The Micro View of the Songs of 1948 @ SoY – Male Solo Songs – Mukesh

Numerically, Mukesh has highest number of solos among all male playback singers in 1948.

The songs that we have selected here fall in two broad categories.

The first one is the songs that were, and still have been exceedingly popular. These are:

Mukesh’s Popular Songs

Zinda Hun Is Tarah Ke Gam-e-Jindagi Nahin – Aag – Ram Ganguly – Behzad Lakhanavi

Jeevan Sapan Toot Gaya – Anokha Pyar – Anil Biswas – Jiya Sarhadi

This song has an equally popular female version too, in Lata Mangeshkar’s voice.

Ye Pyar Ki Baatein Ye Safar Bhool Na Jana – Anokhi Ada – Naushad Ali – Shakeel Badayuni

Gaaye Ja Geet Milan Ke Tu Apni Lagan Ke – Mela – Naushad – Shakeel Badayuni

Woh Teekhi Nazron Se Mere Dil Pe Kuchch Aisi Bijali – Veena – Anil Biswas –

Gokul Ki Ek Naar Chhabili Jamuna Tat Par Aayee Re – Veena – Anil Biswas – Swami Haridas

Bahe Na Kabhi Nain Se Neer – Vidya – S D Burman – Y N Joshi

Mukesh’s Noteworthy Songs

The other category is the songs that have been noteworthy, but could not attain the sustained popularity.

Woh Teer Kaleje Par Ik Shuakh Ne Mara Hai – Anjuman – Bulo C Rani – Majrooh Sultanpuri

Jalanewale Tujhe Kya Unko Khabar Ho Na Ho – Gunjan – Ashok Ghosh – S R Saaz

Koi Din Jindagi Ke Gungunakar Geeta Gata Hai – Gunjan – Ashok Ghosh – Deepak

Aye Duniya Bata De Bhagwan Kahan Hai – Jeene Do – Shaukat Hussain (Dehlvi) – Shewan Rizvi

Hoshiyar Naujwan Jag Aye Naujawan Jal Raha Hai Makan – Padeshi Mehman – Hans Raj Behl – Pandit Indra

He Khag He Mrig He Madhukar Tum Bin Suna Jeevan – Rambhakt Hanuman – S N Tripathi – B D Mishra

Beet Chali Barakha Ritu Site, Sudh Na Mili Tumhari – Rambhakt Hanuman – S N Tripathi – B D Mishra

Lakhi Bulbul Mere Kahe Ko Dinhi Videsh – Suhaag Raat – Snehal Bhatkar – Amir Khushro

Mere Sapno Ki Raani Re – Veena – Anil Biswas – Narendra Sharma

We will take up Solo Songs of G M Durrani and Surendra in our next episode of Male Solo Songs of 1948.

The Micro View of the Songs of 1948 @ SoY – Male Solo Songs – Mohammad Rafi

We commence our detailed journey for the year 1948 with Male Solo Songs.

It is simply stating the obvious that there are far more songs that I have heard for the first time in this exercise. So, I would wait for the recap of each of the section to draw any of the personal conclusions.

Solo Songs of Mohammad Rafi

If we recall the year of 1949, we had observed that Mohammad Rafi had a fairly large number of solo songs, both in terms of number of films or number of music directors who chose Mohammad Rafi.  Apperently, this can be considered as the effect of songs that Rafi had rendered in 1948 (and before that).

Like what we did for 1949, we will split the songs in two categories – one in which were popular then and are even now and the other which do merit note but fall short on the comparative yardstick of popularity.

Mohammad Rafi’s Popular Songs

Hum Apne Dil Ka Afsana Unhe Suma Na Sake – Actress- Shyam Sundar – Nakhshab Jharachavi

Aye Dil Meri Aahon Mein Itna To Asar Aaye – Actress – Shyam Sundar – Nakshab Jharachavi

Sab Kuchch Luataya Humne Aa Kar Teri Gali Mein – Chunariya – Hans Raj Behl – Mulk Raj Bhakhari

Ye Zindagi Ke Mele Duniya Mein Kam Na Hoge Afsos Hum Na Hoge – Mela – Naushad Ali  – Shakeel Badayuni

Ek Dil Ke Tukde Hazar Hue Koi Yahan Gira Koi Wahan Gira – Pyar Ki Jeet – Husn Lal Bhagat Ram – Qamar Jalalabadi

Mohammed Rafi’s other noteworthy songs

These are the songs which could not measure up on the normal level of popularity.

Do Wida Do Pran Mujh Ko – Adalat – Datta Javdekar – Mahipal

Kismat To Dekho Humsafar Char Kadam Saath Chale Nahi – Adalat – Datta Javdekar  – Mahipal

Kyun Bichchud Gaye… Jivan Saathi Bichchud Gaye – Adalat – Datta Javdekar  – Mahipal

Wah Re Jamane Kya Rang Dikhaye Pal Mein Hasaye Pal Mein Rulaye – Ghar Ki Izzat – Govind Ram – Isvar Chandra Kapoor

Doobi Naiya Aa Ke Kinare Jaun Kahan Hum Ab Gam Ke Maare – Jeene Do – Shaukat Hussain (Dehlavi) – Shevan Rizvi

Bujh Gaya Deep Ghira Andhiyara Jyot Kahan Se Laun – Mere Lal – Purushottam – Mahipal

Nigahe Milane Ko Jee Chata Hai – Parai Aag – Ghulam Mohammad – Tanveer Naqvi

Sultan-e-Madina Sulatn-e-Madina Maula Ke Dulare – Rehnuma – Ghumi Khan –  Habib Sarhadi

Kismat Se Koi Kya Bole – Rehnuma  – Ghumi Khan – Habib Sarhadi

Aye Dil Neend Aayee Tujh Ko Tamam Raat – Shahnaz – Ameerbai Karnataki – Akhtar Pilibhiti

We will take up Solo Songs of Mukesh in our journey of Songs of 1948.

Fading Memories…. Unforgettable Songs: June, 2017

V Balsara – Sunaye Hal-e-Dil Kya Hum Hamara

It was in 70s that whenever I could sneak out from my official work during visits to Bombay, I used to be in look out for a sneak pick into(the then) Rhythm House at Kalaghoda, even if for a few minutes. On one such visit I was on a quick look out for records of Manna Dey’s Hindi NFS. I was quickly shown one EP record that contained these songs:

Ye Aawaara Raaten Ye Khoyi Si Baaten (1960)

Nazaaron Mein Ho Tum Khayaalon Mein Ho Tum

I listened to these songs briefly and purchased the record. On way back I read its back cover to see who the music director of these songs was. When I read that it was V Balsara, the name was new to me then.

I kept listening to the record several times on reaching home. One of my friends then took it to his home. There his father also liked the songs. Few days later when he returned the record, it was accompanied by one more record. That record was an LP of his instrumental tunes, which among others, had the following:

We all were now very devout fans of V Balsara. I then went on to add a few more of his instrumental LPs.

For our present series when I noticed that June (22nd, 1922) is his month of birth day, it was with great apprehension that I started searching for his songs for the article for this month from his maiden film Circus Girl (1943) to other films like O Panchi, Rangmahal, Madmast, Talash, Char Dost, Vidyapati and Pyar. Well, my apprehensions were quite misplaced, as our netizen friends have been able to place many of the songs on net.

So here are a few of the multi-faceted songs in tribute to V. Balsara (Vistap Ardeshir Balsara).

Roothi Hui Taqdeer Ko Ab Kaise – Mukesh (NFS) – Lyrics: Madhukar Rajasthani

It seems that till he started regular work for composing music for Hindi films, V Balsara very rightly adopted the route of publishing records of NFS. These songs went a long a way in keeping V Balsara in to the memory of the listening public. There are a couple of more NFS mukesh songs that can be accessed on YT.

Ye Hawa Ye Fizza Ye Nazare Hum Yahan Tum Wahan… – Geeta Dutt

It is recorded that Geeta Dutt has only 25 NFS in her career. It is our luck that the present song happens to be one of them.

Our big catch happens to be songs of Madmast of 1953.

Chaal Anokhi Dhang Nirale, Tadap Uthe Hay, Aji Dekhane Wale – Madmast (1953) – Asha Bhosle – Lyrics: Madhukar Rajasthani

Kisi Ke Zulm Ki Tasveer Hai – Mahendra Kapoor, Dhan Indorewala – Lyrics: Manav

In our May, 2017 episode on Snehal Bhatkar, we had listened to the first solo song of Mahendra Kapoor. The present song takes on the credit of first ever recorded song of Mahendra Kapoor, much before he came to limelight after having won Murphy contest and then singing on Chand Chuupa Aur Taare Doobe

Main Lal Paan Ki Begum Hu, Begum Begum Begum Hu, Main Lal Paan Ki Begum

Main Baadshah Hu Kalekha, Main Baadshah Hu Kalekha – Shamshad Begum, S D Batish – Lyrics: J C Pant

Sunaye Hal-e-Dil Kya Hum Hamara – Lata Mangeshkar –

We then have Vidyapati (1964) which has one more Lata Mangeshkar gem which is totally forgotten.

More Naina Sawan Bhadon – Lata Mangeshkar – Lyrics: Prahlad Sharma

A song with same mukhda, based on the same raga Sjivranjani has so much of our mind space that listening to this song is so enriching experience.

Chubh Gaya Kanta, Ui Kaise Main Ab Ghar Jaaun – Pyar (1969) – Aarti Mukherjee – Lyrics: Prahlad Sharma

The common listener may have treated the song as too experimental for his liking…

We cannot conclude the episode without taking note of some of the instrumental compositions of V Balsara.

In an interview on Doordrashan Calcutta, V Balsara had narrated his association with Hindi Film world as specialist instrument player.  He has played harmonium like an accordion in several of SJ songs. Here are three such examples:

This is considered to be Solo Piano Concert. Robin De has captured it as a very documentary piece of V Balsara’s association with Bengali Music.

And Madhumati (1958)’s Aja Re Pardesi

Continuing with our tradition of ending every episode with a Mohammad Rafi song, we will end our present episode with the two solos, in two totally different moods, by Mohammad Rafi, composed by V Balsara :

Door Gagan Ke Chanda, Kahiyo Sajan Ke Sandesh…… Mo Se Rooth Gayo Banwaari Jari Gayo Madhuban, Sukhi Jamuna Gali Gali Dukhiyari – Vidyapati (1964) – Lyrics: Prahlad Sharma

Here we have signature Mohammad Rafi song, starting sakhi on a very high note then coming back to a pathos-suited scale, interspersed with scaling peaks.

Rahoge Kab Tak Hamse Dur, Pyar Ka To Aisa Dastur Ishk Pukarega Tumko, Aana Hi Hoga Re Aana Hi hoga Re, Ishq Pukarega Tumko Aana Hi Hoga Re – Woh Ladki (1967) – Lyrics: Prahlad Sharma

This can also be considered a very typical of Rafi romantic song, which we normally associate with his care-free songs.

We will continue our search for Unforgettable Songs that seem to Fading away from our Memories every second Sunday of the month……..

Disclaimer: All images are sourced from net. All copyrights of the respective image remain with the original owner of the image.

Fading Memories…. Unforgettable Songs: May, 2017

Snehal Bhatkar – Hamaari Yaad Aayegi

Most of the Hindi Film songs fans should not find it difficult to remember that composer of one of Mubarak Begum’s iconic Song Kabhi Tanhaiyon Mein…. Hamari Yaad Aayegi is Snehal Bhatkar.

Snehal Bhatkar (original name Vasudev Gangaram Bhatkar, a.k.a. Vasudev, B. Vasudev, Snehal and V G Bhatkar) – 17th July, 1919 / 29th May, 2007 has composed songs for 27 Hindi films and 12 Marathi films. His contribution in Marathi NFS is also highly respected.

Snehal Bhatkar’s maiden film as a music director was Rukamani Swayamvar, in 1946, jointly with Sudhir (Phadke). In the credits of the film, his name appears as Vasudev.

Mera Sandesha Le Jaa – Rukimani Swayamvar (1946) – Lalita Deulkar

His first film as a solo music director was Neel Kamal (1947) where his name appears as B Vasudev in the titles. This is also the debut film of Raj Kapoor and Madhubala.

Jaiyo Na Bides Mora Jiya Bhar Aayega – Neel Kamal (1947) – Rajkumari, B Vasudev – Lyrics : Kedar Sharma

All songs lip-synched by Raj Kapoor in this film have B Vasudev’s playback voice. Songs of Mukesh are rendered by other characters on the screen in the film.

Snehal Bhatkar continued to use B Vaudev for his next two films – Suhag Raat (1948) and Thes (1949)

Ye Bura Kiya Jo Saaf Saaf Keh Diya Ke Mere Sanware Piya, Tose Door Rah Ke Chain Paye Na Jiya – Suhag Raat (1948) – Rajkumari, Mukesh – Lyrics: Kedar Sharma

This the debut film of Bharat Bhushan and Geeta Bali.

In order to listen to Geeta Dutt under Snehal Bhatkar’s baton, we will take up one more song from this film.

Mere Dil Ki Ho Mere Sine Ki Mere Dhadkano Me Sakhi Kaun Aa Samaya – Suhag Raat (1948) – Geeta Dutt, Shamshad Begum – Lyrics: Kedar Sharma

In 1950, Shobhna Samarth took up her first production and directorial venture, Hamari Ladki. Probably, that prompted Snehal Bhatkar to switch his identity too. He now adopted Snehal Bhatkar as his new pseudonym. ‘Snehal’ in this name was prompted by the name of her new born daughter, Snehlata.

Tujhe Kaisa Dulha Bhaye Ri,Banki Dulhaniya – Hamari Beti (1950) – Nutan – Lyrics: Pt. Phani

Shobhna Samarth not only launched her older daughter Nutan with this film, she also introduced her younger daughter Tanuja as a ‘baby’ in the film. Nutan herself sings her first song on both sides of the screen.

An Aside:

It is so very well known that Nutan did sing for herself again in Chhabili (1960). This was also produced and directed by Shobhna Samarth and had Tanuja in side main role along with Nutan in the lead. Her songs Aye Mere Humsafar and Laheron Pe Lahar (with Hemant Kumar), Yaaron Kisi Na Kehna  (with Geeta Dutt) or Mila Le Haath (with Sudha Malhotra) are remembered even today.

Nutan also gave voice to her own songs in a 1983 film Mayuri, for which she also penned the lyrics as well. Kanu Roy had composed these songs.

Nainan Me Barsaat Man Me Kaajal Kaali Raat, Andhkar Hi Andhkar Hai Diwas Rain Ban Jaat – Nand Kishore 1951 – Lata Mangeshkar – Lyrics: Pt. Narendra Sharma

The film has had set up Lata Mangeshkar’s strong connection with Snehal Bhatkar.

Rut Basant Ki Mad Bhari Phulo Ka Saringa, Aaja Mere Bhawara Kaliyan Kare pukar, Chaloge Kya Chaloge Kya Sang Mere Saath – Bhola Shankar (1951) – Rajkumari – Lyrics: Bharat VyasThe film has two each of Lata Mangeshkar’ s and Rajkumari’s solo songs. I have picked up one of Rajkumari’s playful solo song. Snehal Bhatkar has also sang a duet and two triplets in the film. However, soft links of these songs do not seem to be available.

Snehal Bhatkar did have one film – Gunaah – in 1953. Of the songs composed by Snehal Bhtakar, the songs available on YT are of Lata Mangeshkar. So, in order to get as many more singers to listen to under Snehal Bhatkar’s baton, we will take up his three films in 1955 and one in 1956.

Pyar Ki Nazro Se Unko Dekhta Jata Hai Dil, Baat Unke Samne Kahne Se Ghabrata Hai Dil – Aaj Ki Baat (1955) – Talat Mahmood – Lyrics: Raj Baldev Raj

This is Leela Chitnis’s maiden production – direction venture. The song is a rare Talat Mahmood song, which has been covered up in the dusts of oblivions.

Mera Resham Ka Rumaal Kare Jadu Ka Kamaal, Mai Aayi Hu Aasman Se Suno Jami Pe Rahne Walo, Aasman Par Bade Maje Hai, Aasman Ka Tiket Katalo Tiket Katalo – Daku 1955 – Anwar Husain, Asha Bhosle – Lyrics: Kaif Irani

Anwar Hussain is the son of second marriage of Jaddanbai – with Irshaad Meer Khan, and thus step brother of Nargis, who was the offspring of Jaddanbai’s third marriage – this time with Mohan Babu. In the present song, Asha Bhosale plays back for Azuri – a celebrated dancer of her time – and Anwar Hussain sings the song for himself more as a side kick.

Chupke Chupke Koi Mere Sapno Me Aane Laga….Dhire Dhire Koi Mere Dil Ko Tadpane Laga – Bindiya (1955) – Madhubala Zaveri – Lyrics: S H Bihari

When a music director has not succeeded on the box office, he gets more of B or C grade films. These films do not have budgets that neither can support famous singers nor can make room for these songs in their packed schedules. As a result, the music director has to up his creative talent and try out relatively not so successful singers. However, in the retrospect now, we as listeners are gainers.

Bhaun Bhaun Bhaun Bhaun….Chhota Sa Pappu Hun Jaau Kaha…. – Jaldeep (1956)

We now have a totally different, very light and apparently frivolous song, wherein we see Snehal Bhatkar in quite a new light. The playback singer for the songs is  identified. As can be seen in the notes to video clip, on  screen, we see three children. The elder male child is Ashok Sharma (son of Kidar Sharma). The female child is Preetibala, who later came into mainstream Hindi films as Zeb Rehman. The younger male child is Dubey.

Before we conclude today’s episode, we will take up the maiden solo song of Mahendra Kapoor.

Tere Dar Ki Bhik Mangi Hai O Daata Duiya -Diwali Ki Raat-1956 – Mahendra Kapoor – Lyrics: Madhukar Rajasthani

It is matter of well-settled records that Mahendra Kapoor’s maiden song in Hindi Films was Kisi Ke Zulm Ki Tasveer, a duet composed by V Balsara for Madmast (1953). D. Indorewala accopanied Mahendra Kapoor in that song. The present song goes in the records as a maiden solo song of Mahendra Kapoor.

Continuing with our tradition of ending every episode with a Mohammad Rafi song, we will end our present episode with the probably the first duet of Mukesh with Mohammad Rafi :

Baat To Kuchch Bhi Nahi, Dil Hai Ke Bhar Aaya Hai – Thes (1949) – Lyrics: Kedar Sharma

We will continue our search for Unforgettable Songs that seem to Fading away from our Memories every second Sunday of the month……..

Disclaimer: All images are sourced from net. All copyrights of the respective image remain with the original owner of the image.

Fading Memories…. Unforgettable Songs: April, 2017

Hasrat Jaipuri – Beyond Shanker Jaikishan

Hasrat Jaipuri (April 15, 1922 – September 17, 1999), born as Iqbal Husaain, recorded Jiya Beqaraar Hai as his first solo song for Hindi films for Barsat (1949). His second song (and first duet) was Chhor Gaye Baalam for the same film. Ever since, Hasrat Jaipuri, and for that matter his conjugate lyricist Shailendra, are considered inseparable element of the Shanker Jaikishan songs.

However, It is no secret that Hasrat Jaipuri, and Shailendra too, have written many songs for other music directors as well. Hasrat Jaipuri has penned songs for Sajjad  Hussain to C Ramachandra, to  golden era’s Madan Mohan, S D Burman and to the 90s ear music directors like Nadeem Shravan, Jatin Lalit too.

As our tribute to Hasrat Jaipuri, in the present episode, we will recollect his songs for other music directors. The period under our present consideration is from the beginning of his career till 1953. We will restrict ourselves to one song for each of the (other) music director in this period.

The first film is Wafa (1950). HJ has three songs in the film. Two songs are composed by Vinod and one by Bulo C Rani.

Armaan Bhara Dil Toot Gaya – Wafa (1950) – Mukesh, Lata Mangeshkar – Bulo C Rani

This song strongly establishes that HJ’s sensitivity seen in the lyrics of Barsat songs is not once in a blue mood affair.

In 1951, HJ’s filmography lists Bade Sahab for which Nisar had composed the music. As of now, our highly resourceful net-friends do not seem to have located the songs, so we do not have been to locate link to the digital version of the songs.

There is one more film, the unreleased one in 1951 – Imaan. The film had four songs from HJ – three solos by Asha Bhosle and one duet of Talat Mahmood-Asha Bhosle.

O Julmi Nayana Roye Ja Tu – Imaan – Asha Bhosle – Pt. Motiram

This should go down as the first film where Asha Bhosle has rendered HJ’s song. HJ’s songs in Asha Bhosle’s voice should in itself be an interesting subject to explore !

1951 had one more HJ- Pt. Motiram film – Lachak, which had one song to HJ’s account – A Rafi- Asha duet.

1951 also had HJ collaborating with Sajjad Hussain too.

Khalayaon Mein Tum Ho – Sainyaa (1951) – Lata Mangeshkar, Chorus – Sajjad Hussain

This is almost a signature composition of Sajjad, in which HJ has maintained the mood by deploying not-so-complicated lyrics.

1951 has one more HJ film – Saudagar – for which Hanuman Prasad has composed two duets in G M Durrani- Asha Bhosle’s voice. Unfortunately I could not locate link to digital audio versions of the songs on net.

HJ has written one song for Anandmath (1952), a Filmisyan production of famous novel by Bankim Chandra Chatterjee.

Dil Ka Paimana Ho Ulfat Ka Hath Hai, Julfo Ka Badal Ho Jhumne Ki Raat Hai, Pine Ki Raat Hai – Anand Math (1952) – Rajkumari – Hemant Kumar

The stage is set for the king to entertain himself and his English sahibs.

Annadata (1952) has five songs from HJ’s pen, of which digital versions of G M Durrani- Shamshad duet and a Rafi-Shamshad- Lata- Meena Mangeshkar chorus songs are not yet uploaded on net. Three solos of Lata Mangeshkar are available on YT.

Baharo Ke Dole Me, Aayi Hai Jawani, Aayi Jawani, Aaj Apni Adao Pe Huyi Mai Diwani – Annadata (1952)- Lata Mangeshkar – Mohammad Shafi

Mohammad Shafi was considered to be a highly talented composer, who did not get the due favour from the lady luck of the commercial success. This song amply manifests Mohammad Shafi’s talents.

Badnaam (1952) had three songs to HJ’s account – two Lata solos and one Shankar Dasgupta solo. HJ has written songs for Basant Prakash for Nishan Danka and Saloni too in this year.

Yeh Ishq Nahin Asan – Badnaam (1952) – Shankar Dasgupta – Basant Prakash

Hamari Duniya has three songs of HJ, one solo each of Lata Mangeshkar, Geeta Dutt and Rajkumari. Geeta Dutt song does not seem to be have been posted on YT.

Raat Arman Ki Saji Hai – Hamari Duniya (1952) – Rajkumari – Shyam Babu Pathak

Jab Tak Chamke Chand Sitare, Tum Ho Hamare Saiya Hum Hai Tumhare, Apne Milan Ka Sath Na Chhute, Hatho Me Aake Sajni Hath Na Chhute – Neelam Pari (1952) – Geeta Dutt, G M Durrani – Khursheed Anwar

Neelam Pari had 4 of HJ’s songs.

Shrimatiji had HJ’s one solo.

Taqdir Ne Luta Mujhe Taqdir Ne Luta, Manjil Pe Lake Pyar Ne Begana Kar Diya – Shrimatiji (1952) – Geeta Dutt – Jimmy

Ek Dil Hazar Jhakhm Kaise Jee Sakenge Ham – Aag Ka Dariya (1953) – Talat Mahmood – Vinod

Anarkali was a landmark film, in so far as its songs are concerned.  Basant Prakash did compose one song and then all other songs were composed by C Ramchandra. Hasrat Jaipuri and Shailendra wrote two each and all other songs were written Rajendra Krishna.

Zindagi Bebas Hui Hai Beqasi Ka Sath Hai, Ek Ham Hai Is Qafas Me Ya Khuda Ki Zat Hai

O Asaman Wale Shikawa Hai Zindagi Ka …Sun Dastan Gam Ki Afasana Bebasi Ka

Both the songs are gems. So I would happily break the rule that we had set for ourselves and would most happily include the other song also as the penultimate song for our present episode.

Is Intezaar- e-Shauk Ko Janamo Ki Pyas Hai, Ik Shama Jal Rahi Hai To Wo Bhi Udas Hai

Muhabbat Aisi Dhadakan Hai Jo Samajhai Nahi Jaati

We have few more films in 1953 for which HJ has written lyrics for music directors other than Shanker Jaikishan. But, that is for the future journey.

We will end our present episode with the HJ song composed by R C Boral:

Humne To Dard-E-Dil Ko Tamanna Bana Liya – Dard-e-Dil (1953)

We will continue our search for Unforgettable Songs that seem to Fading away from our Memories every second Sunday of the month……..

Disclaimer: All images are sourced from net. All copyrights of the respective image remain with the original owner of the image.

The Micro View of the Songs of 1948 @ SoY : Setting The Stage

Wait for the curtains to go up for a review of songs for the particular year @ Songs of Yore is more than an eager wait. It is preganat with more unknown songs now.  Having covered songs of 1955, 1953, 1951, 1950 and 1949 in the previous years, SoY has now crossed the threshold well into the Vintage Era as it now ventures into ‘Best songs of 1948: And the winners are?

As noted in the overview turnkey article, we now enter the period which has two quite distinct characteristics:

One, Lata Mangeshkar did sing over 40 songs of which you can count about ten memorable and a couple of all-time great songs, yet she was not the sole pole star, as she became from 1949 onwards. Therefore, dividing the female playback singers as Lata Mangehkar and ‘others’ as (has been) done for 1949, 1950 and 1951 would not be a true reflection of reality.

Secondly, the Vintage Era also means entering a period of more unknown than known, therefore, the year-wise review would now be more a discovery trip.

The post under consideration – Best songs of 1948: And the winners are?  – has presented quite an  encompassing overview in an established template: –

Musical landmarks: Like a golden Jubilee (Mela) and a silver Jubileen (Anokhi Ada) under the belt Naushad hasestablished his morchical position. His nearest rival C ramchandra has Nadiya Ke Paar and Kidkiin the year under review. Ghulam Hiader has presened his swan song on now the Indian soil – Shaheed. Raj Kapoor directs his maiden film Aag with Ram Ganguly as music director. Lata Mangeshkar has hardly any presence in these films.

Other important musical compositions are no less noteworthy nor have lost their charm. We will enlist them here –

Anil Biswas:

Gajre

Door papia bola – Suraiya
Baras baras badly bhi bikhar gayi – Lata Mangeshkar

Veena

Wo teekhi nazron se mere dil par – Mukes

Husnlal Bhagatram

Tere Naino Ne Chori Kiya – Suraiya

O Door Jaanewale – Suraiya

Khemchand Prakash

Marne Ki Duaen Kyon ManguN– Kisore Kumar’s maiden solo song – Ziddi

Chanda Re..Ja Re Ja Re – Lata Mangeshkar – Ziddi

Ghulam Haider

Grihasthi

Tere naaz uthane ko ji chahta hai – Mukesh & Shamshad Begum

Pugree

Ek teer chalanewale ne dil loot liya – Mukesh & Sitara (Kanpuri)

S D Burman

Vidya

Laayi khushi ki duniya – Mukesh & Suraiya

Bahe na kabhi nain se neer – Mukesh

Debut

Asha Bhosle – Only a line Bahana Khush Ho Ke Sangam Manaye – in a chorus in the song Sawaan Aya Re – Chunariya

Kishore Kumar’s first duet with Lata Mangeshkar Ye Kaun Aya Re – Ziddi

Prem Dhawan Chanda Re..Ja Re Ja Re – Ziddi

RK Films Aag

Geeta Dutt – Lata Mangeshkar’s maiden duet Har Shai Pe Jawani Hai – Majboor

Mukesh – Lata Mangeshkar duet Ab Darne Ki Koi Baat Nahin – Majboor

Ab Yaad Na Kar – Ankoha Pyar

Khayyam (as Sharmaji & (Rehman) Vermaji with Aziz Khan) Dil Dil Yun YuN Karata Hai – Geeta Dutt, Aziz Hindi – Heer Ranja

Lata Mangeshkar first song with Shamshad Begum and Mohantara Khushiyan Manayen Na Kyun Ham.. Kismat Hamare Saath Hai.. Jalanewale Jala Karen – Khidki

Surinder Kaur Itne Door Hain Huzoor Kaise – Pyar Ki Jeet

Padmini as dancer-actor in Uday Shankar’s Kalpana

S Mohinder – as music director in film Sehra and as a singer Ae dil Uda Ke – Sehra

Jaan Nissar Akhtar – as lyricist in Shikayat

Sahir Ludyanavi – as a lyricist for Badal Rahi Hai Zindagi – Azadi Ki Rah Par

Snehal Bhatkar – as a music director in Suhaag Raat

Bharat Bhushna and Geeta Bali – as actors in Suhag Raat

Fact file and Trivia notes that five songs of Meena Kapoor for Anokha Pyar were recorded on Lata Mangeshkar; Leela Chitnis played mother for first time in Shaheed; Mohammad Rafi holds a falg pole in Watan Ki Rah Mein Watan Naujawan Shaheed Ho; Ameerbai Karnataki composed music for Shahnaz, once only in her career; Vidya Nath Seth sang firve songs for Rooplelka of which he composed one song too.

List Of Memorable Songs is a fairly representative list of films, music directors and known as well as less-known songs that were released in the year. I have re-compiled this list, under the title Memorable Songs of 1948, by adding the relevant link to YT file.

For the year under review, Special songs also cover the songs which open a path of discovery on their own well as they have thir own personality. In this case too, I have brought these songs on the same page with List of Memorable Songs of 1948.

The stage is now set to commence our journey into the Micro View of the Songs of 1948. As the List of Memorable Songs and Special Songs have covered most of the well-known songs for the year, we will restrict our micro-view to in-depth listening of not-so-well-known songs. We will then combine our impressions of these songs with that we already have for the well-known ones to present our point of view in so far as

Best male playback singer
Best ‘other’ female playback singer
Best songs of Lata Mangeshkar
Best duets
Best music director

are concerned for the year 1948.

All the posts that will appear on this subject here have been tagged as Songs of 1948 @ SoY.

Fading Memories…. Unforgettable Songs: March, 2017

S N Tripathi: Unremembered music director of remembered songs

There would hardly be anyone who may need reminding these songs:

But, perhaps it may need some recalling that these songs were by composed by S N (Shree Nath) Tripathi . That is because, ironically even as the songs are remembered, the films have faded out of memories. So, s-n-tripathiperhaps the name of S N Tripathi -14 March 1913 | 28 March 1988 – who has composed music for almost 250 films, he also acted in some 200 films, directed 39 films and even written screenplays for around 37 films. The destiny in its own weird wisdom chose to keep S N Tripathi in the fringe orbits of the Hindi Film Music world.

He joined the film world as a violinist in 1936. He then was appointed assistant to Sarswati Devi. The first song that he sang was Ae Re Daiya Lachak Lachak Chalo (Jeevan Naiya, 1936) for Ashok Kumar on the screen. This, incidentally, was the maiden film of Ashok Kumar too. S N Tripathi’s maiden film as a music director was Chandan(1936). The film, unfortunately, was released in 1941 only.

Nanha Sa Dil Deti Hoon – Chandan(1941) -Rajkumari, SN Tripathi  – Lyrics: Pt. Indra Chandra

For our present episode we will explore some of the S N Tripathi’s songs up to 1950.

The first film that is said to have given recognition to S N Tripathi was Panghat (1943).

Panghat Ke Ghaayalon Ka Panght Hi Thikana – Panghat (1943) – S N Tripathi – Lyrics: Pt. Indra Chandra

Here is the song that itself should have settled any and all debates about S N Tripathi’s versatility. He has acted, sung and composed this very light ‘bath-room’ song, and done so with great flare and even greater finesse.

Aayi Baloonwaali Aayi Re – Aadhaar (1945) – Geeta Dutt and S N Tripathi – Lyrics: M A Razi

Geeta Dutt was just 14 when she sang this song.

Aise Na Hamein Chhedo, Aise Na Satao, Kuchch Sun Lo Hamari – Ramayani (1945)  –  Rajkumari, Pahari Sanyal –

HFGK has not specified the singers. From the star cast of the film we can deduce that Rajkumari ought to have playedback for Nargis. The film was a social drama. Listening Rajkumari in a very light romantic song is great pleasure.

Laaj Bhare… In Nainan MeinAdhik Sudha Bharo Na.. – Uttara Abhimanyu (1946) – Ashok Kumar – Lyrics:  Roopdas, Saraswati Kumar Deepak (?)

Ashok Kumar association with S N Tripathi seems to bond very strongly. It is said that it was SN Tripathi who trained the novice voices of Ashok Kumar and Devika Rani for the song “Mein Ban Ki Chidiya Ban Ke Ban Ban Doloon Re for ‘Achhoot Kanyaa’ in 1936 under the baton of Saraswati Devi. The present song can also be considered as unique. HFGK records that this song is a pure playback by Ashok Kumar, possibly for Shahu Modak on the screen,.

Sola Singaar Main Sajaaungi.. Piya Ko Rijhaaungi – Panihari (1946) – Shanta Apte – Lyrics: Pt. Indra, Rammurty, Brajendra Gaud (?)

The poster of the film loudly proclaims: “Here she is ! New Shanta in a gay romance!” This song perhaps aptly translates the intention…..

Beet Chali Barkha Rut Site, Sudh Na Mili Tumhaari – Shree Ram Bhakta Hanuman (1948) – Mukesh – Lyrics: B D Mishra

We now seem to see an inadvertent, but unfortunate type-casting of S N Tripathi into mythological films. So was the hero who sings the song on the screen – Trilok Kapoor, who incidentally is the younger brother of Prithviraj Kapoor. Additionally, S N Tripathi also got cast into roles of Hanumaan as well!

Aao Sakhi Mangal Gao Ki Subh Din Aaye Re – Veer Ghatotkach (1949) – Saroj, Shanti Sharma – Lyrics: Ramesh Joshi

Here is playful song, filmed on a very young Meena Kumari.

Ashok Kumar or Meena Kumari did not get typed into mythological B class films, but S N Tripathi did !

Ek Naya Sanasaar Sajao, Aaj Khushi Ka Din Aaya – Veer Ghatotkach (1949)- Rohini Roy, Yahwant Bhatt and Chorus – Lyrics: Moti B. A.

Arun Kumar Deshmukh has narrated some of the history of one the singers – Yashwant Bhatt – of the song in this post.

1950 film Saudamini was a social film. The songs of the film were quite melodious and ought to have caught the attention of the fans at that time.But, perhaps not enough to turn the tide away from the mythology as afar as S N Tripathi was concerned.

Kaali Koyal Bole Matwali Koyal Bole Re – Saudamini (1950) – Mohan Tara Talpade – Lyrics: Anjum Pilibhiti

S N Tripathi has tried every possible trick to infuse variety into his songs in a social-theme film by selecting different playback singers.

Kaali Kaali Badli Chaayi Saawan Ki Ritu Aayi – Saudamini (1950) – Geeta Roy (Dutt)

Geeta Roy is at her usual vintage mellifluous self..

Kaali Ghata Hat Gayi Neel Gagan Mein Nikala Chand Hai – Saudamini (1950) – Chitragupt –

As the adequate information is not available, one may not be able to definitively state whether Chitragupt was assisting S N Tripathi for this film or not. In any case, however, the fact that S N Tripathi has experimented with Chitragupt’s voice speaks for his spirit of experimentation.

Dukh Dard Bhare Dil Ka Kahe Kisko Fasana – Saudamini (1950) – Uma Devi

For a sad song S N Tripathi has so effectively used voice of Uma Devi.

Jawani Chaand Salona Chamake Aur Choop Jaye – Saudamini (1950) – Mohammad Rafi, Zoharabai Ambalewali and chorus

Rafi commences first antara with a different beat than that of Mukhada before Zohra switches to the original tempo at the end of the anatara.

Surya Dev Dinesh Hey Mam Baar Baar Pranaam Ho -Shree Ganesh Mahima (1950)

Records do not amply state whether the song is also sang by S N Tripathi himself, which he certainly acts on the screen. The song is a rare prayer addressed to Surya, The Sun god.

We will end our present episode with the song that has the credit of being the first ever duet of Mohammad Rafi and Geeta Dutt, a wonderfully crafted song using chorus:

Jai Hind Yeh Hind Ki Kahniyan – Manasarovar (1946) – Lyrics: Saraswatikumar Deepak

We will continue our search for Unforgettable Songs that seem to Fading away from our Memories every second Sunday of the month……..

Disclaimer: All images are sourced from net. All copyrights of the respective image remain with the original owner of the image.