Carnival of Blogs on Golden Era of Hindi Film Music – March 2017

Welcome to March, 2017 edition of Carnival of Blogs on Golden Era of Hindi Film Music.

This is the month when the North India in particular celebrate the fun and frlickings of aolourful Holi . We have picked up these  topical posts to commence our present episode:

We will now take up the posts on the anniversaries or eulogies:

“Phir Wohi Dil Laya Hoon” – Joy MukerjeeThe failure of “Humsaya” and the inability to release “Love in Bombay” resulted in Joy Mukerjee losing his stardom as soon as the 70’s dawned. To repay his debts, Joy was forced to act in B- and C- grade movies like “Ehsan”, “Puraskar”, “Mujrim”, “Aag aur Daag”, “Kahin Aar Kahin Par”. This ended up denting his reputation further. Joy’s sorrow and inner anguish reflected in his face and the sadness that had crept on his face was palpable….As a hero, Joy Mukerjee appeared only in 32 films.

Sai Paranjype’s ‘Katha’ is a fabulous fable about the most charming chawl in the worldBubla Basu – The renowned filmmaker’s 79th birthday is the perfect excuse to revisit one of her loveliest films, starring Naseeruddin Shah, Farooque Shaikh and Deepti Naval.

For Sahir Ludhianvi, the best kind of love was unrequitedNirupama Dutt – On the celebrated Urdu poet’s 96th birth anniversary, a reminder of his contradictory attitudes towards women and relationships.

The eyes have it in ‘Achcha Ji Main Haari’ from ‘Kalapani’Rudradeep Bhattacharjee – The song from Raj Khosla’s ‘Kalapani’ works on playful looks and sighs.

The Vanraj Bhatia interview: ‘My music was unique then and is perhaps unique even now’Greg Booth – The acclaimed 90-year-old composer looks back on the music he made and looks ahead to the opera he hopes to finish someday. Let us listen to: Sanvariya Dekh Zara from Shyam Benegal’s Sardari Begum (1996).

Films that are 50: A mad scientist, a vampire and willing victims in cross-border hit ‘Zinda Laash’Karan Bali  – The baggy adaptation of the Dracula legend proved to be a neat box office fit in Pakistan in 1967.

The March 2017 episode of Fading Memories, Unforgettable Songs was dedicated to S N Tripathi: Unremembered music director of remembered songs.

Here are posts on other subjects as well:

WHEN BOLLYWOOD ACTRESSES DECIDED TO MASQUERADE AS ‘MEN’!Sharada Iyer is a mirror image of her article Bollywood’s Drag-Queen Acts, wherein she has been able to muster of 18 films where the actresses have donned the man’s role.

Unko Yeh Shikayat Hai Ke Hum Kuch Nahin Kehte – When Silence Speaks Volumes – There are some songs that rise high above the regular and become proverbial. Such is the everlasting magic of this exquisite ghazal from Adalat (1958) which says volumes more than simple words could ever convey. Anand Desai and Antara Nanda Mondal explore the finer nuances of this quietly introspective ghazal, written by Rajinder Krishan, composed by Madan Mohan and sung by Lata Mangeshkar, which connects with the listener at a personal level.

Another Mujra in a Different Kitchen –is post about performances by people who are not necessarily stars and have not had huge studios invested in them, who are happy simply to practice and exhibit an art that they love. It may also be lot of fun to see people doing classical Indian or Bollywood dances in very ordinary surroundings, in front of objects as incongruous as, say, modern kitchen appliances.

Noor Jehan in Incomplete Film Tara (1949) – If completed and released on time, Tara might have become Noor Jehan’s first film in Pakistan. However, with the continuous string of flop Urdu films during the formative period of Pakistani Film Industry, someone advised Shaukat Hussain Rizvi/Noor Jehan to produce and direct a film in Punjabi instead of Urdu. Chanway, a Punjabi film released in 1951 became Noor Jehan’s first released film in Pakistan and a very successful one.

Guest Post: Rajinder Singh Bedi – My Uncle as I remember him in which Nischint Bhatnagar‘Nishi’, who is Mr Bedi’s niece (his younger brother’s daughter)  a heart-warming little insight into the man Rajinder Singh Bedi was.

In Film songs in classical ragas (11) – The evocative duo: Mand and Shivranjani.Subodh Agarwal carries forward his monumental contribution of presenting Hindi Films based on a particular classical Raag along with the basics of the Raag  that laypersons would understand and relish.

Best songs of 1948: And the winners are? Apart for the very meticulous Film Historians, it is the crowd-funding efforts of netizens that have made the Vintage Era of Hindi Films so much accessible to us. “Best songs of year” has become a most dependable platform to bring all these works on one page in a structured way.

This curtain raiser has provided so much fodder, that absorbing so much itself will take some before we I commence my micro-review journey for the year.

As the curtain on 1948’s songs has gone up, I have picked up Mohammad Rafi’s most known song on Gandhiji  to end the present episode:

Suno suno ae duniyawalo Bapu ki ye amar kahani (NFS) -lyrics Rajendra Krishna, music Husnlal-Bhagatram

I trust you will always feel free to proffer your suggestions for making this series of posts more lively and informative….

Carnival of Blogs on Golden Era of Hindi Film Music – February, 2017

Welcome to February, 2017 edition of Carnival of Blogs on Golden Era of Hindi Film Music.

This is the month when the world celebrated Valentine Day. We have picked up these  topical posts to commence our present episode:

Bachapan Ki Yaad Dheere Dheere Pyaar Ban Gayi – Shaheed (1948) – Lalita Deulkar – Ghulam Haider – Qamar Jalalabadi

We will now take up the posts on the anniversaries or eulogies:

The three distinct phases of OP Nayyar’s career –  Ravindra Kelkar pans three distinct musical styles, each corresponding to three time periods of O P Nayyar’s career.  Here are three illustrations, each for a respective phase:

Taare Chandani – Baaz (1953) – Geeta Roy (Dutt) – Majrooh Sultanpuri

Man More Ga Jhoom Ke – Mangu (1954) – Asha Bhosle – Majrooh Sultanpuri

Humdum Mere Khel Na Jano – Phir Wohi Dil Laya Hoon (1963) – Mohammad Rafi, Asha Bhosle – Majrooh Sultanpuri

Remembering Madhubala, Bollywood’s Very Own Marilyn Monroe – Khalid Mohamed- republished to mark Madhubala’s birth anniversary Madhubala’s end-years were spent in deflecting an illness which had a deadline. At one point, doctors had declared that Madhubala wouldn’t last beyond a period of two years. ..Despite that, she attempted to complete the last shooting spell required for Chalak co-featuring Raj Kapoor. Lore has it that since filmmakers had stopped approaching her to act, she threw caution to the wind, and steered towards film direction. Neither this project titled Farz Aur Ishq, nor Chalak, could get to the finishing line.

Cuckoo Did Get A Mention Here On Her Birthday This Year… – Even as there is no specific post on Cuckoo,  a new comment to the old post Discussion, Info and Great Pics Related to the Earliest Appearances of Cuckoo makes up for the loss.

We have two posts on Waheeda Raheman’s birthday –

  • Waheeda Rehman – The Woman of Substance On-Screen – In Pyaasa, Mujhe Jeene Do, The Guide, Teesri Kasam and Kaagaz Ke Phool – Waheeda’s best four movies to the author’s mind – Waheeda played the women who traded their charms for sustenance.” Vijay Kumar revisits these films from the perspective of the towering women characters in them played by Waheeda Rehman.
  • In Praise of Waheeda Rehman who had quite a few songs that are songs that are paeans to her beauty, praising her charm and her loveliness, while some of the others are sheer romance, in verse.

Hua jab se dil mein tera guzar, Mujhe chain hai na qaraar hai (Zara sun haseena-e-nazneenKaun Apna Kaun Paraya (1963) – Mohammed Rafi – Ravi – Shakeel Badayuni

Remembering Faiz Ahmed Faiz Through His Aching Words – Almas Khateeb – here’s looking at some of this subtle and sophisticated poet’s works, that’ll stay with us for years to come: Faiz Ahmed Faiz and His Beguiling Poetry.

The February 2017 episode of Fading Memories, Unforgettable Songs was dedicated to ‘Some of the Talat Mahmood Duets receding from the memory’.

Here are posts on other subjects as well:

the-corsican-brothersram-aur-shyam

Films that are 50: A Dilip Kumar double treat in ‘Ram Aur Shyam’  – Nirupama Kotru – The thespian proves that comedy is as easy as tragedy in the 1967 hit comedy, which was a remake of  the popular Telugu film Ramudu Bheemudu, which in turn was loosely based on Alexander Dumas’s The Corsican Brothers.

Los Angeles, 1975. Lata Mangeshkar takes the stage. Deafening applauseMohan DeoraRachana ShahOn Stage With Lata is a different kind of memoir: it is a short history of Mangeshkhar’s concerts in the United States of America, Canada, the Caribbean and the Fiji Islands between 1975 and 1998.

Audio master: ‘Kismet’ laid the foundation of the Hindi film song as we know itRudradeep Bhattacharjee – In the 1943 blockbuster, the essential elements and conventions of the movie tune were codified, including the mukhda-antara form. Musicologist Jayson Beaster-Jones notes, “Both the film and the music of ‘Kismet’ exemplify a point just before a critical moment of transition for Indian filmmaking.”

Hope for Mumbai’s single screen cinemas after New Excelsior gets a shiny makeover – Subhash Ghai’s cinema chain has renovated and relaunched the iconic Mumbai theatre with new amenities and fewer seats.

Flowers bloom in Bollywood – D P Rangan has presented a colorful spread of Hindi film songs on flowers.

My favourites: Ten answers to the ‘Kaun Aaya’ question is in response to songs on Kaun Aaya, such as:

Chaakuwaala chhuriwaala… aaya main mastaana (Al-Hilal, 1957)

Mehfil mein jo aaye tum (Vallah Kya Baat Hai, 1962)

Ghoomke aaya hoon main… Baajewaala Patialewaala (Basant, 1960)

The Adivasi Chain Dances (Santali and Dhimsa)Circle dance, or chain dance, is a style of dance done in a circle or semicircle to musical accompaniment, such as rhythm instruments and singing. Circle dancing is probably the oldest known dance formation and was part of community life from when people first started to dance.

We end today’s episode with a prayer composed also by Mohammad Rafi

Hazrat Adam Ka Wakeya

I trust you will always feel free to proffer your suggestions for making this series of posts more lively and informative….

Carnival of Quality Management Articles and Blogs – February, 2017

Welcome to February, 2017 edition of Carnival of Quality Management Articles and Blogs.

We will commence our episode with a few articles on Quality in our daily life.

We will now turn to our regular sections:

I have picked up the question Using the 10:1 ratio rule and the 4:1 ratio rule from the section Ask The Experts, ASQ, for our current episode. The question deals with the field of confidence in the results of calibration employed in the metrological and statistical practices recommended for Measurement and Monitoring Equipment.

ASQ CEO, Bill Troy has presented Chris Moustakas ‘s guest article – Quality Management, Continuous Improvement, and Their Relation to the Golden Circle. Chris Quotes: “ In his famous Ted talk, Simon Sinek argues that if you look at the world through the simple concentric layers of why-how-what (the Golden Circle), and push yourself as close as possible to the center circle, “why,” you position yourself to be more of a visionary than a doer. “What” we do to accomplish a goal is tactical, bland, and uninspiring. “How” we set ourselves up to accomplish that goal is strategic and implies direction. “Why” we do what we do is the million-dollar question, and where true inspiration originates.”

The subject of Golden Circle is so engrossing that I plan to devote the rest of our present episode to a few more articles on the topic.

First things first. Let us look at Executive Summary: The Golden Circle with Simon Sinek  by: Andy Partridge. When most organisations or people think, act or communicate they do so from the outside in, from WHAT to WHY. And for good reason – they go from the tangible to the intangible. We say WHAT we do, we sometimes say HOW we do it, but rarely say WHY we do WHAT we do….But not the inspired leaders and companies. Every single one of them, regardless of their size or industry thinks, acts and communicates from the inside out.

simon-sinek-quote-hire-people-for-money

How Would Simon Sinek Use The Golden Circle Rules to Explain Account-Based Marketing? – Sangram Vajre proposes a similar model for B2B Marketing:

b2b-golden-circle-model

Intrapreneurship starts with a WHY – This is part of the series of posts talking about Ecosystem Design – We fancy a good revolution where there is not difference between a customer and a worker. The employees believe in our Why and because of this choose to work in the company, and the customer believes in our Why and choose to buy in our stores. One of our goals is to find customer who believe what we believe and work together so that we can all succeed.

The Golden Circle of Innovation” – Though not focusing on the why, how and what, Crossan and Apaydin have generated an overview of all relevant theories on innovation, resulting in a framework for innovation, as depicted below….They mention two ‘dimensions of innovation’, both focusing on innovation itself and they mention several ‘determinants of innovation’, focusing on the way that innovation is accelerated and managed within organizations.

framework-for-innovation

We now watch two of the latest ASQ TV  episode:

  • Using Quality Tools at Work and Home – Yvonne Howze describes how she successfully uses quality tools in her professional and personal life, often with amusing consequences.
  • SR Offers Opportunities for Quality Professionals – “Sustainability is the goal,” says Andrea Hoffmeier in this ASQTV interview. Hoffmeier, explains how quality professionals can play a role in helping their organizations and clients reach the goal of sustainability through social responsibility. She also discusses how DMAIC can be adapted for the SR audiences.
  • Sherlock Holmes and the Case of Quality Methods – Matthew Barsalou, Statistical Problem Resolution Master Black Belt at BorgWarner Turbo Systems Engineering GmbH, discusses Sherlock Holmes, hypotheses, and root cause.
  • Becoming—and Remaining—An Engaged Company – Alyce Nelson, Executive Coach & Quality Principal, FAS. Inc., discusses how to keep staff engaged and how to keep from derailing organizational engagement.

Jim L. Smith’s Jim’s Gems for the month of January,2017:

Quality at the Source : QATS can produce dramatic quality improvements: Jim's GemsIn its purest form QATS defines that quality output is not only measured at the end of the production line but at every step of the manufacturing process and being the responsibility of each individual who contributes to the production of on-time delivery of a product or service…There are simple techniques for QATS to work effectively:

  • No-fault forward
  • Standardized work
  • Prepare the most important resource
  • Self-checks
  • Successive checks
  • Mistake-proof

Get In Sync : How do you reach the highest level of willingness, the level at which you boldly step forward? Bottom line, make sure you’re in sync by doing what really matters…to you.

I look forward to your active participation in enriching the blog carnival as we pursue our journey in exploring the happenings across quality management blogs…………

Note: The images depicted here above are through courtesy of respective websites who have the copyrights for the respective images.

Carnival of Blogs on Golden Era of Hindi Film Music – January, 2017

Welcome to January, 2017 edition of Carnival of Blogs on Golden Era of Hindi Film Music.

We will commence our current episode with the posts on the anniversaries or eulogies.

Which Was the True Voice of Pancham? – It will be 23 years since Pancham (R D Burman) on this day in 1994 left us music lovers with an awful feeling of loss just when we were about to celebrate his huge comeback. Peeyush Sharma recalls the many voices that he sang to us in, trying to really understand which his true voice was. All songs picked in this list had music by R D Burman himself. The voice had become known as a distinct and melodious one which had that ‘ras’ that was so typical of him. Mone poRe Ruby Roy (later reused as Meri bheegi bheegi si in Anamika) and Jete jete pathe holo deri (which had a Hindi reincarnation as the iconic Tere bina zindagi se koi shikwa to nahin in Aandhi) became chart-toppers in the Bengali non-film songs category.

Om Puri certainly deserved profuse eulogies in the print and net media. I have picked up the three representative ones here –

  • Om Puri – The Luminance of a Natural Actor  – Amitava Nag – Om Puri passed away on 6 January 2017 after four decades of acting. One of the pioneer faces of the Indian ‘parallel’ cinema movement of the 70s and 80s, Om Puri later on shifted to international cinema and remained a forceful actor till his last.
  • The original choice for Ahuja’s role in ‘Jaane Bhi Do Yaaro’ was… not Om Puri – Pankaj Kapoor was to play the builder Ahuja, but when he was cast in the larger role of Tarneja, Om Puri made his celebrated comic debut.
  • Everyman, comedian, sutradhaar: a tribute to Om Puri – It is a bit sad to realise that much of Puri’s best work was done between 25 and 35 years ago, that few roles in the final years did him justice…Much like the man whose hesitant voice and flashing eyes helped make them so memorable, they belong to us all. Or as JBDY’s Ahuja might slur, “Yeh films aap akayle ke nahin hain. Hum sab shareholder hain.”

Urdu Poet, Lyricist Naqsh Lyallpuri Dies at 88  – He first got break in the 1952 film Jaggu with the song Agar Teri Aakhon Se Aakhein Mila Doon (Asha Bhosale, Hansraj Behl).

From Hindi film music to raga-based symphonies, the remarkable journey of Anthony GonsalvesNaresh Fernandes pays rich tribute to the renowned musician, whose fifth death anniversary is on January 18, merged the Western classical music of his Goan heritage with Hindustani melodies.

Geeta Bali’s Personality Had the Energy of Shammi Kapoor’s Dance – Megha Mathur – This story is from The Quint’s archives and was first published on 21 January 2016. It is being republished to mark Geeta Bali’s death anniversary.

Kamal Amrohi made only four films. Fortunately for us, one of them was ‘Pakeezah’ – On the director’s birth anniversary, here is an excerpt from Vinod Mehta’s biography on Meena Kumari revisits the film’s troubled production.

The January 2017 episode of Fading Memories, Unforgettable Songs was dedicated to Dilip Dholakia as singer. This was preceded by the guest article Forgotten Composers Unforgettable Melodies (11): Dilip Dholakia, which I then had reblogged on 10-1-2017. Here we have looked at back at Dilip Dholakia from the lens of a music director of Hindi films.

Here are posts on other subjects as well:

Noor Jehan with R.D. Burman & Asha Bhosle – Asha Bhosle said that “Badnaam mohabbat kaun kare [Dost, 1944, Sajjad Hussain] is her favorite song by Noor Jehan.

noor-jehan-with-r-d-burman-asha-bhosleBharat Bhushan, Meena Kumari at premiere of Baiju Bawra (1952)

bharat-bhushan-meena-kumari-at-premiere-of-baiju-bawra-1952

From left to right: Bharat Bhushan, Meena Kumari, Meena Kumari’s sister Madhuri and Surendra, who played the role of the musician Tansen in the film.

When Cinema Matched Music Beat by Beat: Nadiya Kinare in Abhimaan  – The challenge of Nadiya kinare in Abhimaan was to create a supremely classical yet rustic song. SD Burman’s music, Majrooh Sultanpuri’s lyrics, Lata Mangeshkar’s voice along with Jaya Bhaduri and Amitabh Bachchan’s performance and Hrishikesh Mukherjee’s direction were ably supported by the competent technical crew and musicians. Anand Desai and Antara Nanda Mondal explore how master craftsmen of cinema and music matched every frame to a note in this song which can well be called a textbook in song composition and picturisation!

A snowy winter is the perfect excuse to get cuddly in Hindi film songsManish Gaekwad pens this sub-genre of Hindi Film Songs.

Film Songs Based on Classical Ragas (10) – Bihag and its family – Subodh Agrawal continues from where he had left off his series, Songs based on classical ragas.

My Favourites: ‘Kaun Aaya?’ Songs – Hindi films are full of rhetorical questions to which everyone, including the people asking those questions, know the answer… One such question is ‘Kaun aaya?’ The answer is obvious, of course (and the characters on screen know who has stolen their heart, resided in their soul, made them laugh…), but they ask (sing) the questions anyway.  The post has some excellent, but not more often heard songs –

Dhoondhta Hoon Jinko Raaton Ko Khayalon Main Mein’ – Shiv Kumar (Pathak) made his debut with Poonam KI Raat (1965). Here is the link to the song in the title of the post – Dhoondhta Hoon Jinko

Flashback 50 Years By Peeyush Sharma  – There is a marked shift in the style of compositions, change in the audience taste and acceptance of new music directors. Among the films that had their music release this year, Shankar Jaikishen, O P Nayyar and Usha Khanna each had 7 films while Madan Mohan and Ravi had five each and Hemant Kumar had three. Laxmikant Pyarelal had 10 releases to their credit – a defining year for their career. RD Burman gave his life’s first massive chart buster hit Teesri Manzil.  There were several others who scored memorable music scores in a single film or two.

  • (Part I): Shankar Jaikishan Hits of 1966 – Teesari Kasam, Gaban and Amrapali were the notable films from the point of view of the quality of songs.
  • (Part II): OP Nayyar Hits of 1966 – Bahaarein Phir Bhi Aayengi, Sawan Ki Ghata, Yeh Raat Phir Na Aayegi were the notable films from the point of view of the quality of songs.
  • (Part III): Madan Mohan Hits of 1966 – Mera Saaya, Neend Hamari Khwab Tumhare, Dulhan Ek Raat Ki were the notable films from the point of view of the quality of songs.

Steam behemoth rides in Bollywood – D P Rangan takes on the nostalgic trip to the younger days of most of the readers who are in 40+ age group.

Ten of my favourite non-romantic male-female duets which do not mention romantic love in any form, not even as part of a bhajan (the Radha-Krishna trope is one that comes to mind). And that the actors should both be adults (because there are far too many songs which have a female playback singer singing for a child onscreen) as in Saanwle-salone aaye din bahaar ke (Ek Hi Raasta, 1956).

Do actors have what it takes to stop lip-synching and start singing their own film songs? – No actor took playback singing as seriously as Premnath when he sang an Indian classical bandish Dagar Chalat Dekho in the little-known film Raja Kaka (1973). It was an enviable accomplishment that went unnoticed.

Odd(itie)s and Ends, Joys of Fusion, and Blogging Restlessness is a post that is a little more scattered and eclectic than usual, which may signal a direction for other posts to come.

Cinema classical: When Parveen Sultana trumped Kishore Kumar in ‘Hamein Tumse Pyar Kitna’Manish Gaekwad has kick started to showcase the voices of the stalwarts of Indian classical music in popular films with this song from Kudrat. Naushad introduced Parveen Sultana to Hindi moviegoers in Kaun Gali Gayo Shyam in Pakeezah (1972). The thumri was used in the background….Sultana returned to Hindi playback only in 1981 for Hamein Tumse Pyar Kitna, composed by RD Burman for the movie Kudrat. The track, in raag bhairavi, was written by Majrooh Sultanpuri. Parveen Sultana won the 1982 Filmfare trophy for her version of the song.

My Favourites: Songs of Promises – are all love songs, songs of promises between lovers. Not ‘aap ki kasam’ songs, or the breaking of promises but actual promises being asked for, or made. Promises of a future together, of hope that one will have someone with whom to share life’s struggles and happiness, of trust that one’s faith will not be betrayed. For example:

Picture the song: Guns and snogs in ‘Mile Mile Do Badan’ from ‘Black Mail’Nandini Ramnath narrates why we should trust Vijay Anand to insert a romantic song in the middle of a chase sequence and make it work…..

We end today’s episode with a INTERVIEW of Ahsan Qasim by Sanjeeb Updhyay about GREAT MOHD RAFI SAHAB – Part 1  ǁ Part 2 ǁ Part 3 ǁ Part 4

I trust you will always feel free to proffer your suggestions for making this series of posts more lively and informative….

Carnival of Quality Management Articles and Blogs – January 2017

Welcome to January, 2017 edition of Carnival of Quality Management Articles and Blogs.

I plan to revert back to our original model of reviewing the articles/ blog posts on the current topics related to quality and /or quality management from our present episode of the Quality Blog Carnival..

A Look at Quality’s Past – When we look back at some of Quality’s anniversaries, we can’t say what 2017 will bring to the quality community, but we do know that the quality community will continue to bring a lot to the world.

Increasingly, quality is no more considered as an essential but not so directly contributing the business activity. We have a few articles that discuss this changing perception.

Quantifying the Financial Benefits of Quality – Holly Lyke-Ho-Gland

  • Part One—How You Use Quality Matters– Once organizations get clarity on the financial impact of quality, the next step is to understand what practices and applications help improve the financial value.
  • Part Two – Quantifying the Financial Benefits of Quality — the Role of Governance and Transparency – Governance determines how the organization “operationalizes” the policy established through the design, implementation, and continuous improvement of the enterprise quality system itself….Though previous research indicates that successful quality programs rely on support and guidance by senior leadership, organizations that use a centralized committee, comprised of leaders in multiple functions, see greater financial gains. This makes sense given that a cross-functional team provides a broader perspective, strengthens buy-in, and fosters adoption of quality, its benefits, and standards throughout the organization.
  • Part Three – Bringing Suppliers into the FoldBest-in-class quality organizations use training with their suppliers to drive quality and are twice as likely to train suppliers. Supplier training ensures that all critical parties in the value chain understand the organization’s standard of quality—around quality measures and efficacy and what it wants to achieve with its product offerings.
  • Part Four – Employee training and incentives – Best-in-class organizations use training to drive a commitment to quality and help employees understand their role in quality — including their impact on the end customer and driving value.  However, organizations need to consider the purpose of their quality efforts before making decisions on incentives, the types of training, and even which employees to target for training.

Dr. Armand Feigenbaum on-

  • Managing for Quality – You have to understand that quality problems, like bananas, come in bunches. And if you try to go at them a banana at a time rather than at the stalk, you’re going to wind up with a lot of sour fruit.
  • the Cost of Quality and the Hidden Factory – By cost of quality I mean two things: the cost of getting it right and the cost of failing to get it right.

Results driven improvement process, which has the following characteristics:

  1. Organizations only introduce management and process innovations if necessary;
  2. Empirical tests show what works and what not;
  3. Frequent successes create new energy for improvement;
  4. Management creates a continuous learning process by applying lessons learnt in new phases.

Quality & Excellence: The Quality 136— Tom Peters presents Random Thoughts on Quality, Emphasizing the Elements That Are Often Missing in Conventional Quality Programs.

Quality management: caught in the tensions between quality, costs and timeWillfried Heist, Vice President Quality, Product Safety and HSE Management, T/QM, Knorr-Bremse SfN GmbH – Due to the increasing technical complexity of products an increasing number of companies from other sectors are becoming partners in our supply chain. This is confronting the quality manager of today with completely new challenges: how can new companies be optimally integrated into the supply chain? What will it require to guarantee our quality standards along the global supply chain all the way through to the n-tier companies?

Risk: A four letter word for quality management?  by Bryce Day, CEO of Catch and the driving force behind the development of the highly successful QA management tool Enterprise Tester – To me as a manager, quality is a reflection on how much risk I’m prepared to take. For example, I would want to buy a high quality car because my risk appetite for a car breaking down is low, but I’m willing to purchase a low quality $2 toy from a discount store because my risk appetite is much higher that it will break.

Why Customer Care is the Life Blood of any QMS  – Christopher StainowHow do you go about putting your customers at the forefront of your quality management goals? Here are a few things to consider to help you go that extra mile…

Quality Management in Everyday Life and Work  – From yoga to childcare; meetings to housework… quality management strategies work in the boardroom and at home. Here are some ways that you can use these tools for everyday life situations…

We will add Ask The Experts, ASQ, as one more regular section from the current episode. We will take any topic that has been discussed on this forum, based on the relevance to the core theme of the articles for a given episode of our blog carnival. For the present episode we have chosen – Creating a Culture of Quality. The question is how to change the attitudes toward quality management at all levels of the organization. The expert reply states that since most of the management understand well what is in for them, beginning may happen by examining some of the “pain points” in your organization and showing how quality tools can help to solve them.

We will now turn to our regular sections:

ASQ CEO, Bill Troy has December Roundtable: What is the best way to ensure quality and customer integration grow together?.

customer concept with business elements
customer concept with business elements

We now watch two of the latest ASQ TV  episode:

  • The Hidden FactoryIn this episode, learn about the concept of the hidden factory and how it can affect any organization regardless of industry. And discover how it can create misleading metrics that cause productivity to outrun quality.

Jim L. Smith’s Jim’s Gems for the month of December, 2016:

  • jimsmith_200ISO 9001 is only the Foundation – If you want a manageable QMS, then better build it that way from the start. Excessive paperwork that seems to be the leading cause of disappointment is an indication that they implemented the ISO9001 requirements the wrong way.

I look forward to your active participation in enriching the blog carnival as we pursue our journey in exploring the happenings across quality management blogs…………

Note: The images depicted here above are through courtesy of respective websites who have the copyrights for the respective images.

Fading Memories…. Unforgettable Songs: January, 2017

Dilip Dholakia: A Singer

That Dilip Dholakia (Birth: 15th October, 1921 \ Death: 2nd January, 2011) was a multi-talented music personality has been universally accepted. He was a singer, a music director, a music arranger, a lyricist, all rolled into one persona.

We have looked at the music directorial side of his talent in our article on 10th January, 2017. For our present episode we will focus on the singing Dilip Dholakia.

dilip-dholakia-youngDilip Dholakia had his first exposure to singing in his early childhood when he would accompany his grandfather to Swaminarayan temple and join the singing of the temple prayers. His father used to play flute and his grandfather used to sing songs of God’s praise and hymns at the temple. Later he learnt classical singing from Pandurang Amberkar, a disciple of Khan Saheb Aman Ali Khan. He had shifted to Bombay in his. After he was selected as an artist on All India Radio, in Mumbai, he got the offer to sing a song for the film Kismatwala (1944). The composer Ratanlal, younger brother of composer Khemchand Prakash, had Dilip Dholakia sing ‘Gori Chalo Na Sina Ubharke’ and ‘Dekho Hamse Na Ankhe Ladaya Karo’. He also got chance to sing in chorus for a K L Saigal song Thukra Rahi Hai Duniya for Bhanvra (1944). In 1946, he got to sing ‘Dukh Ki Is Nagri Mein Baba Koi Na Puchhe Baat’ in ‘Laaj’ under Ramchandra Pal’s baton.

By this time Dilip Dholakia was introduced to Snehal Bhatkar at HMV studio, Bombay. Snehal Bhatkar helped him to cut his first record. Dilip Dholakia recorded two solos, penned by Gujarat’s well-known poet and lyricist, Venubahi Purohit. These songs were[i]:

Bhint Phadi Ne Piplo Re Ugyo, Jiran Eni Kaya Re, Kankari Chuno Roj Khare Ne Dhruje Vajar Kaya Re

Aadha Tel Aur Adha Paani, Em Gujarati Jaaye Javani, Em Gujarati Aa Jindagani

Another the then emerging Gujarati music director, Avinash Vyas gave him a couple of duets with the prominent playback singer Amirbai Karnataki in Gujarati film , Sati Sone (1948). One of these two, Shravani Vadaladi Tu Ja…Ja Sandesho Lai, is available on YT:

He got his first major break with Divadandi’s(1950). Ajit Merchant’s solo composition in his voice Taari Aankh No Afini Tara Bol No Bandhani was an instant hit. It has acquired a cult status among Gujarati songs and has had have covers and versions till now. Dilip Dholakia sings the first line of the song, without any accompanying instrument, to enjoy in his bare voice:

We will listen to another duet from this film. Dilip Dholakia sings his lines in lower scales –

Vagda Vachche Talavadi Ne Talavadi Ne Kor – with Rohini Roy – Lyricist: Balmukund Dave

Apparently, Dilip Dholakia could make out that he would not be able to carve out his space in the field of playback singing. So he switched over to playing the role of assistant to S N Tripathi, when Chitragupta took to his independent career and then to even Chitragupta as well. It was during this association that he could lay his hands onto some more of playback singing assignments.

Dur Gagan Pe Chamke Sitare.. Paas Hamare Chamke Chand Hamare – Ram Hanuman Yuddha, (1957) – with Geeta Dutt – S N Tripathi – Ramesh Chandra Pandey

SN Tripathi’s one of the signature melodious tunes. Dilip Dholakia has to play with his voice in sort of an undertone to match the tonal chords of Geeta Dutt.

Aaj Agar Meri Laaj Gayi, Samaz Le Teri Laaj Gayi – Ram Hanuman Yuddha (1957) – with Lata Mangeshkar – S N Tripathi – Ramesh Chandra Pandey

Dilip Dholakia sings for a playful  king on his boat tour on a river even his queen is prayerfully demanding protection of her dutiful rights … Both the singers depict two entirely different moods, in the setting of different scales on the same tune.

Run Jhun Baaje Penjaniya – Sakshi Gopal (1957) – Chitragupta – Bharat Vyas

The song is set to a slow rhythm of a traditional stray DUHA style of Charan poets of the Kathiawar (a part of Gujarat’s Suarshatra region), obviously Dilip Dholakia’s ancestral heritage instincts influencing the composition of the song. .

Khanke Kangana Khan Khan Re, Chhanake Ghungharu Chhan Chhan Re  – Saugandh (1961) – with Lata Mangeshkar and Mohammad Rafi in the lead.

This appears to be the only Hindi song that Dilip Dholakia has chosen to sing under his own music direction. But when he has chosen to do so, not lonely music director, (Dilip Dholakia), but the lyricist (Prem Dhawan) also joins Lata and Rafi @ 2.21 to 2.24 in an innovative experiment in this song.

After a long hiatus, Dilip Dholakia he came back to singing and recording non-filmy songs only at the very end of his active career. I have picked up two representative songs from this crop.

Ten Puchhyo Prem No Marm Ne Hun Dai Betho Alingan

Dilip Dholakia seems to be rekindling memories of his visits to Swaminarayan temple in this bhajan –

Lagi Re Mohe Nain Najariya…

We will continue with our tradition of ending our episode with Mohammad Rafi Songs.

I have selected two so-well-composed Dilip Dholakia songs that not only stand out as a few of Rafi’s best everm, but do present Dilip Dholakia’s range as a music director.

One is a Bhaskar Vora’s song for Satyavan Savitri (1963) –

Mithadi Nazaroon Vaagi

[Sweet glance has hit me..]

and the other on is a non-film song, written by Barakat Virani ‘Befam’

Milan Na Deepak Buzai Gaya Chhe

[Lamps of our meeting have now gone off..]

We will continue our search for Unforgettable Songs that seem to Fading away from our Memories every second Sunday of the month……..

Disclaimer: All images are sourced from net. All copyrights of the respective image remain with the original owner of the image.

[i]  I most sincerely thank Shri Biren Kothari for providing the soft copies of these songs.

Business Management Books to Read in 2017

On the very first day of 2017, I thought fit to collate a list of business management books to read, as observed on just the first page of Google search.

Jena McGregor recommendation on The Washington Post:

Mastering Civility: A Manifesto for the Workplace By Christine Porath, Dec. 27

Stretch By Scott Sonenshein, Feb. 7

Madame President By Helene Cooper, March 7

Eyes Wide Open By Isaac Lidsky, March 14

Radical Candor By Kim Scott, March 14

Option B By Sheryl Sandberg and Adam Grant, April 24

The Captain Class: The Driving Force Behind the World’s Greatest Teams By Sam Walker, May 16

The Push By Tommy Caldwell, May 16

Gorbachev: His Life and Times By William Taubman, Sept. 7

Shana Lebowitz recommends 10 books every new manager should read @ Business Insider India.

‘Drive’ by Daniel H. Pink

‘The One Thing You Need to Know’ by Marcus Buckingham

‘Thinking, Fast and Slow’ by Daniel Kahneman

‘Act Like a Leader, Think Like a Leader’ by Herminia Ibarra

‘How to Win Friends and Influence People’ by Dale Carnegie

“Mindset’ by Carol Dweck

‘Meditations’ by Marcus Aurelius and Gregory Hays

‘Things Fall Apart’ by Chinua Achebe

‘Now, Discover Your Strengths’ by Marcus Buckingham and Donald O. Clifton

‘Good to Great’ by Jim Collins

Four Business Books To Read In 2017 @ Eric Jacobson On Management And Leadership

 The Elegant Pitch: Create a Compelling Recommendation, Build BroadSupport, and Get It Approved, by Mike Figliuolo

Leading the Unleadable – How to Manage Mavericks, Cynics, Divas, andOther Difficult People, by Alan Willett

Extreme Ownership, by Jocko Willink and Leif Babin

The Five Dysfunctions of a Team by Lencioni

Twelve Business Books to Read in 2017 by Natalie White

Good to Great: Why Some Companies Make the Leap and Others Don’t By Jim Collins

The Hard Thing About Hard Things: Building a Business When There Are No Easy Answers By Ben Horowitz

Big Science: Ernest Lawrence and the Invention That Launched the Military-Industrial Complex By Michael Hiltzik

Invisible Influence: The Hidden Forces That Shape Behavior By Jonah Berger

The 10 Laws of Trust: Building the Bonds That Make a Business Great By Professor Joel C. Peterson

Lead and Disrupt: How to Solve the Innovator’s Dilemma By Professor Charles O’Reilly and Michael Tushman

Clay Water Brick: Finding Inspiration from Entrepreneurs Who Do the Most with the Least By Jessica Jackley

Originals: How Non-Conformists Move the World By Adam Grant

The Language of Food: A Linguist Reads the Menu By Dan Jurafsky

The Fissured Workplace: Why Work Became So Bad for So Many and What Can Be Done to Improve It By David Weil

Bad Science: Quacks, Hacks, and Big Pharma Flacks By Ben Goldacre

All the Devils Are Here: The Hidden History of the Financial Crisis By Bethany McLean and Joe Nocera

These may certainly not be the only ones to be the recommended books. But, indeed it makes a very good beginning for a New Year.

Wishing The Best of 2017…..