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Carnival of Quality Management Articles and Blogs

Carnival of Quality Management Articles and Blogs – Volume X – June 2022 Edition

Welcome to June 2022 edition of the Xth volume of Carnival of Quality Management Articles and Blogs.

The theme for the Xth volume of our Carnival of Quality Management Articles and Blogs is inspired from the editorial of the January 2022 special Issue of Prabuddha Bharata (The Awakened India) – Living a Meaningful Life in a Digital World.

For our present episode, we take up the article, Hybrid Intelligence by Dr. Alan Hunter.

Before we take up the article proper, a word about Hybrid Intelligence from the current technological literature would be in order:

The basic rational of hybrid intelligence is combining the complementary strengths of heterogeneous intelligences (i.e., human and artificial agents) into a socio-technological ensemble. … We call this Hybrid Intelligence, which is defined as “the ability to accomplish complex goals by combining human and artificial intelligence to collectively achieve superior results and continuously improve by learning from each other.” –  Dellermann et al. (2019)[1])

In light of the recent deep learning driven success of AI in both corporate and social life there has been a growing fear of human displacement and a related call to develop IA (intelligence augmentation) rather than pure AI. In reality, most current AI applications have a significant human-in-the-loop (HITL) component and is therefore arguably more IA than AI already. From here, there are currently two trends in the field. In one, increasing machine autonomy is pursued, first by placing the human-on-the-loop (to verify the result of the machine computation) and then by hoping to take the human completely out of the loop (as in the pursuit of artificial general intelligence). Two main challenges of this approach are a) the value-alignment problem (how do we ensure that the machine satisfies human preferences when we often cannot even express or agree on these ourselves) and b) the extensive human deskilling that often accompanies algorithmic advances. The talk will discuss how these two challenges may potentially be overcome by the second trend: the pursuit of human-machine hybrid intelligence (HI), in which the two interact synergistically and continually learn from each other. [2]

The article under discussion opens up a very different perspective. Here is the excerpt from the article:

Breathing seems to be individual personal activity. Walking in a forest or hillside provides the experience in wider perspective, as we notice that virtually all existence is breathing.

Equally, the water flow in the human body is barely a drop in the hydrological cycle that flows through every living being.

Thus, even as we know that breath and water have a universal vastness, most of the time we feel that intelligence and awareness are restricted to ourselves and the people we admire.  Perhaps, we have just become blind to the vast expanses of the ocean of consciousness.

May be our restricted, heavily individualised, view of the nature of intelligence contributes to the causing the myriads of problems the human race face presently and failing to resolve them (as well).

However, the digital age has multiplied the human capacity to send-receive electromagnetic waves. That now seems to make it not impossible to communicate with entities beyond the solar system. Such contact may lead to a thorough revision of our most fundamental ideas and capabilities.

However, irrespective of ET communication, humans are now in position to enhance their intelligence and decision-making. This enhancement may arise in part through greater individual intelligence, or the emergence of religious or spiritual genius.

Beyond that we may also be able to benefit from hybrid forms intelligence – human-machine; human-plants; human-subatomic waves/particles and many other possibilities. Co-operation with machines is already increasing the use of OY – Non-biological intelligence -to control different types of human-computer interfaces.

People with interest in philosophy and spirituality may also consider if AI can play role in cognition of universal truths.

Humans have generally taken an instrumental view of plants and fungi. However there is growing awareness that the plant life of this planet may have its own ‘intelligence’. The study of plants from a cultural perspective, ethnobotany, reveals that traditional Indian culture is exceptionally rich in this respect, for example the pipal, banyan, Ashoka, tulsi, bilva and coconut.

Ancient cultures had tremendous respect for the spiritual components of animal intelligence, for example some birds deploy innate GPS far in advance of any human.

In short, plants and animals are totally integrated, complementary and balanced in the greater harmony of biosphere.

It is probable that in near future, there will be stronger links between plant intelligence and AI-assisted investigations. However, we do not have to wait for the results. The natural cosmos is all around, all the time.

Highly reputable scientists and philosophers strongly reject the idea that intelligent consciousness is somehow tied to and emanates from the human brain. They believe that this – known as scientism or physicalism – is out-dated and all that derives from it is pseudo-scientific.

One alternative perspective is that intelligent consciousness is inherent in and fundamental to the cosmos. This suggests that the term ‘hybrid intelligence’ should also convey the sense that, while its manifestations are hybrid, intelligence itself is fundamental and unitary. Human consciousness is unimaginably tiny component of highly integrated, intelligent, responsive cosmos does not exclude plants, animals, rivers, mountains, stars and galaxies and certainly does not prioritize one species over other.

The modern growth of human civilization is also leading the loss of biodiversity. Among all the losses that this entails, one is the loss of communication, or communion, with realities greater than our species. The digital technology has increased this pace of destruction, without fundamentally challenging it. Perhaps the fundamental mode of conventional computer transistors – on or off – is a good metaphor for black and white thinking, even of species that sees itself intelligence in itself and nowhere else.

More advanced Quantum technology may make it easier to explore a notion of hybrid intelligence, positioning human consciousness as a derivative fraction of an intelligent and creative cosmos. In other words, to create a meaningful era – whether digital or post-digital – we need a wise cosmovision, shared and personal.

After I wrote this, I realised that the whole argument is better made in two words of Ramana Maharshi: Arunchala Shiva.[3]

We will now turn to our regular section -.

We now watch ASQ TV episode on –

  • The Importance of the ‘We’ Culture – Luciana Paulise, the author of The We Culture, spoke to ASQTV about changing cultures and recent conditions that have forced companies to back away from a top-down culture of results and emphasize a team culture instead.

We have taken up one article from Jim L. Smith’s Jim’s Gems:

  • Failure is a Myth – Don’t let failure inhibit creativity – Aristotle considered creativity a gift from the gods.  .. However, where does creativity originate? In one moment, there’s a blank page; in the next, an idea…. When the time comes to do something with a new idea, fear of failure sets in… Nobody wants to fail…. But failure can be a key attribute to success…. The whole concept of failure is a myth. There is no such thing as failure. If we deconstruct the situation, ask big questions, squeeze every ounce of wisdom out of the experience, failure simply becomes the feedback.

I look forward to your views / comments / inputs to further enrich the theme of Living a Meaningful Life in a Digital World.

Note: The images or video clips depicted here above are through courtesy of respective websites who have the copyrights for the respective images /videos.

[1] http://hybrid-intelligence.com/

[2] Hybrid Intelligence: First Rate Humans, Not Second-Class Robots • Jacob Sherson

[3] Arunachala (hill of wisdom) Shiva (Atma, the spirit)

This refers not only to the sanctity of Arunachala itself but also to the pre-eminence of the doctrine of Advaita and the path of Self-enquiry of which Arunachala is the center. – ref: Arunachala Hill.

Arunachal Chant

Categories
I Liked Music from films

The Micro View of Songs of 1943 – Male Solo Songs [1]

We had stopped publishing the songs that have been covered in the Memorable Songs list for the year. As such, here are the Male Solo songs which are not covered in Memorable Songs of 1943.

As had been noted in the overview article, 1943 has 119 male solo songs for which the singers are identified in HFGK. However, I could not find 57 of these songs on YT.

For the purpose of the present Micro Review, we have divided the Male Solo songs that are available on YT and not covered Memorable Songs of 1943 – one that has songs of G M Durrani and the other with all other singers.

We first take up the male solo songs of singers other than G M Durrani for the year 1943.

K C Dey – Mange Ja Har Bar – Andhera – Pt. Indra – Gyan Dutt

K C Dey – Bol Bol Tu Is Duniya Mein Sab Se Meethe Bol – Badalati Duniya – ? – K C Dey

K C Dey – Chandani Raat Hai Chandani Raat – Manchali – ? – H P Das

Vishnupant Pagnis – Kit Jaay Chhipe Sanwariya – Mahatama Vidur – Narottam Vyas – Harishchandra Bali

Vishnupant Pagnis – Jagat Mein Khili Prem Phulwari – Mahatama Vidur – Narottam Vyas – Harishchandra Bali

Khan Mastana – Fasle Bahar Aa Gai, HaNsane Lagi Kali-Kali – Mohabbat Ki Jeet – Ehsan Rizvi – Vasant Kumar

Khan Mastana  – Thahar Ja .. Jhooth Bolnewale – Vakil Saheb – ? – Anna Saheb Mainkar/ P Madhukar

Ashok Kumar – Tarasi Hui Hai Muddat Se Aankhein – Najma – Anjum Pilibhiti – Rafiq Ghazanavi, B A

Ashok Kumar – Kya Muhabbat Ka Yahi Anjam Hai– Najma – Anjum Pilibhiti – Rafiq Ghazanavi, B A

Noor Mohammad Charlie – Kis Taraf Hai Dhyan Hai Tera – Sanjog – D N Madhok – Naushad Ali –

Shyam Kumar – Jaan Bachi To Lako Paaye – Sanjog – D N Madhok – Naushad Ali

Surendra – Preet Ki Jyot Jalakar Chhup Hai – Vish Kanya – Kedar Sharma – Khemchand Prakash

Surendra – Bhool Ja Jo Dekhata Hai – Vishwas – Dr. Safdar ‘Aah’ – Firoz Nizami B A

Surendra – Musafir Hansi Khushi Ho Paar – Vishwas – Dr. Safdar ‘Aah’ – Firoz Nizami B A

Surendra – Gaa, Ban Ke Panchhi Gaa, Koi Anokha Raag Suna De – Vishwas – Munshi Sham Jilani + Munshi Ajham – Master Chaila Lal

Ishwarlal – Bigadi Hui Kismat Ko….. Ik Roz Banana Hai – Zaban – Mahrul Kadari – C Ramchandra

Ishwarlal – Piya Desh Hai Jaana …. – Zaban – Mahrul Kadari – C Ramchandra

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Carnival of Blogs on Golden Era of Hindi Film Music

Carnival of Blogs on Golden Era of Hindi Film Music – Volume X – May 2022 edition

Welcome to May 2022 edition of Xth Volume of Carnival of Blogs on Golden Era of Hindi Film Music.

We straight away move on to our section on tributes and celebrations for the month –

Dadasaheb Phalke birth anniversary: The man who brought movie magic to India, captured in Harishchandrachi FactorySampada Sharma  – On Father of Indian cinema, Dadasaheb Phalke’s 152nd birth anniversary, here’s revisiting Harishchandrachi Factory. The film chronicles Phalke’s journey of making the first motion picture in India.

How Ashok Kumar learned to ‘open his heart through his eyes’Nabendu Ghosh – A reissued biography – Dadamoni – The Life and Times of Ashok Kumar, Speaking Tiger- reveals Ashok Kumar’s early years as a reluctant actor in Hindi films produced by the Bombay Talkies studio.

Sunil Dutt, the Bollywood godfather to Amitabh Bachchan, Vinod Khanna, Sanjay Dutt: His career as a serial talent-spotterShaikh Ayaz – A closer peek into Sunil Dutt’s extraordinary life and times on his remembrance day – 25th May.

The Search for ‘Alam Ara’, India’s First Talking Film  – Soutik Biswas – Earlier this month, a group of archivists in Mumbai recovered what now appears to be the only surviving link – a vintage machine which had been used to make prints of Alam Ara (Ornament of the World), the 1931 film that has disappeared – with the first Indian talking film.

While continuing the year-wise review of Lata Mangeshkar’s career,  the 1950 – Lata Mangeshkar details out emergence of Lata Mangeshkar into her high=pedestal position of 50s.

Vasant Desai Part 1: A Multifaceted Talent presentsg some songs of Vasant Desai as a singer and music director from the Vintage Era.

Murmurs of a Different Dream: Progressive Writers and Their Contribution to Indian CinemaThis is the fifth article in a series on the history of the Indian film industry. Also read: Part I Part II | Part III | Part IV

Progressive Writers in Bombay, 1946: Sultana Jafri, Ismat Chugtai, Vishwamitra Adil, Ali Sardar Jafri, Krishan Chander, Mahendranath, Mumtaz Hussain, Rajinder Singh Bedi, Sahir Ludhianvi and Habib Tanvir. Picture courtesy: India-Pak Heritage group

Shabana Azmi on Shaukat Kaifi: An honest mother, a committed professional, a great hostess – An excerpt from an anthology of essays – The Oldest Love Story – A Motherhood Anthology, edited by Rinki Roy Bhattacharya and Maithili Rao, Om Books International- on motherhood.

Happy Birthday Mac Mohan: Remembering Sholay’s Forgotten VillainKhalid Mohamed – if the Karachi-born Makijany Mohan, aka Mac Mohan – frequently called Mac in his film roles – had survived a lung tumour, he would have been a year older today (24 April).

Nathli se toota moti re: Manna Dey’s Non-film Hindi Gems is a tribute t0 Manna Dey on his 103rd birth anniversary (1 May 1919 – 24 October 2013)

Yogesh Kale recollects Marathi Melodies by Manna Dey

May 2022 episode of Fading Memories, Unforgettable Songs takes up Manna Dey – Chale Ja Rahein Hai…. – 1956 . Till now, we have covered Manna Dey’s less popular, less-heard songs for the years

1942 – 1946 in the year 2018.

1947 – 1950 in the year 2019.

1951 – 1953 in the year 2020, and

1954-1955 in the year 2021

BollywooDirect recollects the reception given to music directors Kalyanji Anandji, who won the National Award for best music direction for Saraswatichandra, on 10–2–1970 at Bhulabai Desai Auditorium, Mumbai.

From left to right: Vijay Bhatt, Kalyanji, Dilip Kumar, Lata Mangeshkar, the then Chief Minister of Maharashtra Vasantrao Naik, Mrs.Naik, Anandji, and Minister Madhusudan Vairale.

We now move on to posts on other subjects –

Pikoo, a Little-Known Satyajit Ray Film That Is Largely Ignored by His AdmirersAnjan BasuPikoo (1980), a 26-minute short Satyajit Ray made for French television, remains one of Ray’s least watched films in India. He had adapted the film his own short story Pikoor Diary (‘Pikoo’s Diary’),

तेरा नाम लिया……are really very few songs from Hindi films, when someone calls the other character by his/her name in a song.

Ten of my favourite ‘secondary romantic couple’ songs, Most of these are duets, but some are not.

Same Mukhda, Two Different Songs are the five pairs of songs which have at least the first four words of the mukhda in common.

From Bollywood Rewind – Sampada Sharma – Indian Express’s weekly column:

Sharmila Tagore’s Aradhana encapsulates the phony formula of damsels in distress disguised as strong women – Sharmila Tagore and Rajesh Khanna starrer Aradhana started the 15 film hit streak for Rajesh Khanna, as Tagore got a rather tough job of playing a damsel in distress who was supposedly strong.

Hrishikesh Mukherjee’s Chupke Chupke was the subtle antidote to the ‘angry young man’ era; a balance we have forgotten today – The 1970s were the era of the ‘angry young man’ but it was also the era where every ‘larger than life’ hero film was balanced with a subtle, almost relatable film. For every Deewar, there was a Chupke Chupke.

As per established practice, we have commenced follow-on of Best songs of 1943: And the winners are? in Micro View of  1943, with  Setting the stage

In continuation to our tradition of ending the post with a few songs of Mohammad Rafi that are relevant to the topics covered in the present episode, we will institute a series wherein we continue to listen to Mohammad Rafi and Lata Mangeshkar’s duet with a music director for the first time in a Hindi film, every month for the rest of the 2022,

Aag Lagi Ghar Mein..Jiski Laagi Lagan Bhagwaan – Patit Paawan (1956) – Bharat Vyas Jamal Sen

Ladi Ankh Se Ankh Mohabbat Ho Gayi – Pocketmaar (1956) – Rajendra Krishna – Madan Mohan

Tere Nainon Ne Jaadu Daala – Taangewali (1956) – Prem Dhawan – Salil Chowdhury

Jaare Jaare O Maakhan Chor Chalegi Na Ye Chori Teri Ye Jora Jori – Champakali – Rajendra Krishna  – Hemant Kumar

Kali Ek Tumse Punchhu Baat Ki Jab Hoti Hai Aadhi Raat – Sakshi Gopal – Bharat Vyas – Chitragupta

I look forward to your inputs to enrich the contents of Carnival of Blogs on Golden Era of Hindi Film Music.

Disclaimer: This monthly series of posts is my best-effort-based compilation of posts on Hindi film songs that I normally visit regularly. As I record my sincere thanks to all the original creators of these posts, any other posts that I have nor covered herein shows my lack of awareness of existence of such posts and is by no means any disrespect to their work. The copyrights to the posts, images and video clips remain the properties of the original creators.

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Carnival of Quality Management Articles and Blogs

Carnival of Quality Management Articles and Blogs – Volume X – May 2022 Edition

Welcome to May 2022 edition of the Xth volume of Carnival of Quality Management Articles and Blogs.

The theme for the Xth volume of our Carnival of Quality Management Articles and Blogs is inspired from the editorial of the January 2022 special Issue of Prabuddha Bharata (The Awakened India) – Living a Meaningful Life in a Digital World.

For our present episode, we take up the article, Digital Gods and Spiritual ®evolution by Swami Jnanishananda.

Here is the excerpt from the article:

AI can enhance our experience of physical world, by –

      1. pushing the biological limits to perform the task we are less equipped to handle, making us more effective and valuable in other areas of our lives.
      2. manipulating the minds positively (and even negatively too)
      3. providing the level playing field to the differently-abled and marginalized sections of the society
      4. better connectivity that overcomes physical limitations and reducing the barriers separating humans from each other and the physical universe.
      5. increased access to online (information) resource
      6. with advanced machine learning techniques, recording exponential improvements in the analytical and logical capabilities of AI to educated itself, we should see more aspects of human intelligence brought into scrutinising the human excellence in every field. Wisdom should finally take predominance over intellect.

However, the fundamental question we need to ask is whether AI has any moral obligation towards preserving humanity or not. AI has no moral foundation. It also has potential to manipulate the very goals that society would strive towards. However, in general, danger is not so much from AI or digital world itself than from a person’s natural propensity to look outside of oneself for fulfillment.

Use of intelligence in the term AI fits the dictionary meaning of intelligence – the ability to acquire and apply knowledge and skills – limits the objective descriptions of what a human being is capable of. However, the definitions set for by the ancient Vedic civilization limits these descriptions to into only a single aspect – intellect (buddhi)- of the intelligence.[1] Thus, Artificial Intellect would be a more accurate term to represent this technology.

If we explore knowledge, we find that lowest instrument of knowledge is instinct. Then comes reasoning. Even reason cannot take us beyond the question beyond our existence and that of universe. Logic becomes, to quote Swami Vivekananda, an ‘argument in circle.’ The instrument that can take us beyond this circle is inspiration. The realm of inspiration, lying beyond the intellect, is the true intelligence.

The body and mind should receive inspiration from the super-conscious realm leading to the goal of self-realization. Therefore, the AI and other digital ‘gods’ should be used to save our two precious resources, time and energy, so as to enable us to race through our journey from reason to inspiration., consciousness to super consciousness…….

We will now turn to our regular section -.

We now watch ASQ TV episode on –

We have taken up one article from Jim L. Smith’s Jim’s Gems:

  • Quality Professionals Must Lead – Communicate the economic case for quality – The technical questions in the cases of implementation of newer techniques by quality professionals conceal a deeper problem in their organization. Generally, that problems is that the senior management has a responsibility to question anything and everything that adds activities, time, cost, or transaction to their business. … Quality professionals would do well to lead the discussion by asking these questions first. In other words, the quality professionals need to follow the teachings of Dr. Armand Feigenbaum and Philip B Crosby, who told us that the language of management is quantified in monetary terms and related directly to the needs of the business. More so, in the current business climate….

‘From the Editor’ (of Quality Magazine) – by Darryl Sealand, we have –

  • Sixty Years in the Making – Imagining the future, technology, and automation – The stories that stand the test of time afford us a unique opportunity—to match the vision to reality…. Probably the most prolific examples of imaginary technology coming to fruition comes from a cartoon called The Jetsons, which premiered in 1962. Sixty years later, many of the “make-believe,” futuristic items used by this fictional family are a reality…for the most part. The family had a dog treadmill, talking alarm clocks, flat-screen TVs, watches that received phone calls, video chat, drones, robot vacuum cleaners, and digital newspapers. Unheard of in 1962, a reality in 2022…..While we may not have the ability, or the time, to fully predict the future, we can keep abreast of the technology and processes that can help us shape that future.

I look forward to your views / comments / inputs to further enrich the theme of Living a Meaningful Life in a Digital World.

Note: The images or video clips depicted here above are through courtesy of respective websites who have the copyrights for the respective images /videos.

[1] Intelligence and Intellect: What’s The Difference – Shekhar Kapur with Sadhguru

Categories
I Liked Music from films

The Micro View of Songs of 1943 – Setting The Stage

The backward journey of Best Songs for TheYear @ SoY has steadily evolved over the years 1955, 1953, 1951, 1950, 1949  19481947, 1946, and 1945 on the way. At that juncture the journey of the Best songs of year further took off to venture deeper into the vintage era with first milestone of the year 1944.  Presently the journey has reached the year 1943 and is at the stage of the overview post: Best songs of 1943: And the winners are?

The pick of the year 1943 are:

However, with possibly just this much, or a perhaps a little more, known, The Micro View of the Best Songs for the Year also joins this journey of more unknown than knowns fo the year 1943.

On that note, we first recapitulate the key points of the SoY overview article:

Musical landmarks:

All three films, viz. Namaste, Sanjog and Station Master, which Naushad had composed music marked silver jubilee

New Theaters made Kashinath and Wapas, music for which was composed by Panakj Mullick and R C Boral respectively. in the year 1943 even after many stalwarts had left the production house.

Debut, fact file and trivia

V Shantarm sets uo Rajkamal Kalamndir and prodiuces its maiden film Shakuntala, for which music was compsed by Vasant Desai.

Mehboob Khan also sets up his own production banner, with the film Najma, music for which ws composed by Rafiq Ghazanavi

Suraiya opens her career account as an actress with the film Ishara and Hamari Baat.

Shyam Sundar also opens account with Nai Kahani.

Some other music directors also opened their accounts:

Avinash Vyas and A R Quereshi – Mahasati Anasuya

Khursheed Anwar – Ishara

Firoz Nizami – Vishwas

Ghulam Mohammed – Mera Khwab

The lyricists who opened their accounts are:

Bharat Vyas – Duhai

Narendra Sharma – Hamaari Baat

Saraswati Kumar Deepak – Zabaan

Shyamkumar sings first ever song, Dil Ka Gudda Uda, in Namaste.

Bela Kumari (who married Hemant Kuamr) sang her first Hindi song in Kashinath.

K L Saigal’s first film in Bollywood is Tansen.

Kismet sets the record of running continuously for three years and eight months @ Roxy cinema, Calcutta.

Kashinath became last film to be directed by Nitin Bose for New Theaters and Hamaari Baat the last film of Bombay Talkies wherein Devika Rani acted.

Nargis appeared first time on the silver screen as Baby Fatima in Taqdeer.

Ramrajya is the bonly film tha Gandhiji ever saw.

Ek Bewafa Se Pyar Kiya, sung by K Sundarama, in Duniya Diwani appears agin as mukhada of a Aawara (1951) song.

Panghat has two Rajkumaris singing songs – one the famous Rajkumari Dubey ( as a lead singer) and the other Rajkumari Shukla, who sang only in this film!

As we open up our Micro View of the Songs for 1943, we can expect many shades of known, less known as well as unknown songs.

To add further shades, it needs to be noted that 1943 had 105 films, of which details of 3 films are not available. from which 959 songs with their titles are known. Of these songs, singers for more than 412 songs remain unidentified.  Of the 547 songs for which singers are identified, 119 songs are male solos, 256 female solos and 172 duets. We will have to wait for the detailed micro view to see how many of the uncovered songs are available on YT or in audio form.

Of these, List Of Memorable Songs has 98 songs. These songs have been separately listed as Memorable Songs of 1943, with corresponding YT link to the song.

For the year under review, Special songs are indeed special as the list contains songs sung by music directors and the lyricist. I have brought these songs on the same page with Memorable Songs of 1943.

The songs covered in the Memorable Songs of 1943 ans Special Songs of 1943 will not be repeated in the Microview undertaken under hereafter, the different sections.

The stage is now set to commence our journey into the Micro View of the Songs of 1943. I plan to take up only those songs here which are not covered under Memorable Songs of 1943 and Special Songs of 1943.

MY TOP Male Solo Songs
MY TOP Female Solo Songs
MY TOP Duets

MY TOP music director

are concerned for the year 1943.

All the posts that will appear on this subject here have been tagged as Songs of 1943.

Categories
Carnival of Blogs on Golden Era of Hindi Film Music

Carnival of Blogs on Golden Era of Hindi Film Music – Volume X – April 2022 Edition

Welcome to April 2022 edition of Xth Volume of Carnival of Blogs on Golden Era of Hindi Film Music.

We straight away move on to our section on tributes and celebrations for the month –

When three-time National Award winner Surekha Sikri was insecure about her looks: ‘Used to upset her a lot…’ – On Surekha Sikri’s birth anniversary, we revisit the time when her former co-star Rajit Kapur revealed that the National Award winner had at one point suffered from insecurities about her looks, but eventually overcame it.

Veteran television producer, Gol Maal actor Manju Singh passes away – Manju Singh, was seen in Hrishikesh Mukerji’s Gol Maal, and hasproduced television shows like Show Time, Ek Kahaani, Adhikar, Swaraj.

Panchhi Bawra – Remembering Khursheed Bano , with my choice focussing Koyaliya Kahe Bole RiNurse (1943) / Gyan Dutt – D N Madhok

Music and lyrics: For Anand Bakshi, his life was his museGanesh Vancheeswaran – nothing or nobody – not even life, in spite of many attempts – could dislodge him from the path to his dream. I have selected a song from his first film C.I.D. Girl(1959) :

Badi Buland Meri Bhabhi Ki Pasand – Mohamamd Rafi, Asha Bhosle – Music – Roshan

Manoj Kumar has plotted a four-part series on the history of the Indian film industry, viz. Part I Part II | Part III and Part IV.

Illustration: Pariplab Chakraborty

Shailendra Sharma @ Golden Era of Bollywood has posted following memorial tribute posts:

In the series of articles on Sahir’s Songs of Romance, commemorating Sahir Ludhianvi’s birth centenary,  we end the series with take up Sahir Ludhianvi’s 19-films association with Ravi.

All the episodes of Sahir Ludhianvi’s sogs of romance with different music directors can be accessed /downloaded as one file by clicking @ Sahir’s songs of romance – Sahir Ludhianvi Centenary.

April 2022 episode of Fading Memories, Unforgettable Songs takes up Hasrat Jaipuri – Beyond Shankar Jaikishan : 1960. In 2017, we have commenced the annual series of Hasrat Jaipuri’s songs with Music Directors Other Than SJ. Till now, we have covered –

The songs from 1950 to 1953 in 2017,

The songs from 1953 to 1955. In 2018

The songs from 1956 -1957 in 2019,

 The songs from 1958 in 2020, and

 The songs from 1959 in 2021.

Dustedoff also writes Ten of my favourite Hasrat Jaipuri Songs. A transcription of these songs, along with a translation, is available here

A Birth Anniversary Tribute to Nazia Hassan (and a few words about singers from Sindh) is a bouquet of seven songs of Nazia Hassan of which I have selected Kabhi Zindagani Jaisa,“ which has a more Calypso kind of flavor.

As BollywooDirectdid not have a recent posting of a memorable photograph, I dug into the archives of the blog and have selected Tribute to the legendary Shankar Singh Raghuvanshi of the famous Shankar Jaikishan duo and one of the emperors of Hindi film music world, on his death anniversary (26/04),  which was posted in 2020.

We now move on to posts on other subjects –

“The Unforgettable Music of HEMANT KUMAR” is a review of the book authored by Manek Premchand, with study of his Bengali repertoire by Antara Nanda Mondal and Sounak Gupta

The लेन – देन (give and take) Songs in the context human relationships which are not commercial but still talk of getting something in return or even returning something when relations are embittered

Five Classics I would Like to Rewrite is the first of a two-part post, that discusses five great films and why, despite strong women characters in them, the all-pervasive male gaze made their endings problematic, if not a complete cop-out. [For  companion post on Dustedoff.com, click  Ten Hindi films You Mustn’t Watch.] Five More Films – Five More Revisions is second post  in the series. If the films on that first list were all good films, here, most of these were successful films, not necessarily good ones.

Lata Mangeshkar: Ten Solos, Ten Composers – Part 3 do not overlap with the ones on the very first ‘Lata in Ten Moods’ song list.

Songs of EducationThere are diverse views on education in film songs – underlining its importance, sneering at the sheer uselessness of learning historical facts, mocking the lack of logic in grammar, criticizing the educational system for not imparting vocational education, and last but not the least, redefining education. The words to look out for are – पढ़ाई लिखाई and degree.

From Bollywood Rewind – Sampada Sharma – Indian Express’s weekly column:

SoY has thrown open its annual extravaganza of Best songs of year with quite an interesting overview Best songs of 1943: And the winners are?

In continuation to our tradition of ending the post with a few songs of Mohammad Rafi that are relevant to the topics covered in the present episode, we will institute a series wherein we continue to listen to Mohammad Rafi and Lata Mangeshkar’s duet with a music director for the first time in a Hindi film, every month for the rest of the 2022,

Lagi Hai Aag Dil Mein, Qismat Ke Sitare Doob Gaye – Hulcal (1951) – Khumar Barabankvi – Mohammad Shafi Niyazi

Aisa Kya Qasoor Kiya Dil Jo Choor Choor Kiya – Nadaan (1951) – P L Santoshi – Chic Chokalte

Mohabbat Ki Bas Itni Dastan Hai – Baradari (1955) – Khumar Baranakvi – Nashaad

Aa Bedardi Baalma, Aa Preet Ka Kare Hisaab – Chhora Chhori (1955) – Kedar Sharma _ Roshan

Kab Tak Uthayein Aur Ye Gham Intezaar Ka – Naqaab (1955) – Prem Dhawan – Pt. Govindram

I look forward to your inputs to enrich the contents of Carnival of Blogs on Golden Era of Hindi Film Music.

Disclaimer: This monthly series of posts is my best-effort-based compilation of posts on Hindi film songs that I normally visit regularly. As I record my sincere thanks to all the original creators of these posts, any other posts that I have nor covered herein shows my lack of awareness of existence of such posts and is by no means any disrespect to their work. The copyrights to the posts, images and video clips remain the properties of the original creators.

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Carnival of Quality Management Articles and Blogs

Carnival of Quality Management Articles and Blogs – Volume X – April 2022 Edition

Welcome to April 2022 edition of the Xth volume of Carnival of Quality Management Articles and Blogs.

The theme for the Xth volume of our Carnival of Quality Management Articles and Blogs is inspired from the editorial of the January 2022 special Issue of Prabuddha Bharata (The Awakened India) – Living a Meaningful Life in a Digital World.

For our present episode, we take up the article, Understanding deep sleep according to Upanishads by Swami Satyamayanand.

Here is the excerpt from the article:

Our sleeping and waking cycles are regulated by a complex sequence of physiological and neurological processes, known in common terms as biological clock and technically as circadian rhythm. In the old days going to sleep was like going into nidra mandir, the inner shrine of sleep. However, the excessive domination of digitalization in the day-to-day activities has upset the circadian rhythms not just for the mankind but also for the innumerable creatures.

Some of the pressing problems caused by the sleep deprivation are:

    1. Negatively affected attention, intelligence, emotions, cognitions and memory.
    2. Depression and anxiety
    3. Gaining excess weight because of upsette4d endocrine system.
    4. Heart disease
    5. Diabetes
    6. Lowered immunity
    7. Increase in autoimmune diseases
    8. Premature aging of skin.

As the darkness starts intensifying, secretion of melatonin starts through the pineal gland, signalling the start of sleep cycle. An average human being undergoes six stages of sleep cycles, each stage of varying time length.

 

The deep sleep occurs in stage three, known as Delta sleep, or slow-delta waves sleep or deep Non-Rapid Eye Movement (NREM) sleep. This is the phase of the sleep which is restorative. It is very difficult to wakeup someone during this phase of sleep.

Psychologically, our ego is absent during the deep sleep, i.e., we seem to lose our identity during that period. When one one’s identity disappears, one experiences joy. This is also known as Nitya Pralaya, the Daily Dissolution.

More we sleep peacefully; more are the chances that we wake up from the sleep of ignorance and realize our true nature as eternally free.

We will now turn to our regular section -.

We now watch ASQ TV episode on –

We have taken up one article from Jim L. Smith’s Jim’s Gems:

  • RegretsThe regrets are the emotions of wishing we had made a different decision. …The consequence of the decision may have adversely affected something or had a negative impact in some way. So, we generally have regrets caused by the outcomes of our mistakes…. Regrets exude great quantities of negative energy. We have the opportunity to point that energy in positive, productive directions. … So, we made a mistake last time. We need to learn from it and let our regrets be a reminder to do much better next time. … Regrets present us with compelling truths that are impossible to deny or ignore. We need to utilize those truths to create new achievement and fulfilment.

‘From the Editor’ (of Quality Magazine) – by Darryl Sealand, we have –

  • From Every Theory in Moderation? – or Firing the Silver Bullet? – The real life is all about hunting for an answer to everything, a real chance to find a sliver bullet. The moot point is what indicators you choose to study the situation for which you hunt for an answer…. at the root of the question—beyond the approach of either moderation or singularity—are the “indicators,” and using them efficiently and correctly. Same is true in quality. As authors Yves Van Nolan and Grace Duffy write, “Some doubt the value of KPIs (key performance indicators) as a tool for business or organization process management. The use of KPIs helps management make correct decisions. However, the way KPIs are used by most organizations is far from perfect.”

I look forward to your views / comments / inputs to further enrich the theme of Living a Meaningful Life in a Digital World.

Note: The images or video clips depicted here above are through courtesy of respective websites who have the copyrights for the respective images /videos.

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Carnival of Blogs on Golden Era of Hindi Film Music

Carnival of Blogs on Golden Era of Hindi Film Music – Volume X – March 2022 edition

Welcome to March 2022 edition of Xth Volume of Carnival of Blogs on Golden Era of Hindi Film Music.

March is the month when North India celebrates the festival of colours, the Holi. SoY celebrates the mood with Impossible Songs, the songs whose physical visualization seems impossible.

We now move on to our section on tributes and celebrations for the month –

Bhuvan Shome: When Mrinal Sen started Indian cinema’s New Wave with Amitabh Bachchan, paid him just Rs 300, who eventually became a poster boy for everything that mainstream cinema stood for, made his first income from the movies in a rather non-commercial film, recalls Sampadaa Sharma from Mrinal Sen’s book Always Being Born – A Memoir

Shashi Kapoor: The humble artist who once refused a National Award because he felt his ‘performance was not competent enough’  Sampadaa Sharma

Shashi Kapoor starrer Dharmputra won a National Film Award for the Best Feature Film in Hindi. (Photo: Express Archives)

Samaj Gaya Main Samaj Gaya – Dev Kishan, the role that he played so tellingly in Bees Saal Baad

While working on ‘Mujib – the Making of Nation, Shyam Benegal reveals his mantras while making biopics and documentaries:  Shyam Benegal, a rare filmmaker who has successfully walked the fiction and non-fiction tracks in cinema, said it is never difficult for filmmakers to tell the story they want to.

Shailendra Sharma @ Golden Era of Bollywood has posted following memorial tribute posts:

In the series of articles on Sahir’s Songs of Romance, commemorating Sahir Ludhianvi’s birth centenary,  we now take up Sahir Ludhianvi’s Eighteen-films association with N Datta.

February 2022 episode of Fading Memories, Unforgettable Songs takes up Ghulam Mohammed and His Singers : 1950-1952 to commemorate the death anniversary month of Ghulam Mohammed. Previously, in 2021, we have covered Ghulam Mohamamed’s songs with different singers for the years 1943 to 1949.

Here is Remembering I.S.Johar, one of Hindi cinema’s greatest comedians through a scene in Shrimanji (1968) with Shahida and Kishore Kumar on BollywooDirect

We now move on to posts on other subjects –

What brothel set design tells us about films that explore sex workNandini Ramnath – The better-considered Hindi movies about sex work pay close attention to the design and dynamics of the brothel.

हेतुहेतुमद्भूत songs are the songs that depict the one of the six forms of past tense in Hindi, and is used to describe situations of ‘insight in hindsight’.

Kucch aur zamana kehta hai: the freedom to not conform are a few songs from Bollywood movies that beautifully express the thoughts of a woman’s mind while pondering life dilemmas or decision making, or bring to life the hopes and desires, and the joy of freedom, beyond just the waiting for a knight-in-shining-armor.

Our best stories are the ones that provoke: Shekhar Kapur – “We’re not storytellers. We provoke. We never tell stories. Our best stories are the ones that provoke everybody in the room or anybody to imagine their own story and that’s the best story,”

When Madan Mohan and Majrooh Sultanpuri created magic in ‘Dastak’ – Nirupama Kotru – The spare soundtrack has four tunes – each of them a gem viz. Baiyyan na dharo, o balma; Mayee Ree Main Kaase Kahoon Pir Apne Jiya Ki; Tumse Kahoon Ik Baat Paron Se Salki, Raat Meri Hai Chhanv Tumhare Hi Aanchal Ki and Hum hain mata-e-koocha-o-bazaar ki tarah

Metaphors for the Lover in Songs, where both the lady and the gentleman use metaphors. Even if the song is a solo, metaphors have been used to describe both of them. Some common metaphors such as bhawra-phul (भवँरा-फूल), shama-parwana (शमा – परवाना), chaand – chaandni (चाँद चाँदनी) establish complementarity and an organic holism

From Bollywood Rewind – Sampada Sharma – Indian Express’s weekly column:

Arushi Jain, a millennial’s views:

In continuation to our tradition of ending the post with a few songs of Mohammad Rafi that are relevant to the topics covered in the present episode, we will institute a series wherein we continue to listen to Mohammad Rafi and Lata Mangeshkar’s duet with a music director for the first time in a Hindi film, every month for the rest of the 2022,

Hans Ke Na Teer Chalana Dil Khud Hi Banega Nishaana – Beqasoor (1950_ Ehsan Rizvi – Anil Biswas

Dil Awaaz Mein.. Ankhiyan Mila Ke Zara Baat Karoji – Pardes (1950) – Shakeel Badaayuni – Ghulam Mohammed

Mehfil Mein Meri Kaun Ye Diwana – Albela (1950) – Rajinder Krishna – C Ramchandra

Pativrata Sitamai..Zulm Sahe Bhaari Janak Dulari – Aawara (1951) – Sahilendra – Shaker Jaikishan

Yaad Aane Lagi Dil Dukhane Lagi – Daaman (1951) – Ehsan Rizvi – K Datta

I look forward to your inputs to enrich the contents of Carnival of Blogs on Golden Era of Hindi Film Music.

Disclaimer: This monthly series of posts is my best-effort-based compilation of posts on Hindi film songs that I normally visit regularly. As I record my sincere thanks to all the original creators of these posts, any other posts that I have nor covered herein shows my lack of awareness of existence of such posts and is by no means any disrespect to their work. The copyrights to the posts, images and video clips remain the properties of the original creators.

Categories
Carnival of Quality Management Articles and Blogs

Carnival of Quality Management Articles and Blogs – Volume X – March 2022 Edition

Welcome to March 2022 edition of the Xth volume of Carnival of Quality Management Articles and Blogs.

The theme for the Xth volume of our Carnival of Quality Management Articles and Blogs is inspired from the editorial of the January 2022 special Issue of Prabuddha Bharata (The Awakened India) – Living a Meaningful Life in a Digital World.

For our present episode, we take up the article, Knowledge Revolution in the Digital Age – Human Knowledge at Crossroads by Swami Atmapriyananda.

Here is the excerpt from the article:

With the advent of the digital age, the boundaries of human knowledge seeming to be breaking down a, as the language through which the human knowledge expresses itself has been deconstructed and digitalised.  This transition has affected generation previous to Gen X, GenY, GenZ and the Gen Alpha quite differently…. As can be expected Gen Z seem to have remarkably developed skills of working in a coordinated fashion between ‘work’ and the internet. The more demanding than the technical skill of this coordination is need for developing the soft skill of solving complex problems with a humane approach. This, in effect, calls for a paradoxical mixture of fierce resolve of professional will and persuasive softness of personal humility.[1]

The new-found emphasis on multiple intelligences seems to converge with panch kosha – five sheaths of annamaya (The food), pranamaya (The vital energy or breath) , manomaya (The mind), vijnaanmaya (The intellect) and anandmaya (The bliss ), each having its own Chetana – the intelligence.

The knowledge in the digital age also has seamlessly integrated the two streams of jnana (the knowledge) and the action (karma). The interdisciplinary and cross-disciplinary approaches have revived the vison of ancient Indian Rishis of integrated, unified knowledge (akhanda advaita). Also getting revived is the Upanashidic idea of higher knowledge (para-vidya) and lower knowledge (apara-vidya) both need to be equally cultivated  and is found in the concept of knowmad[2] who is the unified version of digital age ‘nerd’ and ‘geek’ personalities.  Knowmads are a different species than knowledge workers and knowledge seekers. They are seamless, unrestricted, open and free, capable of and enjoying swimming courageously on a voyage over an uncharted sea. The vulnerability and flexibility of thought and the ease of navigation and action are the products of unique revolution of the ‘Digital Age’.

For the knowmads, a job is a position, mere form of employment and the work is long term in scope and relates to creation of meaningful outcomes. Thus, for them work is distinct from a career. A career ‘carries’ a person through the life, whereas work is a collection of activities that are backed with elements that are purposive at the individual level. The personal knowledge consists of explicit element, conveyed as information and the tacit element, developed through experience and experimentation. To remain competitive, a knowmad must continuously learn, unlearn and refine what they know. Organizations need to create environment that supports expansion of knowledge ecology to keep the knowmads motivated.

As such, the knowmad society requires new mindsets that encourage greater leadership form all stakeholders – at personal, organizational and policy levels. This is more than an attitude that supportive of knowmads but requires a fundamental cultural transformation to embrace new approaches to the purposive use of individual knowledge with strong social supports to help each one to maximise his /her potential without fear of failure.

We will now turn to our regular section -.

We now watch ASQ TV episode on –

We have taken up one article from Jim L. Smith’s Jim’s Gems

  • Change Reality – Reality is what you make of it. Life is defined by the way you choose to live it. So…if it doesn’t fit your expectations, make adjustments suitably. …. i.e., accept the way things are. They are what they are. …. To change your reality, change your expectations and work toward a new reality. …Give your sincere best in every moment, in every situation. Slowly, but surely, your current reality will become your new reality. How quickly that happens depends on many factors, much of which is under your control and influence. Begin today to make your reality of tomorrow achievable. You can determine the greatness that lies within.

‘From the Editor’ (of Quality Magazine) – by Darryl Sealand, we have –

  • Environmental Influences – Accelerating evolution, delivery apps, and handicapping – Acceleration can happen through conscious thought or natural reaction, it can wind up being positive or negative, and is part of a large host of things happening on our planet and in our societies…. However, it is a the battle between the irresistible force versus the immovable object – the evolutionary tendency of human being to change, and change fast versus inherent nature of environmental influences to allow the changes to evolve.

I look forward to your views / comments / inputs to further enrich the theme of Living a Meaningful Life in a Digital World.

Note: The images or video clips depicted here above are through courtesy of respective websites who have the copyrights for the respective images /videos.

[1] Level 5 Leadership: The Triumph of Humility and Fierce ResolveJim Collins, HBR, I January 2001.

[2] The Paradox of a Knowmad: Daring Not to Know

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Carnival of Blogs on Golden Era of Hindi Film Music

Carnival of Blogs on Golden Era of Hindi Film Music – Volume X – February 2022 edition

Welcome to February 2022 edition of Xth Volume of Carnival of Blogs on Golden Era of Hindi Film Music.

Lata Mangeshkar (1929-2022): Nightingale has fallen silent – India has lost one of its most prolific and significant artists – the last of her kind. She leaves behind not just her vast oeuvre, but a legacy of a voice that could bridge differences and bring together people with its sublimity.

Till the end, Lata Mangeshkar remained her own personMrinal Pande – Her long and distinguished career is not a tragic tale of continuing to shoulder the burden of someone else’s idea of how a woman should sing. She was a genuinely many-voiced singer who considered it an asset to be able to sing for over three generations of stars…..Still it would be wrong to pin her down to a single identity, of a grand dowager queen of music, all white sarees, and an isolation of fervent religiosity and meditational silences. …. But she was very much her own person.

Lata Mangeshkar was India’s inner voicePratap Bhanu Mehta – If Lata Mangeshkar became representative of India, it was because the lyrics she sang, and the forms in which she expressed them, contained all of India in them: All of its languages, cultural registers, even its conflicts. It was not benchmarking India to a single measure; it was rather connecting its superabundance.

How Lata Mangeshkar learnt to read and write (despite having gone to school for only a day) – In the edited excerpts from a Nasreen Munni Kabir’s conversation book, Lata Mangeshkar: In Her Own Voice, the acclaimed singer remembers her formative years.

‘Close to the sublime’: Why no book on Hindi film music is complete without Lata MangeshkarGanesh Anantharaman presents excerpts from his book, Bollywood Melodies.

During the support commentary that Harish Bhimani was providing during the live broadcast of Lata Mangeshkar’s funeral procession, he recalled that on one occasion he had asked her about her one song that spontaneously comes to her mind. This was the song that Lat Mangeshkar recalled:

Bairan Neend Na Aaye – (Chacha Zindabad -1959) – Lyrics: Rajinder Krishna – Music: Madan Mohan

On being asked the same question to him by Lata Mangeshkar, Harish Bhimani recalled

Man Mohana Bade Jhoothe ..- Seema (1955) – Lyrics: Shailendra – Music Shankar Jaikishan

If I apply the same test to me, the two Gujarati songs that pop up are:

Have Sakhi NahiN BoluN NahiN BoluN Re – Lyrics: Dayaram – Music: Purushuttom Updhyay

Rk RajkaN Suraj Thavane ShamaNe UgamaNe JaI UDe – Music: Harindra Dave – Music: Dilip Dholakia

As can be expected, homages have been showered by almost every newspaper, journal and other social (digital) media. We will confine ourselves to homages from our regular blogs for our present episode.

We also lost Sandhya Mukherjee this month.

Though He Actually Never Met Her… – Gulzar voices his “deepest regard” for Sandhya Mukherjee, the Geetasri who never needed any Padma to become the voice of romance for generations. Ratnottama Sengupta explores how Gulzar connected with the iconic actor-singer foursome of Bengali cinema – Uttam Kumar, Suchitra Sen, Hemant Kumar and also Sandhya Mukherjee.

We also sadly bid farewell to Bappi Lahiri who passed away on 15th February 2022

We now move on to the other tributes and celebrations for the month –

Remembering Zohrabai Ambalewali, for her full-throated voice, which had cast its own spell furing’40s.

When ‘villain of the millennium’ Pran shocked the audience as he played a noble soul in Manoj Kumar’s Upkar – Pran, despite of several outstanding path-breaking roles he played there after, is still remembered as the quintessential villain of Hindi cinema,

Shailendra Sharma @ Golden Era of Bollywood has posted following memorial tribute posts:

From Rangeela to Pinjar, Urmila Matondkar’s effortless evolution on screen whilst also pulling off the complexities of Rangeela’s Mili and Pinjar’s Puro

In the series of articles on Sahir’s Songs of Romance, commemorating Sahir Ludhianvi’s birth centenary,  we now take up Sahir Ludhianvi’s Eighteen-films association with S D Burman.

February 2022 episode of Fading Memories, Unforgettable Songs takes up Talat Mahmood: Duets with Shamshad Begum.  To commemorate the memory of Talat Mahmood in the month of his birth by taking up the theme of his rare duets, till now, we have explored –

In 2017, an overview of Talat Mahmood’s duets receding from the memory.

In 2018, Talat Mahmood’s duets with rare co-singers,

In 2019, Talat Mahmood’s duets with Mubarak Begum and with Madhubala Jhaveri,

In 2020, Talat Mahmood’s duets with Geeta Dutt, essentially from 1950 to 1952, and

In 2021, Talat Mahmood: Duets with Geeta Dutt, from  1954 to 1957, with one duet even in 1972.

Here is a photograph of Madhubala on the 53rd anniversary of her death (23rd February) posted on BollywooDirect:

Madhubala’s films opposite Bharat Bhushan – Madhubala has done four films with Bharat Bhushan – Gateway of India was a one-woman show with the story revolving around the character of Madhubala and the other actors forming the supporting cast, Kal Hamara Hai saw her play the lone double role of her career, Phagun had her in a triple role and Barsaat ki Raat is one of the greatest musicals ever to have been made in our film industry.

We now move on to posts on other subjects –

The Other Songs of Kavi Pradeep, a.k.a. Ramchandra Narayanji Dwivedi (06/02/1915 – 11/12/1998) – the songs essentially which are neither patriotic nor inspirational.

Manna Dey: A Story of Amazing Versatility – In a career spanning 60 years, Manna Dey excelled across a variety of genres – film songs, ghazals, bhajans, classical and pop – he regaled generations of listeners with his romantic ballads, zany rock and roll numbers, playful qawwalis and intricate raga-based songs. In Part 1, Bipin Parekh presents a detailed study of Manna Dey’s musical life and discography to understand and appreciate his massive repertoire and career graph. Part 2 presents analysis of Manna Dey’s association with 195 music directors and his output of 1363 Hindi songs spread over 932 films.

From Bollywood Rewind – Sampada Sharma – Indian Express’s weekly column:

In continuation to our tradition of ending the post with a few songs of Mohammad Rafi that are relevant to the topics covered in the present episode, we will institute a series where in we wiil listen to Mohammad Rafi and Lata Mangeshkar’s duet with a music director for the first time in a Hindi film, every month for the rest of the 2022,:

Chalo Ho Gai Taiyaar Zara Thehro Ji – Shaadi Se Pahle (1947) – Lyrics: Mukhram Shaarma – Music: Paigaonkar-Karnad

YuN To Aapas Mein Jhagadate Hai Khafa Hote Hai – Andaz (1949) – Lyrics: Majrooh Sultanpuri – Music: Naushad Ali

Apni Nazar Se Door Voh, Unki Nazar Se Door Ham – Bazaar (1949) – Lyrics: Qamar Jalalabadi – Music: Shyam Sundar

Ab Haal-e-Dl Ya Haal-e-Jigar Kuchh Na Puchhiye – Ek Thi Ladki (1949) – Lyrics: Azeez Kashmiri – Music:Vinod

Zara Tumne Dekha To Pyar Aa Gaya – Jal Tarang (1949) – Lyrics: Kaif Irfani – Music: Husnlal Bhagatram

I look forward to your inputs to enrich the contents of Carnival of Blogs on Golden Era of Hindi Film Music.

Disclaimer: This monthly series of posts is my best-effort-based compilation of posts on Hindi film songs that I normally visit regularly. As I record my sincere thanks to all the original creators of these posts, any other posts that I have nor covered herein shows my lack of awareness of existence of such posts and is by no means any disrespect to their work. The copyrights to the posts, images and video clips remain the properties of the original creators.