Carnival of Quality Management Articles and Blogs – February, 2018

Welcome to February, 2018 edition of Carnival of Quality Management Articles and Blogs.

We have chosen the theme –Dorian Shainin of Jim L. Smith’s three part article – Dorian Shainin’s Influence on Quality Professionals – for our February, 2018 episode.

Before we go the Jim Smith’s article(s) in details, let us first know a little more about Dorian Shainin and his method(s).

Dorian Shainin was one of quality’s most accomplished contributors, died January 7, 2000 at the age of 85. Shainin had acquired nearly 60 years’ experience improving the professional approach to industrial problem solving.. Among the awards bestowed upon Shainin are ASQ’s Brumbaugh Award, the Edwards Medal, the Eugene L. Grant Award and the Shewhart Medal. In 2003, ASQ established a medal to recognize the development of statistical methods for solving quality problems in products or services. The medal was named for Dorian Shainin. The medal is presented at the annual ASQ World Conference on Quality and Improvement. More information on the Shainin Medal is available @ asq.org/about-asq/awards/shainin.html.

Shainin wrote more than 100 articles and was the author or co-author of several books, including Managing Manpower in the Industrial Environment; Tool Engineers Handbook; Quality Control Handbook; New Decision-Making Tools for Managers; Quality Control for Plastics Engineers; Manufacturing, Planning, and Estimating Handbook; and Statistics In Action.

ShaininR : The Red XR Company – Shainin’s most significant contribution was his discovery of the Red X model of systems variation. The prevailing wisdom held that variation causes could be discovered and controlled until the system reached a state of statistical equilibrium. At that point, the remaining causes were believed to be random and undiscovered. Any further improvement would require a redesign of the system. However, Shainin found that by talking to the parts, he could find variation causes within stable systems. He concluded that Juran’s Pareto principle must apply to the causes of system variation. No matter how many causes had already been identified and controlled, among the remaining causes there must be one that contributed more to the overall variation than any other  – The Red X. He called this cause-effect relationship the Big Red X. To support his system Shainin created more than 20 engineering and statistical tools that aided in the search for the Red X.  Shainin followed three principles for solving variation problems:

  • There is always a Red X.
  • The fastest route to identifying the Red X is a progressive search using a process of elimination.
  • Talk to the parts with tools that are both rigorous and statistically simple.

Background on Shainin based problem solving –  Jo Moore – Real-life quality problems, just like people, are simultaneously different and the same. It is impossible to get a tough problem solved by just applying a pre-defined ‘cook book recipe’. Recognizing the distinctive characteristics of a problem is critical since the devil can lie in the detail… Problem solving is very much a human activity and reasoning has a prominent role in it… Erroneous beliefs and faulty reasoning can doom problem solving to failure… Lack of structure is another hurdle that can complicate problem solving activities. The circumstances in which tough problems have to be analyzed and solved is often not clear from the start… An effective approach takes all these aspects into account!… Statistical engineers, following the discipline developed by Shainin, solve problems by finding “what is different?”

Cause-to-effect versus effect-to-cause

For those who would prefer a brief introduction, the video clip – Shainin based problem solving | Philips Innovation Services – is a good source.

An Overview of the Shainin System TM for Quality Improvement – Stefan H. Steiner and R. Jock MacKay – The goal of this article is to provide an overview of SS, a critical assessment, and a brief comparison with other industrial problem solving systems.

Shainin method: edge over other DOE techniquesA.K. Verma ; A. Srividya ; A.V. Mannikar ; V.A. Pankhawala ; K.J. Rathanraj –  Shainin methods refer to a collection of principles, which make up the framework of a continually evolving approach to quality. After the classical design of experiments (DOE) and Taguchi DOE, the third approach is Shainin DOE, which is a collection of simple, but powerful techniques invented or perfected by Dorian Shainin of the United States. In this paper, three cases of Taguchi experiments have been taken from literature and the above method has been tried to find out whether the authors have got the positive results from their experiment. If not, authors emphasize on the importance of giving the check in the start of the experiment (screening experiment) with minimum number experiments prior to the Taguchi approach.

Another Look at Dorian Shainin’s Variable Search Technique – Tirthankar Dasgupta, Nagesh Adiga, C. F. Jeff Wu – The article provides an in-depth analysis of Shanin;s variable search  (VS) method.

Quality 2020 – A study by AIAG conducted in conjunction with Deloitte entitled Quality 2020 Report  – This study illustrates the Automotive Industry’s View of the Current State of Quality and a Strategic Path Forward : “OEMs and Suppliers both identify Problem Solving is their #1 most critical issue.” 

Dorian Shainin’s Influence on Quality Professionals ǁ Part II ǁ Part III : Shainin, like Juran who popularized “the vital few and trivial many” (also known as the Pareto Principle), came to realize that quality defects had an unequal frequency in that only a relative few accounted for most of the defects. This led to what he called the Red X, which he theorized was the primary cause of process and product problems. Shainin stressed “talking to parts” which consisted of swapping pairs of parts of functional and non-functional parts until the culprit was discovered. With the Shainin method there was a certain degree of a theoretical step, but mainly it was to determine possible causes of a problem. This was accomplished by one or more techniques designed to determine root cause or the Red X.

Why haven’t we heard much of Shainin’s methods since the Six Sigma/lean operations rage has taken hold? That’s not easy to pinpoint. One reason may be that users who are aware of his philosophies aren’t willing to accept product that’s “good enough.”

What came to be known as the Shainin System (SS) was developed for problem-solving in medium to high volume processes where data are readily available, statistical methods are widely used, intervention in the process is difficult, and ‘conformance to specification thinking’ was expected.

A hidden benefit of SS just might be that it prevents a lot of impulsive, poorly designed experiments which are wasteful and expensive. One reason why certain problems are unsolved is because people often take ineffective approaches. Their approach is usually based on a set of assumptions, tools and techniques that are less effective for solving tough, chronic quality problems.

In the current environment, the tendency is to focus on the complexity and not simplicity, The Shainin System, however, focuses on simplicity. We may be statistically more sophisticated, but is that what we really seek? I think not. As Leonardo DaVinci said, “Simplicity is the ultimate sophistication.”

We conclude our discussion with a video clip we have an interview by Dr. ReVelle , of Continuous Improvement TV, of the founder and principal of Shainin Consultants, Inc., Dorian Shainin, about “Statistical Engineering,” his simple but extremely effective full factorial design of experiments.:

Gaining World Class Quality with Statistical Engineering

We will now turn to our regular sections:

For the present episode we have picked up Josh Steimle’s article Focus On Outputs, Outcomes And Obstacles@ the column Measuring Performance (People & Enterprise) @ Management Matters Network, which discusses on the effect(s) of focusing on outputs, outcomes and obstacles as an integral part of the performance management system.  .

We now watch one of the latest ASQ TV  episodes:

Utilizing 5S in Everyday LIFE; ASQ member Alexander Tucker is a Chemist at Capsugel. While quality is important on the job, he has been using the 5S tool in his home life. You won’t stop smiling as he humorously recounts the ways he has organized his bathroom, planned trips to the grocery store and even trained his dog to be a quality canine.

Jim L. Smith’s Jim’s Gems postings for January, 2018 are:

  • Thoughts Influence Your Future:  No matter what you truly believe, when we focus our thoughts, we unleash tremendous energy working to achieve what we think about. When we choose to respond in positive and productive ways, it is relatively easy to predict or influence a positive, productive future – a future that we can essentially predict on a day-to-day basis.
  • Self-Awareness: The first thing is to realize that all meaningful and lasting change starts on the inside and works its way out! Therefore, if you want to be different than the way you are now, you must work on changing your self-awareness. You can use positive affirmations and visualizations to help, and once your self-awareness changes, you don’t have to work so hard to behave differently and success will come easier.

I look forward to your inputs / criticisms/ observations to enhance the utility of our Quality Management Blog Carnival.

Note: The images depicted here above are through courtesy of respective websites who have the copyrights for the respective images.

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“The Micro View of the Songs of 1948 @ SoY – MY Top Music Director(s)

Having gone through the exercise of micro-reviewing the songs  for the six years – in this case from 1955 backwards to the present 1948 – I have observed that the task of choosing MY TOP of Music director every year has become more tough as year goes down. That is mainly because older I go into the timeline, less I was found conversant with either the film itself or the context in which the song was played (situational context vs.song composition relevance) or even the popularity /approval of the film’s song as a whole from listeners  / critics respectively.

So, I kept on devising some or other tests to come up with rational judgement to moderate my inherent biases.

The first of such test is the logo picture posted by SoY at the very opening of the overview post, which invariably places six films in the frame. For the present case, ‘Best songs of 1948: And the winners are?’, Naushad has two films – Mela and Anokhi Ada whereas Anil Biswas (Anokha Pyar), C Ramchandra (Nadiya Ke Paar), Ram Ganguli (Aag) and Ghulam Hiader (Shaheed) have one film each.

I then run through posts relating to Male Solos, Female Solos and Duets to make amental note of music directors whose songs continues to strike chord even now. I observe that Naushad’s songs in Anokhi Ada and Mela or Anil Biswas’s songs in Anokha Pyar, Gajre and Veena, those of C Ramchandra in Nadiya Ke Paar and Khidk’ or those of Husnlal-Bhagatram in Pyar Ki Jeet or certainly Ghulam Haider in Shaheed, to a great extent Ram Ganguly in Aag or Khemchand Prakash in Ziddi standout for the everlasting songs. For the year, Ghulam Mohammad in Grihasthi and Pugree, or Shyam Sundar in Actress have also pitched in well.

Then I have out the songs that appeared in the respective category of MY Top listings. The number of songs composed by differenet music directors appears as given herebelow:

Music Director Male Solos Female solos Duets Total SoY

Total

Hansraj Behl 1 1
Husnlal Bhagatram 1 2 3 3
Naushad 1 1 2 4 10
Ram Ganguly 1 1 1 3 2
Anil Biswas 1 3 1 5 1
S D Burman 1 1 1 3 1
Khemchand Prakash 1 1 1 3 2
Ghulam Haider 1 1 2 3
Avinash Vyas 1 1
C Ramchandra 1 1 2 3
Snehal Bhatkar 1 1 1

If we place the results of the Total in the descending order, then Anil Biswas comes at the top, followed by Naushad and then Husnlal Bhagatram, S D Burman, Khemchand Prakasha and Ram Ganguly share the next spot, followed by Ghulam Haider and C Ramchandra.

Apart from the simple quantitative perspective, one of the most noteworthy feature of Ghulam Haider’s songs in Shaheed and those of C Ramchandra in Nadiya Ke Paar is that they have used relatively not very popular singers like Surinder Kaur or Lalita Deulkar for a very popular heroin Kamini Kaushal. And yet the songs did attain very high acceptance- both the by the critics as well as by the listing public in general.

SoY, @ Best songs of 1948: Final Wrap Up 4, also adopted a smilar matric for quantifying the process of evaluating the share of different music directors in the Top lsting of songs under different categories. The last column in the foregoing table reflects the Total score. Based on this evaluation The Songs of Yore Award for the Best Music Director of 1948 has been conferred on Naushad.

How would have you analyzed the Songs of 1948?

I am sure you will certainly join me to take up a similar detailed Micro View when SoY takes up 1947 next in this Best songs of year series.

P.S.

All the posts that have appeared on this subject can now be accessed form one file @ The Songs of 1948 @SoY

“The Micro View of the Songs of 1948 @ SoY – My Top Duets

I do seem to have a predominant bias for liking the Duets. Considering the motivation that such a bias would generate, I did try hard to look beyond the obvious choices of the duets for including them in this list. It seems the proximity that too frequent listening of some of the songs all these years across all the media playing platforms like radio, records, tapes, CDs or internet was too deeply etched to overcome the force of this motivation.

Given this bias, I present the choice of MY TOP duet songs for 1948, in no particular order:

Mukesh + Lata MangeshkarAb Yaad Na Kar Bhool Ja Aye Dil Wo Fasana – Anokha Pyar – Anil Biswas – Shums Azimabadi

OR its other version, as well:

Mukesh + Meena Kapoor Ab Yaad Na Kar Bhool Ja Aye Dil Wo Fasana – Anokha Pyar – Anil Biswas – Shums Azimabadi

Mukesh + Shamshad BegumDharati Ko Akash Pukare Aaja Aaja Prem Dware – Mela – Naushad – Shakeel Badayuni

Mukesh + Suraiya  –Laayee Khushi Ki Duniya Hansati Hui Jawani – Vidya – S D Burman – Anjum Pilibhiti

Mohammad Rafi + Lalita Deulkar  – More Raja Ho Le Chal Nadiya Ke Paar – Nadiya Ke Paar – C Ramchandra – Moti B A

Shamshad Begum + SurendraKyun Unhe Dil Diya, Haye Ye Kya Kiya – Anokhi Ada – Naushad – Shakeel Badayuni

Shamshad Begum + ShaileshKahi Ka Deepak KAhin Ki Baati, AAj Mile Hai Jeevan Saathi – Aag – Ram Ganguli – Saraswati Kumar Deepak

Shamshad + Geeta RoyMeri Dhadakano Mein Sakhi Kaun Samaya – Suhag Raat – Snehal – Kedar Sharma

Mohammad Rafi, Khan Mastana, ChorusWatan Ki Raah Mein Watan Ke Naujawan Shaheed Ho – Shaheed – Ghulam Haider – Raja Mahendi Ali Khan

Mohammad Rafi, Chitalkar, G M Sajan, ChorusAji Khushiyan Manae Na Kyon Hum , Ham Kise Se Kyun Dare, Kismat Hamare Sath Hai, Jalanewale Jalanewale Jala Kare – Khidki – C Ramchandra – P L Santoshi,  and  its equally popular all-female version – by Shamshad Begum, Lata Mangeshkar, and Mohan Tara, too

If do not make a little conscious effort to go beyond the obvious, MY THE TOP DUET song for 1948 would easily be:

Watan Ki Raah Mein Watan Ke Naujawan Shaheed Ho (Shaheed – Mohammad Rafi, Khan Mastana, Chorus  – Ghulam Haider – Raja Mahendi Ali Khan).

If I add a Male-Female Duet too, here then that would be:

Kyun Unhe Dil Diya, Haye Ye Kya Kiya  (Anokhi Ada – Shamshad Begum + Surendra – Naushad – Shakeel Badayuni)

SoY has also voted for Kyun Unhe Dil Diya, Haye Ye Kya Kiya as the Best Duet of 1948 in the sum post Best songs of 1948: Wrap Up 3.

We will sum up our Micro View of the Songs of 1948 @SoY in our next episode with the post MY TOP Music Director.

P.S.:

All the duet songs presented through different posts on Micro View of the Duet Songs of 1948 @SoY are available @Duet Songs” .

Carnival of Blogs on Golden Era of Hindi Film Music – January, 2018

Welcome to January, 2018 edition of Carnival of Blogs on Golden Era of Hindi Film Music.

We recall film Samrat (1954) song Sabko Mubarak Naya Saal to open our January, 2018 account of the 6th year of our Film Song Blog Festival.

SoY has also presented It’s prose, It’s recitation, It’s a song to mark the New Year. The post has very simply presented dialogues delivered in a sing-song style, which was a characteristic of the Parsi theatre in which there was no clear distinction between dialogue-recitation-song. For example:

Tu Dil Ka Khuda Rooh Ka Kirdagaar by Mohammad Rafi (?) from Parda (1949) – Lyrics: Tanveer Naqvi, Music: Sharmaji – which HFGK lists it as a ‘song’.

The tributes in January, 2018:

Tum Kya Jaano Tumhari Yaad Mein: Lingering Melodies of the Versatile C RamchandraPeeyush Sharma pays tribute on 12th January 1918 being the 100th birth anniversary of the affable genius CR….Albela (1951) has a double role by Bhagwan, in which one of the roles was of an established singing theatre artist who inspires our hero Bhagwan to become a singing star. In the smaller role of the theatre artist it was Rafi lending his voice while Chitalkar was the voice of the hero when he hits stardom. This idea was borrowed by director, H.S. Rawail in Shararat, 1959 where he had two Kishore Kumars. Having one Kishore sing in his own voice (Hum matwale naujawan), he got the second Kishore sing, Ajab hai dastan teri ae zindagi, in Rafi’s voice……

Contrary to popular belief, Mohammed Rafi registered his first all India hit under CR’s music direction in Safar, 1946…. The song was Keh ke bhi na aaye tum, ab chhipne lage tareCR had the conviction to give Rafi two solos in the film and they worked well (other one was Ab wo hamare ho gaye, ikeraar karen ya na karen). Rafi’s next major hit too came from CR, next year in Saajan, in which the main attraction was the Rafi song, Humko tumhara hi aasra, tum hamare ho na ho. The song had already gained a hit status. It also had a duet version by Rafi with Lalita Dewoolkar.

Chitalkar Ramachandra Sings: Ten Songs – Unlike SD Burman’s instantly recognizable voice, Chitalkar’s was a little more elusive—to the average listener, he can be recognized at times, but more often than not, he sounds like someone else altogether…

The Greats: Geeta Bali – She was also the love of Shammi Kapoor’s life (you can listen to him talking about her here) – they met while acting in films like Miss Coca Cola and Coffee House, and fell in love with each other during the shooting of Rangeen Raatein.

Rahen Na Rahen Hum, Mehka Karenge . . . is a tribute to Suchitra Sen who was always in a league of her own and will remain so in the history of Indian cinema.

Poet and lyricist Neeraj: ‘Poetry has kept me intoxicated throughout my life’Aditya Sharma – Gopaldas Saxena ‘Neeraj’, who imparted his distinctive flavour to Hindi film songs in the late 1960s and early ’70s, turned 93 on January 4.

Neeraj (far right) at a recording with SD Burman (far left). Courtesy Milan Prabhat Gunjan.

Vijay Anand – A Committed Filmmaker – who knew the language of making of the film song and presented it in the form of very visual poetry:

N Dutta’s film tunes are not heard as widely but they should not be forgottenRudradeep Bhattacharjee – Amongst his earliest songs, Ab Woh Karam Karen Ki Sitam (Marine Drive); Yeh Baharaon Ka Sama (Milap) and Maine Chand Aur Sitaron Ki Tamanna Ki Thi (Chandrakanta, 1956) stand out…Remember the classic Tu Hindu Banega Na Musalman Banega ?. The same melody had been used by the composer earlier for Kya Kya Na Sitam Tujh Pe Huye (also sung by Rafi) in the lesser-known Nirupa Roy tear-jerker Mohini (1957).

Dattaram Naik with Mohammed Rafi. Courtesy : Roop Naik
N Datta with Asha Bhosle and the violinists

N Datta – A Tribute – N Datta was at home with classical based songs (though less in number) as well as club songs, where he used all the forms from Rock N Roll to Waltz. We have picked up a couple of representative songs in the end of our post. He has also composed patriotic songs, ‘Sare Jahan Se Achha‘ from Bhai Behen is one of the examples,

Talat Mahmood Was the First Voice of Shammi Kapoor not Mohd Rafi !!! in his movies like “Thokar”, “Memsahib”, “Naquaab”, “Sipah Salar”, “Mehbooba”, “Chor Bazaar”,”Laila Majnu” and “Mohar”

Lata sings for Chitragupt in what can be termed as an endless list of some of the sweetest songs. Here is one example:

Diwane Hum, Diwane Tum, Kise Khabar – Bezubaan (1962) – Lyrics: Prem Dhawan

The Great Biopics Of Bollywwod is a read on some of the greatest biographical movies made of time.

January, 2018 episode of Fading Memories, Unforgettable Songs is dedicated to : Jaidev: Brilliant, But Underrated, Composer: Journey from 1955 to 1963.

And, now the posts on other subjects:

‘Toone Zindagi Me Ek Baar Pi’ – Bahadur Sohrabji Nanji has had a duet ‘Dekhoji Baat Suno Humse Tum Aan Milo’ with Mubarak Begum for M A Rauf composed movie Basera (1950)…. He played the Harmonium for Shankar Jaikishan for Seema (1955)’s song ‘Humen Bhi De Do Sahara Ki Besahare Hain’ and Dil Ek Mandir (1963)’s song ‘Yaad Na Jaaye Beete Dinon Ki’. He also played the piano for Seema’s song ‘Suno Chhoti Si Gudiya Ki Lambi Kahani’ and Organ for ‘Kahaan Jaa Raha Hai Tu Ae Jaane Waale’ …. He also worked with Roshan as assistant and arranger for 16 movies

Baar Baar Din Ye Aaye, Tum Jiyo Hazaaron Saal … is a list of some of the good birthday songs.

Of Whiners and Doormats – the predominant emotion here is either an exultation of their martyrdom or a deep mourning of their fates, to fit the twin (complementary) themes of self-abnegation and self-pity, like in a song:  Mujhko sahara denewale – Isi Ka Naam Duniya Hai (1962) – Asha Bhosle – Ravi – SH Bihari

Music Has No Boundaries: 7 Indian Songs That Became Huge International HitsSanchari Pal  – Jimikki Kammal isn’t the first song from India to become a global hit. These 7 Indian songs went viral across the globe before ‘going viral’ was a thing!

Returning To: Padmini’s Navarasa, Classical Dancing to Sia, and Bollywood Raag Yaman (plus) – The teacher in this video, Anuja Kamat, gives a detailed explanation about what makes these songs Raag Yaman, what notes and sequences Raag Yaman contains, and the variation called Raag Yaman Kalyan

Nuptials in Bollywood is an outstanding collection of songs of different hues the marriages in Hindi Films.

Looking for romance and finding RD Burman in ‘Jaane Ja’ from ‘Jawani Diwani’Nandini Ramnath says the song is a singing lesson from Kishore Kumar and Asha Bhosle.”As Vijay sings about hunting high and low for his beloved, Kumar’s voice climbs several octaves while Bhosle occupies the lower depths. Bhosle has barely any lines, but this is no Kishore Kumar solo. The singers are perfectly matched, proving Burman’s unmatched ability to orchestrate magic out of differently pitched voices, complex arrangements and wide-ranging musical instruments.”

In our series Micro View of Best Songs 1948 @SoY of Best songs of 1948: And the winners are? , during the month we have viewed  Male-Female Duets of Other Singers in Part I and II, Female-Female Duets and Male- Male Duets & Triads, Triads+

In our tradition of ending our post with article or topical song, I have picked up N Datta’s songs that manifest his virtuosity over western tunes:

Laal Gaal Jaan Ke Lagu, Chor Chor Bhag Pardesi Babu – Mr X (1957) – Majrooh Sultanpuri

One Two Three Four Dil Ka Tu Hai Chor – Black Cat (1959) – with Suman Kalyanpur – Jan Nissar Akhtar

I earnestly seek your suggestions / inputs / criticisms so as to make our Film Blog Festival more interesting and live.

The Micro View of the Songs of 1948 @ SoY – The Duets – Male-Male Duet & Triads, Triads+ Songs

Male-Male Duet Songs

While remaining an essential variant of the duets, male-male duets has neither been a popular format nor been an easy one to compose. We have only two male-male duets for the year, essentially with chorus support.

Mohammad Rafi, Khan Mastana, ChorusWatan Ki Raah Mein Watan Ke Naujawan Shaheed Ho – Shaheed – Ghulam Haider – Raja Mahendi Ali Khan

Mukesh, Shailesh, ChorusRab Mere Araj Sun Meri, Sharan Ab Teri – Aag – Ram Ganguli – Saraswatikumar ‘Dipak’

Triads, Triads+

1948 has quite a fairly large selection of triads or triad+ songs. All of the songs that could be listed form HFGK do not have digital link on the most of the otherwise rich reference platforms.

Popular TRiad Song

Mohammad Rafi, Chitalkar, G M Sajan, ChorusAji Khushiyan Manae Na Kyon Hum , Ham Kise Se Kyun Dare, Kismat Hamare Sath Hai, Jalanewale Jalanewale Jala Kare – Khidki – C Ramchandra – P L Santoshi

Its all female version – by Shamshad Begum, Lata Mangeshkar, and Mohan Tara – was equally popular.

Other Triads, Triads+ Songs

Shamshad Begum, Lata Mangeshkar, Unidentified voiceHello Hello Gentleman, Milate Nahi Kyun Ham Se Nain – Actress – Shyam Sundar- Raja Mahendi Ali Khan

Moahammad Rafi, Chitalkar, Shamshad BegumAji Mera Bhi Koi Haal Suno,.. – Khidki – C Ramchandra – P L Santoshi

Lata Mangeshkar, Geeta Roy, ChitalkarTere Bina Suna Suna, Man Ka Mera Anagana  – Khidki – C Ramchandra – P L Santoshi

Suraiya, Surinder Kaur, Meena KapoorKabhi Panabhat Pe Aaja Mere Sapno Ke Raja – Pyra Ki Jeet – Husnlal Bhagatram – Rajendra Krishna

Suraiya, Surinder Kaur, Meena KapoorRut Rangeeli Hai, Suhani Raat Hai, Tum Chale Aao To Kya Baat Hai  – Pyar Ki Jeet – Husnlal Bhagatram – Rajendra Krishna

Mohammad Rafi, Shamshad Begum, Sulochana  Kadam  – Chalo Jamuna Ke Paar – Lal Dupatta – Gyan Dutt – ?

Chitalkar, Lalita Deulkar, P Chandar, S L PuriKathawa Ke Nayaa Banaihe Hai Re Malhawa, Nadiya Ke Paar Tej Dhar– Nadiya Ke Paar – C Ramchandra – Moti B A

We will take up the concluding part of the Duet Songs of 1948 in our next episode.

Carnival of Quality Management Articles and Blogs – January, 2018

Welcome to January, 2018 edition of Carnival of Quality Management Articles and Blogs.

We open account of 6th year of our Blog Carnival with the present January, 2018 episode with Law of Opposites.

The first ever reference would naturally be to the Newton’s Third Law: To every action there is always opposed an equal reaction; or, the mutual actions of two bodies upon each other are always equal, and directed to contrary parts.

In respect of the applied sciences, the Principle of Opposites finds a very respectable and important mention on the Carl Jung’s treatises of Analytical Psychology. Jung described the operation of psyche in terms of three principles. He states that in terms of The Principle of Opposites, the energy of the psyche comes from the contrast between two opposite thoughts or desires, and then in terms of The Principle of Equivalence If you acknowledge your opposite thought, the energy is used to help your psyche grow; if you deny it, the energy goes into a complex that develops around an archetype.. This is followed by The Principle of Entropy, which in effect states that in the case of the psyche, as we grow older, extreme differences, such as masculine and feminine, become less extreme and we better acknowledge or “transcend” the opposite tendencies in us leading to a more balanced and stable personality….Thus, according to this model, the goal of life is to transcend the opposites within one’s psyche and develop a balanced personality or self, in which every aspect, conscious and unconscious, personal and collective, is expressed and harmonized.

The Law of Opposites, in the simple terms, states that no sooner will you call something into your reality than its exact opposite will also appear-and always first.

Law of OppositesDr. Mahboob Khan :  “Conversations with God” states, “The moment you declare anything, everything unlike it will come into the space.” This is known as the law of opposites.

The law of opposites presents the perfect opportunity for us to take full responsibility for our choices. All too often we choose the smaller choice, the painful yet comfortable choice, instead of pushing back on our craving.

So what is this law of opposites and why does it appear to conflict with the law of attraction, you may ask?  The law of opposites is simply providing a contextual field for our true desires to be experienced. We cannot know the joy and the power of stepping into a new creation without the resistance that this law provides.  Life is meant to be experienced, and the only way to do so is for the opposite of our desires to be present to show us the way. The application of this knowledge is crucial in overcoming addiction, obsessions, and compulsions. Why? It requires that one put faith in something outside of themselves. We must first believe that what is working for others can work for us. Then we have to put trust in something that is unseen.  When we experience the reward of this blind faith, we begin to build upon it.

Appreciating The Law of Opposites To Manifest What You Want … Here are seven tips:

  1. Bless the experience and say thank you.
  2. Be open to uncover any subconscious beliefs and programs potentially contributing to what you are experiencing that are ready to be healed, released, and replaced.
  3. Listen to your inner wisdom and guidance for clarity and perspective. It is the Gift of Wisdom that helps us to discern the difference between being up against a wall or at the entrance to a doorway.
  4. Allow your curiosity and wonder to guide you to a more joyful experience. Unleash the power of your imagination to dream of possibilities and opportunities on the horizon.
  5. Put your attention on all the gifts and blessings in your life. Gratitude is a powerful attitude shifter that moves us from a state of constriction to expansion.
  6. Remind yourself that the Law of Opposites exists to light the way to your desires. Monitor your thoughts and judgments so that you see and feel the truth rather than react to the story and illusion you are creating in your mind.
  7. Use your spiritual practices to stay connected to your heart and The Divine. Choose to do things that bring you joy. Reach out to the people who love and celebrate you.

The Important Law of Opposites .. Don’t be scared of what you don’t want…instead use it as a tool to get crystal clear on what you do want and start taking inspired action toward it.

The Law of Opposites—How Backward Thinking Can Change Your Life : The Law of Opposites says that I can always make a bad situation better by inputting positive energy into it as opposed to negative.

After these articles that explore various soft aspects of the Law of Opposites, we get a direct reference to the world of business:

Law 9 of The 22 Immutable Laws of Marketing : Law of opposite:

If you’re shooting for second place, your strategy is determined by the leader.

Leverage the leader’s strength into a weakness.

Don’t try to be better than the leader, try to be different. E.g. By offering ‘free’ voice and SMS bundled with 4G data, Reliance Jio threw out the pseudo-competition rule book the existing warlords of the mobile service arena in India.

Sounds correct although doesn’t apply to those who do have ambitions to overtake the leader (e.g. Excel killed Lotus 1-2-3 by being a better spreadsheet, not a different spreadsheet).

We will now turn to our regular sections:

For the present episode we have picked up Maximizing Opportunity (Not Profits) Is The Name Of The Game @ the column The Drucker Perspective @ Management Matters Network, which provides a unique opportunity learn from business masterminds and become a more effective competitor.

We now watch one of the latest ASQ TV  episodes:

  • Quality and Technology talks about how quality and technology can be woven together. Author Sunil Kaushik has found ways to use virtual reality applications to enhance current processes. Bill Hathaway says agile process helps process design keep up with technological advances.

 + “Virtual Reality for Quality”, Sunil Kumar V. Kaushik, 2017

 + Full Interview with Bill Hathaway

Jim L. Smith’s Jim’s Gems postings for December, 2017 are:

  • Power To Achieve: Benjamin Franklin was the first to say, “By failing to prepare, you are preparing to fail.” Therefore, failure becomes the default option to success…Once we clearly commit to a specific target; our mind uses feedback, just like GPS, to keep us on track. This feedback, positive and negative, coming from our internal and external surroundings is used to adjust our behaviors and actions…It’s important to have a clear vision of your target. Once that’s done, set milestones to help you achieve your target, and assess your progress. Write your plan down so your path is well-defined but remain flexible
  • Self-fulfilling Prophecy: We cannot alter the situations because we have little control over what is happening; however, we can change how we react to it…The self-fulfilling prophecy, however, can be pointed in a different direction. Something as simple as a sincere greeting or a heartfelt smile can defuse tension – in you as well as in the receiver. It can also be very contagious!.. Be prepared for frustrations and challenges but meet them with a positive attitude.

I look forward to your inputs / criticisms/ observations to enhance the utility of our Quality Management Blog Carnival.

Note: The images depicted here above are through courtesy of respective websites who have the copyrights for the respective images.

The Micro View of the Songs of 1948 @ SoY – The Duets – Female Female Duets

When I sort-listed female-female duets for 1948 from HFGK, the number worked out to be reasonably large. However, I could not find digital soft version on the net for almost half of them. Therefore, the songs that I could find YT link can be taken as fairly well-known to those who have good knowledge and interest of vintage era songs. From the perspective of my limited knowledge and interest of the songs of that era, I also found listening to these songs quite interesting.

Shamshad Begum + Geeta RoyOh Gori Tera Banka Chhaiya Jeet Ke Aaya Jang – Actress – Shyam Sundar – Raja Mahendi Ali Khan

Shamshad Begum + Geeta RoyAnkhon Ankhon Mein Dil Se Dil Ki Baat Kah Gaye – Actress – Shyam Sundar –

Amirbai Karanataki + RajkumariBasant Chhaya Charon Aur, Ho Chhaya Charon Aur – Amar Prem – Datta Thakor – Mohan Mishra, M A

Shamshad Begum + Geeta RoyPyari Tera Mera Mera Tera Pyar – Anjuman – Bulo C Rani – Majrooh Sultanpuri

Lata Mangeshkar + Ira NagarathAye Dil Meri Wafa Mein Koi Kasar Nahi Hai – Anokha Pyra – Anil Biswas – Shams Azimabadi

Geeta Roy  + Sulochana KadamChanda Ki Chandani Hai  Mauj Hai Bahar Mein – Chanda Ki Chandani – Gyan Dutt – D N Madhok

Shamshad Begum  + Johrabai AmbalewaliBaag Mein Koyaliya Yahi Gaye Re – Ghar Ki Izzat – Pt. Govind Ram – Ishwar Chandra Kapoor

Shamshad Begum + HamidaO Motorwali Chhori, Dil Leja Chori Chori – Grihasthi – Gulam Mohammad – Shakeel Badayuni

Shamshad Begum + Surinder KaurMeri Phool Bagiya Mein Aayee Hai, Lo Aayee Hai – Lal Dupatta – Gyan Dutt – Manohar Khanna

Lata Mangeshkar + Geeta RoyGori Sakhiyon Se Akhiyan Churay Rahi Hai – Majboor – Gulam Haider – Najim Panipat

Geeta Roy + RajkumariRoom Zoom Matwale Kale Badal Chhaa Gaye, Balam Ji Teri Yaad Dila Gaye – Suhag Raat – Snehal – Kedar Sharma

Geeta Roy + RajkumariBaaji Mori Payal Thunnak Thunnak Suno Ye Sandeshva – Suhag Raat – Snehal – Kedar Sharma

Geeta Roy + RajkumariKis Paapi Sang Ulazi Akhiyan Haye Akhiyan Maine Ro Ro Gavayee – Suhag Raat – Snehal – Kedar Sharma

Shamshad + Geeta RoyMere Dil Ki Dhadakano Mein Sakhi Kaun Aa Samaya – Suhag Raat – Snehal – Kedar Sharma

We will take up male-male duets and triads & triads+ in our next episode.