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I Liked Music from films

The Micro View of Songs of 1943 – Female Solo Songs – Sardar Akhtar, Parul Ghosh, Leela Sawant

Solo Songs of Sardar Akhtar

Har Cheez YahaN ki Hai Tasalli Ka Sahara, Tum Pyare Ho Jab Dil Ko – Fashion – Arzoo Lakhnavi – Shanti Kumar

Dil Ko Dukha Ke Baar Bar, Kahate Hai Muskuraye Ja – Fashion – Arzoo Lakhnavi – Shanti Kumar

Kadwa Phal Neki Ka Nikala, Kya Samajhe The Aur Kya Nikla – Fashion – Arzoo Lakhnavi – Shanti Kumar

Jo Na Kisi Se Ban Sake – Fashion – Arzoo Lakhnavi – Shanti Kumar

Solo songs of Parul Ghosh

Parul Ghosh’s solo songs, Aye Wade Saba Ithalati Na Jaa, Mera Guncha-e- Dil To Sukh Gaya and Main Unki Ban JaauN (Hamari Baat), Papiha Re Mere Piya Se Kahiyo Jaa (Kismet), Aye Bhi Woh, Gae Bhi Woh, Khatm Fasana Ho Gaya (Namste),   are covered in the Memorable Songs of 1943.

Chashm-e-Purannam Baha Ke Dekh Liya, Haal-e_Dil Suna Ke Dekh Liya –Muskurahat – Ishwar Chandra Kapoor – C Ramchandra

HFGK does not identify the song, but the uploader, Sadanand Kamath, a well-studied follower, identifies it as Parul Ghosh

Dil Na Lagein, Mora Man Na Lagein …. Naktaiwale Babu – Namaste – D N Madhok – Naushad Ali

https://youtu.be/qBLirj3rEwE

Aao Ji Kabhi To Aoji,….. Dil Ke Sitar Par Tere Get GauN Main – Namaste – D N Madhok – Naushad Ali

https://youtu.be/SIfQwVDEpPg

Aaj Pahlu Mein Dard Sa Kya Hai – Sawaal – Wali Sahab – Pannalal Ghosh

Ajay Yuvraj Has uploaded the song along with Aaye Bhi Woh Gaye Bhi Woh

Solo songs of Leela Sawant

Leela Sawant’s solo song Soz-e-gam (Nai Zindagi) could not be traced on the net.

More Jubna Pe Aai Bahar Re, Dekho Dekho Na Laage Nazariya – Dawat – Tanvir Naqvi – Vasant Kumar

Masti Ke TaraanoN Se UmmidoN Ko Jagaa De – Mohabbat Ki Jeet – Ehsan Rizvi – Vasant Kumar

Tere Nanhe Girdhari Ne Haye Matki Mori Phodi – Nurse – D N Madhok – Gyan Dutt

Jivan Sapana Jag Sapne Ki Chhaya – Nurse – D N Madhok – Gyan Dutt

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Carnival of Blogs on Golden Era of Hindi Film Music

Carnival of Blogs on Golden Era of Hindi Film Music – Volume X – September 2022 Edition

Welcome to September 2022 edition of Xth Volume of Carnival of Blogs on Golden Era of Hindi Film Music.

Presently we move on to our section on tributes and celebrations for the month –

The Musical Geniuses Who Have Ruled Hindi Film Industry Since Independence – From Naushad to Arijit Singh, here’s a list of 75 melody makers who have ruled the roost in Bollywood since 1947:

75 Bollywood Actresses Who Ruled The Silver Screen With Grace, Beauty And Talent

75 Actors Who Conquered Hearts Of The Millions Since 1947

75 Years Of Indian Cinema: The Platinum Magic On The Silver Screen

While celebrating 89th birthday of Asha Bhosle here are the chosen Asha Bhosle’s ‘Overshadowed Songs’ which have been overshadowed by other popular songs of that particular movie, but the songs are excellent. Mostly the songs stand out because of Asha Bhosle’s Midas touch.

Asha Bhosle and the Seven Wonders takes us to the tour of 7 solo music directors whose repertoire is filled with Lata Mangeshkar songs and have a scattered graph of Asha numbers.

After Khayyam at the Mountain Peak (1): Songs on Pahadi, we now have  Khayyam at the Mountain Peak (2): Songs sans Pahadi as  a tribute to Khayyam (18.2.1927–19.8.2019) on his third Remembrance Day

Continuing the series, the year-wise review of Lata Mangeshkar’s career, on Lata Mangeshkar, Mehfil Mein Teri takes a look at her career in the year 1952

Bengali Cinema During the Freedom Struggle – Throughout the 1930s and 1940s Bengali cinema produced socially aware films, which seldom attacked the British imperialism and oppression. Silhouette editor Amitava Nag explores the trends and patterns of Bengali cinema during the struggle for independence.

Did You Know Vyjayanthimala Refused a Filmfare Award for ‘Devdas’?Khalid Mohamed – On Vyjayanthimala’s birthday, here’s a (belated) special tribute to the veteran actor.

This article is from The Quint’s archives and was first published on 13 August 2016. It is now being republished to mark Vyjayanthimala Bali’s birthday)

HT spotlight: a short piece about Hindi cinema 1977-92 –  The Hindustan Times has this good-looking package which divides the Hindi cinema of the past 75 years into five eras, with separate essays on each. Here is a piece onJaane Bhi Do YaaroN, incidentally on its anniversary of release.

September 2022 episode of Fading Memories, Unforgettable Songs takes up (Shankar-) Jaikishan and Hasrat Jaipuri’s Songs Fading From the Memory: 1963. After we launched the series in 2017, we have covered the years

1949 -1954 in 2017

1955 – 1957 in 2018

1958 – 1959 in 2019,

1960 -1961 in 2020, and

1962 in 2021.

Shailendra Sharma @ Golden Era of Bollywood has posted following memorial tribute posts:

We now move on to posts on other subjects –

After a short break,  Mehfil Mein Teri presents (Part 8) of Boat Songs

Book Review: ‘Hindi Cine Raag Encyclopaedia’ Vol. 3, 4 & 5 – Whereas volumes 1 & 2 addressed the question, i.e which are the underlying raags in a particular song, whereas Volumes 3,4 & 5 answer the reverse question: Which are the famous songs based on a particular raag, say Asavari?

Book Review: P.K.Nair’s Yesterday’s Films For Tomorrow, published in 2017 by the Film Heritage Foundation after P.K.Nair’s death, is a collection of his writings – personal diaries, detailed notes, articles, letters – deftly edited by Rajesh Devraj.

The Two Worlds of Jalte Hain Jiske Liye – When Adheer offers his first song of love to Sujata, little does he know that while he is dreaming of a world with her where love is as fragile as delicate glass, Sujata’s world is imploding. Shirish Waghmode looks at the two worlds on either side of Jalte hain jiske liye.

Songs of wishes, desires and expectations– fulfilled and unfulfilled – The words used in film songs typically are – चाह, तमन्ना, आरज़ू, माँग. Many of the songs of course are melancholic and thus speak of unfulfilled desires. There are some which also speak of fulfilment. The playlist below has songs that capture both shades.

Bollywood, Masala Movies and Family Values – As ideas of family and love change, so do the films.

From Bollywood Rewind – Sampada Sharma – Indian Express’s weekly column:

We have inched forward to Female Solo Songs in Micro View of  1943 with Solo songs of Husn Bano, Sitara (Devi), Vatsala Kumthekar, and Rajkumari, Kaushalya, Nalini Jaywant, SoY has in the meantime presented Best songs of 1943: Wrap Up 2. After a very thorough and comprehensive summary analysis, SoY has awarded ‘The Award for the Best Female Singer of the year’ to Amirbai Karnataki.

In continuation to our tradition of ending the post with a few songs of Mohammad Rafi that are relevant to the topics covered in the present episode, we will institute a series wherein we continue to listen to Mohammad Rafi and Lata Mangeshkar’s duet with a music director for the first time in a Hindi film, every month for the rest of the 2022 –

Woh Jab Yaad Aaye Bahut Yaad Aaye – Parasmani (1963) – Asad Bhopali – Laxmikant Pyarelal

Ja Ja Jaare Tujhe Hum Jaan Gaye – Sehra (1963) – Hasrat Jaipuri – Ramlal

Agar Main Puchhun Jawab Doge – Shikari (163) – Farooq Qaiser – G S Kohli

While taking a slight detour, we take note of Dilip Dholakia’s first Mohammad Rafi- Lata Mangeshkar duet(s), from a Gujarati film:

O Naaho Liyaare…..O Roop Raseeli – Satyavan Savitri (1963) – Bhaskar Vora – Dilip Dholakia

I look forward to your inputs to enrich the contents of Carnival of Blogs on Golden Era of Hindi Film Music.

Disclaimer: This monthly series of posts is my best-effort-based compilation of posts on Hindi film songs that I normally visit regularly. As I record my sincere thanks to all the original creators of these posts, any other posts that I have nor covered herein shows my lack of awareness of existence of such posts and is by no means any disrespect to their work. The copyrights to the posts, images and video clips remain the properties of the original creators.

Categories
I Liked Music from films

The Micro View of Songs of 1943 – Female Solo Songs – Rajkumari, Kaushalya, Nalini Jaywant

Solo Songs of Raajkumari

At least one each solo song of Rajkumari from film Badalti Duniya and Khanjarwali and Nagad Narayan and two solos from film School Master (Music: Neenu Majumdar) chould not be located on YT.

Tu Mujhe Bana De Rani, Main Bani Teri Diwani  – Badalti Duniya – Mohan Sinha – /

Dard Bankar Fugaan Na Ho Jaae, Jhindagi ImtahaaN Na Ho Jaae – Dawat – Tanvir Naqvi – Vasant Desai

Mere Sune Mandir Mein Ye Kisane Deep Jalaye – Nagad Narayan – Kavi Shamim – Shreedhar Parsekar

Main To Nachoongi HaaN, Main To Gaaungi – Nagad Narayan – Kavi Beqal – Shreedhar Parsekar

Main HuN Kali Matwali Liyaqatwali – Panghat – Ramesh Gupta – S N Tripathi

Solo Songs of Kaushalya

In the caseof Kaushakya, one song each from the films Angoori (Music: Ghulam Mustafa Durrani) and Mouj (Music: Vasant Desai) and two each from films  Aankh Ki Sharm (Music: Vasant Desai) and  Kurbani (Music: Khemchand Prakash) do not seem to be available in digital formats across intenet.

Mere Naina Tujhe Dhoondhe Hai Sanwariya – Bhakta Raj – D N Madhok – C Ramchandra

Kagaz Ke Purje Dil Ka Hal Suna De – Chirag – D N Madhok – Khemchand Prakash

Jholi Meri Bhar Do Baba – Chirag – Wali Sahab – Khemchand Prakash

So Ja SoJa O Pyare Kanhaiya, Tori Maiya Leti Hai BaliyaN – Chirag – Pt. Indra – Khemchand Prakash

Kagaz Ki Hai Naav – Zaban – D N Madok – C Ramchandra

Tera GhoNsala Bhikhara Re Pankhi – Zaban – D N Madok – C Ramchandra

Solo Songs of Nalini Jaywant

One solo song of Nalini Jaywant from the film Adab Arz could not be traced in digital form

Kaheta Hai Ye Dil Baar Baar – Adab Arz – Kailash Ji ‘Matwala’ – Gyan Dutt

Kheto Pe Chale Bhaiya Kisan Re – Adab Arz – Rammurti – Gyan Dutt

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Carnival of Quality Management Articles and Blogs

Carnival of Quality Management Articles and Blogs – Volume X – September 2022 edition

Welcome to September 2022 edition of the Xth volume of Carnival of Quality Management Articles and Blogs.

The theme for the Xth volume of our Carnival of Quality Management Articles and Blogs is inspired from the editorial of the January 2022 special Issue of Prabuddha Bharata (The Awakened India) – Living a Meaningful Life in a Digital World.

For our present episode, we take up the article, Nature Connectedness: An Avenue to a Meaningful Life in the Digital Age by Sravanti Thutupalli.

Here is an excerpt from the article:

Cleave not the sky. Injure not the mid-space. Be in the harmony with earth.
This sharpened axe has led you to the great good fortune.
Therefore, O you divine Lord of forests, grow with your hundreds of branches.
May we also grow with thousands of branches.

(Yajurveda 5.41)

Beneath the forest floor, lies a network that connects – often called as Wood Wide Web – that connects nearly all the plants on the earth. This network, made of mycorrhizal fungi, shares resources preventing neighbouring plants from dying and other parasite resources.

This example that reminds us of inextricable links between all of life, is strongly similar to the internet of the present digital world. This natural network is repository of huge amount of data that emanates from, and controls, the exact cyclical happenings in the nature. So is our generic makeup in the form of DNA. As far as we know, DNA is the source code for all life. Like binary coding in the digital technology, DNA has four constituent digits – A, T, G and C. This digital nature of DNA code enables us to take genes from one and transfer it to another organism. This unifying language of DNA is translated into the wondrous diversity of life on earth.

However, there is an inherent interplay between the underlying digital character of nature and our experiences with its many analogue forms.  Although our experiences with the innumerable analogue manifestations of natural phenomena are being recorded as information stored and transmitted in the digital form, these cannot be always broken down into the simplifying codes.

The Panchakoshas elucidiated in the Taittriya Upanishad mediate our experiences –

    • Annamaya Kosha – expreinces of our gross body
    • Pranayama Kosha – our life energy
    • Manomaya Kosha – our mind
    • Vijnanamaya Kosha – the intellect, and
    • Anandmaya Kosha – the state of eternal bliss

Nurturing and transcending the Kosha from the grosses (Annamaya) to the subtlest (Anandmaya) provides the path towards meaningful experiences into a subtler and more pervasive substratum until all are resolved into the pure awareness.

Thus, our body and its senses, are valuable sources of knowledge of the material world and as the vehicles for action that provides the means to travel inwards more meaningful experience.

The sustained engagement with nature (gardening, family-get-togethers etc.) and digital technology (long hours of work on digital devices) require our total attention and hence lead to some degree of temporal dissonance causing us the lose the track of time.

However, there are important cognitive and neurocognitive differences between the two experiences. There are some activities during which happen with ‘smooth and accurate performance with an acute absorption in the task’ to the point of time dissociations and dissociative tendencies. Such a state is also called the ‘flow state’ and is achieved during self-fulfilling activities.

Flow experiences strongly diminish identification of Self with the body and thereby provide the means to transcend the Aannamaya Kosha.

The challenge of our present lifestyles lies in getting rid of the constant distractions (social media notifications) that require low levels of skills and challenges.

Truly identifying the unity of nature’s mycorrhizal fungal network and the digital internet can provide the route to transcending the material and physical world and nurture the pranamaya kosha.

It is this loss of nature connectedness – identification with nature – that is said to have led to the disconnect with the purpose of our life. Ecological self-theory proposed that nature connectedness and spirituality are strongly linked.  This positive link is what leads us to attain optimal psychological functioning and our true potential. The nature connectedness helps in removing our false notion of dualism – looking upon God and the world as two distinct or different things – to realise our true nature, to realize that basis of human existence is not set apart from the nature.

When the digital technology seems to intrude into every nook and corner of our lives.  It becomes imperative that we do limit ‘digitisation’ of our many experiences simply for the sake of either ease of doing something otherwise felt difficult or for the sake of storage of information.

Such a perspective lends itself to cooperation and harmony – both found in abundance in nature – with the nature. The conflicts of interests also do exist in the nature, but nature operates by ‘a set of rules for negotiating conflicts in a way that resolve them’.  Unfortunately, as the mankind has made more scientific progress(?!), it has led to conditioning of its Vijnanamaya kosha that demonstrates in our investment in our bodies and lower mental functions, further manifested in the self-perception that nature is for the us to exploit. It has been growing so unchecked that we have brought the nature to the point of extinction. The inventions and innovations that solve today’s problems create more complicated problems of tomorrow. If one needs any corroboration, just look the way digital technology uses rare metals and, in the end, creates mountains of most hazardous wastes.

The way human creativity is cultivated, the self is positioned in the heart of the object (the entire external reality), and yet stands outside it. However, the fact is that creativity is a thread in the very fabric of what it means to be human and a path to the subtlest of the koshas – the Anandmaya kosha. While making any new developments, we need to ask ourselves a simple question – whether we are bringing ourselves to the nature. If we put it spiritually, the question should be – our nurturing our creativity to further nurture the sheaths of Panchakoshas to ensure our progress from gross to the subtle.

The nature’s nature has so incredible, awe-inspiring experiences to offer, that we ‘stand on the shoulder of the giants.’ It is for us to find the meaning of our lives that support the giants of tomorrow on our shoulders.

Further readings:

We will now turn to our regular section -.

We now watch ASQ TV episode on –

  • Cloud Advantages And Aligning To Business Objectives – Alka Jarvis, the co-author of Successful Management of Cloud Computing and DevOps (ASQ Quality Press), sat down with ASQTV to discuss the benefits of cloud storage and how to align your cloud computing strategies with the business objectives.

We have taken up one article from Jim L. Smith’s Jim’s Gems:

  • Elusive Quality: Quality Doesn’t Just Happen – it’s time we got back to basic quality principles. We talk about getting to the root cause of problems. Well, we need to get to the root results of our actions by ensuring all projects include measurements to ensure quality. It’s critical to measure the level of customer satisfaction, improvement in mean time to failure (MTTF), reducing percent defective, preventing product recalls, and lowering return rates – not just focus on dollars saved, inventory turns, or process performance.

Quality just doesn’t happen; it must be nurtured every day with every action and project. The real quality objective is to achieve increasingly better products and services. As many organizations have discovered, without focusing on quality, the wrong measures can lead to negative results!

I look forward to your views / comments / inputs to further enrich the theme of Living a Meaningful Life in a Digital World.

Note: The images or video clips depicted here above are through courtesy of respective websites who have the copyrights for the respective images /videos.

Categories
I Liked Music from films

The Micro View of Songs of 1943 – Female Solo Songs – Husn Bano, Sitara (Devi) and Vatsala Kumthekar

Solo songs of Husn Bano

I have not been able to locate digital version of 3 solo songs of Husn Bano from Kaushish (Music: Bashir Dehlavi)

Pag Baje Ghungharava Piya Harajaye,,,, – Amanat – ? – Neenu Mazumdar

HFGK records the song as solo, but it seems to be duet.

Kya Jhamane Ki Kahani Ho Gayi – Amanat – ? – Neenu Mazumdar

Solo songs of Sitara (Devi)

I have not been able to locate 1 solo song from Andhera (Music: Gyan Dutt), and 4 solo songs of Sitara (Devi) from Bhalai (Music: Pannal Ghosh). Memorable Songs of 1943 has covered Sautan Ke Ghar Na Jaiyo (Abroo, Music: Pt. Govind Ram).

Pune Se Laayi Paan Re – Aabroo – ? – Pt. Govind Ram

HFGK mentions Najir as co-singer, but he joins by way of reciting dialogues.

Hamari Zindagi Kya Hai Amiro Ka Khilauana Hai Re – Aabroo – ? – Pt. Govind Ram

Ye Gam Ka Fasana Hai Koi Bhi Nahi Suanata – Aabroo – ? – Pt. Govind Ram

Naiya Hamari Paar Lagao – Aabroo – ? – Pt. Govind Ram

Haye Yaad Kisi Ki Sataye – Aabroo – ? – Pt. Govind Ram

Dukh Dard Ke Maare HaiN – Aabroo – ? – Pt. Govind Ram

GaauN Khushi Mein GaauN…  Ha Ha Ha .. – Najma – Anjum Pilinbhiti – Rafiq Ghazanavi B A

Solo songs of  Vatsala Kumathekar

One song, Teekhi Chitwan Dikha Ke Lut Liya from Aabroo (Music Govind Ram) is covered in Memorable Songs of 1943, one song from Ishara (Music: Rafiq Ghazanavi) and one from Zaban (Music: C Ramchandra) could not be traced on YT.

Saheli Bata Raat Ki Baat, KyoN Teri Bhikahr Gayi Bindiya – Ashirwad – ? – Anna Dahab

Prem Ke Hindole Dole – Ashirwad – ? – Anna Dahab

Ishq Ka Dard Suhana … – Ishara – D N Madhok – Khursheed Anwar

Meri Aankhein Hai Nashili … – Sarkari Paune – ? – Datta Daujekar

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Carnival of Blogs on Golden Era of Hindi Film Music

Carnival of Blogs on Golden Era of Hindi Film Music – Volume X – August 2022 Edition

Welcome to August 2022 edition of Xth Volume of Carnival of Blogs on Golden Era of Hindi Film Music.

We once again recall loss of Bhupinder Singh with The Multifaceted Bhupinder Singh

Presently we move on to our section on tributes and celebrations for the month –

Fifteen Years! of many changes happening in the life and hence on the blog content. But the good part is that Richard S. but is not ready to call it just quits in so far as Dances on Footpath is concerned. We too take the opportunity for the blog to continue its rich, conceitful journey for many more years…..

K.N.Singh – Bollywood Gentleman Villain With A Unique Mannerism – Rare Bollywood Nostalgia – Trivia – K N Singh acted in over 250 films in 60 years career. He was an excellent athlete as well. He had almost been selected for shot put and javelin throe for 1936 Olympics.

Aayega Aanewala – Remembering Khemchand Prakash on his 72nd death anniversary.

Khayyam at the Mountain Peak (1): Songs on Pahadi – A tribute to Khayyam (18.2.1927–19.8.2019) on his third Remembrance Day

Ek Din Hum Ko Yaad Karoge – Remembering Raja Mehdi Ali Khan on his 46th death anniversary.

The National Museum of Indian Cinema A delight for the senses is located at the Films Division Complex, Pedder Road, Mumbai

Abhas versus Kishore — An Existential Reality: (Part 1) and (Part 2) – Abhas turned Kishore midway. Abhas is a felt intangibility, a suggestion from within – something not material.  Kishore is one who is young, energetic, exuberant, visible, impactful.  Vijay Kumar explores the phenomenon that was Kishore Kumar

More to read

Kishore Kumar The Actor: A Legend’s Journey Down the Years Part 1

Kishore Kumar, The Master of his Craft – Amit Kumar Remembers his ‘Baba’

Kishore kumar with his mother Gouri Devi and Amit Kumar (Pic: Twitter)

August 2022 episode of Fading Memories, Unforgettable Songs takes up Shailendra’s Songs Composed by Kishore Kumar. We started taking a look at Shailendra’s songs with “other” music directors form the year 2017. Till now we have covered Shailendra’s Songs with

Roshan in 2018,

Hemant Kumar, Ravi and Kalyanji-Anandji in 2019

S N Tripathi, Anil Biswas and C Ramchandra in 2020

Shardul Kwatra and Mukul Roy in 2021

Shailendra Sharma @ Golden Era of Bollywood has posted following memorial tribute posts:

We now move on to posts on other subjects –

The poignancy and power of ‘Usne Kaha Tha’ don’t make it to the screenNirupama KotruBook versus movieUsne Kaha Tha was published in 1915, in the same year that the story is set. The screen version deviated majorly from the story in portraying its protagonists as Hindus rather than Sikhs. Somewhat contrived exploration of young love, with an eye on the box office, is the film’s undoing. The original story is a far more powerful tale of love – innocent, pure and powerful – as well as a tribute to the character, bravery and fortitude of Sikhs.

The Two Worlds of Jalte Hain Jiske Liye – When Adheer offers his first song of love to Sujata, little does he know that while he is dreaming of a world with her where love is as fragile as delicate glass, Sujata’s world is imploding. Shirish Waghmode looks at the two worlds on either side of Jalte hain jiske liye.

Songs of Youth rejoices the International Youth Day (August12).

Songs of Sarcasm – If the world only comprised narcissists at one extreme, and the most polite and courteous who profusely praise others at the other end, it would be a very boring place.

Canorous Eyesores – There are many songs which are a pleasure to not just hear but also see because they are delightfully picturized. Guru Dutt, Raj Khosla and Vijay Anand belong that club of songs picturization specialists.

From Bollywood Rewind – Sampada Sharma – Indian Express’s weekly column:

We have inched forward to Female Solo Songs in Micro View of  1943 with Solo songs of Amirbai Karnataki

Rafi’s songs with some unrecognised composers by Sivanandam Palamadai as a tribute to Rafi on his 42nd Remembrance Day (24 December 1924 – 31 July 1980)

In continuation to our tradition of ending the post with a few songs of Mohammad Rafi that are relevant to the topics covered in the present episode, we will institute a series wherein we continue to listen to Mohammad Rafi and Lata Mangeshkar’s duet with a music director for the first time in a Hindi film, every month for the rest of the 2022 –

First a correction of the music director that was missed earlier:

Sun To Lo Mera Afsana Chahe Pyar Karo Ya Na Karo  – Raat Ki Raani (1949) – A Shah Shikar Puri – Hans Raj Bahal

And now back to the regular sequence:

Piya Kaise MiluN Tujhse Mer Paano Padi Zanzir – Saranga (1960)  – Bharat Vyas – Sardar Malik

Aaj Hua Mera Dil Matwala.. Ho Matwala – Chhote Nawab (1961) – Shailendra – R D Burman

Saaz-e-Dil Chhed De Kya Haseen Rat Hai – Passport (1961) – Farooq Kaiser – Kalyanji Anandji

Jaane Teri NazroN Ne Kya Kar Diya – Grahasthi (1963) – Shakeel Badayuni – Ravi

I look forward to your inputs to enrich the contents of Carnival of Blogs on Golden Era of Hindi Film Music.

Disclaimer: This monthly series of posts is my best-effort-based compilation of posts on Hindi film songs that I normally visit regularly. As I record my sincere thanks to all the original creators of these posts, any other posts that I have nor covered herein shows my lack of awareness of existence of such posts and is by no means any disrespect to their work. The copyrights to the posts, images and video clips remain the properties of the original creators.

Categories
I Liked Music from films

The Micro View of Songs of 1943 – Female Solo Songs – Amirbai Karnataki

Having completed the Male Solo Songs section of Songs of 1943 of the Best songs of 1943: And the winners are? we now move over to the Female Solo Songs.

As has been observed, the year 1943 has around 256 female solo songs for which the HFGK has been able to identify the singers. There can be a few more female songs available on YT too.

We have not repeated here the songs that have been covered in the Memorable Songs of 1943.

Solo songs of Amirbai Karnataki

Memorable Songs of 1943 has 8 solo songs of Amirbai Karnataki, of which 4 belong to ‘Kismet’  and two have Minaxi as the singer and one has Ratan Piya as the singer on th records. Here we have the songs credited to Amirbai Karnataki in HFGK and which are available on YT, except around 6/7 songs that could not traced on YT.

Hum Tumse Maangate HaiN, AahoN Ke Badale Aahein – Bansari – D N Madhok / Pt. Indra (?) – Gyan Dutt

YuN Dekhoge Agar Lag Jaaayegi Najar, O Baanke Nayanawale – Khanjarwali – Afzal – Afzal

Tore Man Mein Basoongi Ho Sajana, Tum Chanda Bano Main Chandani – Prem Sangeet – Bharat Vyas – S K Pal

Man Re Mat Ro, Mat Ro, Kaise Tujhe ManauN – Prem Sangeet – Bharat Vyas – S K Pal

KyoN Tumne Daraya, Peechhe Peechhe Prem Tu KyuN – Prem Sangeet – Bharat Vyas – S K Pal

Jeevan Ka Jug Aaya… Dekh Dekh Kar Man Lalchaya – Prithvi Vallabh – Pt. Sudarshan – Rafiq Ghazanvi

Hawa Ne Kya Baandha Hai Rang, Dekho Iski Chaal Niraali – – Prithvi Vallabh – Pt. Sudarshan – Rafiq Ghazanvi

Bholi Bhaali Ko LalachaI Re MaiN, Kaise KahuN – Shankar Pravati – Pt. Indra – Gyan Dutt

Kinko Dhundhat Nain Sakhi Ri, Kaun Tera Chitchor – Shankar Parvati – Pt. Indra – Gyan Dutt

Categories
Carnival of Quality Management Articles and Blogs

Carnival of Quality Management Articles and Blogs – Volume X – August 2022 Edition

Welcome to August 2022 edition of the Xth volume of Carnival of Quality Management Articles and Blogs.

The theme for the Xth volume of our Carnival of Quality Management Articles and Blogs is inspired from the editorial of the January 2022 special Issue of Prabuddha Bharata (The Awakened India) – Living a Meaningful Life in a Digital World.

For our present episode, we take up the article, When Virtual gets Real: Screening Life in Digital Era by Kanchan Gogate.

Here is an excerpt from the article:

Today life moves so much at our fingertips, literally, that sans social media we feel out of touch, not only of outside world, but with us as well.  However, the penetrative and far-reaching technology has caused alarms for its impact on mind, brain, consciousness, and the overall quality of life.

The ‘actual’ problem of the technological era is not just limited to digital addition, but the understating of what it means to live in a time where life is technology-driven.

The Covid-19 pandemic pushed the school-going children as well as working class adults in the service industries to the increased use of internet for their studies and work respectively. In another parallel development, the teens and adults in all age groups also have turned to internet for the use of their leisure time through the streaming media content.

The net result was that these internet users got addicted to the screen of a digital device. On one hand the excessive usage of digital devices drove these people away from the human contact, making them vulnerable to loneliness, escapism, poor sleep quality and even depression but also to cyberbullying and at times to even addition to pornographic sites.

(The virtual reality of) internet technology came up a solution to constraints of location and time, but lack of poise also seems to be creating it into (a reality of) a problematic solution.

Another side effect is what is now known as Google Syndrome, wherein patients google the syndromes and also conclude not only the disease but the treatment well before the official diagnosis. In turn, they also have started distrusting the official diagnosis of a proper doctor.

This can still be termed as tip of the iceberg, with AI, VR technologies increasing digitization and automation coverage of homes, personal and social entertainment and work. Even though AI technologies can be superior and competent to a human brain on several parameters, it does not have the capability of the brain to evoke that consciousness which takes the mind beyond the material process.[1]

How can we understand our true self if we are disconnected even from our functional reality.

The solution lies in the practice of tapas / discipline to recognise that however intelligent or qualified, Time is the only resource that we can never get back once its is lost. The pertinent question that we need to ask ourselves is – is our use of digital technology improving the (real) quality of our life?

We also need to question ourselves – what is the change you want to make in this world?

The way we answer these questions will guide us towards (self)discipline/ swadharma and a meaningful life of contribution – towards the self-first, and then to the society.

Some more readings:

    • THE BRAIN WITH DR. DAVID EAGLEMAN (w.t.), six one-hour episodes that tell the story of the inner workings of the brain and take viewers on a visually spectacular journey into why they feel and think the things they do.
  • @ TEDxAlamo 10/29/09, Dr. Eagleman gave compelling examples of how reality is a matter of individual perception and how Nature’s adaptions function as “plug ins” for the brain.

  • David Eagleman, in conversation with Sadguru as they discuss a variety of subjects, ranging from different parts of the mind, the concept of time, quantum mechanics, religion, and meditation.

  • Mind the Gap Between Perception and Reality | Sean Tiffee | TEDxLSCTomball

We will now turn to our regular section -.

We now watch ASQ TV episode on –

We have taken up one article from Jim L. Smith’s Jim’s Gems:

Tips for success (Part 1 and Part 2) – focus on important actions:

  • Focus on end goals.
  • Make crisis an ally
  • Solicit input
  • Do not trust non-statistical metrics
  • Focus on vital metrics
  • Cost of Poor Quality (CoPQ) must be known
  • Improvement does not always centre on hard assets
  • Enhance employee worth
  • Take action

‘From the Editor’ (of Quality Magazine) – by Darryl Sealand, we have –

  • Focus More or Less – In science, Focal Point is the point at which rays of light, heat, or sound meet after being reflected. In geology, it is the place inside the Earth’s crust where an earthquake originates. … When applied to the human brain, focus is defined as a centre of activity, attraction, or attention, or a point of concentration. … However, the same amount of fanfare surrounds a somewhat diametrically opposed idea, that of multi-tasking – the opposite of hyper-focus. … A rather famous experiment – called The Invisible Gorilla – attempts to address some aspects of hyper-concentration versus multi-tasking by revealing the numerous ways that our intuitions can deceive us.[2] The authors, Christopher Chabris and Daniel Simons, concluded that the experiment reveals two things, “that we are missing a lot of what goes on around us, and that we have no idea that we are missing so much.” … Some recent studies… suggest that our brains don’t really have the ability to concentrate on many things at once, but some of us are better at turning our concentration quickly from one task to the next and are simply better at organizing the thoughts and attention to be able to “bounce” from one task to another and back again with seemingly more ease than others.

Further Reading:

    • Seeing the world as it isn’t | Daniel Simons | TEDxUIUC

    • TEDxUIUC – Daniel Simons – Counter-Intuition

I look forward to your views / comments / inputs to further enrich the theme of Living a Meaningful Life in a Digital World.

Note: The images or video clips depicted here above are through courtesy of respective websites who have the copyrights for the respective images /videos.


[1] Swami Sarvapriyananda | Consciousness — The Ultimate Reality | Talks at Google

[2]

Categories
Carnival of Blogs on Golden Era of Hindi Film Music

Carnival of Blogs on Golden Era of Hindi Film Music – Volume X – July 2022 Edition

Welcome to July 2022 edition of Xth Volume of Carnival of Blogs on Golden Era of Hindi Film Music.

We pay our homages to the film personalities we lost this month.

‘Leke Pehla Pehla Pyar’ dancer Sheila Vaz was ’50s icon but Bollywood forgot to give credit – Tina Das – From ‘Ramaiya Vastavaiya’ (Shree 420, 1955) upto Ghar Aaja Ghir Aaye Badra from Chhote Nawab (1961) Sheila Vaz, who passed away on 29th June, knew how to charm audiences with performance. Today, YouTubers agree with it.

Sheela Vaz from Shree 420 (1955) | YouTube

Beete Hue Din pays tribute in the form of “Leke Pehla Pehla Pyar Bhar Ke Ankhon Me Khumar – Sheela Vaz, which is supplemented by a YT video Sheela Vaz aka Rama Lakhanpal

Ten of my favourite Sheila Vaz songs is a tribute in which she’s lip-synced to the song, from Hindi films

Bhupinder Singh: A limited-edition, classy artistBalaji Vittal  – Celebrated for his singing talent, he was an equally accomplished guitarist. (Ref: How Bhupinder Singh blends the ghazal with the guitarManish Gaekwad) – Bhupinder passed away on 18 July 2022 at the age of 82.

Courtesy Pavan Jha/Twitter

We now move on to our section on tributes and celebrations for the month –

Mehfil celebrates 5th Anniversary! By continuing the series, the year-wise review of Lata Mangeshkar’s career, on Lata Mangeshkar. Presently, covered are ‘Semi Classical songs by Lata Mangeshkar’

Dilip Kumar: How the ‘first Khan’ gracefully transitioned into his second innings, created a blueprint for star-actorsSampada Sharma – On Dilip Kumar’s death anniversary(8 July), here’s looking back at how the ‘first Khan of Bollywood’ created a blueprint for success with his second innings.

Dilip Kumar and technology: ‘What exactly is this Internet?’ –  Faisal Farooqui – An excerpt from a memoir by Faisal Farooqui, the founder of the website Mouthshut.com.

Satyadev Dubey transformed Indian theatre – but many forget his maverick film projects – Nandini Ramnath – Apart from plays, he had two short films – Aparichay ke Vindhachal (1965) and Tongue In Cheek (1968), the full-length feature ‘Shantata! Court Chaue Aahe’ and an unfinished production to his credit.

Duets (+) of Mukesh: With Male Singers are as a tribute to Mukesh on his 99th Birth Anniversary (b. July 22, 1923 – d. August 27, 1976)

Guru Dutt believed he was making ‘insubstantial’ cinema before Pyaasa, the film released him from ‘solitary confinement’Sampada Sharma  – On Guru Dutt’s 97th birth anniversary, here’s revisiting the time when Dutt felt like he had been let out of prison while making Pyaasa.

Vasant Desai Part 2 (post-1950s): His male singers is a follow-up post to Vasant Desai Part 1 pertaining to the vintage years (1930s and 40s),

Jana Pehchana Sa Ajanabee – Remembering lyricist, Asad Bhopali on his 101st Birthday on 10th July

Manoj Kumar understood the ‘soft power’ of patriotism in movies, how Bharat Kumar came into beingSampada Sharma  – On Manoj Kumar’s 85th birthday, here’s recalling how he became known as Bharat Kumar in Hindi cinema.

July 2022 episode of Fading Memories, Unforgettable Songs takes up Mohammad Rafi’s First Duet Song With The Music Director for the Second Five-Year Period: 1949 -1953. We had covered 1st Five-Year Period of 1944 to 1948 in the year 2021.

Shailendra Sharma @ Golden Era of Bollywood has posted following memorial tribute posts:

Stardust Memories – On the marriage anniversary of the legendary actors Amitabh Bachchan and Jaya Bachchan, Silhouette presents this beautifully penned piece by Taroon Coomar Bhaduri, Jaya Bahduri’s father. The article was published in the Illustrated Weekly of India, March 5, 1989.

Also to read: Jaya Bachchan: A Slot-less Act

We now move on to posts on other subjects –

Deepti Naval on her memoir: ‘It’s like watching a movie, where you’re with me’Nandini Ramnath – The acclaimed actor returns to her first love, writing, with ‘A Country Called Childhood’. In her memoir, A Country Called Childhood – A Memoir, Deepti Naval, Aleph Book Company, the acclaimed actor retraces her earliest film-watching experiences.

I’ll become a nun’— Balraj Sahni’s autograph made Deepti Naval want to be an actor

In ‘A Country Called Childhood’, Deepti Naval talks about her interest in cinema, and experiences that pushed her to be an actress.

Balraj Sahni Autograph| A Country Called Childhood

Vintage era music relived in films to chronicle those movies/songs in which the songs of the vintage era are remembered sometimes as a tribute and sometimes are very craftily woven into the situation of the film as a parody.

‘The best student of our school’: KA Abbas on casting Amitabh Bachchan in ‘Saat Hindustani’K A Abbas – An excerpt from ‘Sone Chandi Ke Buth: Writings on Cinema’, by KA Abbas. Translated from the Urdu and edited by Syeda Hameed and Sukhpreet Kahlon.

In praise of a woman’s beauty is a sort of mirror image of Songs of Narcissists

Recent Musical Excursions Into Pakistan: Coke Studio; Sindhi and Punjabi Divas; Fascinating Fusion – Here is a stunning Zeb and Haniya video for the song “Dadra,”

The Mindful Songs are the songs where मन figures more in the sense of the mind.

From Bollywood Rewind – Sampada Sharma – Indian Express’s weekly column:

We have inched forward to Male Solo Songs [2] in Micro View of  1943 to conclude with MY TOP Male Songs..

In continuation to our tradition of ending the post with a few songs of Mohammad Rafi that are relevant to the topics covered in the present episode, we will institute a series wherein we continue to listen to Mohammad Rafi and Lata Mangeshkar’s duet with a music director for the first time in a Hindi film, every month for the rest of the 2022 –

O Gori Aankhon Mein Kajra,. Kahan Chali Kahan Chali – Kichak Vadha (1959) – Bharat Vyas – Master Krishna Rao

Teri AankhoN Ka Rang Nirala Hai – Barood (1960) –  Hasrat Jaipuri – Khayyam

Khwab Mein Kahan Miloge …. Kis Liye Ji – Bindiya (1960_ Rajinder Krishna – Iqbal Quereshi

Mera To Dil Dil Ghabraaye – Kala Aadmi (196) – Hasrat Jaipuri- Dattaram

Jhun Jhun Paayal Jhanke O Raja More Man Ke – Maya Machhindra (1960) – Keshab – Ramlal Heera Panna

I look forward to your inputs to enrich the contents of Carnival of Blogs on Golden Era of Hindi Film Music.

Disclaimer: This monthly series of posts is my best-effort-based compilation of posts on Hindi film songs that I normally visit regularly. As I record my sincere thanks to all the original creators of these posts, any other posts that I have nor covered herein shows my lack of awareness of existence of such posts and is by no means any disrespect to their work. The copyrights to the posts, images and video clips remain the properties of the original creators.

Categories
Carnival of Quality Management Articles and Blogs

Carnival of Quality Management Articles and Blogs – Volume X – July 2022 Edition

Welcome to July 2022 edition of the Xth volume of Carnival of Quality Management Articles and Blogs.

The theme for the Xth volume of our Carnival of Quality Management Articles and Blogs is inspired from the editorial of the January 2022 special Issue of Prabuddha Bharata (The Awakened India) – Living a Meaningful Life in a Digital World.

For our present episode, we take up the article, Living in the Digital Age – Enslaved or Free by Anju Murari-Narula.

Here is abridged version of the article:

The ubiquity of digital information and the connectivity made life bearable during the Covid-enforced lock-down. We could not get out in the world; but the world could come to us. During that period, we shifted our lives from physical world to virtual world.

Grandmothers read to the grandchildren online, musicians discovered apps to play and connect to other musicians across the globe. Online libraries of movies, music and books were a click away, accessible 24×7.

However, the western concept of digital connectivity did not mention our third -inner- world – the source of sustenance.

Cezanne’s ‘Bathers’ enjoying free time Photograph: Corbis – Source: Are we liberated by tech – or does it enslave us? – Jenny Judge

Despite the positive and enriching experiences, the undercurrent of longing for the human connect remains strong.

The question is not about digital or real world-connectivity. It is about how best we use the connections in both worlds to further our inner world. In William Wordsworth’s words, ‘The external (world) is to much with us; late and soon. Getting and spending, we lay waste of our powers.’

At some point of time, a deafening roar grows from within, ‘to manifest our divinity within’. Only a Vivekanand can explain, with deep humanity, the cry of the soul –

Oh! I am sick of this unending force;
these shows they please no more.
This never running, never reaching,
Nor e’en a distant glimpse of shore.

All the knowledge we glean from the real world is but the first step, Shravana. For Manana and Nididhyasana [1] to follow, s deep dive into the inner world becomes imperative – becoming and experiencing are the real goals and a lifelong struggle.

Any amount of access to the digital information and knowledge is just a primer for the hard work waits for getting immersed in the work, that you like doing yourself or has to be done to discharge your duties, waits you in the solitary confinement with your own self.

Let us use the WORLD freely, but ready to shelve, store and even walk away when the actual practice begins.  For in the unambiguous words of God Himself (in Bhagwadgita Karma Sanyāsa Yoga, 5.2.4)

He who’s happiness within, whose rejoicing is within and whose light is within
That yogi, established in Brahman, attains mergence in Brahman

In effect, this means that Renunciation of Action (सांख्य–सन्यास- योग) and Yoga of Action (कर्म योग), both lead to the highest bliss. But of these two, Yoga of Action is superior to the renunciation.

Some additional readings:

We will now turn to our regular section -.

We now watch ASQ TV episode on –

We have taken up one article from Jim L. Smith’s Jim’s Gems:

  1. Treat Employees As External Customers. In Tom Peters’ book, “Thriving on Chaos,” he stressed that it is impossible to get people’s best effort if they aren’t treated with respect, honesty, and trust.
  2. Select And Train Frontline Employees Carefully. Frontline personnel need to be selected from key behavioural characteristics, trained, and retrained, and the frontline level should be involved in the training effort.
  3. Defuse The Situation, and let cooler heads prevail to resolve the situation.
  4. Measure Your Words Carefully.  Avoid saying anything that sounds like a command or contradiction.
  5. Strive For A Partnership. Make your challenge the customer’s challenge.
  6. Get Personal, create a personal affiliation, support a partnership relationship, and can help defuse the situation.

‘From the Editor’ (of Quality Magazine) – by Darryl Sealand, we have –

  • Ain’t Nothing Like the Real Thing – Technology asks, is there really?Ain’t Nothing Like the Real Thing is a song by Marvin Gaye and Tammi Terrell from 1968. The lyrics describe looking at a picture and reading a letter and that these things, while comforting, are no substitute for looking upon someone in real life or hearing their voice speaking the words, hence the title of the song. The sentiment of the song, further begs the question, when did we start substituting for the real thing, and why?  …. There have been things purists would say there is simply no substitute for—hands-on learning. Managing Editor (Quality Mag) Michelle Bangert writes, in the article ‘Future of Quality – How will you use Quality 4.0 ideas at your location?’,  Quality 4.0 technology is only one element in a broader quality transformation. It is transformational, it takes people – “It’s about telling stories with the data and solving problems.”

I look forward to your views / comments / inputs to further enrich the theme of Living a Meaningful Life in a Digital World.

Note: The images or video clips depicted here above are through courtesy of respective websites who have the copyrights for the respective images /videos.

[1] The three of the four stages of practice:

  • Samanyasa or Sampattis, the “fourfold discipline” (sādhana-chatustaya), cultivating the following four qualities
    • Nityānitya vastu viveka(नित्यानित्य वस्तु विवेकम्) — The ability (viveka) to correctly discriminate between the eternal (nitya) substance (Brahman) and the substance that is transitory existence (anitya).
    • Ihāmutrārtha phala bhoga virāga(इहाऽमुत्रार्थ फल भोगविरागम्) — The renunciation (virāga) of enjoyments of objects (artha phala bhoga) in this world (iha) and the other worlds (amutra) like heaven etc.
    • Śamādi ṣatka sampatti(शमादि षट्क सम्पत्ति) — the sixfold qualities,
  • Śama(control of the antahkaraṇa).
  • Dama(the control of external sense organs).
  • Uparati(the cessation of these external organs so restrained, from the pursuit of objects other than that, or it may mean the abandonment of the prescribed works according to scriptural injunctions).
  • Titikṣa(the tolerating of – adhyatmik, adhibhautik and adhidaivik – tāpatraya).
  • Śraddhā(the faith in Guru and Vedas).
  • Samādhāna(the concentrating of the mind on God and Guru).
    • Mumukṣutva(मुमुक्षुत्वम्) — The firm conviction that the nature of the world is misery and the intense longing for moksha (release from the cycle of births and deaths).
  • Sravanalistening to the teachings of the sages on the Upanishadsand Advaita Vedanta, and studying the Vedantic texts, such as the Brahma Sutras. In this stage the student learns about the reality of Brahman and the identity of atman.
  • Manana, the stage of reflection on the teachings.
  • Nididhyāsana, (निदिध्यासन) the stage of meditation on the truth “that art Thou”

Reference: https://en.wikipedia.org/wiki/Nididhy%C4%81sana