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Carnival of Quality Management Articles and Blogs

Carnival of Quality Management Articles and Blogs – Volume Xth – January 2022 Edition

Welcome to January 2022 edition of the Xth volume of Carnival of Quality Management Articles and Blogs.

The theme for the Xth volume of our Carnival of Quality Management Articles and Blogs is inspired from the editorial of the January 2022 special Issue of Prabuddha Bharata (The Awakened India) – Living a Meaningful Life in a Digital World.

The intention is not to suggest that (quality (management) professionals ought to develop a philosophical approach to the practice of management. The purpose here is only to offer an altogether a different approach than the different  technological or management views with which we have been conditioned.

Digital technologies are shaping every sphere of human life. In his book, What technology wants? Kevin Kelly says that ten thousand years ago, humanity reached a turning point where our ability to modify the biosphere exceeded the planet’s ability to modify us. This threshold was the beginning of the Technium, which is said to be the accumulation of inventions that humans have created. We are now at a second inflection point, where the situation has reversed and the ability of the Technium to modify us exceeds our capacity to alter it.

It is in this continuously influenced world, the goal of the individual needs to be live कृतकृत्य, kṛtakṛtya – do what must be done – life. If put in different words, human pursuits, including the technological ones, ought to be able keep developing faculties of sustained acquisition of knowledge (or experience) that keeps life capable enough enables to differentiate what is real and what is non-real, what keeps our feet rooted to the world that is compassionate, with basic human ethical and spiritual values and what will keep us afloat in virtual world that may give us ephemeral comforts.

[The full editorial containing the details of the point of view, Living a Meaningful Life in a Digital World, by Swami Vireshananda, can be read by clicking on the hyperlink.]

I plan to devote the entire next year’s Xth volume of Carnival of Quality Management   Articles and Blogs to present the key articles of this Prabuddha Bharata issue as the base to explore how can anyone in general, and quality professionals in particular, can lead a meaningful life in the world of information overload. However, anyone desirous of reading the complete January 2022 issue Prabuddha Bharata can access the same @ Read Online link or can purchase the single issue @ https://shop.advaitaashrama.org/product/prabuddha-bharata-jan-2022/ . The brief outline of the special issue is @ https://youtu.be/JpeWb69RneA

Some More readings on the subject:

We will continue with our regular sections in 2022 too.

We now watch ASQ TV episode on–

We have taken up one article from Jim L. Smith’s Jim’s Gems :

  • Leadership Traits – The key to successful leadership in today’s environment is influence, not authority – Most people might agree that leadership is the ability to induce people to do, willingly and well, what someone wants and expects them to do. Certain traits seem to be inherent in most effective leaders.
  1. Integrity: Integrity is more than being trustworthy and honest. A person with integrity is someone ethical with high morals and principles, in what he says and what he does, even under the most trying circumstances.
  2. Trustworthy: Effective leaders are honest in their dealings with people. They can be counted on to follow through on their commitments every time. Their word is their bond.
  3. Professional character: They treat people with courtesy and dignity. They realize a person’s worth is not related to position. Effective leaders take time to care about people.
  4. Fairness: …fair rules, fair tasks, fair competition, fair discipline, etc.
  5. Tactful: It is almost impossible to obtain willingly positive responses from people if their leaders “rub them the wrong way” unnecessarily.
  6. Persistence: Leaders must stay with problems and situations because, to evoke the desired response from people.
  7. Consistency: Good leaders have a proper balance of mental, emotional, and physical characteristics so people can adapt to their leadership style.
  8. Show Interest: Effective leaders have a sincere interest in people…. interest in their problems, progress, hopes, ideas, likes and dislikes. Effective leaders know that people tend to be drawn to, and respond to, those who demonstrate an interest in them.
  9. Lead by Example: Leaders need to set the example for others to model.
  10. Communication: Communication skills enable a leader to connect with others to build and maintain healthy relationships.
  11. Positive: Coming in every day with a positive attitude, a “can do” spirit gives people confidence in the leader, the organization and work being performed.
  12. Gratitude: Effective leaders demonstrate loudly and often to those who give of themselves to support the group’s success.
  13. Accountable: Effective leaders take full accountability when their team fails regardless of where mistakes were made or whose performance was lacking.
  14. Desire: To have “courage” they need to have confidence that is gained by being fully prepared. Being fully prepared comes from desire, commitment, and hard work, most often when no one else is around.

‘From the Editor’ (of Quality Magazine) – by Darryl Sealand, we have –

  1. Reduces time and energy
  2. Saves money in long run.
  3. Accuracy
  4. Improved production workflow.
  5. Reduces waste.

[Editorial Note: This is the classic conditioned outlook of technologically and managerially conditioned thought process. We plan to explore why and what of ways of broad basing this outlook in the year 2022.]

I look forward to your views / comments / inputs to further enrich the theme of Living a Meaningful Life in a Digital World.

Note: The images or video clips depicted here above are through courtesy of respective websites who have the copyrights for the respective images /videos.

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Carnival of Blogs on Golden Era of Hindi Film Music

Carnival of Blogs on Golden Era of Hindi Film Music – December 2021

Welcome to December 2021 edition of IXth Volume of Carnival of Blogs on Golden Era of Hindi Film Music.

We straight away move on to other tributes and memories this month.

Mehfil Mein Meri continues with Lata – Non-film songs with  Part 4, covering period of late 90s,after having presented songs from 1954 till 1965 in Part 1, for the years 1966 to 1975 in Part 2 and those for 1975 till 1995 in Part III

Awara, Shree 420: The films that made Raj Kapoor the ‘showman of Indian cinema’Sampada Sharma – On Raj Kapoor’s 97th birth anniversary, looking back at the decade that established him as the ‘showman of Indian cinema’.

Raj Kapoor and Nargis in Awara. (Photo: Express Archives)

Way before OTTs, Hrishikesh Mukherjee’s Musafir starring Dilip Kumar was the gold standard of anthologiesSampada Sharma  – The three stories in Musafir are centred around these themes and are all set inside one house. As each family comes to live in this house, they bring in their sorrows and leave with joy as they end up crediting the house for taking their pain away.

Dilip Kumar: A look at his initial years from 1944-1948 – Sharda Iyer takes looks back at the nine films that Dilip Kumar had acted during 1944-1948 period.

Rajendra Krishna with Chitragupta and Ravi: Reaching for the skies – in continuation to his in-depth study of Rajendra Krishna’s career as lyricist, after C Ramchandra and Madan Mohan, Hans Jakhar delves into the musical relationships of Rajendra Krishna with Chitragupta and Ravi.

Shaayar-e-Aazam : S.H.Bihari (a.k.a Shamshul Huda Bihari) born in 1922 wrote around 400 songs for 90 films. The present article covers his songs with 10 music directors, other than O P Nayyar.

In documentary on Mumbai film critic Rashid Irani, fond nostalgia and creeping lossNandini Ramnath –  If Memory Serves Me Right is a 56-minute documentary about a 74-year-old film critic, for the Times of India and Hindustan Times, Rashid Irani, who died on July 30th , for whom cinema was a 24×7 obsession. Rafeeq Ellias’s film explores Irani’s lifelong Cinemania, his relationship with his neighbourhood in downtown Mumbai, and the loneliness and anxieties that gripped him during the coronavirus-induced lockdowns.

Also Watch: Critic Rashid Irani (1947-2021) speaks on his lifelong passion for cinema

Shailendra Sharma @ Golden Era of Bollywood has posted following memorial tribute posts:

In the series of articles on Sahir’s Songs of Romance, commemorating Sahir Ludhianvi’s birth centenary,  we now take up Sahir Ludhianvi’s Seven-film associations with Laxmikant Pyarelal and Khayyam.

December 2021 episode of Fading Memories, Unforgettable Songs takes up Mohammad Rafi’s First Duet Song With The Music Director: 1947-1948, the second part of his career’s First Five-Year Period of 1944 to 1948.

SoY has also published yours faithfully’s tribute to Mohammad Rafi on his 97th birthday, in the form of Mohammad Rafi’s Non-film Hindi Geets and Ghazals

Here is a vintage photograph, Producer-Director Sriramulu Naidu actor Raj Mehra, Om Prakash, Dilip Kumar, Badri Prasad, Meena Kumari, Shammi, and Achla Sachdev on the sets of Azaad (1955) posted on BollywooDirect:

We now move on to posts on other subjects –

Why movie villains are as interesting as the heroes is an excerpt from Balaji Vitta’s book Pure Evil – The Bad Men of Bollywood, publisher: HarperCollins India.

It’s Time To Clap! are the songs with clapping as a key element.

Kathak and Tap Dance: Similarities, Connections in Classic Films, and – Finally – Duets and Quartets! –  The article may appear  to be technical to a lay reader, but as always, by the choice of video clips that Richard puts in the article, the article remains an interesting read.

Book review: ‘Yesterday’s Melodies Today’s Memories’ – Manek Premchand’s book is “essentially about the many creative individuals whose genius produced unforgettable Hindi film songs from 1931 to 1970, and specifically between the years 1947 and 1970”.

Boat songs, part IV lists songs that have boats in a group.

Film Memorabilia Transitions from a Collector’s Passion to an Investor’s EyeSMM Ausaja takes a look at this new emerging market of as the memorabilia craze gets ready to move into NFTs- The Non Fungible Tokens.

Similar Tune, Two Different Songs picks five pairs of the songs where one Hindi film song appears to have been inspired by another from a different movie.

Book Review: Conversations With Waheeda RehmanRanjan Das crisply reviews Nasreen Munni Kabir’s interview-based book – Conversations With Waheeda Rehman, published in 2015 by Penguin.

Ten of my favourite Hindi film double roles, some of these are people portraying twins; some have other ties of blood (parent and child, for instance). Some aren’t related at all but are uncannily alike anyway.

From Bollywood Rewind – Sampada Sharma – Indian Express’s weekly column:

In continuation to our tradition of ending the post with a few songs of Mohammad we take a slight detour to take up Vinod Dua, a noted TV journalist, who passed away on 5-12-2021, talking about Mohammad Rafi:

Radio Ceylon also has paid tribute on 24-12-2021 in their prgram ‘Purani Filmon Ka Sangeet – In memory of Rafi Sahab’


 

I look forward to your inputs to enrich the contents of Carnival of Blogs on Golden Era of Hindi Film Music.

Disclaimer: This monthly series of posts is my best-effort-based compilation of posts on Hindi film songs that I normally visit regularly. As I record my sincere thanks to all the original creators of these posts, any other posts that I have nor covered herein shows my lack of awareness of existence of such posts and is by no means any disrespect to their work. The copyrights to the posts, images and video clips remain the properties of the original creators.


Carnival of Blogs on Golden Era of Hindi Film Music wishes all a melodiously happy and rhythmically fruitful 2022.

 


The episodes of January 2021 to December 2021 have been compiled as one file @ Carnival of Blogs on Golden Era of Hindi Film Music, 2021 and can be read / downloaded by clicking on the hyperlink

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Carnival of Quality Management Articles and Blogs

Carnival of Quality Management Articles and Blogs – December 2021

Welcome to December 2021 edition of the IXth volume of Carnival of Quality Management Articles and Blogs.

We recapitulate that the 2021 theme for the IXth volume of our Carnival of Quality Management Articles and Blogs is Future of… as the basis for Creating and Maintaining Sustained Success.

Our topic for the discussion for the month is – The Future Sustainability – with a view to present a broader picture of the issue that has been gaining higher priority everywhere.

It is now well accepted that:  Sustainability is meeting our own (present) needs without compromising the ability of future generations to meet their own needs. It is also well accepted that sustainability is not just environmental-ism. Sustainability rests on dynamic balance of three dimensions economic development, social equity, and environment conservation, not necessarily in that order.

The UN’s adoption of Sustainable Development Goals (SDGs), in the year 2015, has laid the concrete foundation for the roadmap for a sustainable future.

The UN’s aspirational SDGs were “a great gift to humanity” when they were adopted, but much work is still needed to develop science-based pathways to show how they can be effectively and equitably implemented, said Nebojsa “Naki” Nakicenovic, professor emeritus at the Vienna University of Technology and former deputy director general of the International Institute for Applied Systems Analysis (IIASA). The World in 2050 (TWI2050) seeks to make the aspirational SDGs more practical and equitable.

The Science of Sustainability is a science-based view that provides cross-sector collaboration between environment conservation and growing human needs across traditionally disconnected sectors, and on a near unprecedented scale.

Six emerging sustainability trends are identified for the present decade[1]:

  1. Sustainability as a way of doing business
  2. Embracing accountability and importance of being transparent
  3. Education is the key in building awareness
  4. Collaboration between the public and private
  5. Innovation is imperative
  6. Rise of the circular economy.

Further readings:

  1. Our Common Future: The Brundtland Commission report
  2. The SDGs explained for business
  3. The World in 2050 Pursues Paths to a Sustainable Future
  4. The Science of Sustainability

I plan to devote the entire next year’s Xth volume of Carnival of Quality Management Articles and Blogs to this subject of Sustainability.

We now watch ASQ TV episode on–

  • SR Offers Opportunities for Quality Professionals – “Sustainability is the goal,” says Andrea Hoffmeier in this ASQTV interview. Hoffmeier, explains how quality professionals can play a role in helping their organizations and clients reach the goal of sustainability through social responsibility. She also discusses how DMAIC can be adapted for the SR audiences.

We have taken up one article from Jim L. Smith’s Jim’s Gems :

  • The Future – A single action, taken now, can have significant consequences far into the future…..Time has a way of magnifying whatever we do. So even in the smallest matters, we should strive to do what is the right thing to do. The direction and purpose of each effort we take are much more important than the size of the effort….. We need to point all our actions, large and small, important, and seemingly insignificant, in the direction we wish to see our life move. ,,,,, We are shaped by our thoughts, and we become what we think.

‘From the Editor’ (of Quality Magazine) – by Darryl Sealand, we have –

  • Assessing the Quality Situation: The Importance of Knowing Your Surroundings – Knowing the environment, or being aware of your surroundings, is key to many a task. It’s at least one of the ways we express the importance of having all the information we need in order to reach a goal…. The importance of knowing our surroundings also extends to less controllable environments….. Here is what was very widely told incident during the space race between the United States and the Soviet Union. Careful consideration of the environment of outer space and its effect on the technology and tools of a mission to space led the U.S. to invest substantially in developing a pen that would write in the zero-gravity of space. And the punchline…the Russian cosmonauts used a pencil.

I look forward to your views / comments / inputs to further enrich the theme of The Sustainability during 2022..

Note: The images depicted here above are through courtesy of respective websites who have the copyrights for the respective images.


 

Carnival of Quality Management Articles and Blogs wishes everyone the year 2022 to provide the most powerful springboard to sustained success and happiness.


 

 

Please click the hyper link to read /download January 2021 to December 2021 articles of IXth Volume of Carnival of Quality Management Articles and Blogs

[1] What is the future of sustainability as we welcome the next decade?

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Carnival of Blogs on Golden Era of Hindi Film Music

Carnival of Blogs on Golden Era of Hindi Film Music – November 2021

Welcome to November 2021 edition of IXth Volume of Carnival of Blogs on Golden Era of Hindi Film Music.

We move on to other tributes and memories this month.

Mehfil Mein Meri presents Lata – Non-film songs, for the period 1975 till 1995 in Part III, after having covered 1954 till 1965 in Part 1 and for the years 1966 to 1975 in Part 2.

Shabana Azmi pens note on mother Shaukat Kaifi: ‘You left and everything went wrong’ – Shaukat Azmi has done memorable roles in critically acclaimed films like Salaam Bombay, Bazaar, Umrao Jaan, Heer Raanjha and Haqeeqat.

The Masters: Roshan (14.07.1917-16.11.1967) – Anyone who loves old Hindi film music will find that, inevitably, there will be a ‘Roshan song’ among their favourites

The out of sight genius Hansraj Behl – A tribute to the great Master Hansraj Behl (19 November 1916 – 20 May 1984) on his 105th birth anniversary

Geeta Dutt and ‘haseen sitam’ of her music: Her relationship with Guru Dutt, love of her life and reason for her downfallShaikh Ayaz – Would the world of Bollywood playback have been different if she hadn’t died relatively young at 41 in 1972?

Geeta Dutt sings for Chitragupt – a tribute eon Chitragupt’s 104th birth anniversary (16th November) and Geeta Dutt’s 91st birthday (23rd November)

We recall Sounak Gupta lyrically tracing the rise of the skylark from the banks of the Meghna, who continues to enthrall music lovers with her dulcet voice, long after dusk has settled and the river has broken its banks in Eternal Wait: The Story Of The Dark Girl By The Meghna (Geeta Dutt)

Remembering Helen on her 83rd birthday is a song Meghwa Gagan Beech Jaanke – Harishchandra Taramati (1963) – Lata Mangeshkar  – Laxmikant Pyarelal – Pradeepji

Phani Majumdar: A Journey Through Life…Ratnottama Sengupta pays a glorious tribute to the filmmaker, exploring his life and works and her own personal memories. In the second part of our 2-part Special Tribute to Phani Majumdar, Silhouette presents Ranotama Sengupra’s translation of exclusive excerpts from Eka Naukar Jatri/ Journey of a Lonesome Boat, the autobiography of Nabendu Ghosh where he fondly remembers his Phani Da.

Remembering Faruq KaiserIn his career spanning over five decades, he wrote around 390 songs for about 115 films. His first movie as a lyricist was Rooplekha (1949) and last movie was Naqab (1989). The latter was released posthumously. He died on 10th November 1987.

Sushmita Sen and Zeenat Aman: Two women, an era apart and always ahead of their time – Known for their grace and poise as well as their talent, Sushmita Sen and Zeenat Aman celebrate their birthdays today. Sushmita turns 46, while Zeenat Aman turns 70.

Remembering the lovable child artiste- Baby Naaz – Born as Salma Baig on the 20th of August, 1944, in Mumbai, she was given the screen name Naaz and as Baby Naaz she went on to become one of the most loved child artistes of the Golden era of our Hindi cinema…Tragically, at the young age of 51, on October 19th, 1995, she succumbed to liver cancer.

Amol Palekar: The relatable boy-next-door who was the antithesis of angry young manSampada Sharma – On Amol Palekar’s 77th birthday, here’s revisiting his relatable boy-next-door era in Hindi movies in films like Gol Maal, Chitchor and Chhoti Si Baat, among many others — which portrayed Amol Palekar as the antithesis of big, blustery Bollywood.

Shailendra Sharma @ Golden Era of Bollywood has posted following memorial tribute posts:

In the series of articles on Sahir’s Songs of Romance, commemorating Sahir Ludhianvi’s birth centenary,  we now take up Sahir Ludhianvi’s Five Film Association with O P Nayyar.

November 2021 episode of Fading Memories, Unforgettable Songs takes up Salil Chowdhury and Shailendra’s Songs Fading From the Memory: 1958 to 1960. Till now we have covered the years

1953-1955 in 2018,

1956 in 2019, and

1957 in 2020

Here is a vintage photograph, remembering Satyen Kappu on his 14th death anniversary (27/10) as Ramlal in the movie Sholay (1975), posted on BollywooDirect:

We now move on to posts on other subjects –

What was behind the slow decline of Indian art cinema?Rochona Majumdar – The first blow to art cinema came with the restructuring of the National Film Development Corporation (NFDC) at the end of the decade of ‘80s. One unlikely factor: Richard Attenborough’s ‘Gandhi’, argues a new study.  Gandhi dovetailed with other changes that were contributing to art cinema’s continuing marginalization through the 1980s. One of these was the boom of India’s televisual and video sectors and the “migration of socially relevant content to television.” It was the arrival of globalization from 1991 onward that completely transformed India’s media ecology.

Songs of women for the women by the women – Our culture has sanskars and rituals from birth till the end of life, all accompanied by women’s songs.

What was the secret of the impeccable tuning between composers Laxmikant and Pyarelal?Rajiv Vijayakar – A new biography of the Hindi film music hit-makers includes an edited account by long-time collaborator Amar Haldipur.

Songs with Laughter, where the playback singer laughs and sings. Thus, the laughter is not in the background. Sometimes the laughter is in the mukhda or antara. In some others, it is in the interlude. In a few songs there is just a trace of laughter and in others there is whole hearted laughter.

An Actor’s Actor: Book Excerpt – Here is an edited excerpt from the book, An Actor’s Actor: The Authorized Biography Of Sanjeev Kumar (Authors: Hanif Zaeri and Sumant Batra),looking at the making and release of one of Kumar’s finest films, Aandhi (1975).

Around India’s Towns in Ten Songs, songs that are filmed in places far and wide, songs that go beyond the usual tourist attractions. Songs which make you feel you were, for those brief few minutes, in another town.

The Mela Songs, some of which are shot in a mela setting and others which refer to the mela, either literally or symbolically. Songs shot in a mela setting are largely dance numbers – some of them are rather loud, which is what they would be in a rustic setting.

From Bollywood Rewind – Sampada Sharma – Indian Express’s weekly column:

Micro View of Best Songs of 1944 @SoY concluded the micro-view of the song sof 1944 with  My Top Duets and My top music directors

SoY has also presented an exhaustive analysis to arrive at ‘fairtest outome’ for adjudging the Best Music Director spot for the year 1944 in its Best songs of 1944: Final Wrap Up 4, jointly, in favour of Naushad, Khemchand Prakash and Pankaj Mullik.

All the episodes of Micro View of Best Songs for 1944 @SoY can be read / downloaded from one file, by clicking on the hyper link.

In continuation to our tradition of ending the post with a few songs of Mohammad Rafi, which connect with the posts in the present episode, we take up a few less heard songs composed by Roshan:

Kahin Se Unchi Kahin Se Neechi Sadak Zamane Ki – Malkin (1953) – with Kishore Kumar – Rajinder Krishna

Aa Bedardi Balama Preet Ka Karein Hisaab – Chhora Chhori (1955) – with Lata Mangeshkar – Kidar Sharma

Bade Khoobsurat Bade Woh Haseen Hai Magar Kya KarooN Ke Woh Mere NahiN Hai  – Jashan (1955) – with Asha Bhosle – Rajinder Krishna

GunahoN Ka Chirag Kabhi Na Jal Sakega – Agra Road (1957) with Geeta Dutt, Shamshad Begum – Bharat Vyas

Kadki Tera Nam Hi Clerki – Aji Bas Sukriya (1958) – with Asha Bhosle, Ghulam Mohammad – Farooq Kaiser

I look forward to your inputs to enrich the contents of Carnival of Blogs on Golden Era of Hindi Film Music.

Disclaimer: This monthly series of posts is my best-effort-based compilation of posts on Hindi film songs that I normally visit regularly. As I record my sincere thanks to all the original creators of these posts, any other posts that I have nor covered herein shows my lack of awareness of existence of such posts and is by no means any disrespect to their work. The copyrights to the posts, images and video clips remain the properties of the original creators.

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Carnival of Quality Management Articles and Blogs

Carnival of Quality Management Articles and Blogs – November 2021

Welcome to November 2021 edition of the IXth volume of Carnival of Quality Management Articles and Blogs.

We recapitulate that the 2021 theme for the IXth volume of our Carnival of Quality Management Articles and Blogs is Future of… as the basis for Creating and Maintaining Sustained Success.

Our topic for the discussion for the month is – The Future of Climate Change – with a view to present a broader picture of the issue that has been gaining higher priority at the strategy planning meetings of every (responsible) business.

Climate Change is the defining issue of our time, and we are at a defining moment. From shifting weather patterns that threaten food production, to rising sea levels that increase the risk of catastrophic flooding, the impacts of climate change are global in scope and unprecedented in scale. Without drastic action today, adapting to these impacts in the future will be more difficult and costly.[1]

A view of the high Norwegian Arctic in 2015. There is alarming evidence that important tipping points, leading to irreversible changes in major ecosystems and the planetary climate system, may already have been reached or passed. UN Photo/Rick Bajornas

The Tipping Point | Climate Change: The Facts | BBC Earth

A tipping point is where even a slight amount of warming can move the climate into an irreversible state.

Source: Otto, I.M. (4 February 2020). “Social tipping elements for stabilizing climate by 2050”

Depending on global economic trends, technological progress, geopolitical developments, and most important, how aggressively we act to reduce carbon emissions, the world at the end of the 21st century could turn out to be radically different. Or not….Five future climate scenarios underpin the UN’s Intergovernmental Panel on Climate Change’s latest report tell radically different stories about humanity’s future.Sup<[2]

The November edition of the Goal of the Month editorial looks at Goal 13 (Climate Action) of the Global Goals

Additional reading:

We now watch ASQ TV, wherein we refresh our viewpoints about World Quality Day (the second Thursday of November) –

Note: This year’s theme is “Sustainability: Improving Our Products, People, and Planet.” The emphasis will be on the importance of quality in sustainability and its influence on environmental, social, and governance (ESG).

Note: I plan to take up THE FUTURE part of this video for discussion in our next episode of December 2021.

We have taken up one article from Jim L. Smith’s Jim’s Gems this month:

  • Overcome Your Inner Critic – Beware of the inner critic, which can be a super villain preventing creativity – In the modern world, fear has become insidious; it is quiet but pervasively accepted as existing. One of the most common forms is what might be referred to as the inner critic…Like all faces of fear, the inner critic is a part of each of us that is designed to keep us safe. …If we can overcome our inner critic, new ideas begin to flow freely, and new possibilities emerge…. Successful people discover what matters most to them. Once that becomes clear, they work to replace their inner critic with an inner support mechanism to nurture their efforts.

‘From the Editor’ (of Quality Magazine) – by Darryl Sealand, we have –

  • Go-To, There When We Need It – The meaning of the imperative go to, four centuries ago, as used in William Shakespeare drama ‘Macbeth’, was “beat it,” now “geddoutahere”….. And in our time, go-to has come to be defined as “a person or thing that may be relied on or is regularly sought out in a particular situation.” It’s not difficult to see how the term came about—the person or thing you “go to” when you need it…. And the term is not limited to people. We may have a go-to tool to get the job done, or even a go-to food when we are feeling blue or want to celebrate.

I look forward to your views / comments / inputs to further enrich the theme of Future of… as the basis for Creating and Maintaining Sustained Success.

Note: The images depicted here above are through courtesy of respective websites who have the copyrights for the respective images.


[1] Global Issues: Climate Change

[2] 5 possible climate futures—from the optimistic to the strange  – Madeleine Stone

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I Liked Music from films

The Micro View of Best Songs of 1944 @ SoY : MY Top Music Director(s)

As the journey of (Micro Review of) Best Song of The Year moves forward in its backward count of the years, the challenge of making any sensible statement about My Top Music Director for the year has now become almost insurmountable. I have no idea about how the music of the films was received by the common public or the critics in those years. Nor do I have good enough knowledge of the different elements of film music that I can bank upon to arrive at some basis of the overall quality of music by simply listening the songs for the year, a couple of times during the course of the present Micro Review.

The year 1944 having a couple of films by the music directors who also thrived into the next stage of Golden Era makes even the process of arriving at any judgement more unrealistic, since the present view of picture being seen under the Micro View becomes coloured with the acquaintance of those music directors during my formative years of the cultivation of the taste for the Hindi Film Music. The process is further complicated by the fact that the year 1944 has several songs that have also remained popular enough during my those formative years.

As such, by deploying the various empirical tools that I have been using during the previous Micro Reviews can only help bring into the view the music directors who remained more visible during the Micro View of Best Songs for the year 1944. To that extent, the title of the ‘My Top Music Director’ is also a gross misstatement. I have still retained it only to maintain the consistency of the format of the Micro View exercise.

With these disclaimers, here is the The Music director-wise Quantitative view My Top Solo songs of Male Playback Singers, Solo songs of Female Playback Singers and the Duets, respectively, in no particular order –

Music Director Male Solos Female solos Duets
Subal Dasgupta 1
Khemchand Prakash 1 1 1
Bulo C Rani 3
Husnlal Bhagatram 1 1 1
Pt. Amarnath 2 1 1
Anil Biswas 1 3 1
Mir Sahab 2 1 1
Naushad Ali 1 1 3
C Ramchandra 1 1
G A Chisti 1 1 2
Pankaj Mullik 1 1
Pannalal Ghosh 1
Pt. Govardhan Prasad 1
Firoz Nizami 2 1
Hanuman Prasad 1
Ghulam Haider 2 1
Gulshan Sufi 2 1
Sajjad Hussain 1
Veer Sinh 1
Alla Rakha 1
Gyan Dutt 1

Songs of Yore, in its comprehensive review of music directors,  does a similar exercise for the ‘Best Songs’ in each of the above category and notes that Khmechand Prakash, Naushad Ali , Pankaj Mulik and Mir Saheb get the high share of visibility in the form of songs. .

If we had carried out a similar exercise for the songs, we had listened to in each category during the respective Micro View stage, we may get some more names, with a different score.

However, each of such analyses only present a partial pitcture because the impact that music directors like Bulo C Rani (Carvan) or Husnlal Bhagatram (Chaand), Anil Biswas (Jwar Bhata, Char Aankhein) and the likes would have been able to create is lost with passage of time and is not captured in these skeletal numbers.

In my opinion, this forum has been created not to judge the Best in its apparent dictionary meaning, but to relive the songs of these years in the present times, and thereby get the opportunity not only to refresh our memories but also to widen our perspective of looking at / listening to the film music. With the help of great dedicated and creative efforts of all those who have found out the songs and uploaded them on YT, we have been beneficiaries of getting to listen to these songs.

SoY has also presented an exhaustive analysis to arrive at ‘fairtest outome’ for adjudging the Best Music Director spot for the year 1944 in its Best songs of 1944: Final Wrap Up 4, jointly, in favor of Naushad, Khemchand Prakash and Pankaj Mullik.


P.S.

All the episodes of Micro View of Best Songs for 1944 @SoY can be read / downloaded from one file, by clicking on the hyper link.

Categories
I Liked Music from films

The Micro View of Best Songs of 1944 @ SoY : MY Top Duet Songs

At the cost of repletion, I will stae, for the records, that the duets that I have short-listed here are the ones that I liked at the first listening. As such, they are the boutcome of no rational bias of the merit of the different elements of a duet composition and simply bear my own personal bias.

The songs are listed hereunder in no order of preference:

KL Saigal & Amribali Karnataki – Kya humne bigada hai kyun humko satiate ho – Bhanwara- – Kidar Sharma – Khemchand Prakash

Shyam, Zohrabai Ambalewali –  Aaja kahin door chalein  – Pahle Aap – – D N Madok – Naushad Ali

Karan Diwan & Zohrbai Ambalewali – Saawan ke baadlo unse ye ja kaho – Rattan – – D N Madok – Naushad Ali

Shyamkumar & Amirbai Karnati – O janewale baalamwa laut ke laut ke aa   – Rattan – – D N Madok – Naushad Ali

Mukesh and Kusum – Zara boloji, kya logi is dil ka kiraya – Us Paar – Pt. Madhur – Firoz Nizami

Jeenat Begum, Gulam Haider – Sajan Aa Jaa, Rajan Aa Ja, Khelein Dil Ke Khel – Bhai – Khan Shatir Gazanvi – Gulam Haider

Naseem, Ashok Kumar – Chamko Chamko BijaliyaN HaaN BijaliyaN – Chal Chal Re Naujawan – Pradeep – Gulam Haider

Jeenat Begum, G M Durrani – Aaye Hai Balamawa Pyare Pyare Ab Jaage Bhag Hamare – Chand – Qamar Jalalabadi – Husnlal Bhagatram

Vanmala, C Ramchandra – Main Kisse KahuN Apani Kahani, Hai Dard Bhari Meri Kahani – Dil Ki Baat – Ram Murti – C Ramchandra

Parul Ghosh, Manna Dey – Bhula Bhatka Path Haara Main Sharan Tumhare Aaya – Jwar Bhata – Narendra Sharma – Anil Biswas

Leela Sawant, V Bhatkar – Sajan Paas Bula Lo….., Nayanan Bich Basa Lo – Kaliyan – Kedar Sharma – G A Chisti

Malaka Amir Jan, Gulshan Sufi – Meri Uthati Jawani Ki Dekho Dekho Bahar – Mauji Jeewan – Baba Pagal – Gulshan Sufi

G M Durrani, Rajkumari – Chale Prem Ke Desh Pujari – Maya Nagri -? – Veer Sinh

G M Durrani, Rajkumari – Khole Re Kaun….  Mere Man Ke Dwar – Maya Nagri -? – Veer Sinh

Leela Sawant, Lalita Parulkar – Sakhi Ri Ab Ke Sawan Aaye – Kaliyan – Kedar Sharma – G A Chisti

Amirbai, Rajkumari – O I See, Ye Dekho Duniya Ke Rang – Maa Baap – Roopbani – Alla Rakha

Sheela, Rajkumari – Aao Chalein Us Paar Sajani, Kah KaruN Man Mane NahiN – Pattharon Ka Saudagar – Gaafil Haryanvi – Mir Sahab

Shyam Kumar, Mohammad Rafi – Tum Dilli main Aagre mere dil se nikle haye  – Pahle Aap – D N Madok – Naushad Ali

G M Durrani, Amirbai, Hamida – Ham Aage Badhate Jaein, Duniya Peechhe Peechhe Jae Re – Anaban – Pt. Madhur – Gyan Dutt

SoY has presented Best songs of 1944: Wrap Up 3 for the wrap up on duets for 1944. The three duets jointly adjudged as Best for The Year are:

  1.  Saawan ke baadlo unse ye ja kaho Rattan – Karan Diwan, Zohrabai Ambalewali – D N Madhok – Nausahd Ali
  2. Kya humne bigada hai kyun humko sataate ho – Bhanwara – K L Saigal, Amirbai Karanataki – Kidar Sharma – Khemchand Prakash, and
  3. O jaanewale balamwa, laut ke aa laut ke aa Rattan – Shyam Kumar, Amirbai Karnataki – D N Madhok – Nausahd Ali
Categories
Carnival of Blogs on Golden Era of Hindi Film Music

Carnival of Blogs on Golden Era of Hindi Film Music – October 2021

Welcome to October 2021 edition of IXth Volume of Carnival of Blogs on Golden Era of Hindi Film Music.

We open our present episode with the 92nd birthday of Lata Mangeshkar.

A little girl who started professional singing more than 7 decades ago is still there somewhere, says Lata Mangeshkar as she recalls such a long journey of career that notched up another hit just last month.

All Mangeshkar sisters Lata, Asha, Usha & Meena together on-screen with Brother Hridaynath in the song Chala Chala Nav Bala from the film Maaze Bal – 1943, composer Datta Dawjekar

In continuation with the practice of presenting Lata Mangeshkar’s songs from a different angle, Mehfil Mein Meri presents Lata – Non-film songs, for the period 1954 in Part 1 and for the years thereafter in Part 2.

We, also, rue the loss of Veteran actor and Mehmood’s sister Minoo Mumtaz passes away  – Komal RJ Panchal – Minoo Mumtaz (26-4-1942 | 19-10-2021) – appeared in films like CID, Naya Daur, Taj Mahal, Gaban, Zameer among others. She passed away in Canada.

Minoo Mumtaz was 79 years old. (Photo: CinemaRare/Twitter)

RIP, Minoo Mumtaz – We Have Lost Another One of the Greatest (as everyone should know) – Minoo Mumtaz was a mujra queen in her own right – in addition to being a hilarious comedienne. The previous post of 2009 where Tom Daniel’s DVD compilationis referred to, describes it as A Whole (Beautiful, Crisp, Clear) DVD of Minoo Mumtaz! It is recommended to re-visit that that post most of all because it includes a list of the contents of Tom’s DVD, which is the best place to look if you want the names of the best songs that she appeared in.

Songs of Yore also had a post, In Conversation with Minoo Mumtaz, which included an interview with her as well as one with her son, Ajaz Ali.

When an era passes – Malika Begum or Malikunnisa, better known by her screen name Minoo Mumtaz, carved a unique place for herself.

Ten of my favourite Minoo Mumtaz Songs recalls songs featuring Mino Mumtaz on the screen.

We now move on to other tributes and memories this month.

Taxi Driver — one of India’s first ‘cabbie films’, which sealed Dev Anand’s romantic hero imageUnnati Sharma – On Dev Anand’s 98th birth anniversary (27th September) a revisit to a film close to his heart — a complete Anand family production, whose heroine he married.

Hans Jhakhar has come up with a series of articles on Rajendra Krishna (6 June 1919 – 23 September 1987) and his music directors on Songs of Yore to commemorate the 34th Remembrance Day of Rajendra Krishna. The first two articles are: Rajendra Krishna with the Albela Karigar C Ramchandra and Rajendra Krishna and Madan Mohan: Classic Case of Two Geniuses at Work.

The unassuming genius of Hrishikesh MukherjeeSubhash K Jha – “I confess I’m guilty of making potboilers…That’s because I had a unit and their family to maintain. I console myself with the thought that I’ve made decent films too on family values.” …… Thankfully Hrishida quit this world before people started watching his films on phones.

Eyi Path Jodi Na Shesh Hoy: The Immortal Songs of Uttam-HemantaSounak Gupta and Antara Nanda Mondal present Silhouette’s a tribute to Uttam Kumar by revisiting the iconic Uttam-Hemanta partnership and some of their evergreen hits.

Happy Birthday, Simi Garewal, who was always ahead of her time. When Indian actresses were demure dainty and shy Simi was a whiff of fresh air. There was no pretence about her personality

Forget Dil Chahta Hai, Raj Kapoor-Nargis starrer Chori Chori was the first road trip movieUnnati Sharma – On Manna Dey’s death anniversary, remembering how the song “Yeh Raat Bheegi Bheegi” is more popular than the film itself.

Smita Patil as remembered by her sister: ‘Funny, generous, uncaged’Anita Patil-Deshmukh pays tribute to the acclaimed actor on her 66th birth anniversary.

Smita Patil photographed by Gautam Rajadhyaksha.

In Subah, Smita Patil’s character broke glass ceiling of what ambitious women can’t doUnnati Sharma – Smita Patil plays Savitri, a woman who is capable, intelligent and ambitious, but often finds herself caught up in the complications of family life.

Vinod Khanna: The actor who gave Amitabh Bachchan a run for his moneySampada Sharma – A Stardust cover of 1978 had claimed in big bold letters ‘Vinod Khanna turns No 1’ but unbeknownst to everyone, Vinod was never a part of the rat race and it was perhaps this nonchalance that made him one of the most iconic stars of Hindi cinema.

5 unknown facts about Rekha who turns a year older on October 10Subhash K Jha – Rekha prides herself on being an accomplished singer. She sang Qayda Qayda Todke Socho Ek Din in Khubsoorat for herself.

How Kader Khan became Bollywood’s go-to dialogue writer: When an impressed Manmohan Desai gifted him his TV, gold braceletSampada Sharma – On Kader Khan’s 84th birth anniversary, here’s looking at the early career of the actor as a dialogue writer and how he did some of his best work with Prakash Mehra and Manmohan Desai.

Shailendra Sharma @ Golden Era of Bollywood has posted following memorial tribute posts:

In the series of articles on Sahir’s Songs of Romance, commemorating Sahir Ludhianvi’s birth centenary,  we now take up Sahir Ludhianvi’s Four Film Association with R D Burman.

October 2021 episode of Fading Memories, Unforgettable Songs takes up (Shankar (Jaikishan) and Shailendra’s Songs Fading From the Memory: 1955 -1956 (Part). Till now, we have covered the years

1949 – 1953 in 2018

1953 (Continued) in 2019.

1954 in 2020

Here is a collection of some vintage photographs, posted on BollywooDirect:

October is the month  of festivals, or is usherer of the great Indian festival of Diwali, so “Let’s Celebrate!”: Ten festival songs.

We now move on to posts on other subjects –

Songs of Age are not those where there is an observation about how man has no control over time and hence the need to make the best of the moment at hand, but are the songs where there is a mention of not just physical age but also of time passing or of an era having passed

‘Not Quite Usual’ Songs presents songs in two broad categories – Single song-one singer-two characters and Single song-two singers-one character.

Soul music: When Hindi film songs send a prayer to the AlmightyRineeta Naik explores the omnipresent clamour for divine intervention in the form of a song. Since the array of divinities is long and colourful, the songs are equally eclectic.

Sanchari – Bengal’s invaluable contribution to Hindi Film MusicSanchari (संचारी), in its very technical sense, n Hindustani classical music has to do with the Dhrupad genre. However, Bengal composers used the term Sanchari as a piece of different tune inserted between two Antaras, thereby imparting the song its unique character.

[Note: For anyone interested in the nuances of music, this post is very informative and should be read, as you listen the songs covered in the post.]

My Favourites: Devotional Songs of Hindi films have knack to move you despite yourself; that make you want to believe even if you don’t; that, either because of the vocals or the picturisation or both, make you believe in the devotion the words expressed.

Romancing through the Window and Door is an immensely explored subject in Hindi film songs of romance. The present post complements the songs on Atariya, Angana and Chhat, thus completing all the features of a house with such possibilities.

The Rendezvous Songs has emphasis more on the element of the meeting place.” … there is an element of escaping the prying eyes of the world in many a song. Some of the songs have risqué lyrics too.”

Boat Songs – Part I focused on the songs that had only the couple on the boat. Now, Part II takes songs with three or more, but not more than five or six people. Presently, Part III finally presents boat songs sung by the boatman.

Was ‘Guide’ ever offered to Zaheeda?Subhash K Jha – Waheeda Rehman tells the whole story of how she agreed to do ‘Guide’, after two directors were changed

From Bollywood Rewind – Sampada Sharma – Indian Express’s weekly column:

Micro View of Best Songs of 1944 @SoY concluded the micro-view of female songs with MY Top Female Solo Songs  and took up that of duets with the duets that have been already covered in Memorable Songs / Special Songs, Male-Female Duets – Part 1 and Part 2 – and reached the end point in Female – Female Duets | Male – Male Duets | Triads (+)

In continuation to our tradition of ending the post with a few songs of Mohammad Rafi, I have selected duets of Lata Mangeshkar and Mohammad Rafi during 1947 to 1949, based on one duet per music director:

Chalo Ho Gai Taiyaar Zara Thehro Ji – Shaadi Se Pehle (1947) – Paigankar- Karnad – Mukh Ram Sharma

Sun To Dil Ka Afasana – Andaz (1949) – Naushad – Majrooh Sultanpuri

Apni Nazar Se Door Vo Unki Nazar Se Door Hum – Bazaar (1949) – Shyam Sundar – Qamar Jalalabadi

Lambi Zoru Badi Museebat Are Din Dekhe Na Raat – Ek Thi Ladki (1949) – Vinod _ Aziz Kashmiri

Zara Tumne Dekha To Pyar Aa Gaya – Jaltarang (1949) – Husnlal Bhagatram – Kaif Irfani

Tadapake Ab Mujhe Chhod Diya – Namoona ((1949) – C Ramchandra – Gulshan Jalalabadi

Dil Le Ke Chhupne Wale Tu Hai Kahan Bata De – Paaras (1949) – Ghulam Mohammad – Shakeel Badayuni

Saajan Ki Ot Leke Haathon Mein Haath Deke – Zevraat (1949) – Hans Raj Bahal – Habeeb Sarhadi

I look forward to your inputs to enrich the contents of Carnival of Blogs on Golden Era of Hindi Film Music.

Disclaimer: This monthly series of posts is my best-effort-based compilation of posts on Hindi film songs that I normally visit regularly. As I record my sincere thanks to all the original creators of these posts, any other posts that I have nor covered herein shows my lack of awareness of existence of such posts and is by no means any disrespect to their work. The copyrights to the posts, images and video clips remain the properties of the original creators.

Categories
I Liked Music from films

The Micro View of Best Songs of 1944 @ SoY : The Duets – Female – Female Duets | Male – Male Duets | Triads (+)

Female – Female Duets (+)

Parul Ghosh, Amirbai Karanatai, Chorus – Prabhu Charan Mein Dep Jalao, Man Mandir Ujiyala Ho – Jwar Bhata – Narendra Shrama – Anil Biswas

Leela Sawant, Lalita Parulkar – GaiyaN Ghar Laye Girdhari – Kaliyan – Kedar Sharma – G A Chisti

Leela Sawant, Lalita Parulkar – Sakhi Ri Ab Ke Sawan Aaye – Kaliyan – Kedar Sharma – G A Chisti

Amirbai, Rajkumari – O I See, Ye Dekho Duniya Ke Rang – Maa Baap – Roopbani – Alla Rakha

Sheela, Rajkumari – Aao Chalein Us Paar Sajani, Kah KaruN Man Mane NahiN – Pattharon Ka Saudagar – Gaafil Haryanvi – Mir Sahab

Male-Male Duets

Shyam Kumar, Mohammad Rafi – Tum Dilli main Aagre mere dil se nikle haye  – Pahle Aap, covered in Memorable Songs of 1944 list is considered as Naushad’s extended test case in so far as Mohammad Rafi is concerned.

Rewashankar, Chitalkar – Dheere Dheere Chal Tangewale, Baithi Tere Tange Mein Bulbul Ek – Lalkar – Pt. Madhur – C Ramchandra

Triads (+)

Shyam Kumar, Mohamamd Rafi, Allauddin Naved, BM Vyas etc. – Hindostan hain hum hain hindostan hamara – Pahle Aap, covered in Memorable Songs of 1944 list is considered as Naushad’s breakthrough to Mohammad Rafi, more perhaps as a test case.

G M Durrani, Amirbai, Hamida – Ham Aage Badhate Jaein, Duniya Peechhe Peechhe Jae Re – Anaban – Pt. Madhur – Gyan Dutt

Categories
Carnival of Quality Management Articles and Blogs

Carnival of Quality Management Articles and Blogs – October 2021

Welcome to October 2021 edition of the IXth volume of Carnival of Quality Management Articles and Blogs.

We recapitulate that the 2021 theme for the IXth volume of our Carnival of Quality Management Articles and Blogs is Future of… as the basis for Creating and Maintaining Sustained Success.

Our topic for the discussion for the month is – The Profiles of Future – The World without Distance

Profiles of the Future: An Inquiry into the Limits of the Possible by  Arthur C. Clarke –  originally appeared in 1962, is an anthology of essays written by Arthur C Clarke during the period 1959 – 1961. Since it was concerned with ultimate possibilities, It has under gone two revisions, in 1971 and 1999. As such the latest 1999 revision does not contain several portions of the original text.

I plan to take up a more detailed look at the book in some time next year. For the purpose of our present episode, we will briefly take a look at some of the predictions Arthur C Clarke has to make about the Future of Work (in 2050) and a few representative current views. –

Arthur C. Clarke Predicted the Future of Remote and Flexible Work in 1964 By Jennifer Parris – With regards to remote working, Arthur Clarke believed that almost any skill, from executive or administrative, to even physical skills, would be possible to perform remotely, regardless of distance. This sentiment shows that Clarke already envisioned the workplace to be a mobile one, not one reliant upon people being together in an office to perform their jobs.

For a more comprehensive look at how working from home came to be (starting with the hunter-gatherers as the earliest at-home workers!), read FlexJobs post on’ “The Complete History of Working from Home.”

Here are some more additional readings on the subject:

BBC Horizon is a widely acclaimed TV show of BBC, One of the episodes of that show, in 1964, presented Artur C Clarke’s predictions of the future. Here is that episode:

BBC Horizon (1964) with Arthur C. Clarke –

(Part 1 of 2)

Part 2 of 2

[Note: BBC Horizon Collection – 512 Episodes – can be accessed at https://archive.org/details/BBCHorizonCollection512Episodes

The big debate about the future of work, explained

3 myths about the future of work (and why they’re not true) | Daniel Susskind

New Profiles of the Future: The World in 2050 and beyond, with Lord Martin Rees

How do we find dignity at work? – Roy Bahat and Bryn Freedman | Ted Salon” Zebra Technologies

Roy Bahat wondered, what was AI doing to the people whose jobs might change, go away or become less fulfilling? The question sent him on a two-year research odyssey to discover what motivates people, and why we work. In this conversation with curator Bryn Freedman, he shares what he learned, including some surprising insights that will shape the conversation about the future of our jobs.

How will we earn money in future without jobs? – Martin Ford | TED 2017

We now watch ASQ TV, wherein we refresh our viewpoints about–

We have taken up one article from Jim L. Smith’s Jim’s Gems this month

Productive Failures – Failure can provide the seeds for success.- In a productive failure, you do not achieve your objective, but you come away with new knowledge that will increase your chances of future success. A non-productive success occurs when you achieve your objective, but you are not sure what you did right. You can build on productive failures. You can’t build on non-productive failures….The more productive failures experienced, the more you’ll learn….When bad things happen, first think, “Darn, that is really disappointing.” Then quickly think, “How can I turn this into something useful?”

‘From the Editor’ (of Quality Magazine) – by Darryl Sealand, we have –

  • Serendipity, A Meaningful Connection? – Serendipity is “the occurrence and development of events by chance in a happy or beneficial way.” – a happy coincidence or more like a “meaningful connection.” ….. It is something like listening a song for the first time and catching that meaningful lyric, or the emotion of a melody, that spoke to you in that very moment….. Quality hopes to provide with that same sense of serendipity…………….

I look forward to your views / comments / inputs to further enrich the theme of Future of… as the basis for Creating and Maintaining Sustained Success.

Note: The images depicted here above are through courtesy of respective websites who have the copyrights for the respective images.