment, MN Sardana has hoped that the book may throw light on the non-inclusion of two songs, recorded for Madhumati. First is Tan Jale Man Jalta Rahe ,sung by Dwijen Mukherjee & chorus and the second being Kancha Le Kanchi Lai Lajo Rut Matwali, Naye Paise Ko Leke Aaya Hai Naya Saal sung by Ghulam Mohammad , Asha Bhonsle, Sabita Banerjee & Chorus.

Last Month, Sadhana drew curtains to her life. She was well remembered in the offerings of rich Sadhna in 'Abana'obituaries. One of the most telling obit came in from (I think that was from) Sanjay Leela Bhanshali – she was queen of mellow drama and not the melodrama.

Sadhana was learning acting in “Filmalay acting school” and she got an opportunity to debut as heroine in “Love in Simla”. Sadhana had earlier played the second lead in a Sindhi film “Abana” that had released in 1958. Sheila Ramani played the lead in this Sindhi film.

Going back in time with Sadhana – “I want my fans to remember me as the Sadhana of Love In Simla, Mere Mehboob, Woh Kaun Thi and Arzoo.” – first published on Rediff.com in December 2012.

Abhi Na Jao Chhodkar… notes that it ought to be most appropriate to remember ‘one of my favourite actresses’ is to remember her ‘- frozen on screen, in all her beauty and grace, for all time’.  We have picked up one of the less heard song –Ab aur na kuch bhi yaad raha – Prem Patra (1962) – Lata Mangeshkar – Salil Choudhary – Rajinder Krishan

My contribution to such songs is Aaye Re Din Sawan Ke – Gaban (1966) – Lata Mangeshakar – Shanker Jaikishan.

Peeyush Sharma in his tribute – Adieu Sadhana – recollects some of the most enchanting, lilting, melodious, memorable songs that are associated intrinsically with the gorgeous style icon Sadhana.

In Tribute: Sadhana (1941-2015) Madulika Liddle looks back to “The schemer? The victim? The innocent soul? The glamour girl? The girl next door? Each of those. And more” roles of Sadhana. We have picked up Meri nazrein haseen hai ki tum ho haseen (Ek Musafir Ek Haseena, 1962, Asha Bhosle, O P Nayyar ) from My Favourite Songs of Sadhana

In Sadhana: What movies! What songs!, Dinesh Raheja remembers Sadhana’s memorable movies and songs.

Subir Sen passed away in Kolkata on December 29(,2015) at a private hospital. In one of the very fitting tributes, Aah Dil Mein Hai Nayan Mein Neer Hai, skapur01 recollects that ‘in all, he sang for less than 25 (plus one unreleased) Hindi films, and the number of songs is less than 30. He also composed music for a Hindi film that apparently was released only in England, in 1970 or thereabout. The film had songs sung by Mohammed Rafi, Geeta Dutt, Asha Bhosle, besides himself. Presently, the post has presented a very rare solo song, composed by S N Tripathi, from an unreleased film, ‘Rani Chandrawati’ from the 1960s’ – Aah Dil Mein Hai Nayan Mein Neer Hai .

We also recall an earlier post form Songs of Yore – Subir Sen: The involuntary Hemant Kumar clone.

We have picked up a couple of less heard songs from, Best songs of the most unloved singer Mahendra Kapoor, a tribute to Mahendra Kapoor on his what would have been 82nd birth anniversary (9 January 1934 – 27 December 2008)

The interview in Beete Hue Din contains some interesting information about the Metro-Murphy Competition and Mahendra Kapoor’s career.

In Ye duniya rahe na rahe kyaa pataa, Sadanand Kamath fondly recollects some of the events in the life of O P Nayyar on his 90th birthday on 16th January, 2016. ….. One of his box office hit films – ‘Phagun’ (1958) had 11 songs. When Ustad Ameer Khan asked him as to why he had composed almost all the songs in Raag Piloo, O P Nayyar told him that he did not have the knowledge of classical raagas. It was just a coincidence that his compositions matched with Raag Piloo. In the later years, Ustad Ameer Khan told him that in “akeli hoon main piyaa aa” from ‘Sambandh’ (1969), he had used about 16 different raagas…….The blogpost also further recounts a few examples of songs where he had nicely blended the playing of the musical instruments with that of the mood of the songs.

Posts that remember Suchitra Sen : Forever Suchitra Sen – A Silhouette tribute – By Amitava NagThis article has been edited from Uttam Kumar and ‘Mrs Sen’: The Magical and Hypnotic Uttam-Suchitra Years ǁ Rahe Na Rahe Hum: ‘Mahanayika’ Suchitra Sen’s Aura Lingers On… ǁ Romance In Cinema – Uttam Kumar And Suchitra Sen – A Case Study

“Phir Wohi Dil Laya Hoon” – Joy Mukerjee – As a hero, Joy Mukerjee appeared only in 32 films. In his last two outings – “Kahaani Phoolwati ki” and “Insaf Main Karoonga”, Joy took up the role of the villain.

Joy Mukherjee, in second lead, and Helen, in a rare break away from her ‘cabaret dancer’ roles, in Hum Hindustani (1960)

Joy Mukherjee, in second lead, and Helen, in a rare break away from her ‘cabaret dancer’ roles, in Hum Hindustani (1960)

In a tribute to Raj Kapoor, we have picked up a rare photograph of the sons with the father, from Rediff archives:

Shashi Kapoor, Raj Kapoor, Prithviraj Kapoor, Shammi Kapoor. Photograph: Rediff Archives

Shashi Kapoor, Raj Kapoor, Prithviraj Kapoor, Shammi Kapoor. Photograph: Rediff Archives

We now move over to other regular posts.

26 Rare Photos of Madhubala to Remind You Why She Was Such a Goddess – Vandita Kapoor has presented photos from a 1951 shoot for Life magazine by photographer James Burke may just help her keep this title forever. By turns sultry and sweet, serious and childlike, enigmatic and completely accessible — in these photos  Madhubala is thoroughly magnificent.

Madhubala - a 1951 shoot for LIFE by photographer James Burke - 2Madhubala - a 1951 shoot for LIFE by photographer James Burke -1Madhubala - a 1951 shoot for LIFE by photographer James Burke - 3

Helen Remixed 3 presents a nice mix of rare Helen videos and upgrades in 1080p High Definition.

Shammi Kapoor’s connection with the ‘Silsila’ hit ‘Neela Aasman So Gaya’ – The 1960s star had composed the song, which he gifted to Amitabh Bachchan for Yash Chopra’s ‘Silsila.’

My Favourites: ‘What’s Life?’ Songs seeks some of the ‘answers’ to that deepest of existential angst.

My Favourites: Songs of Hope and Encouragement

“This new day is too dear,
with its hopes and invitations,
to waste a moment on the yesterdays.”

पन्छी : An aviary of Songs is a Bird-watch guest article by Shalan Lal in Songs of Yore.

Bollywood’s love affair with Horse – From the list of songs chosen in the guest article by D P Rangan, we have picked up one less heard song –Humkadam humsafar humnasheen humzuban by Manna Dey, Mahendra Kapur and Usha Khanna –Nishan (1965), lyrics Javed Anwar, music Usha Khanna

The Three Mumtazes in Basant (1942) – Pramila with Mumtaz Ali in Balam Dhire Bol Koi ǁ Mumtaz Ali with Mumtaz Shanti in Gori Mose Ganga ǁ   Mumtaz Shanti lip singing Parul Ghosh’s playback voice in Mere Chhote Se Man Mein. ǁ The third Mumtaz, a.k.a. Madhubala, when this toddler grows up, sings Tumko Mubarak Ho.

A dubbed film and a song : In Prema Lekhalu 1953 A. M. Rajah, in the telugu version, starts the duet. In the Hindi version, (Aah, 1953) Lata Mangeshkar starts the song Aja Re Ab Mera Dil Pukara. The Tamil version is similar to the Telugu one, both sung by A.M.Rajah and Jikki.

Music in the house: Can you hear Noor Jehan? – by Devyani Onial – On the crowded shelves of this small room at the New Gramophone House in Chandni Chowk, perhaps the only vinyl record shop in Delhi, fading record sleeves hold gems from the past. Anuj Rajpal has an enviable stock of around 2,00,000 EP and LP vinyls and 78-RPM shellac recods.

Balaji Vittal and Anirudha Bhattacharjee are Keeping Score : Was the Sixties the defining sound of Hindi film music? – for which the foundation was collectively laid by the likes of Naushad, C Ramchandra, Shanker Jaikishan, S D Burman, Salil Chaudhary.

Matinee idols – Between 2003 and 2005 – photographer Shahid Datawala received a grant from Sarai for a project on cinema and cinema-going culture in Delhi. Thus began his journey to several of the city’s decrepit single-screen theatres. –

Before the silence: Rhythm House a haven for music lovers – by Paroma Mukherjee – In the fast-changing lives of Mumbaikars, Rhythm House stood as a haven for music lovers looking to discover new genres and seek out some solitude. With its closure, the city will lose not just an institution, but also a way of life.

In our, by now a ritual, closure we revisit the recent tributes to Mohammad Rafi:

I look forward to receive your inputs for further enriching the contents of the posts…..

Carnival of Quality Management Articles and Blogs – January 2016

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Welcome to January 2016 edition of Carnival of Quality Management Articles and Blogs.

In the previous episode of our blog carnival, we have taken up an overview of the changes in the just published Revision of ISO 9001 (:2015). From the present episode, every month we will take up each key change individually for a closer look.

We first take up the most fundamental underlying concept – Process Approach..

The present version of the standard now “promotes the adoption of a process approach when developing, implementing and improving the effectiveness of a quality management system, to enhance customer satisfaction by meeting customer requirements. {Ref: Introduction – Clause 0.3.1} The process approach involves the systematic definition and management of processes, and their interactions, so as to achieve the intended results in accordance with the quality policy and strategic direction of the organization. Management of the processes and the system as a whole can be achieved using the PDCA cycle (see 0.3.2) with an overall focus on risk-based thinking (see 0.3.3) aimed at taking advantage of opportunities and preventing undesirable results.

Schematic representation of the elements of a single process

Schematic representation of the elements of a single process

The ISO Technical Committee 176 has published a paper The PROCESS APPROACH in ISO 9001: 2015 (ISO/TC 176/SC 2/N1289) and a detailed presentation on the PROCESS APPROACH in ISO 9001:2015

ISO’s Process Approach also lucidly presents concepts like Process Approach, Process Definition, Process Examples, Inputs and Outputs – outputs could include not only services, software, hardware, and processed materials, but also decisions, directions, instructions, plans, policies, proposals, solutions, expectations, regulations, requirements, recommendations, complaints, comments, measurements, and reports. Clearly, an output could be almost anything – Process interactions, Process-based QMS.

Three Ways ISO 9001:2015 Will Encourage a Process ApproachDan Nelson

Instead of being suited to ISO 9001, a QMS is supposed to be suited to the unique operations of an organization. A process approach demands that an organization’s real, operational; core processes are developed in accordance with the “plan” phase of the plan-do-check-act cycle (PDCA). These are the processes needed for a QMS.

Second, also in the ‘Introduction, sub-clause 0.3 -Process approach’, the standard explains that the process approach is based on the PDCA cycle, mentioning W. Edwards Deming by name.

Finally, in ISO 9001:2008 sub-clause 4.1—General Requirements, contain requirements seemingly adequate to verify whether a process approach has been applied.

Process Approach

QMS is made up of a network of value-adding processes, like Customer Oriented Processes (COPs), Support Oriented Processes (SOPs), Management Oriented Processes (MOPs), Quality Managed Processes (QOPs), Outsourced Processes (OPs) that link, combine and interact with one another to collectively provide product or service. These processes are inter-dependent and can be defined by complex interactions. In order to plan and implement QMS using the ‘Process Approach’, one must:

  • Identify the processes needed for the QMS.
  • Determine their sequence and interaction (show the sequence and interaction of COP’s). There are many ways to document this, e.g., a high level flowchart or a process map.
  • Determine the application of QMS processes throughout the organization (show how MOP’s; SOP’s and QMP’s are applied to each COP and to each other). There are many ways of documenting this. A popular way is through graphical representation, e.g. process maps.
  • Determine (plan) the criteria, methods, information, controls and resources needed for each QMS process.
  • Identify the internal/external customer-required output.
  • Describe the process activity that produces the output.
  • Identify the resources needed for the process activity.
  • Identify the inputs for the process – information, materials, supplies, etc.
  • Define the process methods, procedures, forms etc., that may be needed to produce the output.
  • Define the controls to prevent or eliminate risk of errors, omissions, or nonconformities in process activity. controls may come from the IS standards; customer; regulatory and your own organizational requirements
  • Interaction with sources that provide the inputs (internal process or external supplier), uses the output (internal process or external customer), or provide the resources (internal support process) to perform the process activity.
  • Implement QMS according to the plan.
  • Monitor, measure and improve each QMS process and its interaction with other processes. Performance indicators to monitor and measure process performance may come from the IS standard, customer, regulatory and organization’s own requirements. Performance indicators may relate to the process output as well as the process activity.
  • Performance indicators for process output must focus on meeting customer and regulatory requirements. Performance indicators for process activity should focus on measuring process effectiveness and efficiency.

PROCESS MANAGEMENT REQUIREMENTS IN ISO 9001 (2015) – Lennart Brandt -By application of the definition of “process”, the number of processes concerned by the requirements in ISO/CD 9001 could be considered to be at least about 275.

ISO 9001:2015 – The Process Approach Approacheth – focuses on the new standard’s “process approach” requirements, how it differs from the current version, and the many problems companies and auditors will have interpreting it.

ISO 9001 series, Part 3: The Process Approach in ISO 9001:2015Ben Saxton, Business Development Manager and Alastair Atcheson, Digital Marketing Executive @ Qualsys – Auditors should be looking at the effectiveness of processes over exact compliance to procedure. This is in line with PDCA, which forms a basis for the process approach to begin with. A process approach is the best way to manage a QMS, not just in terms of the audit process, but as a business strategy in general. Auditors and organisations alike should remember that the process approach is being emphasised because fundamentally, it makes sense.

The Joy of ProcessSusannah Clarke says a process approach can inspire innovation and creativity – In Morecambe & Wise Make Breakfast, watch the brilliant example of how a process approach inspires innovation and creativity:

We will now turn to our regular sections:

Future of Quality - Report - 2015Since 1996, ASQ has published seven issues of the Future of Quality Report. The latest edition explores 11 topic areas—already impacting consumers, businesses, and society—that will have a profound effect on the future of quality. These thought-provoking, personal, and detailed essays are written by distinguished experts from around the world. The “2015 ASQ Future of Quality Report: Quality Throughout” challenges, enlightens, and sparks action. ASQ CEO, Bill Troy ASQ’s Influential Voice in Top 11 Insights From ASQ’s Future of Quality Study has compiled the “key” insights from each of the 11 essays in the Future of Quality research.

We now watch the latest ASQ TV episodes:

Strategic Thinking – Business Skills – In this ASQ® TV episode, the concept of strategic thinking is examined. Learn how strategic thinking varies in theory and practice and be introduced to the analytic hierarchy process—a method that breaks down decision making into a series of comparisons. Watch now:

Strategy and Leadership: In this episode, learn a four-step method for setting organization-wide strategy that fosters employee engagement and empowerment, and get ideas for structuring your organization and communicating strategy … to employees to help achieve success. Read: Peter Merrill’s QP article on self-managed teams.

Making Strategy Visual – It is essential your staff connect goals, metrics and projects to get them engaged in the organization’s strategy. Hear how North Bay Regional Health Center in Ontario achieves this important goal by making strategy visual to employees and customers.

We would add Jim L. Smith’s Jim’s Gems as our regular feature from this month.

Thought PowerJim's Gems: Choose to think the best about yourself, your world, and those people who are there to support you.

Dealing with Challenges:  Learning to overcome our challenges is what builds character and resilience.

Embrace efforts: Decide to embrace and enjoy the effort, and you’ll reap wonderful benefits from it.

20 Most Popular Posts on the Curious Cat Management Blog in 2015

I look forward to your active participation in enriching the blog carnival as we pursue our journey in exploring the happenings across quality management blogs…………

Super Economies: A New Century, A New Power Dynamics

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Super Economies

America, India, China and The Future of World

By Raghav Bahl

ISIN: 978-06-7008-812-6 ǁ Publishers: Random House ǁ Price: Rs. 699/-

Super economies 1Our times are characterized not by estranged superpowers building formidable arsenals, but by engaged societies building a robust global economy. Emerging countries are redefining the geo-economical (and geopolitical) dynamic in the new world order; a soaring GDP and a booming population are the new indicators of a nation’s strength.

The 21st century will be led by a handful Super Economies – large, prosperous counties with a fairly high growth rate, ranking among the world’s top trade partners, commanding 15 to 20 % of global GDP; having nuclear arms but using economic leadership to effect significant changes.

A New Century, A New Power Dynamics

The WWII rearranged geopolitical landscape to produce the Age of Superpowers. From ‘50s through end of ‘80s was the period of great Cold War conflict between the Soviet block and US and its allies. Even as the political conflict pivoted around ideological – communism vs. democracy or capitalism – eyeball-to-eyeball real ground realities were played through nuclear arms race. Only when Berlin Wall fell in 1989 did the Cold War end, and with it the bipolar Superpower era. For quite some time, USA ruled supreme.

Between 9/11 attack and subprime meltdown of 2008, America’s place as numero uno power of the old world was deeply shaken. BRIC(S) economies had started to emerge as alternative power centre in the beginning of 21st century. If the 20th century power rested mainly on in the hands of bureaucrats, country’s military was its main instrument of influence. This is now replaced by power of the marketplace in which economic prowess emerged more influential than the military strength in driving the global agenda. What Superpowers achieved with missiles and warships, The Super Economies seek to achieve with economic leadership, organising multilateral trade dialogues, setting the terms of inter-country engagement and using tough negotiations to establish everything from exchange rates to climate policy.

The Super Economy recognises the superior value of ‘soft power’ – what Joseph Nye defined as the ability to get what you want through attraction rather than coercion or payments[1] – and is adept at deploying its economic and cultural assets to win influence.

Even after the major disasters of 9/11 and 2008 financial meltdown, USA has recovered economical as emotional Super Economy leadership role. Even as large part of old economic activities or low-end activities of current times remaining off-shore, US has carved out its prowess in high-tech fields like nanotechnology and digital manufacturing, advanced software(s), composite materials or 3-D printing to name a few. Crumbling big-city infrastructure has spawned creative public-private partnerships to undertake the repairs and reconstruction. Otherwise erstwhile advanced economies of Europe or Japan are beset with varying degree of structural constraints.

Of all the emerging economies, China has earned the spurs of Super Economy. Its Purchasing Power Parity adjusted GDP has surpassed that of USA, for the first time in 40 years. The recent surfacing of some major issues and too rapid economic growth has given birth to a hot new debate on the US-China race outcome. Most of the Western economists firmly bet for American supremacy in the foreseeable future. However it should be noted that they do not manifest confidence, in equal measure, in pushing aside the long term Chinese dominance of world affairs.

While the Europe dominated the 20th century, the Indian Ocean is clearly accepted to occupy the centre of attention, in military and economic terms. For the first time in 500 years, the bulk of global resides in Asia.

That puts India in the right place at the right time. Raghav Behl bets strongly in India taking over as Super Economy in wake of decisive mandate in favour in wake of decisive mandate in favour of the present Narendra Modi led BJP/NDA government. This is in spite of India being critically hobbled by among other things political extremism, corruption and expanding rich-poor divide. [2] China’s rise an economic superpower has unintentionally helped India and USA into a closer strategic alignment.

Raghav Behl goes on to trace India’s potential journey to Super Economy status through several happenings and factors, each one being presented as a separate chapter, which we will take up on 2nd February, 2016,  in the next part of this article.

[1] Joseph Nye on Soft Power

[2] Will India become a Superpower? – Ramchandra Guha

The Revenge of Geography – Braudel, Mexico and Grand Strategy

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The Revenge of Geography

Part III – America’s Destiny

Chapter XV – Braudel, Mexico and Grand Strategy

By Robert D. Kaplan

The Revenge of Geography 3In the first instalment of this article, we looked at the base discussions of the book. Then in the second instalment, our focus was on India’s Geopolitical Dilemma in view of The Early-Twenty Century Map.

In the third part, Robert Kaplan takes up his analysis from the point of view of America’s Destiny. In Chapter XV – Braudel, Mexico and Grand Strategy – he has utilized Fernand Braudel’s one of the most influential works – The Mediterranean and The Mediterranean World in the Age of Philip II . Barudel’s geographic compass identifies the Mediterranean as a complex of seas near a The Mediterranean and the Mediterranean World in the Age of Philip II, Volume 1great desert of Sahara. Braudel’s story is not really one of individual man overriding the obstacles, but rather of men and their societies subtly being moulded by impersonal and deeply structural forces. Braudel, with his writings establishes the literary mood-context for an era of scarcity and environmentally driven events in an increasingly water-starved, congested planet.

It is impossible to speculate on how geopolitics will play out over the inhuman time frame of much of Braudel’s analysis, especially given the controversy over climate change and its effect on specific regions. Precisely because Braudel places the events of humankind against the pressure of natural forces, our thinking facilitates on the longue duree (English- the long term).

Thus from the viewpoint of distant future, while US deeply focuses on Afghanistan and other parts of Greater Middle East, a massive state failure was developing right on America’s south border. It goes far beyond Eurasia, but is rooted in North American geography.

America is bordered by oceans to east and west, and to the north by Canadian Arctic. It is southwest where America is vulnerable. Much like Indian subcontinent in Northwest, it stresses civilization in the region. On much the similar the then historical perspective, the income gap between US and Mexico is largest between any two contiguous countries in the world.

Half the length of America’s southern frontier is an artificial boundary line in the desert established by the treaties following the Mexican- American war of 1846-1848.

Since 1940, Mexico’s population has risen more than five-fold. The North-Mexico’s population had more than doubled since NAFTA was signed in 1994. The irony is that Mexico registers far less in the elite imagination of the East Coast than does , Israel, China or even India. Yet Mexico could affect America’s destiny more than any other countries.

The fact that most of the drug-related homicides have occurred in only six of Mexico’s thirty-two states, mostly in North – another indicator of how North Mexico is separating out from the rest of country. The Us shares a 2000-mile border with narcotics controlled powerful multinational drug cartels.

America is a nation of Anglo-Protestant settlers and immigrants, with former providing philosophical and cultural backbone of the society. Only by adopting Anglo-Protestant culture do immigrants become American. America’s classical liberalism emerges from the very fact that it was born Protestantism. This creed might be subtly undone by and advancing Hispanic, catholic, pre-Enlightment society… While the Americans champion diversity, the current immigrant wave is actually the least diverse in America’s history.

Geography is at the forefront of all these arguments. Most of Texas, New Mexico, Arizona, California, Nevada and Utah were part of Mexico until of 1835-36 Texan War of Independence and 1846-48 Mexican-American War. Incidentally, some these states also have a rich deposits of Shale Gas. The exploration of this shale gas has been able to convert the US from a net importer to a potential net exporter of the fossil-fuel.

Mexico is the only country that US has invaded, occupied its capital and annexed a good deal of its territory. Consequently, Mexicans arrive in US, settle in the areas of the country that were once part of their homeland, and so ‘enjoy a sense of being on their own turf’ that other immigrants do not share. Mexican Americans into their third generation maintain their competence in their native language to far greater degree than other migrants, largely because the concentration of the Hispanic communities.

America will actually emerge, in the course of 21st century a Polynesian–cum-mestizo civilization, oriented from north-to-south rather than as east-to-west, racially, lighter-skinned island in the temperate zone stretching from Atlantic to the Pacific. It will be brought closer to the rest of world not only by technology, but by the pressure of Mexican and Central America’s demography.

But this vision requires a successful Mexico, not the failed one. A stable and prosperous Mexico, working in organic concert with pro-America Columbia, could fuse together the Western Hemisphere’s largest, the third largest and fourth largest countries in terms of population.

Mexico is now at cross-road; it is either in the early phase of finally taking on cartels or it is sinking into further disorder or both. Because its future hangs in balance, what US does could be pivotal.

As Arnold J Toynbee notes[1], a border between a highly developed society and a less developed society will not attain equilibrium, but advance in favour of the backward society.

Thus, America’s economic power, cultural power, moral power, and even political and military power will be substantially affected by whether it can develop, into a cohesive, bilingual supra-state-of-sorts, with Mexico and Canada.

Finally, “Global war, as well as global peace means that all fronts and all areas are interrelated. No matter how remote they are from each other, success or failure in one will have an immediate and determining effect on the others.” This is far truer than it was in 1944 when that statement was published posthumously.[2]


[1] Arnold J Toynbee – A Study of History

[2] Nicholas John Spykman, The Geography of Peace (1944)

Carnival of Blogs on Golden Era of Hindi Film Music – December 2015

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Welcome to December, 2015 edition of Carnival of Blogs on Golden Era of Hindi Film Music.

We will begin our present issue with a post that could well have been included in our last episode –

Four Aces and A Queen – Geeta Dutt’s songs with 4 ace music directors that may be missed because of the dominance of SD Burman, Hemant Kumar, OP Nayyar in her list of hit songs. On the birth anniversary of Geeta Dutt, the Queen of Bhaav Gayaki, Parag Sankla explores her lesser heard gems from the repertoire of four music directors Hansraj Behl, Chitragupt, Bulo C Rani and Avinash Vyas.

And since we are on that very site, we certainly get more to read on Geeta Dutt:

Geeta Dutt’s list of her best songs in 1957 – For some reason, may be because C.H. Atma sang it first (?), she did not include Preetam Aan Milo

Raj Kapoor – Musically – Raj Kapoor with different instrument in each of the song is remembered here. We have picked up the less heard song from the ones presented here.

Remembering Raj Kapoor- The Showman And His 7 Iconic Heroines – Nargis, Nimmi, Simi Garewal, Zeenat Aman, Dimple Kapadia, Mandakini, Padmini Kolhapure – on his 91st birthday.

C Ramchandra as Chitalkar – continuing the series on the Year of Naushad (with C Ramchandra in tandem), SoY presents the songs of CR as a singer. C Ramchandra has also sung for other music directors, such as Mir Saheb (Lal Haveli, 1944), Anil Biswas (Jwar Bhata, 1944; Veena, 1948), Husnlal-Bhagatram (Apni Chhaya, 1950), Hemant Kumar (Samrat, 1954; Lagan, 1955), Roshan (Baraati, 1954), Usha Khanna (Faisla, 1965), Laxmikant-Pyarelal (Chhaila, 1967. We have picked up some of the less heard songs:

Naushad’s gems before ‘Rattan’ (1944) – a very fine researched article that brings up the (real) vintage Naushad – Before Rattan, Naushad did over a dozen films, having over 120 songs…. The Internet (YouTube) has brought to us a large number of his early songs….. a large number of his early songs are of outstanding quality. One for one, these songs are no less melodious and enjoyable than Rattan’s.

Upperstall has presented profiles of Saeed Jaffrey by Shoma A Chatterji; Shyam Benegal by Karan Bali and Dharmendra also by Karan Bali.

We also have a couple of more pieces to celebrate Dharmendra’s birthday:

Just be yourself: Dharmendra in Guddi, and other reflections on his 80th birthday.

[A related piece here: the Amitabh cameos. And an earlier post about Dharmendra is here]

Happy Birthday Dharmendra and Sharmila Tagore! Here are our favourite films featuring the pair – Anupama (1966), Devar (1966), Satyakam (1969), Yakeen (1969), Mere Humdam Mere Dost (1968), Chupke Chupke (1975), Ek Mahal Ho Sapno Ka (1975), Sunny (1984). Devdas (1976), a Gulzar venture did not go beyond mahurat.

“Thoda Sa Dil Laga Ke Dekh” – Shammi Aunty (nee Nargis Rabadi) passionately looks back on her long career . We see her playing sitar in Ye Hawa Ye Raat Ye Chandani (Talat Mahmood – Sangdil -1952 – Sajjad Hussain). In our December, 2015 episode of Fading Memories….Unforgettable Songs we had listened Thoda sa muskara ke dekh apana bana ke to dekh (Musafirkhana (1955) – with Shamshad Begum – O P Nayyar).

We now move over to other regular posts.

Bengal’s Music and Its Influence in Hindi Film MusicAntara Nanda Mondal and Peeyush Sharma take us on to a journey of discovering and enjoying gold nuggets of Bengal’s music strewn in Hindi film songs – a presentation made at the Romancing the Song Meet in India Habitat Centre, New Delhi, November 14, 2015.

Bengal’s Music and Its Influence in Hindi Film Music

In our last episode we had first time landed upon a couple of posts on the Silhouette, the magazine section of Learning & Creativity. It is time to catch up with some of the several interesting posts:

We have three posts by Arun Kumar Deshmukh on Atul’s Song A Day, which also throw quite an insight into the topic that is intrinsically related to the song under discussion. Even as we will listen to the songs mentioned in these posts in our next issue of Fading Memories.. Unforgettable songs (10th January, 2016), here is the brief take on each of the posts:

Tu mera copyright main teri copyright Mohammad Rafi has given playback to Kishore Kumar more number of times than others.

S No. Movie Song Co-singer Music Director
1. Miss Mala (1954) Chori chori aana naa* Asha Bhosle Chitragupta
2. Bhagam Bhag (1956) Chale ho kahan Asha Bhosle O P Nayyar
3. Bhaagam Bhaag (1956) Hamen koi gham hai Asha Bhosle O P Nayyar
4. Raagini (1958) Man mora Bawra O P Nayyar
5. Shararat (1959) Ajab hai dastan teri aye zindagi (happy and sad versions ) Shanker Jaikishan
6. Sharaarat (1959) Tu mera copyright Lata Mangeshkar Shanker Jaikishan
7. Baaghi Shahzada (1964) Main is masoom chehre ko Suman Kalyanpur Babul
8. Pyar Diwana (1972) Apni aadat hai Lala Asar Sattar

Incidentally, the other singers who gave playback to Kishore Kumar are Manna Dey ( 3 times), S D Batish (1), Amanat Ali (1) and Asha Bhosle (once in film Baap Re Baap-1955).

[*The video clip shows some other actor singing this song.]

Samaa ye pyaar ka bahaar ke ye mele traces the most creative period – years 1955-60 – of SJ. The author attributes the loss melody in the din of popularity in post-1960 period to the growing differences between the partners.

Aa jaa aa jaa aa jaa nadiyaa kinaare Author Ganesh Anantharaman, in his book “Bollywood melodies”Bollywood Melodies says, “Perhaps success came too early to them from the very first film, depriving them to develop a bond which comes after struggling together for success.” Over and above the support of RK, quality lyricists and singers, the strong arrangers like Sebastian D’Souza played a major role in SJ’s great success. The post has quite succinctly presented a full range of ranking arrangers of that time.

Incidentally, I have been also able to locate a very interesting clip, on the subject of ‘Conviction and Leadership: Insights from the World of Bollywood Music’, in which Ganesh Anantharaman presents his ‘evolving thoughts on what can be learnt from the world of Bollywood music about conviction and leadership.

Three versions of a songMan Mor Machaye Shor – Ladki (1953) – Lata Mangeshkar and Geeta Dutt . The Hindi version sounds a bit different from the Tamil (by T.S. Bhagavati and M.S. Rajeshwari) and Telugu (by T.S.Bhagawati and P.Suseela) versions.

Scroll.in continues to provide a variety of posts:

Bollywood raags: Hindustani classical vocalists who made film music – Featuring Bade Ghulam Ali Khan, Amir Khan, DV Paluskar and other legends – Aneesh Pradhan :

Incidentally, I watched Ankahee (1985) a few days back. The film has a Tulsidas bhajan, composed by Jaidev, rendered by Pandit Bhimsen JoshiRaghuvir Tumko Meri Laaj

HMV studios: In Kolkata, the home of India’s melodious past struggles for relevance

Some say it was Satyajit Ray’s favourite place. Now, the dappled HMV studio complex wears a mostly deserted look. – Chandrima Pal  · Fading tune – Next year, Mumbai will lose a significant piece of its musical history when Rhythm House at Kala Ghoda shuts down for good. Some 1,652 km or more away, in the dusty neighborhood of Dum Dum north of Kolkata, another icon of the country’s musical legacy awaits the inevitable. [I was a regular visitor to Mumbai’s Rhythm House from 1974 till 1979. I had also occasion to visit Rhythm House sometime in 2009, when I was in that area in a case relating to a customs case. I had purchased a couple of film CDs then.]

Music and the monument: Songs inspired by the Taj Mahal – The seventh wonder of the world has always fired up the imagination – Nate Rabe  · sunday sounds :

The Carnatic vocalist who sings Urdu blues – Hariharan has invented a whole new genre in ghazal singing – Manish Gaekwad – Hariharan’s singing career began with a ghazal. Jaidev signed him to sing for the movie Gaman (1978). Hariharan sang Ajeeb Sanehaa Mujh Par Guzar Gaya Yaro, written by poet Shahryar. Hariharan later came to create a new genre within the ghazal called Urdu Blues. He incorporated elements of jazz and blues music in the song Yeh Aaine Se (Kaash, 2000). Guitars and drums play on a slow beat alongside the sitar and sarangi moving into a noir space.

We would conclude our Blog Carnival 2015 with a post that was originally published on 31st July, 2015, but I landed up only this month. So welcome an opportune coincidence!

Mohammed Rafi: For The Record By Gajendra Nand Khanna – During my of vinyl records purchasing years in mid 70s, I had collected a fairly large collection of Mohammad Rafi’s LP records. At least so I believed till I came across this post. This collector’s collection documented here is simply mind-blowing. In one of the responses to the article, Antara very aptly comments that this article has become a reference point for many. (What) an eclectic collection of Rafi’s versatility!!!

As we continue our pursuit of the golden period of Hindi Film Music …….

Wishing you all a most fruitfully joyous and happy 2016….

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