Carnival of Quality Management Articles and Blogs – August, 2017

Welcome to August, 2017 edition of Carnival of Quality Management Articles and Blogs.

Our topic for the August 2017 is Quality of Translations. The trigger for taking up this topic, in our present issue, for a brief overview, was an email from Mr. Ravi Kumar, the founder of Hindi Center  /Modlingua Learning Pvt. Ltd.. However, we will deal with that a little later.

First the basics:

Quality of translation : The term quality of translation is used to refer to the desirability of properties or characteristics of a translated text or content.

“In manufacturing quality is the concept of making products fit for a purpose and with fewest defects. Many different techniques and concepts have been tried to minimize defects in production, including Zero Defects, Six Sigma, and the House of Quality.”

Thus, in the translation process quality would be the concept of making the target text (the translated text) fit for a purpose and with the fewest errors (in terms of sense, grammar, orthography, style, omissions, etc.)

What is a “quality” translation? : The quality of translation has two constructs: In one sense, quality refers to whether the translation is acceptable. In another sense, there are different quality levels that could be needed for a given translation.

‘What is the quality of a translation?’ is the Lecture by Anthony Pym at the University of Vienna, April 13, 2015, as part of a course on academic Translation Studies.

And then a few pointers to the Quality of Translation:

10-Step Quality Assurance Process: All translation projects undergo a multi-layered process of checks and reviews in order to ensure the highest degree of quality. Presented here is a 10-Step Quality Assurance process that enables delivery of spot-on translations and the highest quality output.

10 crucial ways to ensure high quality translations has shared 10 blog posts that have given numerous tips and professional advice on how to implement and monitor processes to ensure you get high quality translations.

Ten Common Myths About Translation Quality that can actually do more harm than good.

Measuring Translation Quality: Constraints, Challenges and Solutions: Without clear goals and a repeatable, objective and accurate methodology, quality can be hard to measure, especially in the localization industry. From lack of knowledge to outside factors to subjective reviews, there are many reasons quality is hard to measure. In a webinar called “A Practical Approach to Measuring Translation Quality”, David Sommer discusses challenges with measuring quality and potential solutions.

That brings us to the core of e-mail message from Mr. Ravi Kumar:

Translation-quality standards: Like any supplier of goods or services, a translator potentially bears ethical and legal obligations toward his patron or employer. This has turned to be of enormous importance with the development of the language industry at global scale. For the protection of both parties, standards have been developed that seek to spell out their mutual duties.

In the e-mail referred to at the beginning of the article, Mr. Ravi Kumar informed me that Modlingua has recently released these videos on the subject of Translation-Quality standards:

Quality Standards and Translation:

Seven Quality Standards one must know:

As can be expected, these videos provide the strong ground work for following up the more structured approach the task of translations (services).

Moreover, Modlingua has also presented a project management perspective to the translation services:

Fundamentals of Project Management:

Project Management in Translation Business:

We can look forward to more such videos to be uploaded on language, translation and culture @ YT channel Modilingua.

Mr. Ravi Kumar, himself a language-translation entrepreneur, has presented The Translator as Entrepreneur: An Indian Perspective . –  This paper deals with Translators as entrepreneurs who are slowly getting aware of their profession and have begun coming to a common platform to share knowledge, experience and resources – a most desired step necessary for the better future of the profession. Further, this paper proposes “networking” as a possible solution to entrepreneurs who can economize their process and speed up their growth by using available resources and infrastructure without having to invest huge resources.

We will now turn to our regular sections:

For the present episode we have picked up two articles @ the column The Drucker Today @ Management Matters Network.

3 Questions Drucker Would Ask You And Your Management Team

  • What is our business? – The Mission
  • What will our business be? – The changing environment that we are certain about
  • What should our business be?” – The Vision

Dr. Robert Swaim also goes into more detail on the concepts discussed in this article in chapters 2 and 3 of his book The Strategic Drucker.

Notes From A Drucker Lecture: Six Questions Every Manager Must Ask To Empower Their Team

  1. The performance of your people.
  2. Taking responsibility for your relationship with others.
  3. Establishing and maintaining your relationship with others.
  4. Accountability for results.
  5. Relationship with your manager.
  6. Assignment control and staffing.

When you have completed this analysis, you may want to ask yourself one more question: When I leave this organization, what will be different because I was there?

From Ask The Experts, I have picked up a question that relates to how much (of process details / documentation) is enough so as not to jeopardize the ISO certification. The answer is demonstration of objective evidence for the process being implemented ‘under controlled condition’ (Clause 8.5.1 of ISO 9001:2015)

We do not have anything of note in the  ASQ CEO, Bill Troy at present. In the last issue we had proposed to take up the detailed view of Industry 4.0. I submit that we carry forward that proposal for the next month’s episode.

We now watch one of the latest ASQ TV  episodes:

  • Customer Journey Maps: Tool and Example – Lisa Custer, Firefly Consulting, discusses how to create a customer journey map, how it becomes more than a robust voice of the customer tool, and provides a real-world example of a customer journey map in action.

Jim L. Smith’s Jim’s Gems for the month of July, 2017:

  • The Role of Specification Limits – They are primarily for interactions with customers and management – Many people, from engineers to managers to quality professionals to technicians, possess limited understanding of product and process (manufacturing) limits. The third types of limits are: disposition limits… The specification limits are defines as – The general definition is limits within which a product would be expected to perform its stated and intended function for customer use. Specification limits, therefore, are related to product design. They should be set in the product design phase and effectively fixed for manufacture.. The specification limits may not play a direct role in process control limits within the manufacturing environment, but they do facilitate determination of useful product disposition limits. Additionally, they can even play a role in determining required sensitivity levels in setting process control limits.. Furthermore, specification limits are primarily for interactions with customers and management. Also, they are very useful in the calculation of Process Capability Index (Cpk) statistics.

I look forward to your active participation in enriching the blog carnival as we pursue our journey in exploring the happenings across quality management blogs…………

Note: The images depicted here above are through courtesy of respective websites who have the copyrights for the respective images.

The Micro View of the Songs of 1948 @ SoY – Female Solo Songs – Suraiya

The 21 solos songs of Suraiya are spread over just six films. Ideally, we would have covered these many songs in two post-length articles. But that would make the total number of posts on Female Solo Songs run a couple of months. So, for the time being we have covered Solo Songs of Suraiya in this one post.

Din Khushi Ka Chhup Gaya Raat Gam Ki Aa Gayee – Aaj Ki Raat – Husnlal Bhagatram – Rajinder Krishna

Kyon Le Chala Aye Dil Mujhko Pyar Ki Gali Mein – Aaj Ki Raat – Husnlal Bhagatram – Rajinder Krishna

Aaj Ki Raat Muhabbbat Hai Jawan Aaj Ki Raat – Aaj Ki Raat – Husnlal Bhagatram – Rajinder Krishna

Ro Ro Ke Saare Raat Kati Inazaar Mein – Aaj Ki Raat – Husnlal Bhagatram – Rajinder Krishna

Mere Dil Mein Koi Aaye Ki Naha Mera Naazuk Dil Haae Re – Kajal – Gulam Mohammad D N Madho, Shakeel Badayni

Din Pe Din Beete Jaaye Jaanewale Na Aae Main Kya Karoon – Kajal – Gulam Mohammad D N Madho, Shakeel Badayni

Din Gujara Raat Aayee Ho Balam Dhadkan – Kajal – Gulam Mohammad D N Madho, Shakeel Badayni

Mohe Mera Bachpan Laa De Jawani Bhae Na – Kajal – With Chorus – Gulam Mohammad D N Madho, Shakeel Badayni

Na Tadapane Ki Izazat Hai,,, Koi Duniya Mein Hamari Tarah Barbaad Na Ho – Pyar Ki Jeet- Husnlal Bhagatram – Qamar Jalalabadi

O Door Jaanewale Vaada Na  Bhool Na Jaana – Pyar Ki Jeet – Husnlal Bhagarram – Qamar Jalalabadi

Tere Naino Ne Chori Kiya Mera Naha Sa Jiya – Pyar Ki Jeet – Husnlala Bhagatram – Rajinder Krshna

Jaanewale Jara Duniya Ka Chalan Dekhata Jaa – Rang Mahal – K Dautta / V A Balsara – Shivkumar

Us Waqt Kya Kare Koi – Rang Mahal – K Datta / V A Balsara – Shivkumar

Kaali Ghatao Jaao  Sajan Ko Samajao – Shakti – Ramprasad / Ajum Baig – Asad Jafri

Pardesi Piya Tose Laga Jiya Chale Aana Sajan Dhire Dhire – Shakti – Ramprasad / Ajum Baig – Asad Jafri

Zan Zanan Baje Dil Ka Sitar…. – Shakti – Ramprasad / Ajum Baig – Asad Jafri

Armaan Bhara Dil .. Baith Gaya Ulfat Ke Sahare Toot Gaye – Shakti – Ramprasad / Ajum Baig – Asad Jafri

Jhoom Rahi Khushiyon KI Naav – Vidya – S D Burman – Y N Joshi

Kinare Kinare Chale Jaayenge Jivan Ki Naiya Ko Khete Hue – Vidya – S D Burman – Y N Joshi

O Krishna Kanhai .. Aashaonki Duniya Mein Hai Kyon Aag Lagai – Vidya – S D Burman – Anjum Pilibhiti

Kise Maloom Tha Do Din Mein Sawan Beet Jaega – Vidya – S D Burman – Anjum Pilibhiti

We will take up Solo Songs of Geeta Roy for the year 1948 in our next episode.

The Micro View of the Songs of 1948 @ SoY – Summing Up: MY Top Male Solo Songs

It has taken me some time to present this summing up as the mandatory step of the micro-view of the songs of 1948, the base being ‘Best songs of 1948: And the winners are? ‘ . Outwardly I would justify the procrastination on some other (so-called) pressing engagements. However, from the inner most recesses of my heart I know that my choices have already been made even before I ventured into the full scale micro-view of the Male Solo Songs.

I did listen to the songs of G M Durrani, Surendra and ‘other’ male singers a few times. However, the truth remains that I could not connect with those songs. And that is MY limitation – having been brought up listening to mostly the post-’50 songs on the radio in my formative years.

With that bias accepted, here is MY choice of the Male solo Songs for 1948:

Of these, the one I like the most is Bahe Na Kabhi Nain Se Neer.

We take up the next stage of Female Songs of 1948 from  the next episode – with Solo  Songs of Suraiya.

Carnival of Blogs on Golden Era of Hindi Film Music – July, 2017

Welcome to July, 2017 edition of Carnival of Blogs on Golden Era of Hindi Film Music.

We will first take up the posts on the anniversaries or eulogies:

One hundred years of Sarat Chandra’s ‘Devdas’ being published as a book (on 30th June 1917).

More on Sarat and Devdas : In The mortals of Devdas by J.N.Sinha: Its admirers have tracked many a character in Saratchandra Chattopadhyay’s life and his novels….On a closer look, Devdas is none other than the author himself, and Paro a young vivacious girl of the same town.”

Roshan at 100: The ultimate playlist, plus the story of the three lives of a single songRudradeep Bhattacharjee – The legendary music composer had a golden run during the 1960s, but the foundation was set in the previous decade. – One of Roshan’s most memorable songs from the 1960s is Rahein Na Rahein Hum (Mamta, 1966). It was a reworking of another Lata Mangeshkar song Thandi Hawayein, composed by SD Burman for the film Naujawan (1951). This is fascinating because of various reasons: one, RD Burman himself reworked the tune for one of his famous songs (Sagar Kinare); two, SD Burman himself is said to have been inspired by a tune he had heard being played on the piano in a Juhu hotel; three, Roshan used the tune way back in 1954 in a little-known film called Chandni Chowk in Tera Dil Kahaan Hai.

OP Nayyar-Geeta Dutt: A peerless combination – Ravindra Kelkar pays tribute to Geeta Dutt on her 45th death anniversary (23 November 1930 – 20 July 1972)

On this occasion, we will also take a retrospective look at articles on Geet Dutt @ Silhouette Magazine :

The Masters: Madan Mohan commemorates what would have been 93rd birthday of the music director….He once said that “…the foremost requirement of a song is only one thing;  it should be capable of capturing the interest of the listeners in a short period and sustaining it in the years to follow.” He needn’t have worried; his legacy endures, as timeless as his soul-stirring compositions.

The foregoing post has studiedly avoided Lata – MM songs because the author had already done an exclusive post: An Afternoon Tryst with Madan Mohan and Lata Mangeshkar

The music man and his treasure bag: songs in Aashirwad – a song-sequence series post that remembers Sumita Sanyal on her passing away. [Here’s an earlier piece about the Aashirwad song “Saaf Karo Insaaf Karo”]

Jalaa do yeh duniya: poets and merchants in Pyaasa and Navrang – “when I think of the Pyaasa scene, I also think of a very different sort of scene from a film made two years later – another song that touches on the dilemmas facing a pure artist in a material world, but does it with splendid lightness of touch. That Song is “Kavi Raja”, sung by the film’s lyricist Bharat Vyas, begins with a group of friends – poets as well as poet manqués – coming together for an impromptu little sammelan.

[Earlier Mint Lounge columns on songs-sequence articles here]

Even in the darkness, he dreamed of lights: A tribute to renowned cinematographer KK MahajanRudradeep Bhattacharjee – On the death anniversary of Kewal Krishan Mahajan, or KK as his friends called him, a look back at his unmatched legacy.

The July 2017 episode of Fading Memories, Unforgettable Songs was dedicated to Mohammad Rafi’s Solo Song From The FIRST Film With The Music Director: 1949

Here are posts on other subjects as well:

The first duo Husnlal-Bhagatram (1): Their songs for Suraiya, Lata Mangeshkar and Rafi – Having done series on Anil Biswas, Naushad, C Ramchandra, SD Burman and Shankar-Jaikishan, SoY now has taken up the lesser, but no less talented star-duo of Husnlal Bhagatram.

Gaddeswarup’s blog expands the on Husnlal Bhagatram by recalling Satish Chopra’s article ‘The diamond cutters!’, and that famous song Chup Chup Khade Ho from Badi Bahen. Here is the Tamil version of the song Enni Enni Parkka Manam, that was filmed on debutant Vyjayantimala in the film ‘Vaazhkai’ (1949). The film was re-made in Hindi as Bahaar, for which S D Burman had composed the music.

In ‘Ninaithen Vandaai’, MGR and Jayalalithaa are Antony and CleopatraArchana Nathan – In ‘Kavalkaaran’, Jayalalithaa’s character revisits the stories of star-crossed lovers and decides her own love story deserves a happy ending.

Is ‘Aapki Yaad Aati Rahi’ from ‘Gaman’ the ultimate separation song?Nandini Ramnath – In Muzaffar Ali’s debut film, Farooque Shaikh drives a taxi in Mumbai while Smita Patil waits interminably for him. The song is a version of Makhdoom Mohiuddin’s ghazal Aapki Yaad Aati Rahi. Chhaya Ganguli’s masterful rendition of a song that speaks of the pain of a prolonged separation wafts over some of the quietest visuals in the movie. In Gaman, Jaidev’s brilliant soundtrack has one of the greatest laments about life in Mumbai. Seene Me Jalan is the mournful flipside of Ae Dil Hai Mushkil from CID (1956).

Mehfil Mein Meri is a new addition to our blogroll. The blog opens its books with Voice of Dev Anand which has listed some of the songs of Dev Anand by various playback singers

Ten songs picturized in famous gardens, with a rider that song from the same garden would not be included in this post.

Favorite Scenes Showing Kathak Footwork (danced by Gopi Krishna, Sitara Devi, and Roshan Kumari) – I have picked up two songs that are not heard often and one from A Satyajit Ray film:

K.N. Singh – My Memorable Roles (1963) –“Every actor knows that doing a long stretch of walking in front of the cameras is the worst possible ordeal for a newcomer. The camera is a harsh, relentless observer—a one-eyed monster all eyes for the smallest gaucherie. And why only an actor? Off-camera, how many men can walk manfully, unself-consciously, in the full gaze of a roomful of watchful people?”

Baghban” directed by A.R. Kardar, is the film Singh rates highest. He played a villain in it “but the violence was not physical but subtly mental.” To this role and film, Singh ascribes his “continuance” in films.

In our series Micro View of Best Songs 1948 @SoY of Best songs of 1948: And the winners are?, we have added the detailed posts on Male Solo songs with those of G M Durrani, Surendra and Other Male Singers.

To end the today’s post with an article on Mohammed Rafi, I have picked up a two Madan Mohan’s (relatively) unheard songs and a video clip of a public performance.

Tribute to Rafi Saheb and Madan Mohan – Singer Khalid Baig

Oonche Oonche Melahonwale – Jagir (1959) – Lyrics: Raja Mehdi Ali Khan

Har Sapna Ek Din Toote Is Duniya Mein – an unreleased song

I trust you will always feel free to proffer your suggestions for making this series of posts more lively and informative….

Carnival of Quality Management Articles and Blogs – July,2017

Welcome to July, 2017 edition of Carnival of Quality Management Articles and Blogs.

While searching for the articles of general interest on the topic of quality, I came up on:

The Single Biggest Problem in Communication…… Is the illusion that it has taken place quotes Gwendolyn Galsworth while pinpointing one complaint—the one problem—that nearly every company puts at (or very near) the top of its list of challenges…We … understand that part of the power in an empowered workforce was the parity created when information is reliably and repeatedly shared. When that information is made visual by design, it becomes a tangible and indispensable part of the business model…Visuality is about meaning and understanding, not simply seeing. A visual workplace embeds meaning into the dynamic landscape of work.

Visuality, as a concept, was new to me. Si I probed further and came up with:

Simplifying complex management structures to foster better working relationships – The Mobiliteit & Openbare werken (MOW) (Mobility and Public Works) department of the Flemish government in Belgium aims to support policy makers, agencies, and civil society with their expertise. MOW was looking for a way to internally show their employees how they fit into the organization’s complex overall management structure. After a couple of initial iterations aimed at getting to the core of the narrative, what came up as the end product was this:

And then I could link the word ‘visual’ with the process of continual improvement:

How Data Visualization Benefits Your Continuous Improvement CultureHenrik KjærulffIn a continuous improvement culture we expect people to base their decisions upon data – especially when it comes to problem solving….When we give everyone on the shop floor easy access to data, we’ll support a constant focus on a data-driven approach to problem solving and make it easy for people to make decisions based on data. Visualized data is easy to interpret into information.

That gave me an opportunity to brush up the memory:

11 Rapid Continuous Improvement Tools ExplainedGreg Jacobson – Please read the article for more detailed information on each tool and dive deep into one that suits your requirements.

We will now turn to our regular sections:

For the present episode we have picked up the article – The Secret to Building an Opportunity-Focused Organization @ the column The Drucker Perspective @ Management Matters Network. It’s an enduring truth: A successful organization is opportunity-focused, not problem-focused…Resources, to produce results, must be allocated to opportunities rather than problems. This is one of Peter F. Drucker’s most important principles for sustained success:

“An organization will have a high spirit of performance if it is consistently directed toward opportunity rather than toward problems. It will have the thrill of excitement…Of course, problems cannot be neglected. But the problem-focused organization is an organization on the defensive. It is an organization that feels it has performed well if things do not get worse….A management that wants to create and maintain the spirit of achievement therefore stresses opportunity. But it will also demand that opportunities be converted into results.”

From Ask The Experts, I have picked up a question –“Shall Be Determined” in 9001”. The reply states that According to the Oxford Dictionary:  Determine means to “Ascertain or establish exactly be research or calculation”, Merriam Webster has a similar definition:  “to find out about or come to a conclusion about by investigation, reasoning, or calculation…There does not need to be a procedure about how things are determined.  The output, or the determination itself, will serve as evidence that you did it. .. For example, if you are a hospital, and you “determine” that surgeons do not need to wash their hands, you should be subject to a non-conformance for getting that wrong.

In our ASQ CEO, Bill Troy column this time there is a topic – As Industry 4.0 continues to evolve, what can quality professionals do to ensure they will be an integral asset throughout this industrial revolution? – that we need to take up for a more –in-depth view (in our next month’s episode)

We now watch the latest ASQ TV  episodes:

  • BenchmarkingWe learn the basics of benchmarking, review the recommended six phases of a successful benchmarking process, and finally, we get reacquainted with one vital ingredient in benchmarking: metrics
  • Quality Tools—Seven Old and Seven New: Get acquainted or reacquainted with the old and the new—quality tools, that is.

“Building From the Basics”, QP, 2009
“The Quality Toolbox, Second Edition”, Nancy R. Tague, 2005
“Beyond the Basics”, QP, 2012
The 7 Basic Quality Tools for Process Improvement
Seven New Management and Planning Tools

Jim L. Smith’s Jim’s Gems for the month of June, 2017:

  • Empowering Teams : Teams have changed how business is conducted in the workplace – Teams are constructed entities designed to achieve some desired outcome. A team that is empowered is nurtured by a supporting culture in which the organization’s vision, mission and corporate values are substantive and sustainable. An empowered team, therefore, has the necessary information, skills and authority to make decisions that ratchet up performance and drive results. Additionally, how well a team functions depends largely on how well it is structured, the interpersonal relationships and the quality of team leadership. There are five elements required for high performance.
    • Clear strategy
    • Well-understood operational goals
    • Clear and agreed upon roles and responsibilities
    • Transparent and honest business relationships
    • Protocols of decision-making are established

Creating truly empowered teams is a process that cannot be done quickly.. If your organization is not on this path, your competition is set to outpace your efforts.

  • Move Forward – It’s up to you so choose now to make progress by moving forward in order to allow positive momentum to take hold. There’s absolute certainty that it’s within your grasp to feel the wonderment of being the creative person you can be. I believe it was the late Art Linkletter, author and television personality, who said “the rest of your life could be the best of your life.” All you have to do is make the effort to move forward to make it happen.
  • This Day – Even by itself, this day is filled with huge value. But…in addition, this day also gives you the opportunity to prepare for the days, weeks, months and years which follow…Therefore, living this day with purpose, gratitude and integrity will provide you with a double reward. In addition to making this day the most fulfilling it can be in this very moment in time, you are also preparing yourself for all the time that follows.

I look forward to your active participation in enriching the blog carnival as we pursue our journey in exploring the happenings across quality management blogs…………

Note: The images depicted here above are through courtesy of respective websites who have the copyrights for the respective images.

The Micro View of the Songs of 1948 @ SoY – Male Solo Songs – Other Male Singers

Apart from the four male playback singers that we have covered till now, we can find fairly noticeable presence of other male singers like Ninu Mazumdar, Chitalkar, Manna Dey or Vidyanath Seth in the year 1948. In some cases, their work is more on the side of duets or in some case even when we list the songs from HFGK, these are not yet posted on net.

I have clubbed songs of any one singer here under the respective name. In all other cases, I have mentioned the name of the singer along with the song itself.

On the whole, in the retrospect, this list does present quite a kaleidoscopic picture.

Kare Badar Baras Barasa Kar Jao Bar Bar – Gopinath – Singer: Ninu Mazumdar – Ninu Mazumdar – Ram Murthy

The song seems to have a version in which Kaumudi Munshi joins in and lends a very different style to the song.

Manna Dey

Chal Tu Preet Nagariya, Preet Nagar Ke Koyal Kooke – Veena – Anil Biswas – Prem Dahelvi

Ham Tere Hai Ham Ko Na Thukarana – Hum Bhi Insaan Hai – Manna Dey, H P Das – G S Nepali

Koi Mujh Se Bhi Bole – Hum Bhi Insaan Hai – Manna Dey, H P Das – G S Nepali

Ghar Ghar Ke Diye Buzakar Bane Hai Dhanwan –Hum Bhi Insaan Hai – Manna Dey, H P Das – G S Nepali

Jay Shivshankar, Gaurishwar, Jay Rameshwar – Jay Hanuman – Bulo C Rani – Pt. Indra

Jab Se Dekha Hai Tumhein – Gopinath – Singer Not Known – Ninu Majumdar

Do Ghadi Beet Gayi, Taine Surat Nahi Dkhayee – Hum Bhi Insaan Hai – Parvez Kapadia – Manna Dey, D C Dutt, G S Nepali

(Technically speaking, this may have to be placed in female solos category. However, the song is performed by a male (adolescent) actor on the screen, so I have placed it in this list.]

Koi Sham Rang Gori – Veena – Singer: Chitalkar – C Ramchandra –  Narendra Sharma

Sansar Ke Adhaar Dayaa Hampe – Anjangarh –Singer: Pankaj Mallik– R C Boral –

Tu Dar Na Jara Bhi – Anjangarh –Singer: Pankaj Mallik– R C Boral –Pt. Bhushan

Ek Bholi Bholi Gori Ne Aay Hay Dil Pe Jadoo Liya – Andho Ka Sanasar – Singer: Dost Mohammad– Sridhar Parsekar – Kesarinath Vaidya

Shankar Das Gupta

Ab Kis Nagari Jaun Re Ab Jaane Se Jaa Na Shakunga – Anajaana – D C Dutt – Vishwamitra Adil

Kisi Ka Deepak Jalta Hai, Kisi Ka Deep Bujhata Hai – Didi – Mukund Maurekar – Saraswati  Kumar  Deepak

Sajan Ke Ghar Jana Pagle Sajan Ke Ghar Jana – Sajan Ke Ghar –– K S Sagar – Saraswati Kumar Deepak

Suhagan Kahe Ko Tu Ansoo Bahae Karam Lekha Na Tale – Bichhade Balam – Singer: Mohammad Farooqui – Bulo C Rani – Pt Indar

Bane Hai Ham To Ghar Jawai –  Ghar Ki Izzat – Singer: Ram Kamlani – Pt. Govind Ram –

Vidyanath Seth

Aaj Geet Ke Bol Bol Mein Umada Hai Tufan – Roop Rekha –– Pt. Amarnath – Harikrishna Premi

O Gori Kahe Preet Kare – Roop Rekha –Pt. Amarnath – Harikrishna Premi

Marane Ki Dua Kyon Maangu, Jene Ki Tamanna Kaun Kare – Ziddi – Singer: Kishore Kumar – Khmechand Prakash – Prem Dhawan

We will sum up Male Solo Songs for 1948 in the next episode.

Fading Memories…. Unforgettable Songs: July, 2017

Mohammad Rafi’s Solo Song From The FIRST Film With The Music Director: 1949

To commemorate Mohammad Rafi’s anniversaries, we commenced a series of articles on Mohammad Rafi that essentially tried to bring the solo song of Mohammad Rafi with the music director.  We had planned to take up one five-year slot in a chronological order to bring all the first films in which Mohammad Rafi had had a solo song with a music director. The first slot of 1944 to 1948 was covered in Part I and Part II in December, 2016. We will take up next five-year-slot of 1949 to 1954 this year.

 [For the sake for structured documentation, I will be following the alphabetical sequence of Film names in the post.]

1949 appears to the year of bounty in so far as Mohammad Rafi is concerned. He has several re-associations, with music directors like Husnlal Bhagatram,  Hansraj Behl, Naushad, C Ramchandra, Shyam Shundar.  Many of these songs did become evergreen hits as well. He also has plenty of maiden associations with music director who offered solo song(s) to him for the first time. Many of such associations bloomed into quite fruitfully rich associations in the future.

As we will fathom though the maiden solo songs with a music director for the year 1949, we will see that there are more unknown songs than the songs known well. The journey of Mohammad Rafi maiden solo songs, thus, continues to open more and more dimensions of the range of Mohammad Rafi solo songs as we have come to know in the period of post-1950 years – the Golden Years of Hindi Film Music – when he was to ascend to Number # 1 status, among male playback singers.

The maiden solo songs with different music director for the year 1949 are enough in numbers to justify a full length post.

Lo Rukh Badal Raha Hai Zindagi Ka, Dhara Le Kar Chali Hain Duaa, Allah Ka Sahara Khudard Ye Nazara – Banoo – Pt. Ram Prasad

The song is cast in Heer (Punjabi Folk Tune) style.

Main Zindagi Mein Hardam Rota Hi Raha Hun – Barsat- Shanker Jaikishan – Lyrics: Hasrat Jaipuri

Barsat was the maiden film for Shanker Jaikishan as well. As per the demands of the story, the overwhelming number of songs has gone Lata Mangeshkar. Mukesh also had exceptionally noteworthy songs in the film. That almost became the pattern for most of the RK – SJ films down the line. Remarkably, each of RK-SJ film always had at least one Mohammad Rafi song, (‘Aah, 1955 and Jis Desh Mein Ganga Behti Hai, 1961 are equally remarkable exceptions. The Rafi song in the RK-SJ film always had a very remarkable place. Most of the songs are well-remembered today.

Jab Yaad Kiya Ham Aane Lage, Haan Aane Lage……Tum Jhidkiyan Ham Ko Dene Lage, Ha Dene Lage – Chilman – Hanuman Prasad (Sharma)

‘Chilman’ had one more solo of Mohammad Rafi – Zahe Kismat Teri Mehfil Se. Hanuman  Prasad – Rafi had one more film in the year Daulat, which also has one Rafi solo on records  – Mohabbat Ki Sabha Mein Ham Collector Ban Ke – which is not yet available on net. HFGK notes that the songs of the fil hasve also appeared in ‘Jannat’ in the same year.

Ek Din Ek Armaan Bhara Dil Ulfat Se Do Char Hua – Garibi – Bulo C rani – B R Sharma

Bulo C Rani has used Rafi’s voice for the first time. The film had one duet with Shamshad Begum and two solos. The other solo song is: Kisi Se Hamne Poochha Mohabbat Kisko Kahate Hai

Taalim Ka Taraana Unche Suro Mein Gaa – Nai Taalim – Vasant Desai – S R Chopda ‘Saaz’

HFGK lists only two songs in the name of this film. YT’s knowledgable uploader Yashwant Vyas credits Narayan Jaago, Jaago Karunanidhan Jaago (Narsinh Avtar) to Mohammad Rafi, even as HFGK has not identified any playback singer.

Ek Dil Ne Suna Ek Dil Ne Kaha, Ek Dard Bhara Afsana, Haye Dard Bhara Afsana – Parda – Shramaji – Swami Ramanand

As is well-known to most of the Hindi Film Songs fans of the golden Perion, Sharmaji is the pseudonym of Khayyam. The film had one more solos of Rafi – Sitamgar Se Leta Hai Tu Intqam

Samay Ka Chakkar So Bal Khaye – Raaz – Malik Saradar – Meeraji

We have one more song in signature style of Mohammad Rafi. HFGK has mentioned music director as Malik Saradar, whereas most of the references on net show the name as Saradar Malik. However I am not sure whether both are the same person.

Teer Pe Teer Khaye Jaa, Zulmo Sitam Uthaaye Jaa – Rooplekha – Sajjad Hussain – Khumar Barabankvi

Mohammad Rafi opens the solo account with Sajjad Hussain. The present song can easily claim the most popular and known-till-day song in our present list.

Bhaj Man Kamal Nayan Kamlesh– Sant Janabai – Sudhir Phadke – Pt. Narendra Sharma

HFGK lists 22 songs in the film, of which playback singers have been identified in two songs. Source on net identify several songs to Mohammad Rafi. That gets us the opportunity to see Rafi in his now well-known Bhajan singing elements.

Mehmaan Banke Aaye The Armaan Ban Gaye – Shoharat – Aziz (Hindvi) – Gulshan Jharma

The song also has a duet version of this song, in which Rafi teams with Hamida Bano. The clip here has both the versions.

For the year 1949, the number of music directors who opened account of Mohammad Rafi solo songs is 10, same as in 1948. The overall tally of Mohammad Rafi’s songs for the year 1949 is 121 songs, with 21 music directors, spread over 49 films, which was 52, 25 and 21 respectively in 1948. Comparable numbers for the period 1944 to 1949 is 248 songs over 113 films. That should make 1949 as the undisputed hinge over which the floodgates of Mohammad Rafi opened in the decade of 1950.

 

We will continue our search for Unforgettable Songs that seem to Fading away from our Memories every second Sunday of the month……..

Disclaimer: All images are sourced from net. All copyrights of the respective image remain with the original owner of the image.