The Micro View of the Best Songs of 1949 @ SoY – Female Solo Songs – Lata Mangeshkar (2)

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Last week we enjoyed listening the 1st batch of solo songs of Lata Mangeshkar for year 1949.

Today we will take up the second batch.

Tu Hamse Juda Hai Par Tere Liye Phir Bhi Lab Pe Dua Hai – Chakori – Husnlal Bhagatram – Mulkraj Bhakri

Unse Ham Kuchch Kahate Kahate Rah Gaye – Dil Ki Basti – Ghuam Mohammad – Waheed Qureshi

Do Din Ki Bahaar Pyare Do Din Ki Bahar – Dulari – Naushad – Shakeel Badayuni

Ghir Ghir Ke Aayee Badariya, Sajanava Na Jaa – Ek Thi Ladki- Vinod – Aziz Kashmiri

Tum Hi Kaho Mera Man Kyun Rahe Udas Nahin – Girls School – Anil Biswas – Pradeep

Loot Gayi Ummidon Ki Duniya – Jaltarang – Husnlal Bhagatram – Sarshar Shailani

Hans Le Gaa Le O Chaand Mere – Jeet – Anil Bisaws – Prem Dhawan

Janewale Ye Jawani Char Din Ki – Kinara – Madhusudan Acharya – Sahir Bhopali

Dil Todnewale – Laadli – Anil Biswas

Us Dil Ki Kismat Kya Kahiye  – Lahore- Shyam Sunder – Rajendra Krishna

Mushkil Hai Bahut Mushkil – Mahal – Khemchand Prakash – Nakhsab Jarachavi

In our next episode, we will take the Third, the concluding, batch of solos songs of Lata Mangeshkar for the year 1949.

 

Carnival of Quality Management Articles and Blogs – August, 2016

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Welcome to August, 2016 edition of Carnival of Quality Management Articles and Blogs.

We have already taken up the following topics for the familiarization of different elements of new version of ISO 9001-

For the present episode we will look at Change Management, in general, then move over to what ISO 9001: 2015 has to state on the subject, ending the present discussion with how two other major management system standards also look at the subject.

Before we closely look at the subject of change in the ISO management system standards, let us quickly recapitulate a broader view of the subject and look at some randomly selected picks from the vast literature available on the subject on the internet.

Change Management process has 5 key phasesAdaptive HVM Ltd.’s Change Management process has 5 key phases

Torben Rick’s blog on his website Meliorate, we find a full section dealing with is posts on change management. We have picked up four among these ones here:

Top 20+ awesome quotes on change management: Here are a couple of representative ones:

The key to change …… is to let go of fear Rosanne Cash

People don’t resist change. They resist being changed! – Peter Senge

Top 12 reasons why people resist change. Again a pick at some:

Misunderstanding about the need for change/when the reason for the change is unclear

Fear of the unknown

Poor communication

Top 12 change management comic strips has quite a representative messages delivered through the medium of cartoon strips —

Top 12 change management comic strips

Organizations don’t change. People do – or they don’t

Organizations don’t change. People do – or they don’t

Change Management Iceberg

The change management iceberg suggested by Wilfried Kruger emphasizes that manager mainly consider the hard issues for change i.e. cost, quality and time. These issues represent only the tip of iceberg i.e. only about 10% of the total issues.

Most of the issues – soft issues – are below the surface.

Change Management Iceberg

Change affects 4 types of people in the organization:

  • Promoters – People those who support the change
  • Potential promoters – People who may support change when fully convinced
  • Opponents – People against change
  • Hidden opponents – People who appear to support change but secretly are against it.

Therefore attitudes – perceptions and beliefs, and behavior – power and politics, need to be managed.

There is additional related material too:

We also have picked up a few videos as well:

Overcoming Resistance to Change – Isn’t It Obvious? – The World with Theory of Constraints

Management of Change vs Change Management  – Life Cycle Engineering

How to Lead Change Management – DeAnne Aguirre, senior partner with Strategy&Buisness

Change Management vs. Change Leadership — What’s the Difference? – Dr. John Kotter

Kotter’s 8-Step Organizational Change Model – Steven Thomsen

How to Conduct a Management of Change (MOC) – Baker Hughes

We now move over to a closer look at how ISO Management System Standards address the subject:

5 Practices for Managing Change When ISO 9001:2015 Arrives – Terrance Holbrook, Senior Product Manager, MasterControl – While there is no single one-size-fits-all change management methodology, there are established practices that can be adopted and customized to better manage change and cultivate opportunity.

  1. Accept the changeManaging Change When ISO 9001-2015 Arrives
  2. Communicate change
  3. Engage employees
  4. Provide adequate training
  5. Introduce change gradually

ISO 9001:2015 Addressing Change : Once the organization has identified its context and interested parties and then identified the processes that support this linkage, addressing changes becomes an increasingly important component of continued success.

How change management is addressed in ISO 9001 2015 Standard? – Any change – may be it is in process, manpower, machinery, instruments, technology, raw materials, suppliers, customer requirements, legal requirements etc.…. shall be go through a defined change management process.

Change Management and ISO 9001:2015Raghu Malayanuru has described in details clauses of ISO 9001:2015 that focus on change management. For the purpose of maintaining brevity of our episode, we have listed out the clauses here:

  1. Clause 4.4.1( g);
  2. Clause 5.3 (e);
  3. Clause 6.3
  4. Clause 7.5.3.2
  5. Clause 8.1;
  6. Clause 8.2.1 (b);
  7. Clause 8.2.4
  8. Clause 8.3.6;
  9. Clause 8.5.6;
  10. Clause 9.2.2 (a)
  11. Clause 9.3.2 (b)
  12. Clause 10
  13. Clause 10.2.1(f)

The essence is captured here:

Change Management and ISO 9001_2015

ISO’s Technical Committee no.176, Sub-committee no.2 (ISO/TC 176/SC 2) has also published an explanatory paper – How Change is addressed within ISO 9001:2015

How to manage changes in an ISMS according to ISO 27001 A.12.1.2Antonio Segovia states that the requirement exists, but there are no particular instructions on how to implement the control (i.e., Change procedure is not a mandatory document), so in this article he suggests one of the ways to manage changes.

What is “Management of Change?”Thea Dunmire explains requirements related to management of change were added in section 4.3.1 of OHSAS 18001: 2007…In addition, reference to Management of Change was also included in section 4.4.6.

These new requirements cover four important concepts:

  • Identification of the hazards associated with “change”
  • Assessment of the risks associated with “change”
  • Consideration of OH&S hazards and risks prior to the introduction of the “change”
  • Implementation of the controls needed to address the hazards and risks associated with the “change”

For purposes of management of change within an OH&S management system, the changes that need to be addressed include:

  • Organizational changes (e.g. personnel or staffing changes)
  • Activity changes (e.g. changes to processes, equipment, infrastructure, software)
  • Material changes (e.g. new chemicals, packaging)
  • Changes to the OH&S management system (e.g. procedures)

Ineffective management of change is one of the major contributing factors in many of the incident investigations conducted by the U.S. Chemical Safety and Hazard Investigation Board (CSB).  To check it out, go to the CSB web site at http://www.csb.gov  and enter “management of change” as your search term at the link “Search this Site.”

Change Management in ISO 14001:2015Ivana Strgacic states that unlike the changes in ISO 9001:2015, there is no “Planning of Changes” section.  So where can we find change management in the new standard?

The change all starts with the environmental aspects,

“When determining environmental aspects, the organization shall take into account: a) change, including planned or new developments, and new or modified activities, products and services;”

Once we identify the changed aspects, then there is a cascading or domino effect on the rest of the environmental management system.

While maintaining processes, it needs to underlined that some of the triggers that will result in a change to a process are:

  • changes to aspects,
  • changes to compliance obligations,
  • changes to controls.

Management review (element 9.3) requires the specific inputs of change into the process.  Specifically changes in:

  • external and internal issues that are relevant to the environmental management system,
  • the needs and expectations of interested parties, including compliance obligations,
  • its significant environmental aspects,
  • risks and opportunities.

The resulting output includes decisions related to any need for changes to the environmental management system systems, including resources.  Without managing change, the EMS cannot remain effective.  Change, through maintenance and continual improvement of the management systems, are the core tenets of the Plan-Do-Check-Act model.

We rest our discussions on the today’s topic here.

For the September, 2016 episode, we will take Organizational Knowledge in the new versions of these management standards.

We will now turn to our regular sections:

Among several update posts by ASQ CEO, Bill Troy in his ASQ’s Influential Voice we have picked up two ‘author interviews’ for our current episode:

It should be interesting to revisit one of the HBR classics, by Francesca Gino and Bradley Staats on the subject: Why Organizations don’t learn?

We now watch two of the latest ASQ TV  episodes that deal with ISO 9001: 2015:

  • Change Management – Change management experts discuss key steps to consider when approaching employees with change and helping them through the process. Learn about the carrot-and-stick technique—which can be used to motivate employees—and a tool that can make meetings more efficient and keep change management plans on track.

Read Sunil Kaushik’s Quality Progress article regarding the carrot-and-stick method as well as additional motivational strategies.
Watch the full interview and read the Quality Progress article about the Joint Commission’s improvement initiatives.

  • Explaining Annex SL and Top Management’s New Roles – Annex SL is considered the common language and text that new ISO standards are being built around. John DiMaria, senior product manager at BSI Americas, discusses how this affects ISO 9001:2015, as well as the standard’s new roles for top management with regard to responsibility, objectives and compliance.

Here are two more which also are very interesting points of view in understanding the present scenario:

  • Quality in India – This episode takes a look at quality in India, from the perspectives of leaders at the Quality Council of India (QCI) and the National Accreditation Board for Education and Training.
  • The State of Quality in India in 2015 – What’s the state of quality in India in 2015? Dr. Himanshu Trivedi, chair of ASQ’s local member community in Ahmedabad, India, reflects.

In Jim L. Smith’s Jim’s Gems for the month of May, 2016, we have –

Jim's GemsKey management support, or lack of support, manifests itself in many ways. One way is that mid-lower level management won’t get on board so initiatives encounter all sorts of hurdles; therefore, results don’t generally live up to expectations. .. Additionally less support for quality initiatives usually results in underfunding and cuts in resources. So what do you do.. (Please read on the article)..

I look forward to your active participation in enriching the blog carnival as we pursue our journey in exploring the happenings across quality management blogs…………

Note: The images depicted here above are through courtesy of respective websites who have the copyrights for the respective images.

The Micro View of the Best Songs of 1949 @ SoY – Female Solo Songs – Lata Mangeshkar (1)

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Solo songs of Lata Mangeshkar for 1949 is a mixed bag as far as I am concerned – there are songs that we have grown with growth of my understanding and appreciating the HFM all these years and then there are songs that I have either not heard or have heard so less that it amounts to not having heard that song. The fact that songs belonged to the films that I would have seen invariably got to see in our college days.  Obviously, the films that would be screened would be the ones which had more songs that had become popular then and continued to remain popular thereafter too. Thus the gap in the current level of appreciation of the songs that I have herad often and the songs that I got to listen only now on the  internet remains quite wide.

I, therefore, have selected all those songs which I (for all practical purposes) have not heard. When selecting the songs that already were popular, I have chosen to present here the one that may not make to the final list of My Top Choice, but would certainly be my Next preferred choice.

We will run this collection through three posts. So, I have arranged the songs in the alphabetical order of the names of the films, for ease of presentation.

Aa Bhi Jaa Aanewale – Aaiye – Shaukat Dehlvi (a.k.a. Nashad) – Nakshab Jarachavi

Koi Mere Dil Mein Khushi Ban Ke Aaya – Andaz – Naushad – Majrooh Sultanpuri

Judai Ki Khabar Agar Hoti – Ansoo – Husnlal Bhagatram – Qamar Jalalabadi

Jo Dil Mein Khushi Ban Ke Aaye – Badi Behen – Husnlal Bhagatram – Rajendra Krishna

Pardesi Musafir Kise Karta Ishare – Balam – Husnlal Bhagatram – Qamar Jalalabadi

Jo Karake Gaye Barbad Hamein – Bansariya – Husnlal Bhagatram – Mulkraj Bhakri

Bichhade Hue Pardesi – Ek Baar To Aana Tu – Barsaat- Shanker Jaikishan – Iqbal ‘Hasrat’ Jaipuri

[Hum Dard Liye Baithe Bedard Zamana – Bidhataa (unreleased- Ram Ganguly -?

This song may take the credit of the first song that SJ used as ‘inspiration’!]

Basa Lo Apni Nigahon Mein Pyar Thoda Sa – Bazaar – Shyam Sunder – Qamar Jalalabadi

Hausle Dil Ke Mile, Pyar Ke Arman Gaye – Bhedi Bangla – P Ramakant – Ehsaan Rizvi

Dil Todanewale….. Kya Tune Kiya Hai Barbad Hamein Karke – Bholi – Govindram – Ishwar Chandra Kapoor

We will take up the 2nd batch of Lata Mangeshkar’s solo songs for 1949 in our next episode.

Summing Up: MY Top Female Solo Songs – Other Singers

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We have listened to solo songs of Suraiya, Geeta Roy, Shamshad Begum, Raajkumari, Asha Bhosle and Surinder Kaur, Uma Devi & Meena Kapoor and Lalita Deulkar, Ameerbai Karnataki, Hameeda Bano, Zeenat Begum, Pushpa Hans in our Micro Analysis. In the ultimate analysis, the range of songs from even this universe of solo songs of female singers other than Lata Mangeshkar is quite diverse and substantive.

The development of my understanding and liking of the Hindi Film Songs over all  these years has been shaped at different stages of availability sources like Radio (only), audio cassettes, EP/LP records, audio / video CDs/ DVDs and then the internet. The songs that I continued to get to listen across each of this medium do remain a fairly large number. But, there is no denying that internet has filled a big void in my known unknowns as well as unknown unknowns in so far as HFM is concerned.

In order to be fair to the songs that I have listened only of late on the internet, I have decided to choose at least one song from the songs that I so listened in the present exercise of  The Micro View of the Best Songs of 1949, over and above one from already well-established, known known and liked songs.

With that caveat, here is My Choice of the TOP Solo Songs of the Other Female Singers for 1949:

I have three singers – three songs for the final bet on the BEST Other Singer – Song category:

The choice of the BEST among these will rest on where the wheel of roulette will stop.

For me any one will be a jackpot……

SoY has also released Best songs of 1949: Wrap Up 2. After a very meticulous, balanced and fair analysis, wherein the choice of the best ‘other’ female playback singer was Shamshad Begum, followed by Suraiya.

The Micro View of the Best Songs of 1949 @ SoY – Female Solo Songs – Other Singers – Lalita Deulkar, Ameerbai Karnataki, Hameeda Bano, Zeenat Begum, Pushpa Hans

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After having covered solo songs of significant ‘other’ female singers, like Suraiya, Geeta Roy, Shamshad Begum, Raajkumari, Asha Bhosle and Surinder Kaur, and Umda Devi & Meena Kapoor, I thought I would be able to put the remaining ‘others’ of other in one post, but little did I realize that most of these ‘others’ would individually have significant number of songs. And the songs were quite prominent in the storyline of the respective films, too. That I had not heard these songs certainly does not take away the fact these were big names in the vintage era that was coming to a close, and they had had created their own niche.

So each of the singer indeed (at least) deserves a separate identification  – both in the title and the in the main body of the content.

Solo Songs of Lalita Deulkar

Kya Sach Hai Kasam Wo Bhulane Lage – Bedard – Ramprasad – Badal

Rangilee Dulhan Sharmilee Dulhan – Daulat – Hanuman Prasad – Qamar Jalalbadi

Mere Dil Ko Khilona Na Samaj Na Sajan – Sanwariya – C Ramchandra – P L Santoshi

Hum Kisko Sunaye Haal Ye Duniya Paiso Ki – Shabnam –S D Burman – Qamar Jalalabadi

Solo Songs of Ameerbai Karnataki

O Mere Chhail Chhabile, Tere Nain Rasile – Neki Aur Badi – Roshan – Kidar Sharma

Pahne Peela Rang Ki Saari – Sawan Aya Re – Khemchand Prakash – Bharat Vyas

Solo Songs of Hamida Bano

Dil Mera Tadapanewala Shaad Rahe Abaad Rahe – Janampatri – Gulshan Sufi – Aziz Kashmiri

Dil Toot Gaya, Mit Gaye Armaan – Soharat – Aziz Hindi – Nazim Panipati

Solo Songs of Zeenat Begum

Ghat Kari Matwari Ghir Ayee – Ek Thi Ladki – Vinod – Aziz Kashmiri

Jaa Ud Ja Re Kagwa Le Ja Sandeshwa – Kaneez – Ghulam Haider – Husrat Lucknavi

Solo Songs of Pushpa Hans 

Dil-e-Naadan Hua Kya Hai – Apna Desh – Purushottam – Mirza Ghalib

With this, we conclude our micro-review of solo songs of Other Than Lata Mangeshkar Female Singers.

We will take up MY Top Songs as a summing up of this section.

The Micro View of the Best Songs of 1949 @ SoY – Female Solo Songs – Other Singers – Uma Devi, Meena Kapoor

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Having covered solo songs of significant ‘other’ female singers, like Suraiya, Geeta Roy, Shamshad Begum, Raajkumari, Asha Bhosle and Surinder Kaur, we will now take up songs of ‘other female singers’ among the other than Lata Mangeshkar female solo songs.

It is no secret that I had not heard of these songs before. So I have chosen to take up those songs that I would now like to listen again as well, if brought on the same page.

Solo Songs of Uma Devi

Aankhon Ne Kaha Dil Ne Suna – Bhakt Pundalik – Chitragupt – Chandar Shekhar Pandey

Bhagwan Bata Kya Hai Tera Hum Ne Ganwaya – Bhikhari – Hans Raj Behl – Surjit Kumar

Chandani Raat Hai, Hai Kya Baat Hai  – Chandani Raat – Naushad – Shakeel Badayuni

Dil Deke Pachhata Gaye Hum – Ek Teri Nishani – Sardul Kwatra – Sarshaar Shailani

Pag Pag Thokar Khaye Jawani – Hamari Kismat- Nissar Bazmi – Rajjan

Kanon Ne Jo Suna Wohi Dil Ko Sunayenge – Jio Raja – Nissar Bazmi – Rajjan

Duniya Hai Hasin,Dil Hai Jwawan – Roop Lekha – Khan Mastana – Khumar Barabankvi

Solo Songs of Meena Kapoor

Toot Gai Jab Man Ki Beena – Anyay – Ramprasad – J S Kashyap

Main Ek Chhoti Si Chingari – Laadli – Anil Biswas – Hudda

Kya Khel Khelata Hai – Policewali – A R Qureshi – Sham Hindi/Roopbani

Meri Yaad Tu Apne Dil Se Bhoola – Roomal – Aziz Khan – Nazim Panipati

Others of other have several more players who not only were big names of the Vintage Era that is coming to the close, but also have songs that stand on their right in 1949 as well. So we will need more post …. before we sum up……..

Carnival of Blogs on Golden Era of Hindi Film Music – July, 2016

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Welcome to July 2016 edition of Carnival of Blogs on Golden Era of Hindi Film Music.

Hindi Film Music world lost its two more talented, but not corresponding recognized personalities – Mubarak Begum and Omi (of Sonic-Omi duo). Mubarak Begum made her debut in 1949 and thus saw the transformation of the HFM from vintage era to golden era.  Omi (Omprakash Sonic) of Sonic-Omi music director (Uncle, Manoharlal Sonic and his nephew Omi) duo, who did enter the HFM world at the last phase of the golden era and thus saw the transition for the golden era to the present day HFM world.

Here are the tributes to Mubarak Begum:

Mubarak Begum - Woh Na AAyende Palatkar

Ae Dil Bata  Hum Kahan Aa Gaye  – Khooni Khazana (1965) –  S Kishan –  Khawar Zaman
Chaah Karani Thi Chaahkar Baithe – Punarmilan (1964)  – C Arjun – Raja Mahedi Ali Khan
Itne Kareeb Aa Ke Bhi  – with Talat Mahmood – Shagoon (1964) – Khayyam  – Sahir Ludhianvi
Mere Aansuon Pe Na muskara – Morey Man Mitwa (1965)  – Dattaram –Priyadarshi
Hum Haal-e-Dil Sunayenge – Madhumati (1958)  – Ssalil Chowdhary – Shailendra
Mujhhko Apne Gale Laga Lo  – with Mohammad Rafi – Humrahi (1963) – Shankar Jaikishan – Hasrat Jaipuri
Bemurrawat Bewafa – Sushila (1966) – C Arjun – Jan Nissar Akhtar

Hamrahi (1963) – Mubarak Begum & Rafi – Mujh Ko Apnay Galay Lagaa Lo, Ae Meray Hamraahi – Shankar Jaikishan (Hasrat Jaipuri)

Gogola (1966) – Mubarak Begum & Talat – Zara Keh Do Fizaayo.n Se Aame.n Itnaa Sataye Na – Roy & Frank (Baalkavi Bairagi)

Phoolon Ke Haar (1951) – Mubarak Begum & Devendar Goel – Jhoom Jhoom Kar Door Gagan Pe Badal Kare.n Ishaaray – Hans Raj Bahal (Varma Malik)

Basera (1950) – Mubarak begum & BS Nanji – Dekho Ji Baat Suno, Tum Mujhse Aan Milo– MA Rauf (Sardar Ilham)

Awara Shehzadi (1956) – Mubarak Begum & Shashikant – Karlo Ji Pyaar Karlo Ji Pyaar Dil waalo Pyaar Kar Lo – Nashad (Sartaj)

Patit Paawan (1955) – Mubarak Begum & Sudha Malhotra – Jeevan Ka Tu Ujiyaara Hai, Rakhwaara Bansi Waara Hai – Jamal Sen (Bharat Vyas)

Haar Jeet (1954) – Mubarak Begum & Geeta Dutt – Bechain Hai Betaab Hai Is Dil Ka Fasaanaa Sun Le – SD Batish (Kaif Irfani)

Neend Hamari Khwab Tumhare (1966) – Mubarak Begum & Asha – Saaqiyaa.n Ek Jaam Vo Bhi To De – Madan Mohan (Rajendar Krishan)

SoY also had posted An evening with Mubarak Begum on January 5, 2013.  I have selected these two songs from this post:

And the tributes to Omprakash Sonic:

AAJ KE FANKAR- A TRIBUTE TO COMPOSER OMI (DUO SONIK- OMI)

We also recollect Omi ji (of Sonik-Omi) in an exclusive interview with Anmol Fankaar and “Sansaar Hai Ik Nadiya” – (Sonik) Omi

We now take up posts that remember the Anniversaries:

Sanjeev Kumar – The Actor Who Rose Above The ‘Hero’ – From among his several costars, ranging from Hema Malini to Sharmila Tagore, from Raakhee to Vidya Sinha, Suchitra Sen to Hema Malini, Sanjeev Kumar experimented the most with his female lead and bosom pal Jaya Bhaduri (Bachchan). These two superbly talented actors played out all kinds of relationships on screen – husband-and-wife (Koshish), father-in-law and daughter-in-law (Sholay), lovers (Anamika), father-daughter (Parichay), the multifarious 9-character role in Naya Din Nayi Raat, ending up as the doctor and patient who hesitatingly comfort each other on finding that their respective spouses are having an affair (Silsila).

Shankar-Jaikishan’s songs for Mukesh  – Continuing the series on Shankar-Jaikishan, SoY presents the songs composed by them for Mukesh as a tribute to the singer on his 93rd birth anniversary (22 July 1923 – 27 August 1976). All the songs that are posted present a good panorama of their association.  I have added a few on my art here. Except for ‘Apne Hue Paraye’ song, these songs that immediately popped up, but had remained dormant till the memory was jolted out by this post….

‘Tu Jahan Jahan Chalega, Mera Saya Saath Hoga’ – The Everlasting Songs of Raja Mehdi Ali Khan – From patriotic to sentimental, from humorous to romantic, Raja Mehdi Ali Khan penned a wide range of songs that were simple yet sublime. In a tribute, we revisit some of those everlasting songs on the extreme end of the spectrum:

Music Makers of Golden Era

The Music Makers of the Golden Era – Roshan, Anil Biswas, Hemant Humar, Mohd. Shafi, Naushad, Jaikishan, C. Ramchandra and Madan Mohan

‘Rehearsals were Never Easy, Music Sittings were Always Fun’ – Remembering Madan Mohan – Madan Mohan, the creator of immortal melodies and film ghazals, had a fun-loving, outgoing personal side as a gracious cook and host, a wrestling and racing enthusiast, a car freak among other energetic interests – his eldest daughter Sangeeta Gupta in a conversation with Peeyush Sharma.

Orthodox RD Burman – an extremely talented and creative composer with a solid foundation in the orthodox style of composition., a style of composition where there is an emphasis on melody and melodic content in the vocals of the song. We can listen to 30 handpicked songs in his orthodox style in a playlist by clicking LINK TO R D BURMAN PLAYLIST

Tumko Piya Dil Diya Kitne Naaz Se – GS Kohli, the Unsung Music Composer – We have picked up only one song here to simply illustrate the versatility of GS Kohli.

We now take a look at posts on other subjects –

My Favourites: Songs of Strangers – in honour of those long-gone days, when pardesis seemed to make frequent trips to far flung villages and find the love of their lives in those unsullied vales, here are some of my favourite pardesi songs.

My Favourites: ‘Where Are You?’ Songs – I have picked up two of the less heard songs from this list to give us the idea about what the subject is about –

D P Ranagan, in one more of his highly innovatively informative article, Star showers in Bollywood, has presented Hindi Films songs that have featured the stars

Book Review: Dorothee Wenner’s ‘Fearless Nadia: The True Story of Bollywood’s Original Stunt Queen’Fearles Nadia

In her biography of Hindi cinema’s ‘original stunt queen’, German film-maker and curator for the Berlin International Film Festival, Dorothee Wenner sets out to explore the life and times of this fascinating actress. Fearless Nadia: The True Story of Bollywood’s Original Stunt Queen (Translated by Rebecca Morrison; ISBN: 0-14-303270-4; Penguin Books; 248 pages; Rs 295)

Ten of my favourite Dupatta/Chunri/Chunariya songs – a salwar-kurta (or churidarkurta) or a sharaara, or even a ghaagra, the dupatta served to drape the upper part of the body: the bosom, at least, but in some cases, even the head. It thus became a symbol of modesty—and, in some instances, an extension of the heart, the feelings of the wearer. More than the saree or any other garment, the dupatta became the theme for songs. (It even gave its name to one really lovely Pakistani film starring Noorjehan). However, this post is really a response-in-kind of “absolutely lovely dupatta” that friend, fellow blogger and soul sister Anu’s gift to the author.

Three Queens of the Indian Drums focuses on some great contemporary female players of Indian drums.

Pakistani Stars endorsing Lux Soap – The first Pakistani actress to endorse Lux Soap was Meena Shorey in 1956

Guru Dutt with his family (1957)

guru-dutt-family

Back row: Guru Dutt with his father, mother and Geeta Dutt. Front row: Guru Dutt’s brother Atma, his wife, sister Lalita and her husband. The children are those of Guru and Atma Dutt.

Autographs of Hindi Film Stars – I and II – and links to the profiles of – Om Prakash, Cuckoo,Nalini Jaywant, Vimla, Kuldeep Kaur, Jairaj, Sajjan and Veera

Biswajeet – Memories – as told to Santosh Sud in1990 – throws light on some very interesting facets of him.

In Micro View of the Best Songs of 1949 @SoY, having covered G M Durrani, Talat Mahmood, Surendra and ‘Other’ Male Playback Singers , Mukesh and Mohammad Rafi’s ever green solo songs, first and second part of  Other Noteworthy Solo songs in the Male Solo Songs category till now, I also declared MY Top Male Solo Songs, choosing Mohammad Rafi as the Best Male Singer for 1949 and his Suhani Raat Dhal Chuki (Dulari, Naushad) as the Best Song. SoY also has released Best songs of 1949: Wrap Up 1, choosing Mukesh as the Best Male Singer and Tu kahe agar as the Best Male Solo.

Then I have taken up Solo Songs of ‘Other Than Lata Mangeshkar’ Female Singers, in which we covered Suraiya, Geeta Roy , Shamshad Begum, Raajkumari, Asha Bhosle, Surindar Kaur.

On Mohammad Rafi’s anniversary we end our present episode with a few of Sonic-Omi’s Mohammed Rafi songs that did not gain ‘high’ popularity:

Haseen JulfoN Ka Rang De Do – Beti (1969) – Shakeel Badayuni

Mere Mehboob Tu Mujhko – Beti (1969) – Shakeel Badayuni

Yeh Dil Nahin Hai – Aabroo (1968) – GS Rawal.

We will take up an exclusive article on Mohammad Rafi in our next Fading Memories.. Unforgettable Songs episode…..

I look forward to receive your inputs for further enriching the contents of the posts…..

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