Fading Memories…. Unforgettable Songs: February, 2018

Talat Mahmood’s Duet Combinations with Rare Co-singers

For most of the lovers of Hindi Film Music, Talat Mahmood is remembered almost every day through his 800 + songs. So, we need to devise an apt expression to remember him in the month (24th February, 1924) of his birth anniversary.

We have taken up refreshing our memory of some of the duets that seem to be receding from our memory. Last year, when we penned down such duets, we had had a panorama of such duets with a wide spectrum of co-singers. The great bulk of his duets obviously remain with Lata Mangeshkar and Asha Bhosle and to some extent with Geeta Dutt and Shamshad Begum. His duets with other singers like Suraiya, Mubarak Begum or Sudha Malhotra or Madhubala Zaveri are relatively few in numbers. So is the case with his duets with other male co-singers. In some of cases like, Rajkumari, Surinder Kaur, Sulochana Kadam, Meena Kapoor, Nirmala Devi or Amirbai Karanataki the song was only one of its kind.  Talat Mahmood’s duets with other male singers also range from very popular to quite obscure songs. His presence in Triads / Triads + songs also remains noteworthy.

(L to R) Meena Kapoor- Geetadutt- Talat Mahmood-VanShipley

For the present episode we will focus on Talat Mahmood’s duets with co-singers who can be considered as ‘rare’ combinations.

Purwai Pawan Laharaye – Tum Aur Main (1947) – with Syperwa Sarkar – Robin Chaterjee – Zakir Hussain

One can find Talat Mahmood – Superwa Sarkar duets in a couple of more films, till 1949. The music directors of these films are from Bengal. Was this the hangover effect of Talat Mahmood’s Calcutta days?

Dil Mera Tera Diwana – Apni Izzat (1952) – with Madhubala Zaveri – Hansraj Bah – Pt. Phani,

Madhubala Zaveri has around 110 songs, spread over a span of 1951 to 1958, in 55 Hindilms plus 27 Marathi and 3 Gujarati films. Incidentally, her debut song – Tum Kaun Ho Rajkumari Ye Chanda Sa Mukhda Idhar To Karo (Rajput, 1951) in Hindi films was under the baton of Hansraj Behl, a duet with Talat Mahmood. She was just 16 years old at that time.

Ghir Ghir Aaye Badarwa Kaare – Daak Babu (1954) – with Mubarak Begum – Dhaniram – Prem Dhawan

Talat Mahmood – Mubark Begum Duets is a good study in the very contrasting qualities of voice.  Though not ‘many’ in numbers, there are a few very evergreen songs to the credit of this duo, but that is perhaps a subject of an independent post in the future.

BTW, the song would have been portrayed on screen by Talat Mahmood himself as well.

We find two versions of the song on YT. This one has Mubarak Begum accompanying Talat Mahmood.

And this version has Talat Mahmood almost in solo mode.

Jab Yahaan Se Jaaunga Main Aur Kya Le jaaunga – Hatimtai Ki Beti (1955) – with S. Balbir – A R Quereshi – Shewan Rizvi

Talat Mahmood does not have many really joyous boisterous songs to his credit. But, whichever few such songs one gets to listen, he does not dissatisfy his fans.

Ek Bar To Mil Lo Gale Bichchad Hum Chale, Na Koi Fariyad Rahe – Andheri Nagri Chopat Raja (1955) – with Sudha Malhotra – Avinash Vyas – Bharat Vyas

Sudha Malhotra is one of many playback singer stars who got overshadowed by the full-moon glory of Lata Mangeshkar sisters.

Main Hun Alibaba – Char Chand – with Asha Premlata – (Shaukat Dehlvi) Nashaad – A Karim

We find one more of a light-toned, dance song, which may not be very difficult to recall by the core Talat Mahmood fans- even if they do not recollect who his co-singer was.

Tum Pe Quaraban Dil Tum Pe Sadake Nazar – Sakhi Lutera (1959) – with Usha Balsavar – B N Bali – Aziz Ghazi

The ‘rare’ co-singer, ‘rare’ music director, an obscure forgotten film and light-hearted tune would possibly make up an ideal recipe for the delicious dish to get deep into the recesses of the memory.

Mere Shareek-E-Sahar – Wali-E-Azam (1965) – with Hemlata – Chitragupta – Ahmed Wasi

Several indications mention this as possibly the last film song that Talat Mahmood recorded.  It seems that the shoe-string budget of the film has landed the music director and the co-singer with Talat Mahmood’s the then recently found popularity with ‘Jahanara’.

An interesting aside:

The official Talat Mahmood site has a handwritten note which Talat Mahmood had written down on a letterhead of Chitragupta at the time of recording the song.

No article on Talat Mahmood would be complete without mention of his Non-Fim Songs.

Wo Jo Roothhen To Manaana Chaahiye   – NFS(1969) – with Mukesh – Murli Manohar Swaroop  -Jigar Muradabadi/ Mirza Ghalib,

Talat Mahmood and Mukesh have collaborated in several triads / triads + songs in films like Pagle, Biwi Aur Makan, Love and God etc. However, we find their duets only in the NFS domain.

The wholly Talat Mahmood devoted site – talatamahmood.net – has mentioned a few more duets of Talat Mahmood that we would have loved to cover in this episode. Unfortunately, I have not been able to find a soft to link audio link of these songs:

  • Ab Mushkil Ha Phir Se Milana Bhul Jao To Achha Hai – Saaya – with Ashima Banerjee – Ram Ganguli – Verma Malik
  • Auron Ke Liye – Taxi 555 – with an unidentified female singer – Sardar Malik

Talat Mahmood and Mohammad Rafi have several duets – and most of them very popular then and remembered now. So their duets cannot really be listed under ‘rare’ tag. But every rule has an exception. And we have one here, a Talat – Rafi duet, which is relatively less remembered, that helps us to comply with out other tradition of end our episodes with a Mohammad Rafi Song.

Bhar De Jholi Allah Naam – Laila Majnu (1953) – Mohammad Rafi – Ghulam Mohammad – Shakeel Badayuni

The song perhaps epitomizes two distinct phases of Shammi Kapoor’s career. His pre-Tumsa Nahin Dekha phase hadTalat Mahmood was his default playback singer. Here,  the initial part of the songs, mostly by the fakirs on the screen is in the voice of Mohammad Rafi.  When Shammi Kapoor gets to sing the second interlude, it is Talat Mahmood who takes over @ Jaan-e-tamanna jalwa Dikha De…

We will continue remembering Unforgettable Songs that seem to Fading away from our Memories every second Sunday of the month……..

Disclaimer: All images are sourced from net. All copyrights of the respective image remain with the original owner of the image.

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“The Micro View of the Songs of 1948 @ SoY – MY Top Music Director(s)

Having gone through the exercise of micro-reviewing the songs  for the six years – in this case from 1955 backwards to the present 1948 – I have observed that the task of choosing MY TOP of Music director every year has become more tough as year goes down. That is mainly because older I go into the timeline, less I was found conversant with either the film itself or the context in which the song was played (situational context vs.song composition relevance) or even the popularity /approval of the film’s song as a whole from listeners  / critics respectively.

So, I kept on devising some or other tests to come up with rational judgement to moderate my inherent biases.

The first of such test is the logo picture posted by SoY at the very opening of the overview post, which invariably places six films in the frame. For the present case, ‘Best songs of 1948: And the winners are?’, Naushad has two films – Mela and Anokhi Ada whereas Anil Biswas (Anokha Pyar), C Ramchandra (Nadiya Ke Paar), Ram Ganguli (Aag) and Ghulam Hiader (Shaheed) have one film each.

I then run through posts relating to Male Solos, Female Solos and Duets to make amental note of music directors whose songs continues to strike chord even now. I observe that Naushad’s songs in Anokhi Ada and Mela or Anil Biswas’s songs in Anokha Pyar, Gajre and Veena, those of C Ramchandra in Nadiya Ke Paar and Khidk’ or those of Husnlal-Bhagatram in Pyar Ki Jeet or certainly Ghulam Haider in Shaheed, to a great extent Ram Ganguly in Aag or Khemchand Prakash in Ziddi standout for the everlasting songs. For the year, Ghulam Mohammad in Grihasthi and Pugree, or Shyam Sundar in Actress have also pitched in well.

Then I have out the songs that appeared in the respective category of MY Top listings. The number of songs composed by differenet music directors appears as given herebelow:

Music Director Male Solos Female solos Duets Total SoY

Total

Hansraj Behl 1 1
Husnlal Bhagatram 1 2 3 3
Naushad 1 1 2 4 10
Ram Ganguly 1 1 1 3 2
Anil Biswas 1 3 1 5 1
S D Burman 1 1 1 3 1
Khemchand Prakash 1 1 1 3 2
Ghulam Haider 1 1 2 3
Avinash Vyas 1 1
C Ramchandra 1 1 2 3
Snehal Bhatkar 1 1 1

If we place the results of the Total in the descending order, then Anil Biswas comes at the top, followed by Naushad and then Husnlal Bhagatram, S D Burman, Khemchand Prakasha and Ram Ganguly share the next spot, followed by Ghulam Haider and C Ramchandra.

Apart from the simple quantitative perspective, one of the most noteworthy feature of Ghulam Haider’s songs in Shaheed and those of C Ramchandra in Nadiya Ke Paar is that they have used relatively not very popular singers like Surinder Kaur or Lalita Deulkar for a very popular heroin Kamini Kaushal. And yet the songs did attain very high acceptance- both the by the critics as well as by the listing public in general.

SoY, @ Best songs of 1948: Final Wrap Up 4, also adopted a smilar matric for quantifying the process of evaluating the share of different music directors in the Top lsting of songs under different categories. The last column in the foregoing table reflects the Total score. Based on this evaluation The Songs of Yore Award for the Best Music Director of 1948 has been conferred on Naushad.

How would have you analyzed the Songs of 1948?

I am sure you will certainly join me to take up a similar detailed Micro View when SoY takes up 1947 next in this Best songs of year series.

P.S.

All the posts that have appeared on this subject can now be accessed form one file @ The Songs of 1948 @SoY

“The Micro View of the Songs of 1948 @ SoY – My Top Duets

I do seem to have a predominant bias for liking the Duets. Considering the motivation that such a bias would generate, I did try hard to look beyond the obvious choices of the duets for including them in this list. It seems the proximity that too frequent listening of some of the songs all these years across all the media playing platforms like radio, records, tapes, CDs or internet was too deeply etched to overcome the force of this motivation.

Given this bias, I present the choice of MY TOP duet songs for 1948, in no particular order:

Mukesh + Lata MangeshkarAb Yaad Na Kar Bhool Ja Aye Dil Wo Fasana – Anokha Pyar – Anil Biswas – Shums Azimabadi

OR its other version, as well:

Mukesh + Meena Kapoor Ab Yaad Na Kar Bhool Ja Aye Dil Wo Fasana – Anokha Pyar – Anil Biswas – Shums Azimabadi

Mukesh + Shamshad BegumDharati Ko Akash Pukare Aaja Aaja Prem Dware – Mela – Naushad – Shakeel Badayuni

Mukesh + Suraiya  –Laayee Khushi Ki Duniya Hansati Hui Jawani – Vidya – S D Burman – Anjum Pilibhiti

Mohammad Rafi + Lalita Deulkar  – More Raja Ho Le Chal Nadiya Ke Paar – Nadiya Ke Paar – C Ramchandra – Moti B A

Shamshad Begum + SurendraKyun Unhe Dil Diya, Haye Ye Kya Kiya – Anokhi Ada – Naushad – Shakeel Badayuni

Shamshad Begum + ShaileshKahi Ka Deepak KAhin Ki Baati, AAj Mile Hai Jeevan Saathi – Aag – Ram Ganguli – Saraswati Kumar Deepak

Shamshad + Geeta RoyMeri Dhadakano Mein Sakhi Kaun Samaya – Suhag Raat – Snehal – Kedar Sharma

Mohammad Rafi, Khan Mastana, ChorusWatan Ki Raah Mein Watan Ke Naujawan Shaheed Ho – Shaheed – Ghulam Haider – Raja Mahendi Ali Khan

Mohammad Rafi, Chitalkar, G M Sajan, ChorusAji Khushiyan Manae Na Kyon Hum , Ham Kise Se Kyun Dare, Kismat Hamare Sath Hai, Jalanewale Jalanewale Jala Kare – Khidki – C Ramchandra – P L Santoshi,  and  its equally popular all-female version – by Shamshad Begum, Lata Mangeshkar, and Mohan Tara, too

If do not make a little conscious effort to go beyond the obvious, MY THE TOP DUET song for 1948 would easily be:

Watan Ki Raah Mein Watan Ke Naujawan Shaheed Ho (Shaheed – Mohammad Rafi, Khan Mastana, Chorus  – Ghulam Haider – Raja Mahendi Ali Khan).

If I add a Male-Female Duet too, here then that would be:

Kyun Unhe Dil Diya, Haye Ye Kya Kiya  (Anokhi Ada – Shamshad Begum + Surendra – Naushad – Shakeel Badayuni)

SoY has also voted for Kyun Unhe Dil Diya, Haye Ye Kya Kiya as the Best Duet of 1948 in the sum post Best songs of 1948: Wrap Up 3.

We will sum up our Micro View of the Songs of 1948 @SoY in our next episode with the post MY TOP Music Director.

P.S.:

All the duet songs presented through different posts on Micro View of the Duet Songs of 1948 @SoY are available @Duet Songs” .

The Micro View of the Songs of 1948 @ SoY – The Duets – Male-Male Duet & Triads, Triads+ Songs

Male-Male Duet Songs

While remaining an essential variant of the duets, male-male duets has neither been a popular format nor been an easy one to compose. We have only two male-male duets for the year, essentially with chorus support.

Mohammad Rafi, Khan Mastana, ChorusWatan Ki Raah Mein Watan Ke Naujawan Shaheed Ho – Shaheed – Ghulam Haider – Raja Mahendi Ali Khan

Mukesh, Shailesh, ChorusRab Mere Araj Sun Meri, Sharan Ab Teri – Aag – Ram Ganguli – Saraswatikumar ‘Dipak’

Triads, Triads+

1948 has quite a fairly large selection of triads or triad+ songs. All of the songs that could be listed form HFGK do not have digital link on the most of the otherwise rich reference platforms.

Popular TRiad Song

Mohammad Rafi, Chitalkar, G M Sajan, ChorusAji Khushiyan Manae Na Kyon Hum , Ham Kise Se Kyun Dare, Kismat Hamare Sath Hai, Jalanewale Jalanewale Jala Kare – Khidki – C Ramchandra – P L Santoshi

Its all female version – by Shamshad Begum, Lata Mangeshkar, and Mohan Tara – was equally popular.

Other Triads, Triads+ Songs

Shamshad Begum, Lata Mangeshkar, Unidentified voiceHello Hello Gentleman, Milate Nahi Kyun Ham Se Nain – Actress – Shyam Sundar- Raja Mahendi Ali Khan

Moahammad Rafi, Chitalkar, Shamshad BegumAji Mera Bhi Koi Haal Suno,.. – Khidki – C Ramchandra – P L Santoshi

Lata Mangeshkar, Geeta Roy, ChitalkarTere Bina Suna Suna, Man Ka Mera Anagana  – Khidki – C Ramchandra – P L Santoshi

Suraiya, Surinder Kaur, Meena KapoorKabhi Panabhat Pe Aaja Mere Sapno Ke Raja – Pyra Ki Jeet – Husnlal Bhagatram – Rajendra Krishna

Suraiya, Surinder Kaur, Meena KapoorRut Rangeeli Hai, Suhani Raat Hai, Tum Chale Aao To Kya Baat Hai  – Pyar Ki Jeet – Husnlal Bhagatram – Rajendra Krishna

Mohammad Rafi, Shamshad Begum, Sulochana  Kadam  – Chalo Jamuna Ke Paar – Lal Dupatta – Gyan Dutt – ?

Chitalkar, Lalita Deulkar, P Chandar, S L PuriKathawa Ke Nayaa Banaihe Hai Re Malhawa, Nadiya Ke Paar Tej Dhar– Nadiya Ke Paar – C Ramchandra – Moti B A

We will take up the concluding part of the Duet Songs of 1948 in our next episode.

The Micro View of the Songs of 1948 @ SoY – The Duets – Female Female Duets

When I sort-listed female-female duets for 1948 from HFGK, the number worked out to be reasonably large. However, I could not find digital soft version on the net for almost half of them. Therefore, the songs that I could find YT link can be taken as fairly well-known to those who have good knowledge and interest of vintage era songs. From the perspective of my limited knowledge and interest of the songs of that era, I also found listening to these songs quite interesting.

Shamshad Begum + Geeta RoyOh Gori Tera Banka Chhaiya Jeet Ke Aaya Jang – Actress – Shyam Sundar – Raja Mahendi Ali Khan

Shamshad Begum + Geeta RoyAnkhon Ankhon Mein Dil Se Dil Ki Baat Kah Gaye – Actress – Shyam Sundar –

Amirbai Karanataki + RajkumariBasant Chhaya Charon Aur, Ho Chhaya Charon Aur – Amar Prem – Datta Thakor – Mohan Mishra, M A

Shamshad Begum + Geeta RoyPyari Tera Mera Mera Tera Pyar – Anjuman – Bulo C Rani – Majrooh Sultanpuri

Lata Mangeshkar + Ira NagarathAye Dil Meri Wafa Mein Koi Kasar Nahi Hai – Anokha Pyra – Anil Biswas – Shams Azimabadi

Geeta Roy  + Sulochana KadamChanda Ki Chandani Hai  Mauj Hai Bahar Mein – Chanda Ki Chandani – Gyan Dutt – D N Madhok

Shamshad Begum  + Johrabai AmbalewaliBaag Mein Koyaliya Yahi Gaye Re – Ghar Ki Izzat – Pt. Govind Ram – Ishwar Chandra Kapoor

Shamshad Begum + HamidaO Motorwali Chhori, Dil Leja Chori Chori – Grihasthi – Gulam Mohammad – Shakeel Badayuni

Shamshad Begum + Surinder KaurMeri Phool Bagiya Mein Aayee Hai, Lo Aayee Hai – Lal Dupatta – Gyan Dutt – Manohar Khanna

Lata Mangeshkar + Geeta RoyGori Sakhiyon Se Akhiyan Churay Rahi Hai – Majboor – Gulam Haider – Najim Panipat

Geeta Roy + RajkumariRoom Zoom Matwale Kale Badal Chhaa Gaye, Balam Ji Teri Yaad Dila Gaye – Suhag Raat – Snehal – Kedar Sharma

Geeta Roy + RajkumariBaaji Mori Payal Thunnak Thunnak Suno Ye Sandeshva – Suhag Raat – Snehal – Kedar Sharma

Geeta Roy + RajkumariKis Paapi Sang Ulazi Akhiyan Haye Akhiyan Maine Ro Ro Gavayee – Suhag Raat – Snehal – Kedar Sharma

Shamshad + Geeta RoyMere Dil Ki Dhadakano Mein Sakhi Kaun Aa Samaya – Suhag Raat – Snehal – Kedar Sharma

We will take up male-male duets and triads & triads+ in our next episode.

Fading Memories…. Unforgettable Songs: January, 2018

Jaidev: Brilliant, But Underrated, Composer: Journey from 1955 to 1963

Jaidev (a.k.a.  Jaidev Varma; B: 3 August 1919 – D : 6 January 1987) one hand is the only music director of Hindi Films to have been awarded three national awards and on the other hand the fate, machinations and his propensity for blending classical and folk music into his tunes getting him branded as “too arty” eluded the commercial success. In his entire career, he may not have scored songs for more that 30-40 films (around 100 songs), but he does remain enshrined in the very fond deeper recesses of connoisseur Hind Film fans.  His one of the greatest songs, Raat Bhi Hai Bheegi Bheegi”’s  Sahir’s lyrics probably very easily sits as an apt metaphor:

“Tapte dil par yoon girti hai
teri nazar se pyaar ki shbanam
teri nazar se pyaar ki shbanam
jalte huye junglel par jaise
jalte huye jungle par jaise
barkhaa barse ruk-ruk tham-tham
barkhaa barase ruk-ruk tham-tham”

(Your gaze falls on my red-hot heart like drops of dew just as the halting rains fall over jungle fire…)

Use of harmonium, clarinet and tabla in the song very loudly underscores his brilliance par excellence. In fact, in his first ever exposure to Hind film music world, as an assistant to Sarod Maestro Ali Akbar Khan in Chetan Anand directed Aandhiyaan (1952), he gets a special mention for playing surmandal in the background music.

Probably his musical brilliance and lack of motivation and skills to commercially market it consigned him to such other underrated stars as Sajjad Hussain or Madan Mohan.

We have remembered here songs for his first film as an independent director to probably his last commercially successful film in this first stage of refreshing our memories of the songs that epitomize his sheer brilliance.

Joru Ka Bhai (1955)

Kabhi Bhula ke Kabhi Yaad Aake Pooch Liya, Ye Kya Kiya Mujhe Apna Bana Ke Loot Lliya – Kishore Kumar, Balbir, Shamshad Begum and chorus – Lyrics: Vishwamitra AdilThis was the only film wherein Jaidev has used Kishore Kumar as well as Shmashad Begum.

There appears to be another version of the song as well:

Shamshad Begam, Kishore Kumar and chorus. –

Naina Kahe Ko Lagaye.. Hum Sang Naina Kahe Ko Lagaye – Asha Bhosle – Lyrics: Vishwamitra Adil

Jaidev has used Asha Bhosle for some of the equally outstanding songs as his songs of Lata Mangeshkar. THowever, not many of his Asha Bhosle songs did not attain as much success as those of Lata Mangeshkar. For example: The twin song penned by Sahir Ludhyanvi– Subah Ka Intezar Kaun Kare in Lata Mangeshakr’s voice and Teri Zulfon Se Pyar Kaun Kare in Talat Mahmood’s voice

Samundari Daku (1956)

Dil Jawaan Hai Aaarzoo Jawaan, Ek Nazar Idhar Bhi Meharbaan, Kab Talak Ye Hamse Berukhi, Kab Talak Rahegi Chup Jubaan – Talat Mahmood, Asha Bhosle – Lyrics Vishwamitra Adil

This is one of Jaidev’s very rare compositions based on western style tune. Talat Mahmood has been known for singing romantic songs of melancholic mood He has been as effective in this happy romantic song too.

Talat Mahmood has rendered this song as a solo version too.

Sama Pyaara Hai….Din Hain Bade Kaam Ke, Aana Aise Mein Dil Ko Zara Thhaam Ke -Asha Bhosle, S Balbir –  Lyrics-Vishwamitra Adil

Here is the song that is based on some Punjhabi folk rhythm.

Anjali (1957)

Kunj Kunj Gunjan Bhanware Ka. . . Buddham Sharnam Gachchhaami – Mohammed Rafi- Lyrics:– Nyay Sharma

Jaidev has very creatively used Lata Mageshkar in the aalaap at the beginning of the song.  The song then follows the Sinhalese original version with all subtle variations in the way song is delivered at different layers.

Aside:

The song that would probably come to our memory first would be Anil Biswas Meena Kapoor – Manna Dey composition from Angulimal(1960) : Buddham Saranam Gachhami , when we first see the key lyrics Budhdam….

[N.B.: By any means, I have not presented this song for any sort of comparison between the two songs or any music aspects thereof.]

Lo Chori Pakdi Gayee – Asha Bhosle, Sudha Malhotra, Usha Mangshkar, Meena Mangeshkar – Lyrics: Nyay Sharma

As simple tune and orchestration as the one here has a variation in the beginning of each antara. Nonetheless, the earthen sweetness befitting the situations – four friends going about their domestic chores – of the tune remains intact.

Raat Ke Raahi (1959)

Two out of five songs have been composed by Jaidev. The other three were composed by Bipin Babul.

Pau Baarah Pau Baarah Pyaar Mein Pau Baarah – Asha Bhosle – Lyrics: Vishwamitra Adil

Commensurate with meanings of the lyrics,the song manifests the energetic tempo and mood.

Hum Dono (1961)

Perhaps, commercially the most successful film in so far as popularity and critics acclaim for Jaidev’s musical score. However, he was on some meagre payroll of Naketan when he had composed the songs.  The commercial success of the songs too came up as big roadblock to Jaidev’s career graph. It is said that, for Navketan’s next film he already had composed two songs, but the inner wheels so moved that he was summarily shown the gates, forever.

Prabhu Tero Naam,Jjo Dhyaaye Phal Paaye, Sukh Daaye Tero Naam – Lata Mangeshkar – Lyrics: Sahir Ludhyanvi

For various reasons, the other bhajan “Allah Tero Naam, Ishwar Tero Naam’ has been  the more heard one of the two.

Kinare Kinare (1963)

The film had 11 songs of which only 5 or 6 were retained on the final editing table, and this 11th song is just out of the box:

O Mast Nazar Tu Chaahe Agar – Vinod Desai -Lyrics: Nyay Sharma

And the two songs from the other 10 gems:

Chale Ja Rahe Hain Mohabbat Ke  Maare Kinare Kinare – Manna Dey – Lyrics: Nyay Sharma

This song has been considered to be one of the greatest solo song of Manna Dey.

Teri Tasvir Bhi Tujh Jaisi Hasi Hai Lekin, Is Pe Kurban Meri Jan-e-Hazin Hai Lekin,, Ye Meri Jakhm-e-Umango Ka Madaawa No Nahi – Mohammad Rafi – Lyrics: Nyay Sharma

A complicated poetry that Jaidev has so subtly translated into a soft song.

Mujhe Jeene Do (1963)

A film from a big banner production house (Sunil Dutt’s Ajanta Arts) that did very well on the ticket window collections, The songs also got all round acceptances. However, this time the success again was not destined to boost Jaidev’s career graph – Something that transpired between the two resulted into break up with Sahir Ludhyanvi, with whom every association of Jaidev had resulted into highly successful outcomes.

Maang Mein Bhar Le Rang Sakhi ri Aanchal Bhar Le Tare Milan Ritu Aa Gayi  Asha Bhonsle,- Lyrics:Sahir Ludhianvi

Jaidev has used Asha Bhosle, as well as Lata Mangeshkar, for widely varying mood songs in Mujhe Jeene Do

Mohe Na Yoon Ghoor Ghoor Kar Dekho Najar Lag Jaayegi – Lata Mangeshkar – Lyrics: Sahir Ludhianvi

Lata very lightly renders this thoomari-style folk –toned song. The song seems have been truncated out in the film.

Here is the full song in the audio mode:

Jaidev’s brilliance was not totally missed hereafter, even if commercial success never peaked to this level. But, probably that was what destiny had chalked out for him, as composed by him in Sahir’s words:

Kaun Rotaa Hai Kisi Aur Ki Khaatir Aye Dost,

Sabko Apni Hi Kisi Baat Pe Ronaa Aayaa

[No one weeps for someone else, my friend. Everyone does weep for his own tales only.]

We will continue remembering Unforgettable Songs that seem to Fading away from our Memories every second Sunday of the month……..

Disclaimer: All images are sourced from net. All copyrights of the respective image remain with the original owner of the image.

The Micro View of the Songs of 1948 @ SoY – The Duets – Male Female Duets – Other Male Playback Singers [2]

In continuing our journey of Micro View of Male Female Duets of Other than Mukesh and Mohammad Rafi, we will take up second set of the duet songs today.

Popular Duet Song

Kishore Kumar + Lata MangeshkarYe Kaun Aaya Re Hai Kar Ke Solah Sigar – Ziddi –  Khemchand Prakash – Prem Dhawan

The song has got fame as the first duet of Kishore Kumar and Latamangeshkar.

Other Duet Songs

G M Durrani + Lata MangeshkarKhamosh Fasana HaimDuniya Se Chhupake Chhupake – Heer Ranjha – Aziz Khan – Vali Sahab

G M Durrani, Rajkumari, Johrabai AmbalewaliEk Dil Tera Ek Dil Mera – Pt. Hanuman Prasad

HFGK records this as two songs, one a duet by G M Durrani and Rajkumari and the other a parody song by Johrabai, G M Durrani and Chorus.

Shankar Dasgupta + Miss ParvezAy Dil Abhi Tu Sabar Kar Teri Bhi Baari Aayegi – Ham Bhi Insaan Hai – H P Das, Manna Dey – G S Nepali

Allaudin  + Shamshad BegumSawan Ke Din Aaye Balama Sawan Ke Din Aaye Hai – Kaajal – Ghulam Mohammad, D  N Madhok /  Shakeel Badayuni (?)

Ram Kamlani + Joharabai Mere Dil Ka Phate Nahi Kahi Atom Bomb – Lal Dupatta – Gyan Dutt – D N Madhok

Karan Diwan + Shamshad BegumMujhe Jaane Tum Se Pyar Kyon Hai – Mitti Ke Khilone – Bulo C Rani / Hans Raj Behl (?) – B R Sharama

Ram Kamlani + Surinder KaurChori Chori Mori Atariya Aa Ja Re – Nao – Gyan Dutt – D N Madhok

Krishna Goyal + Meena KapoorBalam Mohe Man Se Na Apne Bhoolana – Raees – Manohar Arora _ Kaisar Sabai

Suresh+ SuraiyaRootho Na Tum Bahar Mein, Mausam-e-Khushgawar Mein – Rang Mahal – K Datta+ V Balsara (?) – ShivKumar

Ram Kamlani + Shamshad BegumHamari Baat Ka Kyon Tum Ko Aitbar Nahi – Rangeen Zaman – Pt. Govind Ram – Pt. Fani

We will take up micro view of Female Female Duets of 1948 in our next episode.