Carnival of Blogs on Golden Era of Hindi Film Music – April 2015

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Welcome to April, 2015 edition of Carnival of Blogs on Golden Era of Hindi Film Music.

Come 1st April and rest assured that SoY will come up with something brilliant. For the present, Some thoughts on taxonomic-mathematical analysis of Hindi films and songs has a fairly lashing tongue in the cheek, but that would not take away the merits of three core ideas – viz. Duet Balance Index (DBI) – ‘Duets that are really solos’, Popularity-Quality Index (PQI) – Popularity versus quality and Mathematical Analysis of Bollywood Triangles and Other Films presented therein.

We turn our sails to our regular fair –

Shamshad Begum songs by Naushad – SoY’s tribute to Shamshad Begum on her 96th birth anniversary (14 April 1919 – 23 April 2013). Shamshad Begum’s entry is credited to Ghulam Haider. Nonetheless she sang with same élan with most of the music directors of the vintage era. When Naushad used her voice first time in Shahjehan (1946) , Shamshad Begum was already at her peak. As she went on to sing a wide range of moods and scales in around 60 songs with Naushad, her portfolio was concurrently getting richer with other music directors like C Ramchandra, S D Burman, Ghulam Mohammad and others. She blazed a scorching trail with O P Nayyar. It remains a very typical irony of the vagaries of Hindi Film Music that she was quite easily replaced with Lata Mangeshkar and Asha Bhosle by Naushad and O P Nayyar respectively in course of 50s.

SoY has picked up Shamshad Begum songs of C Ramchandra in Shamshad Begum songs by C Ramchandra as a tribute on the 2nd death anniversary of the legendary singer.” During a brief period in the late 1940s, before Lata Mangeshkar happened in a big way to C Ramchandra, Shamshad Begum was his most important singer, and he was at his creative best. The combination gave some everlasting songs, which are an important part of our musical legacy.”

We recall our April 2013 episode of our blog carnival, wherein we carried a few more articles and a downpour of obituaries on her passing away. We add a few more here:

Naushad on Shamshad Begum in an interview on BBC, shared by Raza Ali Abidi on his youtube channel.

Shamshad Begum Interview, Part 1 of 2 and 2 of 2

By selecting a range of songs form films of different time scale, Asha Parekh-A charming and talented actress provides a fan’s insight to Asha Parekh’s career graph. To this we supplement Unknown Facts About Asha Parekh.

Words by Anna Morcom on Pakeezah (with accompanying videos from Tommydan) – looks back at (main) songs as interestingly seen in the book, Illicit Worlds of Indian Dance on 43rd anniversary of Meena Kumari’s death.

We pick up two songs from My favourite Meena Kumari songs:

Uff Ye Beqaraar Dil Kahan Luta Na Poochhiye is a tribute to (Smt.) Bela Bose Sengupta on her 74th birthday on 18th April, 2015. We pick up a few of the songs listed out at the end of the article:

The Lost Films of Helen – This video slideshow shines a light on some Helen films that haven’t been seen since they were originally released many years ago. They are presumed to be lost forever.

Tune, Composer, Language – It’s All the Same attempts at highlighting some examples where a wide arrange of music directors have re-use their tunes within the same language, within the same period of 1940s -1950s.

Double delight with FusionFusion in this post is to mean something totally different from a mere fusion of instrumental music – a mix of two different singing styles in the vocals in the same song. 12 of these ‘Fusion’ songs (from 1950s to 2010) are placed in the player.

Now we move over to Samir Dholakia ‘s choice for the month –

Naresh Mankad has remembered Budhdham Sharanam Gachchami – Angulimaal (1960) – Anil Biswas – Manna Dey, Meena Kapoor, and Chorus. This is indeed a more known song. But it has a very different version (predecessor, in terms of timeline) in Anjali (1957), sung by Mohammad Rafi, and composed by Jaidev.

In the end we take up (our customary) very special songs / articles on Mohammad Rafi –

We will end April month’s episode with a very typical Shanker-Jaikishan – Mohammad Rafi songs of 1960s – from (of course) the film ‘April Fool’ – a song which has one of the longest prelude, studded with a huge ensemble of violins, wherein Rafi has taken flights to all the scales –

Aa Gale Lag Jaa, Mere Sapane, Mere Apne, Mere Paas Aa…….

We continue our pursuit of the golden period of Hindi Film Music …….

Carnival of Quality Management Articles and Blogs – April 2015

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Welcome to April 2015 edition of Carnival of Quality Management Articles and Blogs.

For the month, we cast our net to search for articles for “Improving measures of measurement of process”, so as to look at the process improvement in the deep nooks and corners. The result seems to be a mixed bag. However, we will take what is available and continue with a more defined journey in next few episodes as we. So, here are some exploratory articles on Improving measures of measurement of process.

Following a measurement journey– …It can be helpful to think of the measurement activities in an improvement project as a journey:

Measurement JourneySource: Lloyd, R. Quality Health Care: a guide to developing and using indicators. Jones & Bartlett Publishers 2004

Measures – Measurement is a critical part of testing and implementing changes; measures tell a team whether the changes they are making actually lead to improvement. In improvement work, the team should use a balanced set of measures. Plot data for these measures over time using a run chart, a simple and effective way to determine whether the changes you are making are leading to improvement. For more information: See How to Improve: Establishing Measures

Types of Measures Structure: Physical equipment and facilities Outcome Measures – The final product, results, Process Measures – How the system works, Balancing Measures– looking at a system from different directions/dimensions.

Measuring Healthcare Quality: An Overview of Quality Measures briefly looks at what are the types of quality measures , how quality measure are developed, where do data on …quality come from, how are the quality measures used, what’s next in quality measurement.

Using benchmarking measurement to improve performance over time – Participation in external benchmarking activities is not….. the ultimate goal. It is the use of data derived from benchmarking to initiate and sustain performance improvement over time.

This paper has placed very relevant quotes as the sidebar, which subtly but equally definitively enhances the message of the article. We have placed them here below:

Quality is never an accident; it is always the result of intelligent effort.” – John Ruskin

The goal is to transform data into information and information into insight.” – Carly Fiorina

It ain’t what you don’t know that gets you into trouble. It’s what you know for sure that just ain’t so.” – Mark Twain

Data do not speak for themselves – they need context, and they need skeptical evaluation.” -– Allen Wilcox

It is the mark of a truly intelligent person to be moved by statistics.” – George Bernard Shaw

If you think that statistics has nothing to say about what you do or how you could do it better, then you are either wrong or in need of a more interesting job.” – Stephen Senn

In the middle of a difficulty lies opportunity.” – Albert Einstein

We will continue with present subject in its more definitive aspects in the next few episodes.

In the meanwhile, in the second part, we have Suresh Lulla’s Blog, from among the Influential Voices Blogroll Alumni. Here are the previous posts on this blog:

Managing for Quality

Problem Solving in 4 Steps – 2

Problem Solving in 4 Steps

Who Pays for Bad Quality? Is there a Solution?

Supplier Solutions. MADE IN INDIA

We turn to our regular sections now:

Bill Troy, ASQ CEO has presented the first of the three part blog series ‘A Leader’s Roadmap to a Culture of Quality: Building on Forbes Insights-ASQ Leadership Research: Part 2 of 3’. Roy Lawton – author of the book Creating a Customer-Centered Culture: Leadership in Quality, Innovation and Speedproposes to provide the missing and necessary specifics for successful action. In the Part One last month, he spelt out how to successfully address point #1 – All employees must apply the four key elements of any strategy for building a quality culture.  (Page 8: Boeing’s Ken Shead). In Part Two here, he spells out how to successfully address point #2 – CLOSELY UNDERSTAND CUSTOMER EXPECTATIONS, on the road to cultural transformation.

Bill Troy also critically discussed how to Encourage The Next Generation of STEM Professionals. Julia McIntosh, ASQ communications , in her follow through ‘March Roundup: What To Do About STEM Education?’ has summed up a wide ranging views of the fellow ASQ Influential Voices bloggers.

We then move over to ASQ TV Episodes: Quality and Forensics – In this episode, we will see how quality plays an important role in forensic community and how forensic techniques were used to resolve a construction dispute. We will (also) learn how to create a Correction Action Request and we talk to one of the stars of the hit television show, CSI.

Linked videos:

Forensic Technique Reveal Conclusive Evidence

The How and Why of Auditing

o Corrective Action Request

Our ASQ’s Influential Voice for the month is – Chad Walters

chad waltersChad Walters is a lean consultant with Lean Blitz Consulting out of Augusta, Georgia, and blogs about Lean applications in sports organizations at the Lean Blitz Consulting blog. He has been practicing lean and continuous improvement for more than eight years. He is a Six Sigma Black Belt certified by ASQ and received his MBA from Indiana University’s Kelley School of Business and B.S. in chemical engineering from Tri-State University in Angola, Indiana.

Over and above his views as ASQ Influential Voice, here are some other posts on Chad Walter’s blog:

§ Presentation on the Designated Hitter and Root Cause Analysis

§ Should the Buffalo Bills Play Sunday Despite The Driving Ban?

§ Did Eric Hosmer’s First Base Slide Cost The Royals?

§ LinkedIn Post: Business Strategy and Clothes Dryers

He certainly loves to dig more into how sports can better utilize quality.

I look forward to your active participation in enriching the blog carnival as we pursue our Improvement journey ………….

Carnival of Blogs on Golden Era of Hindi Film Music – March, 2015 edition

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Welcome to March, 2015 edition of Carnival of Blogs on Golden Era of Hindi Film Music.

March has a very important festival – Holi – linked mainly to onset of the spring in the North India. The celebration of the festival is deeply ingrained into the fabric of the entire social culture of the people. As a natural corollary, it is but natural that the festivities are reflected into the mainstream (Hindi) Cinema. From the mellow and richly classical Holi songs in the 50s to the fun songs in the 70s, the flirtatious songs of the 80s to the power-packed, rigorous dance sequences in the new millennium, Holi songs have seen a gradual but marked change in style of music and the manner of filming the sequences. It is natural that we devote the opening session of the current edition of our blog festival to the articles featuring Holi songs in the Hindi Films.

And here are some of the randomly selected articles published in the mainstream journalistic flavor:

We now turn to the anniversaries:

Conversations Over Chai has three articles to commemorate Talat Mahmood’s birth anniversary on 24th February (1924):

The Legends: Talat Mahmood – has a few ‘quintessential Talat’ songs, each one for a different music director. While reading the article and comments thereto, Tum To Dil Ke Taar Chhed Kar, Kho Gaye (Roop Ki Raani Choron Ka Raaja – 1961- Shanker Jaikishan) came up from my memory. This, incidentally, is a twin version song. Furthermore, looking for some other songs, I landed upon Tera Khayal Dil Ko Sataye To Kya Karen (Naqab – 1955 – Govind Ram).

My Favourites: Talat Mahmood – Lata Mangeshkar Duets

In addition to a fairly rich collection and the contents in the main article, these songs in Comments also catch our attention:

Yaad aanewale phir yaad aa rahe hain Anmol Ratan – Vinod. He gave another great duet Shikwa tera main gaaun in the film.
Mat chhed zindagi ke khamosh taar le jaRaag Rang – Roshan.
Saawan ki raaton meinPrem Patra – Salil Chaudhary
Chaahe nain churao chaahe daaman bachao pyar ho ke rahegaAas – Shanker Jaikishan

Mausam Ye Pukare Masti Mein Le Chal – Burmah Road (1962) – Chitragupt

The Legends: Talat Mahmood – Part 2 – has lined up duets with different singers.

SoY continues with Focusing on Naushad as the theme of the year while undertaking comparisons with C Ramchandra in Talat Mahmood by Naushad and C Ramchandra. Naushad used Talat Mahmood in lead only once in Babul (1950) and then as a co-singer with Mohammad Rafi in Kaisi haseen aaj baharon ki raat hai (Aadami – 1968). In the queer twist of commercial considerations, Talat Mahmood was replaced by Mahendra Kapoor in the final track, but the records were already in the market. In comparison, C Ramchandra has a fairly large share of ‘great’ songs with Talat Mahmood. Here also, Talat Mahmood was on the losing streak once – Kitna haseen hai mausam kitna haseen safar hai – which is finally rendered by Chitalkar himself.

Naushad-C Ramchandra duel for Amirbai Karnataki, is an innovative tribute to Amirbai Karnataki, on the 50th death anniversary (c.1906 – 3 March 1965). Naushad had About fifteen songs in seven films in a span of eight years whereas C Ramchandra had Eight films and about fifteen songs in a span of eight years – same as Naushad’s. ,,,, If we look at Amirbiai Karnataki’s singing career in overall perspective, Anil Biswas first catapulted her to great fame with Kismet (1943); she sang the maximum number of her songs for Gyan Dutt and maximum number of his songs were sung by her…. Vidur Sury has written an exhaustive and excellent article – Amirbai Karnataki – A Legendary Indian Singer on Amirbai Karnataki. He has also contributed to Atul’s bollywood song a day- with full lyrics Amirbai Karanataki’s Deendayaal sakal dukhbhanjan (Narsi Bhagat – 1940)……..And this in turn takes us to the categories Ameerbai Karnataki songs, which has 118 posts and Ameerbai Karnataki solo, (78 posts) on Atul’s bollywood song a day- with full lyrics

‘Bags, Books and More’ pays tribute to Ravi, through his scores to Sahir Ludhyanvi’s songs, in My favourite Sahir Ludhianvi – Ravi songs, on the third death anniversary. In terms of getting less to hear a song , we pick up Mahendra Kapoor-Asha Bhosle duet Rangeen Fiza hai (Bahu Beti, 1965) from among the ‘favorites’ .

We now turn to other posts on our regular blogs:

Tennis, Pathakji and ‘Tere sadke balam’ – There would many who have very strong association with a song….But it takes SoY to make it a memory to be shared with all as if we lived all those moments ourselves.

Film Songs Based on Classical Ragas (8) – Pilu – Guest article by Subodh Agrawal in which he discusses the best film songs based on this Raga and some fine classical pieces. Pilu is the one that truly captures the mood evoked by this earthy smell, possibly because it is the raga of the Gangetic plain, where the summers are long and severe, and the rain – when it comes – comes in torrents, as in a fragment from the film Sara Akash (1969), as it captures the traditional movement better than any other clip one could locate.

As can be easily expected, the advent of spring should have led to posting of articles on the subject. Ten of my favorite spring songs takes up the task with the rules: the synonym for spring—basant, bahaar, etc—should actually be present in the lyrics, the word (especially in the case of bahaar, which can also refer to scenery or enchanting environs) should specifically refer to spring itself and the word should be used in the literal, not the metaphorical, sense, making the reading even more interesting.

Ten of my favourite cloud songs is a thematic songs-list article, which follows these rules: firstly, the synonym for cloud must be in the first line of the song, and secondly, the reference to clouds should be literal; clouds should not be used only in the metaphorical sense. On a similar vein, there have been other posts on rain songs and wind songs.

Ijaazat (1987) very fondly traces the origin for writing up the review to Mera kuch samaan from the album You’ve Stolen My Heart: Songs from R.D. Burman’s Bollywood

Word Play: Shaam presents the Shaam songs with the self-imposed rules : the song had to begin with the chosen word. (At the most, the word could be the second one in the first line.) Preludes to songs didn’t count. And two, it has to be the word itself, not its variations., which have yielded three posts – Raat, Piya and Chand – in the past. We pick up, again on the basis of the criterion of not-getting-to listen-often:

Shaam gayi raat aayi – Shree 420 (1955) – Lata Mangeshkar – Shanker Jaikishan- a song that is recorded and then discarded from the film is classic fit for Mystery of the Missing Songs, strangely, this song was never used in any subsequent RK film either

Shaam dekho dhal rahi hai -Anjaan Hai Koi (1969) – Mohammed Rafi, Usha Khanna – Music: Usha Khanna

Gulzar’s “shaam se aankh mein nami se hai – Mukesh .The original Salilda tune has been used in another song and has also been sung by Mukesh.

The succinct review of Aah – 1953 has very judiciously provided a link to the jukebox filled with songs from the film.

Dances By Egypt’s Naima Akef -Egypt’s Golden Age of cinema happened very close in time to India’s, beginning in the 1940s and extending into the ’60s. …there also are close parallels between this cinema and Indian cinema in the song-and-dance sequences, with the main difference being that the Egyptian dances were mostly Middle Eastern…..the present selection starts with Naima Akef’s most strange and possibly most modern dance, “Mambo.” After that one, thrown in are six more, which fall all along the spectrum from modern cabaret to traditional Egyptian folk dance. Rather than going into any descriptions of those, let the dances speak for themselves (because they certainly do speak for themselves….).

Kahan Le Chale Ho Bat Do Musafir – Beena Rai – a career starting form Kali Ghata (1951) ran into some 18 films ending with Apna Ghar Apni Kahani (1968). The post has provided links to some of her very famous songs.

Whilst on Beena Rai, we may recollect Ashok Dave;s review of Vallah Kya Baat Hai (1962) (in Gujarati), and enjoy these two exceptional Roshan songs –

Enjoyable western beats has compiled a special list of 15 songs on the player, applying the criteria that You should distinctly hear the bongo, conga or drums played as a lead instrument for at least a few seconds, in some part of the song, hindi film songs from the 1950s to the 1970s (with one song from 1980).

Rhythm of CastanetsCastanets are relatively tiny instruments that fit into the palms of the two hands and were originally used in European music. They can be played quickly in continuous notes to create a roll type of sound, or they can be played with each click on the castanet being a discrete note. The representative songs are on Rhythm of Castanets.

Jinhen Naaz Hai Hind Par, from Pyaasa 1957 takes us to Madhukar Shukla’s Translation of the original poem, and in turn to original version in Roman Urdu and the modified film song version. Here is the video clip of the song, wherein @ 6.26 we have my most favoured portion:

vo ujale dareechoN meiN paayal ki chhan-chhan
thaki haarii saaNsoN pe tabale ki dhan-dhan
ye be-ruuh kamroN meiN khaaNsii kii Than-Than
jinhe naaz hai hind par vo kahaaN haiN?

And its English translation:

The jingling trinklets at casement bright,
Tambourins athrob’ mid gasping life;
Cheerless rooms with cough alive;
Where are they who praise, the pious eastern ways?

On this rather sombre note, we now turn over to articles from the random search of other blogs/ sites:

The Hindi film song & the soundtrack of our livesSantosh Desai in City City Bang Bang -..It would be far too simplistic to connect the change in Hindi film songs to the harsher angrier discourse that we see in our public conversations, but surely the inability to find little islands of gentleness into which we can periodically retreat must take its toll. With no better self to find refuge in, no song to hum with eyes closed in melancholic bliss, the world is a harsher place full of people resigned to their hardness.

The “Indian” Dances in Kali Yug (1963, Italy/France/Germany) – The four dances in the films all center around the character Amrita, an exotic-enough sounding Indian name, played by the French actress and “Bond girl” Claudine Auger.

And now over to exclusive articles on Mohammad Rafi…

clip_image002The search for songs on Holi had led to writer and journalist Vinod Viplav’s article होली से कटती मुंबइया फिल्में. A little more exploration of the blog leads us to the category Mohammad Rafi, where we come to know of publication of the second edition of his biographical book Meri Awaz Suno (ISBN – 81-904097-1-9), which in turn led to:

As we close our books for this edition, we get the news that Shashi Kapoor, who just celebrated his 77th birthday, will receive this year’s Dadasaheb Phalke Award.

We continue our pursuit of the golden period of Hindi Film Music …….

Carnival of Quality Management Articles and Blogs–March 2015 edition

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Welcome to March 2015 edition of Carnival of Quality Management Articles and Blogs.

For the month, I chose to search articles for “Improving the manufacturing performance”. As can be expected, the available choice was so simply far too much to handle in one episode of our blog carnival. So, I have selected some of the representative articles:

5 Ways to Boost Your Line’s Performance — Right Now … John Mills

1. Reward trainers. First, model the behaviour you want. Then, train your floor managers to implement best practices quickly.

2. Reward small failures. Productivity is a process so treat it like one. Allow staff to team up and try small experiments for boosting output, setting aside rewards for both victories and failures knowing that anything that moves the floor closer to achieving permanent gains is a win.

3. Reward efficiency. Don’t obsess over output at the expense of everything else. Structure rewards that allow employees to “bank” and use time saved via productivity enhancements as vacation or sick time.

4. Reward partnerships. More isn’t always better when it comes to developing and refining a manufacturing process, but there will always be appropriate moments to bring in outside experts.

5. Reward outcomes. Finally, remember the endgame. Identify tangible, measurable goals before embarking on any productivity-boosting campaign. Assign leaders to implement the plan and then get prepared to reward achievements.

Keys to Improving Manufacturing Efficiency

In this paper, Apriso shows how to achieve enterprise-wide supply chain visibility, manufacturing synchronization, and control over efficiency through an integrated solution that directly addresses manufacturing competence.

A Diagnostic Tree for Improving Production Line Performance – Wallace J. Hopp • Seyed M. R. Iravani • Biying Shou

Improving performance of production systems is a critical but often unstructured activity. To help managers convert ad hoc or trial & error improvement efforts into efficient and systematic reviews, we develop a diagnostic tree which decomposes a performance improvement objective into successively more concrete sub-objectives and finally into potential improvement strategies. Based on principles from the Operations Management literature, this tree is structured to enable a non-specialist to better understand the links between corrective actions and performance. It also provides an important foundation for a principles-based knowledge management system that couples the decision tree with a search engine for locating relevant documents within an intranet.

Proven Principles for Improving Manufacturing Performance – Paul Dennis, Tom Knight

Plant managers can obtain major improvements in manufacturing performance by rising above the jargon and implementing two proven guiding principles that have stood the test of time : benchmarking and elimination of waste, particularly redusction in inventory and long cycle-times. The performance improvements should maintain profit margin and provide competitive advantage. Managers should also make a diagnosis first, before prescribing the appropriate improvement technique.

How big data can improve manufacturing by Eric Auschitzky, Markus Hammer, and Agesan Rajagopaul

(Wherever a huge amount of data is being generated[ even when not on all of them on digital media]) Manufacturers (by) taking advantage of advanced analytics can reduce process flaws, saving time and money

Jeff Dorman: Improving Performance

Jeff Dorman examines the roles of leaders, managers and employees, as well as team functionality as crucial elements for organizational success..

Designing performance measures – a structured approach – Andy Neely, Huw Richards, John Mills, Ken Platts and Mike Bourne

(A well-researched article. If one starts hitting the Tables, then you get a very good feel of what can be more relevant to one’s given situation.)

Improving Analysis of Key Performance Measures at Four Middle-Sized Manufacturing Companies – Moving Focus from What Has Happened to What to Do – Marcus Danielsson & Johan Holgard

The purpose of this thesis can be formulated in three research questions: How did the companies change their attitudes and behaviour as a result of understanding variation? How should a method to understand variation be implemented?, What aspects are important to consider when undertaking an implementation process?

28 Manufacturing Metrics that Actually Matter (The Ones We Rely On) Mark Davidson

The MESA (Manufacturing Enterprise Solutions Association) organization has sponsored research over the past years to help the manufacturing marketplace identify the most important metrics, and help decision makers understand metrics improvements and their relationships to metrics programs and the use of software solutions. As part of the most recent metrics survey, 28 manufacturing metrics were identified as being the most utilized by discrete, process, and hybrid/batch manufacturers.

PERFORMANCE MEASUREMENT

Measurement is the first step in improvement. But while measuring is the process of quantification, its effect is to stimulate positive action……Performance measures can be grouped into two basic types: those that relate to results (outputs or outcomes such as competitiveness or financial performance) and those that focus on the determinants of the results (inputs such as quality, flexibility, resource utilization, and innovation). This suggests that performance measurement frameworks can be built around the concepts of results and determinants.

Performance Factory – a new approach of performance assessment for the Factory of the Future

A new measurement and assessment framework, called Performance Factory (PerFact) and its current implementation state, is presented in this work. In addition, the Virtual Factory Framework Project (VFF) is presented. VFF is in line with the concept of the Factory of the Future and envisions the development of a Virtual Factory in order to support and improve the real factory. This in turn allows and promotes the application of PerFact by selectively assessing the real performance or the performance of planning scenarios.

In the second part, we have Innovate on Purpose from among the Influential Voices Blogroll Alumni. Here are the previous posts on this blog:

We turn to our regular sections now:

Bill Troy, ASQ CEO has presented the first of the three part blog series ‘A Leader’s Roadmap to a Culture of Quality: Building on Forbes Insights-ASQ Leadership Research’. Roy Lawton – author of the book Creating a Customer-Centered Culture: Leadership in Quality, Innovation and Speedproposes to provide the missing and necessary specifics for successful action. Part One in this blog series spells out how to successfully address point #1 – All employees must apply the four key elements of any strategy for building a quality culture.  (Page 8: Boeing’s Ken Shead).

Julia McIntosh, ASQ communications , in her ‘February Roundup: Is Quality “Global”?’ notes what ASQ’s bloggers had to say – “quality going global”—should it and does it?  If so, how is quality knowledge best shared worldwide?

And then move over to ASQ TV Episodes: A New Look at Risk Management – Learn about the role of risk in the ISO 9001: 2015 revision, assess the root causes of risk via a fishbone diagram, discover a risk management formula, and learn how the toy company LEGO successfully manages risk.

Our ASQ’s Influential Voice for the month is – Anshuman Tiwari

anshuma-tiwariAnshuman Tiwari is a quality expert with experience as an industrial engineer, quality consultant, and program manager in industries ranging from textiles to financial services. Based in Bengaluru, India, he blogs at Quality—The Unfair Advantage, wherein he includes reviews, articles, views, news, jobs, etc. on quality.

I look forward to your active participation in enriching the blog carnival as we pursue our Improvement journey ………….

Carnival of Blogs on Golden Era of Hindi Film Music – February, 2015 edition

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Welcome to February, 2015 edition of Carnival of Blogs on Golden Era of Hindi Film Music.

As has become a set pattern, we begin with articles form or regular blogs, commemorating anniversaries:

Kavi Pradeep: The singer of Message Songs  – As tribute on the centenary of Kavi Pradeep (6 February 1915 – 11 December 1998) –  the article goes on to present some songs sung by him, because he is in the class of singers who could not sing anything which was less than captivating.

Happy Birthday, Waheeda ji, from where we have picked up these two songs:

Jaane kya tune kahi (Pyaasa, 1957, Geeta Dutt, S DBurman) so as to bring up its original Bengali version Mono Dilo Na Bandhu sung and composed by S D Burman

Haaye gazab kahin taara toota (Teesri Kasam, 1966. Asha Bhosle, Shankar-Jaikishen). We will add Mubarak Begum’s piece Hai Muhobbat Bahutto this list. Just as a bonus, here is her dance number (Yaeru pooti poovaye from Kaalam Maari Poochu (remade into Telugu as Rojulu Marayi). This tune was adapted to in Hindi for the film Bambai Ka Babu, as Dekhane Mein Bhola Hai, some years down the line.

My Favourite Geeta Bali songsJanuary 21, 2015  was the 50th anniversary. Our pick of the songs is : Yeh Din Hai Khushi KeJab Se Tumhen Dekha Hai (1963) – Manna Dey and Suman Kalyanpur

My favourite songs of Madhubala , from which we have picked up – Aye bhola bhala man (Jhumroo, 1961, Asha Bhosle and Kishore Kumar, Kishore Kumar)

The Masters: Khayyam spans the career that spanned more than six decades, with long stretches in between where Khayyam did not compose for films at all. In all, he composed for 54 films (and 17 other unreleased ones) and totalled up 626 songs (including those for TV serials and other non-film albums including those for Begum Akhtar and Mohammed Rafi).

And now onto some of the other – regular- offerings:

UttarMegh and Dekh Kabira Roya is also the inspired by the Meghadutam, which has been a source of inspiration of many an artist.  ‘While PurvaMegh describes the scenic beauty that the cloud messenger would pass by on his way to Alaka nagari, as narrated by a certain Yaksha who is separated from his wife on account of negligence of duty and hence cursed by Kubera to be exiled for a year, UttarMegh is full of virah-bhava. ..The great painter Nana Joshi has created nine visualisations of the verses of UttarMegh…. That UttarMegh was a possible inspiration for the great lyricist Rajinder Krishan when he penned the lyrics for Dekh Kabira Roya – Meri Veena Tum Bin Roye  and  Ashqon se teri hamne [It is also interesting to note that the two songs are back to back in the movie] as well as Bairan Ho Gyai Raina –  or even Amiya Chakraborty, the director of the movie, is what this post sets out to explore.

Some Favorite (Relatively) Contemporary Versions of Classic Hindi Film Songs is the result of the urge to throw together some of my favorite contemporary versions of old Hindi film songs. The songs included here – Hai Apna Dil To Awara, Chin Chin Choo, Piya Tu Ab To Aaja– also come from a slightly wider range than the area that the blog usually focuses on these days, stretching in one case all the way into the early 1970s. But all of these songs were composed by music directors who produced many classics during the Golden Age, and all of them were originally sung by artists who became prominent during the Golden Age or the Vintage Era.

Different versions of ‘Tum Bhulaye Na Gaye’ by  Feroza Begam… This is one of the loveliest songs that one cannot get tired of listening it again and again. There is something special about it. Firoza Begum in her unique and beautiful voice has infused agony and angst into this engrossing composition of Kamal Dasgupta…. original version , subsequent version   and the one when she was almost 70 .

A few random musings:

Salil Chaudhury – A narrative documentary movie on Salil Chowdhury directed by Jagadish Banerjee and produced by Films Division…..

Cinema Cinema – Director Shah Krishna compiled this compelling documentary of Indian cinema after spending two years searching through film archives from all over the world. Included are films from the turn of the 20th century through the 1970s to illustrate various schools of filmmaking and the historical progression of the art form.

Our friends Samir Dholakia and Bhgawan Thavrani have remembered

Naresh Mankad also chips in with

Whilst on Pankaj Mullik, we also recall that Samir Dholakia has sent

 Tu Dhundhata hai jisako – Yatrik by Anulekha Gupta Mullick, the daughter of Pankaj Mullik. Here is the original song.

And now over to exclusive articles on Mohammad Rafi…

Mohammad Rafi Timeline showcases his endless collections.

Mohammed Rafi: An Antique voice of showman Raj KapoorAn Accolade to Raj Kapoor and Mohammed Rafi on their 90th Birthday Raj Kapoor - Google DoodleBy Biman Baruah – Mohammad Rafi has sung second highest songs for Raj Kapoor, after Mukesh, in films like Barsaat (1949), Andaz (1949), Dastan (1950), Sargam (1950), Amber (1952), Paapi (1953), Do Ustad (1959), Chhalia (1960), Nazrana (1961), Ek Dil Sau Afsane (1963) and Mera Naam Joker (1970).

We continue our pursuit of the golden period of Hindi Film Music …….

Carnival of Quality Management Articles and Blogs – February 2015 edition

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Welcome to February 2015 edition of Carnival of Quality Management Articles and Blogs.

We have chosen to visit Institute for Healthcare Improvement, envisioning “Improving Health and Healthcare Worldwide”. We would especially focus on Resources thereat, which offers tools, change ideas, measures to guide improvement, IHI white papers, audio and video, improvement stories, and more.

clip_image002IHI uses the Model for Improvement as the framework to guide improvement work. The Model for Improvement,* developed by Associates in Process Improvement, is a simple, yet powerful tool for accelerating improvement. This model is not meant to replace change models that organizations may already be using, but rather to accelerate improvement.

We also get to learn about the fundamentals of the Model for Improvement and testing changes on a small scale using Plan-Do-Study-Act (PDSA) cycles.

We will also have a look at some of the videos here:

Dr. Mike Evans Video: An Illustrated Look at Quality Improvement in Health Care

In the video, Evans starts with a simple question: Why should you care about quality improvement? He presents a brief history of QI (including a “Mount Rushmore” of improvers), then touches on system design, the Model for Improvement, and the familiar challenge, “What can you do by next Tuesday?” — all in less than nine minutes!

Deming’s System of Profound Knowledge (Part 1) and (Part 2)

Robert Lloyd, the Director of Performance Improvement at IHI, uses his trusty whiteboard to dissect the science of improvement. In short videos, he breaks down everything from Deming’s System of Profound Knowledge, to the PDSA cycle, to run charts.

The Model for Improvement (Part 1) and (Part 2)

The Model for Improvement was developed by Associates in Process Improvement.

In the second part, we have NDCBlogger from among the Influential Voices Blogroll Alumni.

This is the blog of Deborah Mackin, the author of The Team-Building Tool Kit series and founder of New Directions Consulting. She has a background in quality manufacturing and production, as well as organizational excellence

We have selected two of the articles from the blog so as to open a peep-in window to the blog:

A Manufacturing Floor Operator’s Experience with High Performance Teams and What It’s Meant To HimMatthew Harrington

While looking for this video on YT, we happily land upon:

Why Change When Things Have Been Successful in the Past?

“We are not making a change to a Team concept because we are doing something wrong. In fact, our success is due to the great work we have done to this point. We are a leader in the field. We want to maintain that leadership and to do so we need to move forward with how we do business.”

We turn to our regular sections now:

Bill Troy, ASQ CEO picks up the thread for the round of discussion, “Why Should Quality “Go Global”?, from the visits paid to the HQ by ASQ’s representatives from global offices in India, Mexico, and China, and partner organization in Brazil, Quali.

Paul O’Neill, a quality thought leader, 2013 Juran Medalist, and  former U.S. Secretary of the Treasury, chairman and CEO of Alcoa from 1987 to 1999, where he retired as chairman at the end of 2000, is now immersed in taking the principles of quality and using them to fix the enormous problems the U.S. faces in healthcare.  As an acknowledged expert in healthcare economics, he uses the same quality principles he espoused and enforced at Alcoa to help healthcare executives and providers cut waste and increase effectiveness and safety.

The key take-aways from the discussions have been presented @ Finding Inspiration form Quality Leaders.

First, when he went to Alcoa, he surprised everyone by what he made his top priority.  It was not increasing shareholder value, capturing market share, or increasing profits.  It was worker safety.  Because, as Secretary O’Neill explains, your people are the most precious asset you have.  When they are injured, you don’t have just an interruption in the work, you have real human suffering.  No profit is worth that.

The second take away that resonates, as much as the first, is simply to treat everyone with dignity and respect.

The third point sounds simple, but its implications are unforgiving and pervasive.  It is that your aim must be to be the best in the world at everything you do.  This is a radical departure from what most of us think of as improvement. It does not say be better than last year or be better than the guy down the street.  It says you must drive to be the best in the world and he meant exactly that.   This, in more details , means to figure out theoretical perfection, measure yourself against that standard, and then figure out how to get there.  You then start systematically eliminating everything that is keeping you from attaining that theoretical level of perfection, keep measuring, and don’t stop until you get there.  (My) guess is that’s where even a leader as good as Paul O’Neill will lose a lot of potential followers. If you really mean it, this part is very, very tough.  But, as Secretary O’Neill told me, it is also a lot of fun! ……….. We indeed intend to find out.

Julia McIntosh, ASQ communications , in her January Roundup: Quality Inspirations notes that – A quality role model could be anyone from a guru to a mentor to a person who is not “in quality” at all, but still embodies quality principles- Family, Professional Mentors or Icons and Beyond. The round up sums feedback from a cross-section of ASQ Influential Voices bloggers.

And then move over to ASQ TV Episodes: New To Quality – discover seven quality tools and Quality Body of Knowledge ®

Our ASQ’s Influential Voice for the month is – Manu Vora

clip_image002[129]ASQ Fellow Manu Vora is chairman and president of Business Excellence, Inc. He is an expert in organizational excellence and the Baldrige Performance Excellence Program. He blogs at Thoughts on Quality, wherein he puts across his views, thoughts and experiences in relation to the monthly topic for discussion @ASQ Influential Voice forum..

We have picked up one article – A Clear Vision – to illustrate the content on the blog.

The Oxford Dictionaries defines vision as “The ability to think about or plan the future with imagination or wisdom”. Why do organizations need vision? The vision provides a purpose, direction, and focus to take an organization to a next height. It is essentially a dream of the future. …the vision statement should be memorable, short, and uplifting (not several paragraphs put together by outside consultants which become ‘Words on the Wall (WOW)’). ‘ … The article supplements this with few excellent examples of Vision statements from the US Baldrige Performance Excellence Award winners in various domains.

Here is a bonus read from ASQ: Top 8 Books Every Quality Professional Should Read

  1. The Quality Toolbox, Second Edition, by Nancy R. Tague
  2. Juran’s Quality Handbook, Sixth Edition, by Joseph M. Juran and Joseph A. De Feo
  3. Root Cause Analysis: The Core of Problem Solving and Corrective Action by Duke Okes
  4. Making Change Work by Brien Palmer
  5. The Essential Deming, edited by Joyce Nilsson Orsini PhD
  6. Organizational Culture and Leadership by Edgar H. Schein
  7. Economic Control of Quality of Manufactured Product by Walter A. Shewhart
  8. Practical Engineering, Process, and Reliability Statistics by Mark Allen Durivage

I look forward to your active participation in enriching the blog carnival as we pursue our Improvement journey ………….

Carnival of Blogs on Golden Era of Hindi Film Music – January 2015

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Welcome to January, 2015 edition of Carnival of Blogs on Golden Era of Hindi Film Music.

It is Songs of Yore once again to bang start the New Year with The Jewel in the Crown of Naushad: ‘Rattan’ (1944) so as celebrate 2015 as the Year of Naushad in the 75th year of his debut.

On Naushad’s birthday (25th December), a different aspect of his music is presented in Eight Instrumental Dance Numbers by Naushad (and a pic from a ninth), which are positively delightful, even though they might not be as well-known as his vocal songs:

  1. Cuckoo in Anokhi Ada
  2. The snake dance from Dastan
  3. The festival dance in Mela
  4. Cuckoo in Aan
  5. The “Blind Man’s Bluff” dance in Dillagi
  6. Sitara Devi’s dance in Mother India
  7. The festival group dance from Dulari and 8. Geeta Bali’s gypsy dance in the same film

And a pic from Suraiya’s lovely little semi-classical dance at the miserable wedding in Anmol Ghadi:

suraiya-anmol ghadiOn C Ramchandra’s birth anniversary (12th January) SoY has chosen The Master of Musical Comedies C Ramchandra and his ‘Patanga’ (1949), “because it comes in the watershed year of the change of era when Lala Mangeshkar hits the scene like a tornado, and sweeps away the yesteryear singers like Amirbai Karnataki, Shamshad Begum etc.” On a more broader canvas, Ten of my favourite C Ramachandra songs….is specifically (the) songs which he composed, not just songs he sang.

My favourite O.P. Nayyar songs – It is an irony that one of the finest music composers in Hindi cinema is known today more for the one thing he did not do [did not record a song with Lata Mangeshkar], rather than what he did!

I have picked up Poocho Na Hamein (Mitti Mein Sona, 1960, Asha Bhosle) from the songs listed in the post.. There is no video available and the longer version of the song is also not easily traceable. There is another beautiful song in the same film sung by Asha Bhosle, Yeh duniya rahe na rahe kya pata, mera pyar tujhse rahega sada.

We have two excellent links to the Radio Ceylon program on O P Nayyar: Tribute to O.P.Nayyar~Radio Ceylon 28-01-2013~Morning – Part 1 and Part 2 and Part 3

OPN died a reclusive man, in touch with only a few friends on 28th January, 2007.

Remembering N. Dutta (Datta Naik) – 30th December, 2014 marks the 27th death anniversary of the unfairly under-rated and lesser known composer, Datta Naik, also credited as N. Dutta.

I have picked up these songs from the songs posted:

Chand Bhi Koi Diwana Hai (Apna Ghar Apni Kahani, 1968, Singers: Mahendra Kapoor and Asha Bhosle):

Aye Dil Zuban Na Khol (Naach Ghar, 1959, Lata Mangeshkar)

Nashe Mein Hum Nashe Mein Tum Mohammad Rafi-Suman Kalyanput (Black Cat, 1959).

Naina Kyun Bhar Aaye (Dharmputra, 1961, Asha Bhosle)

Laage To Se Nain (Chandi Ki Deewar, 1964, Talat Mahmood and Asha Bhosle)

In addition, I have one more song Askon Ne Jo Paaya Hai (Chandi Ki Diwar, Talat Mahmood), which has been very fondly been referred to by Captain Narendra Phanse in his regular article in Web Gurjari.

My favourite Mahendra Kapoor songs – Ends with a very rare song sung by Asha Bhosle, Usha Khanna and Mahendra Kapoor from the 1969 film B-grade film Killers, starring Ajit, Dara Singh and Sheikh Mukhtar. “Mere Dil Zindagi Safar Hai” is picturised on Helen and Dara Singh in a circus. A lovely song, Usha Khanna sings surprisingly well and MK has a small bit right towards the end. Brilliant music by OPN.

On her 76th birth anniversary on 8th January, from My favourite songs of Nanda, I have selected

Kajrey Badarwa (Pati Patni, 1966, Lata Mangeshkar, R D Burman)

Pyar Bhari Yeh Ghatayein (Qaidi No 911, Manna Dey-Lata Mangeshkar, Dattaram)

From my side I would add Thahariye Hosh Mein Aaoon To Chale Jaaiyega (Mohabbat Isko Kahate Hain, Mohammad Rafi, Suman Kalyanpur, Khayyam).

IMIRZA777 pays A Tribute… People who left us in 2014.

Last month, we had taken note of the articles published on Shailendra’s birth anniversary. We have been able to find two more very interesting video features – An Affair to Remember: Celebrating Shailendra, the lyrical genius and Rajya Sabha TV’s Virasat in which Rajesh Badal has anchored Lyricist ‘Shailendra’

A thumri from different films has presented Baat Chalat Nahi Chunari Rang Daari from Ladki – 1953 (Singer: Geeta Dutt, composer: C Ramchandra) and Rani Rupmati -1959 (Singers: Mohammad Rafi and Krishna Rao Chonkar, Music: S N Tripathi)

Our friend Samir Dholakia has forwarded Hanste dekha to boley sitaare…o piyaa pyaare, which sounds C Ramchandra-like, is composed by S D Burman for “Chaalis Baaba Ek Chor”(1954). Bhagwan Thavrani helps in remembering Jaane Kitni Baar Hriday Se Maine Use Pukara (Sapna – 1969 – Jaidev).

The story of Film Music will never be complete without taking the due cognizance of some of the great musicians and arrangers who worked ‘behind the curtain’ in creating these songs were Antony Gonsalves, Antanio Vaz (Chic Chocolate), Sebastian D’souza, Frank Fernand, Enoch Daniels, Van Shipley, Manohari Singh, Kersi Lord, Maruti Rao Keer among many others. One such unsung music arranger is Kishore Desai, presented @ Bahaaron se keh do mere ghar na aayen. A few of the popular songs of the golden period of Hindi film songs in which he played mandolin/sarod are as under:

Song Movie Music director
Bechain nazar betaab jigar Yasmeen (1955) C Ramchandra
Dil ka na karna aitbaar koi Halaku (1956) Shankar Jaikishan
Kaun aaya mere man ke dwaare Dekh Kabira Roya (1957 Madan Mohan
Ghadi ghadi mora dil dhadke Madhumati (1958) Salil Chowdhury
Sakhi re mera man uljhe tan dole (played Sarod) Chitralekha (1964) Roshan
Aage bhi jaane na tu Waqt (1965) Ravi
tum bin jaaun kahan (Rafi version) Pyaar Ka Mausam (1969) R D Burman

Kishore Desai composed many NFSes. The present article has remembered Bahaaron se keh do mere ghar na aayen (1965) Singer-Mukesh, Lyrics-Shiv Kumar Saroj. Incidentally, Captain Narendra Phanse in his regular article in Web Gurjari (referred hereinbefore, too) remembers Shiv Kumar Saoj’s song in Mukesh’s voice – Tere Labon Ke Muquabil Gulab Kya Hoga.

We also take note of Text of 75 Cult Songs (1931-2006), wherein, on the occasion of (in 2007) platinum Jubilee of talkies, ‘Screen’’s attempts to look at 75 cult songs – the creme-de-la-creme of mega-hits that have crossed economic, cultural and geographical barriers and thus defined and redefined tastes and trends in Hindi film music have been captured.

SoY has continued with the Multiple Version Songs series with Multiple Versions Songs (20): Male Solo and Duet or Chorus.

And now over to exclusive articles on Mohammad Rafi…

§ On the 90th birthday anniversary of Mohd Rafi saab some rare mix melodies

§ JIS RAAT KE KHAWB AAYE– RAFI (WITH NAUSHAD SPEAKS)- FILM- HABBA KHAATOON (UNRELEASED)

§ A Tribute to Mohd Rafi – Part 1- From among 25 songs presented in this part , I have selected Tum Poochtey Ho Ishq Bala Hai Ki Nahin (Nakli Nawab, 1962, Bipin-Babul)

§ A Tribute to Mohd Rafi – Part 2 also has a very wide range of duet songs, of which I have selected

Mat Poochiye Dil Hai Kahan, Dil Ki Manzil Hai Kahan (Hum Matwale Naujawan, 1961, Co-singer – Mukesh, MD: Chitragupta)

Tumhein Dil Se Chaaha Tumhein Dil Diya Hai (Chand Aur Suraj, 1965, Co-singer: Suman Kalyanpur, MD: Salil Choudhary

Dil Toh Pehle Se Hi Madhosh Hai (Baharein Phir Bhi Aayengi, 1966, Co-singer: Asha Bhosle, MD: OPN)

• And of course we have a score of recent posts on Meri Awaaz Suno

Ravi Shankar Sharma and Mohammad Rafi’s combination is remembered for generations

Why I see Rafi Sahab as a role model?

What makes Rafi Sahab the ONE and ONLY

Mohammed Rafi – Suron Ke Betaaj Badshah

Aa Rafi Phir Aa

We would continue our pursuit of the golden period of Hindi Film Music during 2015 …….

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