Carnival of Blogs on Golden Era of Hindi Film Music – November 2015


Welcome to November, 2015 edition of Carnival of Blogs on Golden Era of Hindi Film Music.

We will begin our present issue with a post that is so very topical.

My Favourites: Songs of Cool Breezes ushers in the early signs of winter in our part of the world. We will also enjoy the feel of the early chill by way of some of the rare songs from this excellent list:

And now we turn our sails to the tributes.

My Favourites: Salilda’s Malayalam Songs – on his 92nd birthday. ‘It may encourage folks to look up and listen to unknown gems’.

“Dekh Lo Ishq Ka Martaba Dekh Lo” – B.S.Thapa – B.S.Thapa ji who completed 92 on last 3 July may not be active in films now but his contribution to the Cinema as a teacher and a director can’t be denied with.

P.Susheela just turned 80A tribute with a list of some of her songs. Some of her Hindi films songs are here.

Please Go To My Post From Last Year to Celebrate the Birthday of the Great Sitara Devi – At this time last year, the author had posted ‘seven of her film scenes. Unfortunately, it is impossible to find an additional seven comparable clips on YouTube, especially if one tries to look for scenes from other films’. Here is one of her famous Kathak dance sequence – Thumak Chalat Ramchand.

S D Burman also gets a special mention on 40th Anniversary – on 31st October. Here are some notable tributes.

Ten best songs (solos) composed by SD Burman – The earlier saturation coverage has provided a good building block to choose one song per singer to pay the tribute to the master in this post.

Tere Mere Sapne Ab Ek Rang Hain – Eternal Melodies of SD Burman-Rafi By Peeyush Sharma – Had it not been the occasion of S D Burman’s anniversary, this post could have done full justice in this blog carnival’s special space of posts on Mohammad Rafi.

The Incomparable Music Of S D Burman Transcends Generations

My Favourites: Children’s Songs celebrates Jawaharlal Nehru’s 125h birthday on 14th November. These are not necessarily patriotic songs, but songs picturized on children, and are the ones that are sung by the children on the screen.

Some of the less heard songs:

We move over to other regular posts.

Watch 100 Years of Indian Cinema Come Alive in 200 Seconds of Sand ArtTanaya Singh pays due credit to Rahul Arya, a well-known sand artist for this 200-second action packed journey.

Posts on –

Do Chetan Anand’s best-known films stand the test of time?

Back to Boral: Looking for Satyajit Ray in the town in which he shot ‘Pather Panchali’

The brilliance of Salim-Javed lies not just in what they said, but how they said it

When Javed told Salim, ‘I was thinking that maybe we should work separately’Diptakirti Chaudhuri  · A new book speculates on why Salim Khan and Javed Akhtar split after a writing partnership that created some of the most iconic Hindi movies of the 1970s.

Saxy Desi: Check out the sounds of the saxophone in South AsiaNate Rabe  – this most romantic of jazz instruments, often purringly referred to as the sexaphone, was invented in 1841 in the lowlands of a somewhat more prosaic Belgium by Adolphe Sax to create a sound that floated somewhere between the silken tone of the clarinet and the brash flare of the trumpet :

The Braz Gonsalves 7 – Raga Rock | Joe Gomes – O Saathi Re | Unknown – Spinboldak Saxophony | Rudresh Mahantappa – Abhogi | Sahib Shihab – Om Mani Padme Om

Hai kya kya jalwa bhara hua Ghanshyaam tumhaari aankhon meinAtul, while discussing the HFM related statistics pertaining to 1932, noted that only nine songs from movies of 1932 are available. Six of these songs are already covered in the blog. Here is the seventh song of 1932 to appear in the blog : Hai kya kya jalwa bhara hua Aankh Ka Taara (1932) – Jahanara Kajjan – Motilal Naik

My Favourites: Teasing Songs are the songs, only about situations where the heroine (or in one case, the hero) is already in love with the hero, and her friends (/his friend) – as friends will – tease her about it.

Songs of Sensuality – Inspired by Conversations Over Chai’s great post on the same topic, here’s list of classic Hindi and Bengali songs that explore sensuality, physical affection, and longing.

Top Ten Songs Sung by Actors Themselves (or by Singers Appearing Onscreen) – Guest Post by Abhik Majumdar – ‘songs actually sung by (not merely lip-synched by) actors. Not singer-cum-actors, but people who were known only for their acting. First off, only one track per artiste. Secondly, there’s no point including songs by people known equally for their singing and acting. So no Kishore Kumar, no Suraiya, no Rajkumar (the Kannada actor), no Talat Mehmood even. Thirdly, the singing must conform to certain minimum standards of excellence. (A certain Mr Bachchhan stands excluded on this count.) Fourthly, in the early days of talkies when playback singing was unknown actors, even the most atrociously off-key ones, were compelled to sing their own songs. Since such examples are a penny a dozen, no point adding them …..’

Ten of my favourite ‘Aaja’ songs i.e. Hindi film songs that begin with the word “Aaja” The post has all the songs that would immediately reverberate in our mind when we read the title. Here are some of the less heard songs, picked up from the discussions by the readers:

Sapnon ke gaaon mein taaron ki chhaaon mein – K Satish Shenoy remembers that this song used to be played invariably in the same session on Radio Ceylon with another song ‘Kahan le chale ho,…’ from Durgesh Nandini.

In photos: Bollywood cinema is life and life is a movie – Photojournalist Fawzan Husain captures the making of Hindi movies as well as their impact on the world beyond the sets.

A tailor in Kamatipura in Mumbai works under the watchful eye of Hindi cinema’s leading ladies from the black-and-white era

A tailor in Kamatipura in Mumbai works under the watchful eye of Hindi cinema’s leading ladies from the black-and-white era

Best songs of 1950: Wrap Up 4 which is about the best duets of 1950 in continuation of the Overview post, Wrap Up 1 (best male solos), Wrap Up 2 (best ‘other’ female solos) and Wrap Up 3 (best songs of Lata Mangeshkar).

Best songs of 1950: Final Wrap Up 5 lives up to the expectations of distillation post on a subject that always had a wide range of discussions.

We have moved the songs remembered by our friends to a separate, full-fledged post w.e.f. this month. These posts will be titled as “Fading Memories….Unforgettable Songs” and would be published on second Sunday every month.

We would therefore revert to posts on Mohammad Rafi to end each of the episode of our blog carnival.

Jaao Mere Siva Tum Kahan Jaaoge – Remembering Rafi through Rahul Dev Songs By Peeyush Sharma

Here are some not so known songs:

Ten Songs of Mohd. Rafi We Could Not Include in ‘Gaata Rahe Mera Dil’ – By Balaji VittalWe can read the excerpts of The book co-authored by Aniridha Bhattacharjee, published by Harper.

We continue our pursuit of the golden period of Hindi Film Music ……

Carnival of Quality Management Articles and Blogs – November 2015

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Welcome to November, 2015 edition of Carnival of Quality Management Articles and Blogs.

The search for “Improving measures of measurement of process” took us to the first building block -‘performance measures and metrics’, followed by the search for resources relating to the ‘structuring for the process of improvement’, “Deploying the Improvement Process” and “Implementing the Improvement Process”. While we were @ Measuring the Improvement Process, we had observed references to several techniques of measurements. Among these we had a detailed look at one of the most discussed one: The Balanced Scorecard.

In this last part of our journey of Continuous Improvement, we will take a look at some of the representative articles on “Sustaining Continuous Improvement’.

Sustainability of lean process System

How to Create and Sustain Successful Continuous Improvement Teams – Renee Bassett – Porter at Irving Oil: “Keep it fresh, keep improving the system.  Do not let it stagnate.  Your competition is making improvements every day; evolving change is now a way of life.” Click here to read how understanding human motivations can go a long way toward ensuring a successful continuous improvement program.

Sustaining Continuous Improvement Initiatives – Simon Bodie – Continuous Improvement Initiatives are often launched with a flurry of excitement .This can soon wane as executives fail to see value and question the rationale for continuing. Achieving longevity requires careful management of the program. Just completing ‘good work’ is not enough, benefits need to be understood calculated and extracted. Progress needs to be communicated effectively.

Sustaining a Continuous Improvement Culture in a World of Flux – It is not so much that we are afraid of change, or so in love with the old ways, but it is the place in between we fear….. like being in between trapezes……there is nothing to hold on to. CI should not merely be an institutional priority, but should be integrated into the strategic plan. A well-defined structure for implementing CI programs, transparent flow of information, listening to views of each stakeholder, showing the benefits to the individuals and maintaining the consistency of approach (towards CI) help build the culture that creates environment for sustaining the CI.

Visual Management Helps You Sustain Continuous Improvement – You can’t make your operations more efficient if your employees don’t know what is going on!  Communicating information throughout all departments and levels of your company is critical. Visual management is a fundamental element of process control that helps you sustain continuous improvement.

Creating and sustaining value: Building a culture of continuous improvementSaleem Chattergoon, Shelley Darling, Rob Devitt, Wolf Klassen have narrated a phased approach adopted at Toronto East General Hospital . These are: Phase 1 – Setting the stage ; Phase 2 – Team-driven performance management and Phase 3 – The daily management system and cross-appointment model. The three phased approach takes the movement beyond individual projects to the cultural transformation.

Continuous Improvement through a Productive Culture

Actions that Build a Productive Work Culture

  1. Practice good leadership at all levels
  • Create trust and respect
  • Be committed and persistence
  • Be patient and understanding
  • Be consistent
  • Allocate resources fairly & where needed
  • Explain the goals and reasons
  1. Lead by example, by “walking your talk”
  • Role model desired behaviours
  • Coach, mentor and teach
  1. Determine appropriate criteria for rewards, praise, and status
  2. Select good people and supporters – Put individuals in the right roles
  3. Practice open 2-way communication
  4. Manage by walking around
  5. Develop and communicate values, behavioural expectations and norms – Deliver common and consistent messages and behaviours at all levels
  6. Focus on the quality of relationships – respect people
  7. Ensure the physical and emotional safety and well-being of employees – Listen to ideas and concerns and take appropriate action
  8. Let employees enjoy the rewards of their hard work
  9. Help people to understand all the ways the change will be good for the organisation and also for them
  10. Promote collaboration and cross-functional problem solving
  11. Provide stability and consistency
  12. Promote creativity, innovation & learning – Within boundaries remove obstacles and encourage rule breaking
  13. Create personal responsibility for results
  14. Provide employees with feedback
  15. Create a sense of identity, ownership and pride of work
  16. Provide development opportunities, new skills and fresh knowledge
  17. Provide career opportunities
  18. Provide challenges and challenging opportunities
  19. Impose real-time consequences that matter
  20. Be connected to your community

Continuously improve your chances for project success: Whitepaper 3 || ||

Effective management of major projects relies on three key concepts:

  1. early planning and organization
  2. stakeholder communication and project controls integration, and
  • Continuous improvement.

This third instalment of a three-part series, outlines the third key component in managing a major project, continuous improvement……A collaborative culture – where information is exchanged informally and through multiple channels – is preferable for inspiring continuous improvement.

From lean to lasting: Making operational improvements stick

The broader challenge underlying such problems is integrating the better-known “hard” operational tools and approaches—such as just-in-time production—with the “soft” side, including the development of leaders who can help teams to continuously identify and make efficiency improvements, link and align the boardroom with the shop floor, and build the technical and interpersonal skills that make efficiency benefits real.

Why do continuous improvement initiatives fail to sustain? By Thomas Liesener – The four most commonly occurring hot spots are: lack of will, support, commitment and leadership from (senior) management; not right metrics selected, monitored and reviewed (for CI and change); lack in professional human development / trainings and career pathing; not right and enough resources allocated or available for implementation and projects.

Sustaining the continual improvement will find as many variants as required by the as differing needs of differing circumstances, varying by the degree in which the people involved vary with as many differing backgrounds. Obviously, we cannot cover all such variants in a single episode of our blog carnival. The ultimate message is that continuous improvement sustains in thrives in the culture of people who feel involved, who keep evolving and openly share their views and feelings.

The journey of the continuous improvement never ends.

We will now turn to our regular sections:

Bill Troy, ASQ CEO presents four guest posts:

A Day With the Future of QualityEdwin Garro presents a very intimate documentation of his visit to a junior high school class at the San Rafael de Poás Technical High School, Alajuela, Costa Rica. The Quality and Productivity Technical program was conceived as long term answer to shortage of skilled quality technicians. The visits talks about aspirations of the students of the program.

Big Data and Quality Professionals – by Ponmurugarajan Thiyagarajan Big data is in play when data size is huge (Volume), moves in high speeds (Velocity), comes in variety of forms (Variety) and in varied quality (Veracity) which conventional database systems cannot efficiently process.

Analytics built over big data enable organizations to process structured and unstructured data to derive useful intelligence and provide actionable insights for end-users.

This has interesting implications for quality professionals who may become involved with big data efforts. Assurance of quality is key in such projects: data clean-up must happen in an automated fashion and reconciliation reports to be produced in real-time to track quality parameters. Thus, relevant tools need to be built for quality assurance. It will be interesting to see how quality tools such as Plan-Do-Check-Act, the 7 quality tools (Fishbone diagram, Check sheets, Control charts, Histogram, Pareto Charts, Scatter Diagrams, Flow Charts) etc., can be customized for a big data project.

Facing Cultural Barriers by Leaders to Strengthen a Culture of Quality by Luciana Paulise company culture is modeled upon top management behavior. So, in effect, leaders need to change their behavior first if they want to change the entire company culture—and they have to do it through a systemic model considering four types of intelligence, viz. spiritual, intellectual, physical and emotional.

Talking To the C-Suite About Qualityby Dr. Suresh Gettalaemphasizes the following five rudimentsTalking to C-suite about quality culture that are indispensable when talking about quality to the top management:

  1. The long term – short term continuum
  2. The Language of Metrics
  3. Economic case for Quality
  4. Success Anecdotes
  5. Big Q” Approach

The current month episode of ASQ TV is: Quality in Pop Culture . Celebrate World Quality Month by watching examples of quality appearing in pop culture. Quality touches nearly all aspects of society. And it’s not surprising to see it in mainstream entertainment—whether it’s being satirized for its seemingly complicated tools and methods, or indirectly referenced for how it improves our lives.

For the present month, our ASQ’s Influential Voice is Bill Troy, the CEO of ASQ.

Bill TroyWe have been regular visitor to his View From the Q.

We had taken our first look at View from Q in September 2013, when it was under the guidance of the then ASQ CEO, Paul Borawski.

Presently, we seem to have reached the end of the present list of ASQ Influential Voices. We will take a different approach to visiting the views of ASQ Influential Voices, beginning January 2016.

I look forward to your active participation in enriching the blog carnival as we pursue our Improvement journey …………

Carnival of Blogs on Golden Era of Hindi Film Music – October 2015

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Welcome to October, 2015 edition of Carnival of Blogs on Golden Era of Hindi Film Music.

We have a fairly long list of anniversaries of the playback singers this month. But before we take them up, there is one a very unique tribute that must take the precedence over all those. So, we open our account of anniversaries for the current episode of blog carnival with –

First male dancer of Hindi films: Mumtaz Ali, which is the tribute to this great artiste from the vintage era with some dance-songs picturized on him.

On the other end, we open our account of posts on birthdays / anniversaries of the playback singers with –

We begin with Lata Mangeshkar’s birthday:

The Great Mughal and The Empress of playback singing – an exclusive post on Lata Mangeshkar’s best songs by Naushad, on her 86th birth anniversary (b. 28 September 1929). The previous ones, wherein other music directors have been chosen are : Chitragupta, C Ramchandra, Roshan, SD Burman and Anil Biswas.

Ten of my Favorite Lata Mangeshkar Songs from the Films of V. Shantaram is a fairly representative list.

Celebrating a legend: A century of MS Subbulakshmi through 10 songsVeejay Sai – tracks her journey from a child prodigy to a singing movie star to the Carnatic icon she became in her lifetime…. MSS specially recorded Hari Tum Haro for Gandhiji’s birthday on 1947.

Interestingly, we have several posts that were in fact sent in by our friends, primarily to remember a song of the particular singer or the music director, but each of the post inherently is also a commemoration of the anniversary. We will take up the underlying song separately along with other songs forwarded by our friends.

Tera Mera Pyaar Koi Aaj Kal Ki To Baat Nahin – by Mahesh Mamadapur on Usha Khanna’s 74th birthdayFor some reason, Usha Khanna never received the recognition and fame that she so rightfully deserves. She is not the first, but definitely is the most successful and talented of a handful of female composers in the Hindi film industry, having composed something like about 973 songs in total.

[We have separately documented Mukesh’s songs composed by Usha Khanna for easy access.]

Lo Mil Gayi Degree Pyaar Ki by skapur01 while tastefully narrating the circumstances how Mukesh got associated with this song, the post goes onto list 36 songs that Roshan composed for Mukesh.

[We have also separately documented Roshan’s songs of Mukesh.]

MukeshGitKoshN.B. – Both these compilations have been provided none other than Shri Harish Raghuvanshi, from his one of the several painstakingly researched books Mukesh Geet Kosh. Here is a video clip wherein Shri Raghuvanshi talks about this epochal work.]

Dekha Hai Jab Se Aapka Chehra Ye Chaand Saskapur01 – Remembering Mahendra Kapoor on the anniversary of his passing away – 27th September……He got his debut break under the music direction of V Balsara in the 1953 film ‘Madmast’, with a duet with Dhan Indorewala – “Kisi Ke Zulm Ki Tasveer Hai Mazdoor Ki Basti” and a qawwaali with SD Batish – “Unhen Dekhen To Weh Munh Pher Lete Hain”. …..Next came his first solo song by Snehal Bhatkar in ‘Diwaali Ki Raat’(1956) – “Tere Dar Ki Bhikmangi Hai Daata Duniya Saari”.  In 1956 again, he recorded a duet with Sabita Bannerji for the film ‘Lalkaar’ – music director Sanmukh Babu Upadhyay – “O Bedardi Jaane Ke Na Kar Bahaane”.  The music competition and the associated assignments with major league music directors came later.

In Phir Mohabbat Ke Pyaam Aane Lagey, skapur01 remembers Hemant Kumar on the anniversary of his passing away – 26th September – by delving way back to ‘Iraada’ (1944) – the first Hindi film for which Hemant Kumar sang playback.

October 17 would have been 60th birthday of Smita Patil, who would certainly be ranked in the history as one of the most talented artist of the (what we know as) new, post-1970s cinema. We take note of some of the posts on this occasion to pay our tribute:

Smita Patil loved the camera and it loved her right backScroll Staff – Rare images from the key films of the late celebrated actress.

Songsstoriesbooksandmore has reviewed Sangtye Aika (You ask, I tell: An autobiography) by Hansa Wadkar transl. by Jasbir Jain and Shobha Shinde.

YT also has Smita Patil – Biography.

UpperStall had posted a decade back a very vivid profile of Smita Patil by Karan Bali.

If there has to be one song that can sum up the essence of Smita Patil’s acting talents, Tumhare Bine Jee Na Lage Ghar Men (Bhumika – 1977, Preeti Sagar- Vanraj Bhatia) can easily be the one.

Shammi Kapoor – In Perpetual Motion – It is not just that Shammi Kapoor didn’t know how to stand still; it is that he seemed to have an inordinate number of songs that were picturised in/on some mode of transport or the other. Last year, on this same date, the author had done a post on Shammi Kapoor and various musical instruments. Now it is time to chronicle his trysts with travel, whether in vehicles or on animals. In any case, whether they moved or not, Shammi definitely did.

We now move over to other posts from our regular blogs –

Arre kahaan chali – Arun Kumar Deshmukh – Film Jaalsaaz-59 was the first of three films with the same title. The second movie by this title came in 1969 and the third in 2000. Similarly even film Jaal was made 3 times- in 52, 67 and 86.

Unvoiced Emotions, Expressed Feelings has ten songs that fitted this category. Each song listed here has the lead characters’ ‘feel’ what they feel, and those emotions are ‘spelled’ out by others’ voices, even if the underlying mood is not similar (and in fact, is quite the opposite) in some cases. No, these are not ‘background songs’, but songs that are actually sung on screen by other characters.

Ten of my favourite ‘credits songs’ – are not necessarily ‘background songs’ as well: some of them are ‘sung’ by people onscreen. They run the gamut from songs that introduce the film’s ethos or primary theme, to—well, just another song to add to a list of romantic to philosophical to patriotic songs the film already boasts of..

All USTADJIs, who made us happy and will continue to make happy in all our coming generations.

Three Tandav dances feature Anada Bhairavi 1983 || Damini 1993 || Sivaanai Seemai 1959

‘Pyaasa’ is the Guru Dutt gift that keeps givingNasreen Munni Kabir – A new restoration of the 1950s classic provides an opportunity to appreciate all over again its many achievements.

The Namesakes: Musicians and the raags named after themAneesh Pradhan – Renditions of Mia ki Todi. by Faiyaz Khan, Amir Khan, Bhimsen Joshi and Kishori Amonkar.

‘Vaishnav Jan to Tene Kahiye’: One of Gandhi’s favourite bhajans played by classical maestrosAneesh Pradhan – Featuring duets by Bismillah Khan and VG Jog, and Rashid Khan and Shahid Parvez

Making Indian classical music relevant to the contemporary | Manasi Prasad | TEDxHyderabad – Manasi Prasad connects us to our roots by infusing the beauty of music from different times to present day creating relevance for us to understand it nuances better.

After the overview post on the Best songs of 1950, Wrap Up 1 on the best male solos, and Wrap Up 2 on the best female solos by ‘other’ singers have been the stage wise review of the readers’ views as well as SoY’s own analysis. .  Continuing the series, here is the third Wrap Up on the best songs of Lata MangeshkarBest songs of 1950: Wrap Up 3

We take of note of the review of Mem Didi (1961) for Salil Chaudhary’s songs –

Now we move over songs remembered by our friends in this month –

Bhagvan Thavrani

Ajab hai yeh duniya – Naya Aadmi (1956) – Lata Mangeshkar – Madan Mohan. Naya Aadmi, Hindi version of Santosham (1955), had 10 songs. 6 of them were composed by Madan Mohan and the rest by South Indian duo of Vishwanathan / Ramamurthy . Hemant Kumar – Lata Mangeshkar duet – laut gaya gham ka zamana – was the creation of the duo. They also created Lata solo – dile betaab thahar – while Madan Mohan created Rafi solo – gharibo ka paseena bah raha hai . The film had NT Rama Rao (NTR) had in the lead.

Samir Dholakia

Arre kahaan chali -Jaalsaaz (1959) – Kishore Kumar, Asha Bhonsle – N Datta – Majrooh Sultanpuri – The tune is based on “Lavani” songs of Maharashtra.

Sumant (Dadu) Vashi form Chicago (U S A) had sent in –

Dil Jalega To Zamane Mein Ujala Hoga – Yeh Basti Yeh Log (1965) -Lata Mangeshkar – Bhola Shreshtha

Harish Raghuvanshi

Tera Mera Pyaar Koi Aaj Kal Ki To Baat Nahin  – (Dada) (1966) – Mukesh, Usha Khanna – Usha Khanna – Asad Bhopali

Koi Kushnaseeb Na Hoga – Malkin (1953), Kishore Kumar, Mukesh, Ram Kamlani – Roshan – Rajendra Krishna

Yeh khaamoshi kyun ye madhoshi kyun – Hamaare Gham Se Mat Khelo (1967) – Jaidev – Nyay Sharma – Geeta Dutt’s only solo in Hindi films by Jaidev is the subject of Bharat Updhyay’s post.

[This film had a very well-known Talat Mahmood solo – Ansoo Chupaye Aankh Mein Khoon-e-Jigar Piya Karoon.]

Dekha Hai Jab Se Aapka Chehra Ye Chaand Sa – Husn Ka Ghulam (1966) – Mahendra Kapoor – Robin Banerjee – Anjaan

Phir Mohabbat Ke Payaam Aane Lagey Iraada (1944) – Hemant Kumar – Pt Amarnath – Aziz Kashmiri.

[There is another wonderful solo song “Aaraam Se Jo Raaten Kaaten” from this film.]

Jab tum hi chali England -Meri Asha (1950) –Agha – K Narayan Rao – a parody song posted by Atul Kumar Deshmukh

In the end, we have (our customary) very special songs of Mohammad Rafi, remembered Naresh Mankad, from Naqli Nawab (1964) [Music Director: Babul]:

There are a couple of very enjoyable Rafi – Asha Duets:

We continue our pursuit of the golden period of Hindi Film Music …….

Carnival of Quality Management Articles and Blogs – October 2015

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Welcome to October, 2015 edition of Carnival of Quality Management Articles and Blogs.

The search for “Improving measures of measurement of process” took us to the first building block -‘performance measures and metrics’, followed by the search for resources relating to the ‘structuring for the process of improvement’, “Deploying the Improvement Process” and “Implementing the Improvement Process”. While we were @ Measuring the Improvement Process, we had observed references to several techniques of measurements. Among these one of the most discussed one is The Balanced Scorecard.

We will devote our present episode to exploring this technique in details. As can be expected, subject has a vast array of reference materials in the form of articles, papers, books and other multimedia contents. Even a brief glance through these would quite a heavy task, so we will refer to the hyperlinks of the referred contents in order to remain light on this episode.

Balanced  ScorecardWe will first take up a few of the articles that provide the introduction to the subject:

Here are some more articles that discuss the concept from different perspectives:

Next is in illustrative set of papers / articles that discuss the application of BSC in different fields:

Here is why 6 Reasons The Balanced Scorecard Is Still Relevant Today – an interesting article by Ted K. Jackson

#1: It ties directly to the number one issue of executives today: strategy execution.

#2: It provides a framework to align everyone in the organization around a mission and vision.

#3: It allows organizations to be more responsive to changes in the competitive landscape.

#4: It provides quantifiable metrics that show the health of an organization.

#5: It helps drive transparency.

#6: It links projects to measures, and measures to strategy.

Bonus Reason #7: You can make it yours.

If you are interested in balanced scorecard software, try the open-source Compiere.

For those who are interested in SAP type ERP platforms, here is the link to Balanced Scorecard (CPM-BSC) @ SAP’s Enterprise Management Tool .

The Balanced Scorecard Institute is an excellent under- one-roof resource.

The more we search, more will find resources – books, papers, software. What we have listed is at best a few samples on the subject. Measurement of the continual improvement will find as many variants as required by the as differing needs of differing circumstances, performed by the people with as many differing backgrounds. Obviously, we cannot cover all such variants in a single episode of our blog carnival. The ultimate message is that measurement and improvement both have to be integral part of the operations as well strategy.

We would continue our onward journey of the process of improvement for one more month, and then conclude the series.

We turn to our regular sections now:

World Quality Month - 11 2015Bill Troy, ASQ CEO has announced World Quality Month. The 6th Annual World Quality Month is set to begin in just a few weeks.

ASQ communications, in the ‘September Roundup – Does Mission Matter?’, has collected the reflections of ASQ Bloggers on the value of mission and the valued placed on it w.r.t. the guest post by Pat La Londe, ASQ Fellow and incoming ASQ board chair, on a question how often is a company’s mission considered when choosing a retailer or business partner..

The current month episodes of ASQ TV mainly relate to the revision in ISO 9001: 2015. We plan to take up this subject for an in-depth study in our December, 2015 episode. Therefore, we have gone back a little more and chosen Thinking Creatively and the related QP story for current month’s view.

For the present month, our ASQ’s Influential Voice is Dr. Suresh Gettala.

Dr. Suresh GottalaDr. Suresh Gettala is a regional director at ASQ India. He holds a doctorate in quality management from the Indian Institute of Technology Madras, Chennai, and is also a recipient of the renowned post-doctoral fellowship from the Alexander von Humboldt  Foundation, Germany. He is a seasoned quality expert with a unique blend of academic/research as well as industry experience spanning several years in various aspects of quality management across multiple industries. He has published many research articles in reputed, peer-reviewed international journals. Suresh blogs on LinkedIn.

I look forward to your active participation in enriching the blog carnival as we pursue our Improvement journey …………

Smita Patil would have been 60 on October 17 – Rare Images

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Smita Patil -1

Arun Khopkar’s Teevra Madhyam (1974).

Arun Khopkar’s Teevra Madhyam (1974)

Naseerudin Shah and Smita Patil in a screen test for Richard Attenborough's Gandhi

Naseerudin Shah and Smita Patil in a screen test for Richard Attenborough’s Gandhi

 In Shyam Benegal’s Bhumika (1977), a film bloosely based on Hansa Wadkar’s autobiography Sangtye Aika

In Shyam Benegal’s Bhumika (1977), a film bloosely based on Hansa Wadkar’s autobiography Sangtye Aika

Mrinal Sen’s Akaler Shandhaney (1980)

Mrinal Sen’s Akaler Shandhaney (1980)

Ketan Mehta’s Bhavni Bhavai (1980)

Ketan Mehta’s Bhavni Bhavai (1980)

G Aravindan’s Chidambaram (1985). Photo by Peter Chappell

G Aravindan’s Chidambaram (1985). Photo by Peter Chappell

With Naseeruddin Shah in Sagar Sarhadi’s Bazaar (1982)

With Naseeruddin Shah in Sagar Sarhadi’s Bazaar (1982)

Shyam Benegal’s Manthan (1976)

Shyam Benegal’s Manthan (1976)

All photos courtesy Anita Patil Deshmukh unless otherwise indicated.

Post courtesy: Smita Patil loved the camera and it loved her right backScroll Staff

Nature’s message for people to see, understand and act upon…….

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                                                      SOME YEARS LATER



                                       THE BEGINNING of END (??)

Pictures clicked by umesh solanki at 10:10 PM

[I have been following the photo stories of Umesh Solanki for quite some time. Essentially, his stories have deep social perspectives. I will now keep revisiting his archives and re-blog some of the photo stories that I like.]

Carnival of Blogs on Golden Era of Hindi Film Music – September, 2015

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Welcome to September, 2015 edition of Carnival of Blogs on Golden Era of Hindi Film Music.

We begin our recall of the anniversaries with Fearless Nadia (?)singing a romantic song 1943, apparently sung by Rajkumari and Mansoor), from Hunterwale Ki Beti , composed by Chhannalal Naik – Chanchal Dhara Nadi Kinara AND An Evening With Nadia – Karan Bali – Fearless Nadia films, produced by Wadia Movietone, were a genre unto themselves, a certain draw to many more visits to Movies at the Museum…

Another important memory is rekindled in “Guzra Hua Zamana Aata Nahin Dobara” – S. Mohinder. The interview presented herein no doubt is worth reading. But I have not been able to resist temptation of reproducing here the songs presented in the article. The songs pan S. Mohinder’s career.

Some more songs are also available @ S.MOHINDER SONGS.

Quite interestingly, Samir Dholakia also has remembered Sudhir Kapoor’s article – Kyun Chamke Bijuriya Saawan Ki posted on the birthday of S Mohinder and Asha Bhosle. This gem of a song is from film Bekhabar (1965). The article also leads us to Phool Muskuraye Kyon, Chand Jagmagaye Kyon. . . which is a duet by Mohammad Rafi and Asha Bhosle from ‘Sarfarosh’ (1964).

Asha Bhosle with reluctant Naushad and C Ramchandra: Part 1 (solos) : The two dominant composers of the era, Naushad and C Ramchandra, gave a look-up to Asha Bhosle very sparingly in the early years. From the array of songs presented in the article, we have picked up some of the songs that may be fading up from the memory –

Asha Bhosle with reluctant Naushad and C Ramchandra: Part 2 (duets) : Asha Bhosle’s duets, too, composed by them are no less memorable. Therefore, to have a complete picture of the songs that Naushad and CR composed for Asha Bhosle, we have been presented with her duets made by the two reluctant Masters.

Happy 89th Birthday, Madam Noor Jehan! 21st September was Noor Jehan’s 89th birthday. Here is the list of previous posts: 83rd Birthday (2009) || 84th Birthday (2010) || 85th Birthday (2011) || September 2012 – Noor Jehan and Lata, with a clip of one fine song from each. || 87th Birthday (2013) || 88th Birthday (2014) .

India’s loss, Pakistan’s gain: The journey of singing great Noor Jehan after 1947Karan Bali – It took Noor Jehan until 1951 to appear in a movie in Pakistan. We have picked those songs from the article that represent her (second) acting career.

Shailendra was the proverbial moth who got burned too quickly – The lyricist died 49 years ago, leaving behind a legacy of exquisite songs that make you cry and think.- Akshay Manwani [Akshay Manwani is the author of Sahir Ludhianvi: The People’s Poet (HarperCollins India 2013)]– Shailendra would have been 92 on August 30. In Ganesh Anantharaman’s National Award-winning book Bollywood Melodies: A History of the Hindi Film Song, eminent lyricist and filmmaker Gulzar said about Shailendra: “In my view he was the lyricist, who understood films as a medium distinct from poetry and theatre perfectly, and adapted to it beautifully. For his ability to know the medium, understand the situation, get into the characters, and writing in a language suiting the character, he was without peer… I’d go as far as to say that among all the lyricists of Hindi cinema, only Shailendra became a part of the film medium, expertly and successfully. All others remained poets who wrote for films.”

Dolls and puppets, child-like(?) dances, sprightly singing by Lata, Shankar Jaikishan… A series of songs that come to mind because of a number of associations, all described in the title here… The last is quite different from the first, but it’s interesting how the songs actually progress from the first to the last – while being in chronological order, too!

We now move over to other posts from our regular blogs.

Ten of My Favorite Background Songs is an interesting compilation of a very popular genre of background songs. Excluded here are the songs that appear in the credit titles of the film. The readers have further enriched the collection.

R.D. Burman – The Man, The Music is a follow up of the review of reading Gaata Rahe Mera Dil .

Basant (1960) : While not one of OPN’s best and popular score, it has some very fine tunes. And we would certainly enjoy – Chori Chori ik ishaara ho gaya hai, Naino mein suraj ki kiranein, Raaste mein ik haseen.

Bells and Whistles – “Bells and Whistles” is a popular English idiom. It means extra or fancy add-ons. However, when you hear bells or whistles in some Hindi film songs, they seem very much an integral part of the song and not something fancy or extra.  There are literally hundreds of songs that feature bells and whistles. We have here a playlist of 15 lively and popular songs with bells and whistles. These songs have been picked from movies from the mid 1960s to the mid 2000s.

From back-up to the front row: Reintroducing Bollywood dancer Edwina LyonsNandini Ramnath – Surjit Singh’s book ‘Edwina An Unsung Dancer of the Bollywood Era‘ focuses attention on a minor Anglo-Indian dancer who shimmied across the screen between the 1950s and the ’70s.

Before we pay visit to MUSINGS, we have Nigahen Milane Ko Ji Chahta Hai – The combination of Roshan’s admirable music, Sahir Ludhianvi’s beautiful words, Asha’s flawless rendition, Nutan’s lovely expressive face and the Qawwali style makes this quite irresistible. Here is the song:

rAz kI bAt hai mehfil mE.n kahE.n yA na kahE.n
bas gayA hai kOI is dil mE.n kahE.n yA na kahE.n

nigAhE.n milAnE kO jI chAhtA hai
dil-O-jA.n luTAnE kO jI chAhtA hai

While we went visiting other sections of the blog, MUSINGS has added the film reviews – Laat Saheb (1967), Grahan (1972), Anjaam (1978) and Kasturi (1978).

Now we move over songs remembered by our friends in this month –

Bhagvan Thavrani

[Asides: Here is one of a very rich list of songs on Raag Bhimpalasi].

  • Kanha Bole Na – Sangat(1976) – Manna Dey, Lata – Salil Choudhary – Janisar Akhtar

Samir Dholakia has referred songs wherein the actor has also rendered the song or the singer has acted in the film. This should pertain the period after vintage era, when playback singing by specialist singers had become the rule. This can be a very long list, which we will take up separately in due course:

Sumant (Dadu) Vashi form Chicago (U S A) had sent in these songs

We have been posting a series of posts on the widely discussed and participated exercise of annual review of songs of a particular year – Best songs of 1950: And the winners are?. We have covered up documentation of the further micro-review of the songs C Ramchandra, Husnlal Bhagatram and Ghulam Mohammad, Anil Biswas and other Music directors’ Lata Mangeshakar’s songs, as well as those of Suraiya and Shamshad Begum in June 2015 and Rajkumari, Geeta Roy and Other female Singers in July 2015.. We had then continued to explore Male Solo Songs of Mukesh, Talat Mahamood, Mohammad Rafi, G M Durrani and Chitalkar, Manna Dey, Arun Kumar, Manmohan Krishna and Others as well as Songs by several other playback singers for Raj Kapoor in July 2015. For August-, 2015, we covered Male Female Duets of Mukesh, Mohammad Rafi, Talat Mahmood, G M Durrani, and those of Chitalkar and other Male Singers.

Our onwards journey had:

We have concluded the series with.…

I have also prepared an edited compilation of all the posts @ The Songs of 1950 @ SoY

SoY has also published Best songs of 1950: Wrap Up 2, covering Other’ Female Singers

In the end, we have (our customary) very special songs of Mohammad Rafi taken out from the songs.

We continue our pursuit of the golden period of Hindi Film Music …….

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