The Micro View of the Songs of 1948 @ SoY : Setting The Stage

Wait for the curtains to go up for a review of songs for the particular year @ Songs of Yore is more than an eager wait. It is preganat with more unknown songs now.  Having covered songs of 1955, 1953, 1951, 1950 and 1949 in the previous years, SoY has now crossed the threshold well into the Vintage Era as it now ventures into ‘Best songs of 1948: And the winners are?

As noted in the overview turnkey article, we now enter the period which has two quite distinct characteristics:

One, Lata Mangeshkar did sing over 40 songs of which you can count about ten memorable and a couple of all-time great songs, yet she was not the sole pole star, as she became from 1949 onwards. Therefore, dividing the female playback singers as Lata Mangehkar and ‘others’ as (has been) done for 1949, 1950 and 1951 would not be a true reflection of reality.

Secondly, the Vintage Era also means entering a period of more unknown than known, therefore, the year-wise review would now be more a discovery trip.

The post under consideration – Best songs of 1948: And the winners are?  – has presented quite an  encompassing overview in an established template: –

Musical landmarks: Like a golden Jubilee (Mela) and a silver Jubileen (Anokhi Ada) under the belt Naushad hasestablished his morchical position. His nearest rival C ramchandra has Nadiya Ke Paar and Kidkiin the year under review. Ghulam Hiader has presened his swan song on now the Indian soil – Shaheed. Raj Kapoor directs his maiden film Aag with Ram Ganguly as music director. Lata Mangeshkar has hardly any presence in these films.

Other important musical compositions are no less noteworthy nor have lost their charm. We will enlist them here –

Anil Biswas:

Gajre

Door papia bola – Suraiya
Baras baras badly bhi bikhar gayi – Lata Mangeshkar

Veena

Wo teekhi nazron se mere dil par – Mukes

Husnlal Bhagatram

Tere Naino Ne Chori Kiya – Suraiya

O Door Jaanewale – Suraiya

Khemchand Prakash

Marne Ki Duaen Kyon ManguN– Kisore Kumar’s maiden solo song – Ziddi

Chanda Re..Ja Re Ja Re – Lata Mangeshkar – Ziddi

Ghulam Haider

Grihasthi

Tere naaz uthane ko ji chahta hai – Mukesh & Shamshad Begum

Pugree

Ek teer chalanewale ne dil loot liya – Mukesh & Sitara (Kanpuri)

S D Burman

Vidya

Laayi khushi ki duniya – Mukesh & Suraiya

Bahe na kabhi nain se neer – Mukesh

Debut

Asha Bhosle – Only a line Bahana Khush Ho Ke Sangam Manaye – in a chorus in the song Sawaan Aya Re – Chunariya

Kishore Kumar’s first duet with Lata Mangeshkar Ye Kaun Aya Re – Ziddi

Prem Dhawan Chanda Re..Ja Re Ja Re – Ziddi

RK Films Aag

Geeta Dutt – Lata Mangeshkar’s maiden duet Har Shai Pe Jawani Hai – Majboor

Mukesh – Lata Mangeshkar duet Ab Darne Ki Koi Baat Nahin – Majboor

Ab Yaad Na Kar – Ankoha Pyar

Khayyam (as Sharmaji & (Rehman) Vermaji with Aziz Khan) Dil Dil Yun YuN Karata Hai – Geeta Dutt, Aziz Hindi – Heer Ranja

Lata Mangeshkar first song with Shamshad Begum and Mohantara Khushiyan Manayen Na Kyun Ham.. Kismat Hamare Saath Hai.. Jalanewale Jala Karen – Khidki

Surinder Kaur Itne Door Hain Huzoor Kaise – Pyar Ki Jeet

Padmini as dancer-actor in Uday Shankar’s Kalpana

S Mohinder – as music director in film Sehra and as a singer Ae dil Uda Ke – Sehra

Jaan Nissar Akhtar – as lyricist in Shikayat

Sahir Ludyanavi – as a lyricist for Badal Rahi Hai Zindagi – Azadi Ki Rah Par

Snehal Bhatkar – as a music director in Suhaag Raat

Bharat Bhushna and Geeta Bali – as actors in Suhag Raat

Fact file and Trivia notes that five songs of Meena Kapoor for Anokha Pyar were recorded on Lata Mangeshkar; Leela Chitnis played mother for first time in Shaheed; Mohammad Rafi holds a falg pole in Watan Ki Rah Mein Watan Naujawan Shaheed Ho; Ameerbai Karnataki composed music for Shahnaz, once only in her career; Vidya Nath Seth sang firve songs for Rooplelka of which he composed one song too.

List Of Memorable Songs is a fairly representative list of films, music directors and known as well as less-known songs that were released in the year. I have re-compiled this list, under the title Memorable Songs of 1948, by adding the relevant link to YT file.

For the year under review, Special songs also cover the songs which open a path of discovery on their own well as they have thir own personality. In this case too, I have brought these songs on the same page with List of Memorable Songs of 1948.

The stage is now set to commence our journey into the Micro View of the Songs of 1948. As the List of Memorable Songs and Special Songs have covered most of the well-known songs for the year, we will restrict our micro-view to in-depth listening of not-so-well-known songs. We will then combine our impressions of these songs with that we already have for the well-known ones to present our point of view in so far as

Best male playback singer
Best ‘other’ female playback singer
Best songs of Lata Mangeshkar
Best duets
Best music director

are concerned for the year 1948.

All the posts that will appear on this subject here have been tagged as Songs of 1948 @ SoY.

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Fading Memories….Unforgettable Songs: January, 2016

The songs that we have for the present episode, incidentally, presents quite an interesting mix – both in terms of music directors or playback singers or even the year in which these songs were first released.

Harish Raghuvanshi remembers:

All songs of ‘Saawan’ (1959) – Hansraj Behl – Prem Dhawan

As we listen to this anthology, we get to listen to several songs that have faded up in the memory, along with some which remain evergreen…..

For those who would prefer to listen to each song individually, here is the bouquet of these gems to pick and choose from:

Bhagwan Thavrani has remembered a wide range of the songs, with equally interesting commentary:

Mere Laadlo Tum to Fulofalo – Sant Gyanenshwar (1964) – Lata Mangeshkar – Laxmikant Pyarelal

This is a wonderful lori with wonderful words and usual Lata magic, still it’s almost forgotten…

There is a second version of this song.. in Mohammad Rafi’s voice

O Mrignayani Chnadramukhi – Rang Birangi (1983) – R D Burman

It’s a classical song by Pt. Vasantrao Deshpande with (perhaps) Arti Mukherjee…but I like the picturisation of the song and wonderful rendering by the Maestro Om Prakash and Chhaya Deviboth actors enact their “seen it all ” feelings in a deft manner and their love for each other shows…and how !  साथ जियेंगे साथ मरेंगे गाते गाते गाना.. ..lyrics is by Yogesh ( or is it Maya Govind ! )..

Saari Duniya Se Poochha – Milan (1958) – Lata Mangeshkar – Hansraj Behl

We all remember this 1958 film MILAN for that divine Lata number हाए जिया रोए, but listen to this one…it is a wonderful tune which all of you might have heard often …just trying to take it out from the shadows of more famous one….!

Jahanwale Tune Ye Kya Jindagi Di Jo Aaj Tak Hua Na – Gule Bakawali (1963) – Mohammad Rafi – Hansraj Behl – Gulshan Bawra

Immortal Rafi … Raag Darbari tune by Hansraj Behl . same Raag as in . हाए जिया रोए

Alvida Jaan-e-wafa – Benazir (1964) – Lata Mangeshkar – S D Burman

This gem is from Bimal Roy’s BENAZIR, a flop and forgotten film of the 60’s. It was directed by an unknown director Khaled. It was a Muslim social featuring Ashok Kumar, Meena Kumara, Shashi Kapoor and Tanuja among others. Music had the unique combination of Sachin Dev Burman and Shakeel Badayuni. The film had famous Rafi solo ‘ Dil Me ek Jaan-e-Tamanna Ne Jagah Pai hai ‘ and a couple of other Lata solos which are excellent yet not very popular. To me, this Lata song takes the cake. It was deleted from the film, hence only audio of the song is available. The lyric is so meaningful and a bit tragic.

Samir Dholakia remembers songs –

Beeta Hua Ek Sawan – Shokhiyan (1951) – Lata Mangeshkar – Jamal Sen, as remembered by Mahesh Joshi of Rajkot

One of his melodious but lesser known song…… This song was originally created for film “Shokhiyan “of Kedar Sharma, who introduced him in film. But somehow this beautiful song was not included in that film. After the death of Jamal Sen in 1979 , Kedar Sharma utilized the same in tele film named “Pahela kadam” in 1980.

Here are two songs which were the main subject of Arun Kumar Deshmukh’s posts on Atul’s Song A Day

Samaa Ye Pyaar Ka Bahaar Ke Ye Mele – Baaghi Sipaahi – (1958) – Manna Dey, Asha Bhonsle – Shankar Jaikishan –

This is the 2nd of Manna Dey – Asha Bhosale duets. First one – Raat Gayi Phir Din Aata Hai – was in 1953 film – Boot Polish. Boot Polish also had triad – Thahar Jara O Jaanewale (Manna Dey, Asha Bhosle, Madhubala Zaveri). They went on to record 168 duets till 2005. As against this, Manna Dey – Lata Mangeshkar pair have recorded 106 duets.

Aaja Aaja Aaja Nadiya Kinaare – Raajhath (1956) – Lata Mangeshkar -Shankar Jaikishan – Shailendra –

presented by Helen on the screen

In Four Aces and A Queen, Parag Sankla has presented less remembered songs of Geeta Dutt, by Hansraj Behl, Chitragupt, Bulo C Rani and Avinash Vyas. We have picked up one representative song of each of the music directors mentioned in the article but for which the video links were not provided

Do Roz Ka Jalwaa Hain, Dikhane Ke Liye Hain – Rajput (1951) – Geeta Dutt, Hameeda Bano and Chorus – Hansraj Behl –

An all-female quawaali, indeed a rare one in so far as Geeta Dutt is concerned.

Nadiyaa Kinaare Mora Dera, Mashal Jale Saari Ratiya – Tarang (1952) –

a quartet with Mohammad Rafi, Shamshad Begum, Geeta and composer Chitragupt himself singing a few lines! Between the year 1958 and 1963, this wonderful singer and Chitragupt created as many as fifty plus songs….

Jawaniya Nigodi Sataaye, Ghoonghat Mora Khul Khul JaayeDarogaji (1949) – Bulo C Rani – Geeta’s voice could turn so youthful and natkhat…..

Gun Gun Gunjan Karata Bhanwara – Har Har Mahadev (1950) – Avinash VyasGun Gun so creatively succeeds in recreating the humming of the wasp…

K S Bhatia and other readers have been in enriching the post My favourite ‘special’ Asha Bhosle songs by way of quite interesting add-on comments. In fact the avalanche of such songs by all the readers would call for several separate posts to do the justice. We have picked up one song here:

Aap Ki Baaten Aap Ki Kasmen Sab Jhoote – Kala Samunder (1962) – N. Dutta

The discussion also has added a few songs like this one by Suman Kalyanpur as well.

Meri Preet Mera Pyar Bole Aaj Baar Baar – Teerath Yatra (1958) – Suman Kalyanpur – Suresh Talwar

https://www.youtube.com/watch?v=7qnkA_d_No4

I had fairly encouraging discussion with Maulika Dersari w.r.t. our December, 2015 episode. While she fondly remembered Zindagi Kitni Khoobsurat Hai, Aayie Aap Ki Zaroorat Hai (Hemant Kumar in 1963 film ‘Bin Badal Brsaat’ ). This one has twin version in Lata Mangeshlar’s voice as well. That led me to search for Hemant Kumar’s duet with Lata Mangeshkar :

Ho Dheere Dheere – Aagosh (1953) – Roshan – Shailendra

We shall conclude our present episode with Mohammad Rafi songs composed by Anil Biswas for ‘Heer’ (1956)

O Khamosh Jamana Hai – with Asha Bhosle – Majrooh Sultanpuri

Le Jaa Uski Duaaen, Jo Tera Na Ho Saaka – Majrooh Sultanpuri

Preet Ka Rogi Ho Ya Jogi, Allah Teri Khair Kare – Rajendra Krishna

We will meet again on 2nd Sunday of the next month… with more unforgettable songs that have started slipping out of our memory….

If you have such songs to share, you are most heartily welcome…..

The Micro View of The Best Songs of 1950 @ Songs of Yore – Male Solo Songs – Chitalkar, Manna Dey, Arun Kumar, Manmohan Krishna and others

In the preceding posts we listened to solo songs of Mukesh, Talat Mahmood, Mohammad Rafi and G M Durrani respectively, as part of our journey through the Best songs of 1950: And the winners are?.

These songs cover a substantial share of male solo songs for the year.

In the present post, we will cover, what can be called as fringe players, in so far as the year 1950 is concerned.

Chitalkar

C Ramchandra who sang under the pseudonym of Chitalkar only under his own baton, has songs under Husnlal Bhagatram and Hanuman Prasad (Apni Chhaya) and under P Ramakant (as Annasaheb). Shri Arunkumar Deshmukh states that P Ramakant was C Ramchandra’s music composer, like Chic Chocolate. So there must have been some compelling reason for this subterfuge. For our purpose, these trivia only add a piece of information only.

We have separately covered his Sargam solos (and duets) with other male solos that have been rendered by various singers – for Raj Kapoor – in this year.

1. Gore gore mukh se jo ghunghat hataao (Anna Saheb) – Babooji Ehsan Rizvi- P Ramakant

2. Mera Dil Nikhattoo, Mera Tange Ka TattooNirala – P L Santoshi – C Ramchnadra

3. Subhash Chnandra Ke Naam Se Hindustan Ka NaamSamadhi – Rajendra Krishna – C Ramchandra

4. Kadam Kadam Badhaye Ja, Khushi Ke Geet Gaye JaaSamadhi – Rajendra Krishna – C Ramchandra

Manna Dey

Manna Dey has surprisingly not got into any special position this year. Of course his Mashall song – Upar Gagan Vishal – does remain one of best ever.

1. Upar gagan vishalMashal Lyrics Pradeep –  SD Burman (and Manna Dey)

2. Naina Laage Ke Pi Ki AurRam Darshan – Ramesh Gupta – Ram Ganguli

Arun Kumar

1. Jab tum the hamare aur hum the tumhareMashalPradeep – SD Burman

2. Wo unka muskurana sharmana chale janaSangramBrajendra Gaur – C Ramchandra

Man Mohan Krishna

In a film which had Dev Anand as lead actor, a film that was made under his own banner, Manmohan Krishna singing two songs is a very novel experiment.

1. Jhat Khol De Kiwad Khol de, Badhai Dene Ko Aae Tere Ghar Dekh Tere HamsaeAfsar – Vishvamitra Adil – S D Burman

2. Sadhu Ke Ghar Ki Chhokariyan Do, Ik Patle Ik BhariAfsar – Vishvamitra Adil – S D Burman

Both songs in this clip :

Other Male Solos

We have covered Kishor Kumar and Shankar Dasgupta’s playback songs for raj Kapoor separately.

Kishore KumarO Phool Chunanewale Tu Khud Hi Gulab Hai….Ada Se Musquraye Ja, Quayamaten Giraye JaKhiladi – Rajendra Krishna – Hansraj Behl

Krishna Dayal Aa ja nigahon mein aa jaDahej – Shams Lakhanvi – Vasant Desai

Anil BiswasHumein maar chala ye khayal ye ghamArzoo Majrooh Sultanpuri) – Anil Biswas

Khan MastanaUnki nazaron se koi nazarein mila ke poochheHanste Rahna – Farooq Qaiser – Wadhwa

Raj Khosla – with Chorus – Rail Mein Jiya Mera Sananan Hoe ReAankhen -Bhagwat Datt Mishra – Madan Mohan

Madan Mohan himself sings a duet with Shamshad Begum for this film, which we shall cover in our appropriate posts of Duets.

Sundar Ye Kaali Kaali Julfonwali Jeen Nahin DeteKhiladi – D N Madhok – Hansraj Behl

 

Continued………………………

Carnival of Blogs on Golden Era of Hindi Film Music – June 2015

Welcome to June, 2015 edition of Carnival of Blogs on Golden Era of Hindi Film Music.

It is a matter of great pleasure to commemorate Songs of Yore completing quite a trail-blazing journey of 5 years. The article contains an excellent write up, including some very light to some quite erudite pieces on the subjects ranging from “Hemantkumar’ Ravi, Discovering after three decades, Auto-inspiration or Laziness, Joyous Jaunpuri, Darbari Delights, Darbari and Mukhtar Begum. Chitrapatsangeet has added two excellent illustration of Raag Jaunpuri – one of them is Meri Yaad Mein Na Tum Aansoo Bahana – Madhosh (1954) – Talat Mahmood – Madan Mohan. We will look at the other one at the end of present episode of the blog carnival in our regular section on Mohammad Rafi.

Naushad’s “The Singing Girl Next Door”: Suraiya pays tribute to Suraiya with some of her most melodious songs by Naushad on her 86th birth anniversary (15 June 1929 – 31 January 2004).

Sajjad Hussain’s birthday also coincides with that of Suraiya, So, Happy Birthday, Suraiya and Sajjad! has presented Suariya’s songs for film 1857, for which Sajjad has scored the music. Suraiya and Sajjad Hussain worked together in Suraiya’s swan song film : Rustm Sohrab.

My favourite Hemant Kumar Songs is a tribute to Hemant Kumar on his 95th birthday. He had many other, quite notable, songs under several other music directors as well. Here are a few solo songs that come to my mind:

C Ramchandra:

Aye baad-e-shaba jara ahista chal, tahan so hui hai Anarkali – Anarkali (1953)

Jindagi Pyar Ki Do Char Ghadi Hoti Hai – Anarkali (1953)

Zameen Chal Rahi, Aasman Chal Raha Hai – Pheli Jhalak (1954)

Ital Ke Ghar Tital – Bahurani (1963)

Madan Mohan:

Kho Gaya Jaane Kahan Arzoon Ka Jahan – Mohar (1959)

Shankar Jaikishan :

Ham Kathputle Hai Kath Ke – Shikast (1953)

Rula Kar Chal Diye Ek Din Hasin Ban Kar Jo Aaye The – Badshah (1954)

Chitragupt :

Aasman Aasman Tu Kya Jaane – Daakaa (1959)

N Dutta :

Ye Baharon Ka Shama, Kho Na Jaayen Aa Bhi Jaa – Milaap – 1955 ( A solo and duet with Lata Mangeshakar)

R D Burman

Aaja Mere Pyar Aaja – Heeralal Pannalal (1978)

On Hemanta Mukherjee’s birthday, Upperstall on hemanta kumar has recalled one of the immortal composition of Hemant Kumar – Saqiya Aaj Mujhe Neend Nahin Aayegi – Sahib Bibi Aur Ghulam (1962) – Asha Bhosle and an equally memorable duet, composed by C Ramchandra – Jaag Dard-e-Ishq Jaag, Dil Ko Bequarar Kar – Anarkali (1953)

Two songs by Hemanta kumar presents O Nadi Re Ekti Kothai and Ganga Aaye Kahan Se.

On her 79th birthday on 4th June 2015, My favourite Nutan songs has consciously left out songs which show her weeping. This wonderful list brings Man Mohana Bade Jhoothe (Seema (1954) – Lata Mangeshkar – Shanker Jaikishan – to the memory.

For the records Let’s talk About Bollywood has an exclusive page dedicated to articles on Nutan. Nutan’s intelligence is a brief treatise on Nutan’s all-round virtuosity, that sets her apart as an artist. Nutan-bollymusings.com/ informs of the official launch of MUSINGS, a new blog by S. Basu which he has announced will deal chiefly with Nutan.

Musings has posted reviews of two of Nutan;s movies– Aagosh (1953) and Heer (1956) till date.

We now move over to other posts:

The video leads to other Geeta Dutt songs : Jaaongi maike jaaongi : Geeta Dutt, G M Durrani – Paatal Bhairavi (1952) Ghantasala This video is made by superimposing Hindi audio on the original Telugu clip.

Two Geeta Dutt Duets : Ta Thaiya Kar Ke Aana O Jagugar More Saiyan – Panchayat (1958) – Iqbal Qureshi – with Lata Mangeshkar and Jaanu Jaanu Re Kahe Khanake Hai Tora Kangana – Insan Jaag Utha (1959) – S D Burman – with Asha Bhosle

Anil Biswas and Meena Kapoor (via Arun Kumar Deshmukh) – Some of their songs together

I have picked up following two songs from My Favourite Cycle songs

Ten Ganga songs from classic Hindi cinema is a good collection of songs from pre-70s (mostly, with one minor exception from 1971) Hindi films which mention the Ganga, in different contexts, to different extents. I have picked up Ganga Ki Reti Pe Bangla Chhwaii De (Sudha Malhotra – Mirza Ghalib (1954) – Ghulam Mohammad ) and Ganga Ki Bhari God Mein (Manna Dey – Mere Apne (1971) – Salil Chaudhary) from the comments of the readers.

“Cricket Se Cinema Tak”- Mac Mohan captures the accidental journey of Mac Mohan (a.k.a. Mohan Makhijani). Here is the songs wherein Mac Mohan plays a lead joint-lead role:

Ye jhuki jhuki jhuki nigahein teri – Mohammad Rafi – Aao Pyaar Karein (1964) – Usha Khanna

(Very Very Interesting Trivia: Sanjeev Kumar can be seen as a very insignificant artist in some of the long shots !!!!)

Johnnie Walker in Bollywood – is a continually updated collection of some of Johnny Walker bottles …. found over the years from various Hindi (and maybe some Tamil and Telugu) filums.

Talat Mahmood: singer, actor, gentleman – Talat Mahmood was in demand not only in the recording studio but also on the screen – Manek Premchand – The article is a brief peep into the book.

Listen to virtuosos of an instrument once banned on All India Radio – Since it was introduced to the subcontinent by missionaries, the baajaa ki peti has become a part of the Indian soundscape. – Aneesh Pradhan – Meend (or a glide between notes) and gamak (or rapid oscillation of a note) are two important embellishments that cannot be produced on this instrument.  It was for this reason that the instrument was banned for broadcast on the All India Radio in 1941. Here are a few early recordings of harmonium solo recitals.

Three pioneering musicians who helped turn the harmonium into a solo instrument – Bashir Khan, Shankarrao Kalpeshwari and P Madhukar demonstrated that the ‘baaja ki peti’ wasn’t just meant for accompaniment. – Aneesh Pradhan

I remember a short, sharp, sweet, opening harmonium notes of Raat Bhi hai kuchch bheegi bheegi, which is repeated over several times.

A tribute to Guide in its 50th year – Vijay Anand’s Guide is now 50 years old and yet timeless, this is one of our cinematic landmarks, and a testament to the possibilities of artistic collaboration within a commercial system. [A longer post about “Tere Mere Sapne” is here. And more about RK Narayan’s “Misguided Guide” here]

Now we move over songs remembered by our friends in this month –

Bhagvan Thavrani

  • Kiseeko Yoon Tamannaon Mein Uljhaaya Nahin Karte – Meena Kapoor -Return of Superman (1960) – Anil Biswas: ‘This forgotten Meena Kapur solo is a stunt film nobody knows or remembers..it is picturised on Jayraj and Shila Ramani ( taxi driver and railway platform fame.. ) ….Surprise of surprises, the music is by Anil Biswas…perhaps the last flicker before he vanished..! The film has a duet sung by Anil da and Mubarak Beghum ! This song is written by films producer Manmohan…this film came and went in 1961….
  • Aap Ki Inayatein Aap Ke Karam – Lata Mangeshkar -Vandana (1975) – Ravi: ‘A simple, soothing song from a forgotten film…!’
  • Kaho Aa Ke Bahar Kare Mera Singar Mujhe Pyar Mila – Mukesh & Asha Bhonsle – FORTY DAYS (1959) – Babul Bose – ‘Film चालीस दिन was famous for that sweet Asha – Manna Dey duet ” Naseeb hoga mera meharbaan kabhi na kabhi ” and great Asha solo ” baithe hain rehguzar pe dil ka diya jalaaye “. This sweet duet of Asha – Mukesh is lesser known but so sweet…Asha is at her playful mischievous best…music director Babul Bose gave a very few but memorable films..in a few films, he teamed with Bipin and gave music under the name ” Bipin Babul ‘.
  • Na Phoolon Ki Duniya – Lata Mangeshkar – Saaz Aur Awaaz (1966) – Naushad Ali : PALKI, LEADER and SAAZ AUR AAWAZ were supposed to be Naushad’s twilight years movies and hence the Music of these films was said to be weak as compared to old Naushadian standards….A Lata chorus..it has a mystic aura about it and the chorus female voices add to the atmosphere.. Based on raag SOHINI (perhaps )..’

[Side Note: I landed up on a Suman Kalyanpur number – Poonam Ki Raat Aayi – which I am not able to recollect very easily now. Hence brought it up here.]

  • Aye Saba Unse Kah Jara – ‘A rare Rafi- Asha duet from “Alibaba 40 chor ” . The music credit is given to S N Tripathi and Chitragupta but none of the film songs seem to have Chitragupta touch. Maybe , he gave background music only…..Strangely, in the same year 1954, a film named 40 BABA EK CHOR was also released with music by S D Burman with good, average, songs……Enjoy the lilting Arabian tune…!’

In the last episode of our carnival, we had talked about the very widely discussed and participated exercise of annual review of songs of a particular year – Best songs of 1950: And the winners are?. We have taken up documentation of the further micro-review of the songs therein. Here are the posts published during the present month:

We will continue with the series in the next couple of months as well……

In the end, we have picked up (our customary) very special songs of Mohammad Rafi from the lead we get from the articles / films discussed here before in the present episode of our blog carnival –

That incidentally takes us to two more songs from the same film – a solo by Mohammad Rafi, Zindagi Ke Mod Par, Akele The Ham, Mil Gaye Tum To Dil Ka Sahara Mila, and a duet of Mohammad Rafi and Asha Bhosle, Aankhon Mein Na Jaane

  • Recall of Mohammad Rafi songs from Saaz Aur Awaz

Pyaar Ki Raah Bahaar Ki Manzil – Mohd.Rafi & Asha Bhonsle – – A tonga song – after a long time.

Kisne Mujhe Sada Di (part i) – Mohd.Rafi & Suman Kalyanpur – Another haunting song, which typically has more than one version (part ii) in the film.

We continue our pursuit of the golden period of Hindi Film Music …….

The Micro View of The Best Songs of 1950 @ Songs of Yore – Female Solo Songs– Lata Mangeshkar songs of Anil Biswas and other music directors

This is Third of Memorable Songs of Lata Mangeshkar during our micro-revisit of the  Best songs of 1950: And the winners are?.

In the First Part, we had a look at Lata Mangeshkar Songs of C Ramchandra, whereas in the Second Part, we had a look at Lata Mangeshakar’s Songs of Husnlal Bhagatram and Ghulam Mohammad.

In this third and concluding part, we will look at Lata Mangeshakar’s Songs of Anil Biswas and each of Lata Mangeshkar’s two Songs of S D Burman, Naushad and Bulo C Rani and one that of Vinod.

 

Anil Biswas’s Lata Mangeshkar Songs

Anil Biswas continues to repose his faith in vocal cords of Lata Mangeshkar, in two films that he did in 1950.

1. Mera naram karejawa dol gayaArzoo – Prem Dhavan

 

2. Aankhon se door ja ke jana na dil se doorArzoo – Majrooh Sultanpuri

 

3. Kahan tak hum uthayein ghamArzoo – Jaan Nishar Akhtar

 

4. Unhein hum jo dil se bhulane lage wo kuchh aur bhi yaad aane lageAarzoo – Majrooh Sultanpuri

All songs in one clip:

5. Matwale naino waale ke main waari waari jaaunBeqasoor – Arzoo Lakhanvi

S D Burman’s Lata Mangeshkar  Songs

S D Burman’s very popular score of Afsar had Suraiya as The Female Playback Singer, which was obvious. His another film, Pyar, has Geeta Roy as the lead Feamle Playback singer. Even Mashal had one solo to Geeta Roy and duet to Shamshad Begum

1. Aankhon se door door hain par dil ke paas joMashal – Pradeep

2. Aaj Nahin To Kal Bikhar Jayenge Yeh BadalMashal  – Pradeep

Naushad’s Lata Mangeshkar Songs

Naushad had only one film, but all the songs were top grossers. Shamshad Begum had primarily lent voice for Munnawar Sultana as well as to Nargis, whereas Lata Mangeshkar was used for Nargis in two slos and duet with Shamshad Begum. In the previous years, Shamshad Begum was the lead playback in Mela, then next year in Andaz, Lata got into the hot seat, this year situation again takes U-turn, to be reversed again completely in the subsequent years.

1. Panchhi ban mein piya piya gaane lagaBabul – Shakeel Badayuni

2. Lagan more man ki balam nahi maneBabulShakeel Badayuni

Bulo C Rani ‘s Lata Mangeshkar Songs

1. Hans Hans Ke Mere Chain Pe Bijli Ghiraye Ja – Rasiya

2. Wo humse chup hain hum unse chup hain dilon ke armaan machal rahe hain Rasiya – DN Madhok

Trivia: Not very surprised if this song reminds us of more popular song that has similar sounding opening lines : Woh Humse Chup Hai, Hum Unse Chup Hai, Mananewale Mana Rahe Hain – which also happens to be song in the year 1950. One more beauty of the song is that Chitalkar has lip sang for Raj Kapoor.

Other Music Directors’ Lata Mangeshkar Songs

More dwar khule hain aanewale kab aaoge – Anmol Ratan – D N Madhok – Vinod

 

Continued…………

Carnival of Blogs on Golden Era of Hindi Film Music – November 2014

Welcome to November, 2014 edition of Carnival of Blogs on Golden Era of Hindi Film Music.

We begin our journey with anniversary tributes.

Manna Dey – First Death Anniversary

The post lists Manna Dey’s five most iconic songs:

§ Dil Ka Haal Sune Dilwala – Shree 420 (1955) | Shanker Jaikishan

§ Tu Pyar Ka Saagar Hai – Seema (1955) | Shanker Jaikishan

§ Kaun Aaya Mere Man Ke Dwaare – Delkh Kabira Roya (1957) | Madan Mohan

§ Ae Meri Zohara Zabeen – Waqt (1965) | Ravi

§ Zindagi Kaisi Hai Paheli Haae – Anand (1970) | Salil Chaudhary

Also lists author’s choices 10 Manna Dey songs.

Mandatory Sahir Post of the week! – on his 34th death anniversary on 25th October

We select two songs form the post here;

  • Laage Tose Nain (Chandi Ki Deewar, 1964, N.Dutta) – Talat Mahmood , Asha Bhosle

Sahir Ludhyanwi also has a range of devotional songs to his credit – Allah Tero Naam (Hum Dono), and then that brilliant Asha song from Kaajal, Tora Man Darpan Kehlaye and that fervent Rafi prayer from Naya Daur, Aana Hai Toh Aah Raah Mein

A tribute to S.D. Burman – 39th Death Anniversary on 31 October

Author writes – SDB is one of favorite music directors. O.P. Nayyar is another music director I have a special fondness for.

Remembering Rehman… An extremely talented but highly underrated actor with a powerful screen presence

We pick up these songs form the post:

Remembering Sanjeev Kumar

Our pick is:

The Unforgettable Geeta Dutt .. (so) ironical that her first super hit song was to be eventually prophetic about her short, tragic life – Mera Sundar Sapna Beet Gaya, Main Prem Mein Sab Kuch Haar Gayi, Bedard Zamaana Jeet Gaya!

Our Picjk is:

Salil Chaudhary – versatile, experimenting, melodious

Happy Birthday, Sitara Devi!

..seven scenes represent a pretty nice range…Some of these are very lively and energetic dances, because she was extremely energetic (as Saadat Hasan Manto pointed out when he called her a typhoon). …also included are a couple of slower and less frenetic scenes that highlight her individual humor and unique expressions, because these have been an important aspect of her performances, too.

The Doyenne of Vintage Era: Khursheed

….. such a prominent singer of the Vintage Era.. Endowed with a full-throated, open and powerful voice… Vintage Era refers to not only a period of time, i.e. the 1930s through 40s, but also, and more importantly, a different style of singing, which became extinct with the arrival of Lata Mangeshkar….. No singer represented this contrast better than Khursheed

Anil Biswas’s songs for Bombay Saigal: Surendra

…because of contractual difficulties inherent in the Studio Era, Anil Biswas could not compose for KL Saigal, even though their careers overlapped for over a decade, half of which was in Bombay itself where Saigal shifted from Calcutta in the early 40s. But, when Saigal was becoming a national sensation with the New Theatres in Calcutta, especially after Devdas (1935), Bombay was looking for its own Saigal, and its prayers were soon answered in Surendra – a tall, handsome young man, with a melodious voice, from Lahore.

Musical Shammi Kapoor

…When you speak of Shammi Kapoor, music cannot be far behind. All his films had that in common – melodious songs that were loud and energetic, joyous and boisterous, soft and romantic… the songs chosen (here) had him playing one instrument or another, or even multiple instruments in the same song…

We now take up visits to different sites which have several articles for our view:

Scroll .in

§ Remembering the Jewish refugee who composed the All India Radio caller tune

All India Radio’s caller tune has been heard by hundreds of millions of people since it was composed in 1936. Somewhat improbably, the melody, based on raga Shivaranjini, was composed by the Czech man.. Walter Kaufmann. He was the director of music at AIR and was one of the many Jewish refugees who found a haven in India from the Nazis.

Here’s a clip of one of his tunes, titled Meditation

§ Rediscover the virtuosity of Hindustani vocalist Amir Khan … a bandish ki thumri in raag Khamaj that he sang for the Bengali film Kshudhita Pashan. The music for this film was composed by sarod maestro Ali Akbar Khan.

§ ‘Sun Mere Bandhu Re’: The double notes of S.D. Burman’s life – The thing about great stories is that there are a million way to say them and this is what makes reading Sathya Saran’s Sun Mere Bandhu Re ‒The Musical World of S. D. Burman a pleasure unlike any recent biography.

§ Before movie trailers, Indian producers used song booklets to publicise films – Ever since the release of India’s first talkie, Alam Ara, in 1931, songs have had the power of making or breaking a movie. Some releases scored big at the box-office only because of their repeat-value soundtracks. For music fans, the song booklet outlived the movie and became a record of who wrote the lyrics and who appeared in the production.

§ What’s Lata doing in a Britney Spears song? Western tunes with unlikely Bollywood samples – It’s not only Indian artists who get inspired by music from elsewhere. American music producers, with their penchant for overproduction and constant search for new, exotic sounds, have been sampling Bollywood music for years now. And it’s turned up in the most unlikely of places.

Songs, Stories, Books and More…

Before we switch over to our customary Mohammad Rafi ending of the carnival, we have a few more posts to visit –

  • My Favourites: Songs of First Love – What happens when you find that special someone? When Cupid’s arrows strike your heart, when one smile, one glance is enough to make your heart beat faster? How does it feel like to be in love? For that very first time?…..There is a special place in our poems and literature for pehla pyar. Perhaps it is the implication of innocence….the first realisation that someone else has become so important to your happiness….the hopes that he or she feels the same way about you….the dreams of living together forever…the expectation of happiness. … As always, Hindi films celebrate that first flush of love with songs. Seek, and ye shall find a cornucopia of songs that soak in this emotion…these songs that express many different shades of the same emotion.
  • Leke Pahela Pahela Pyar – Two other artists with Dev Anad and Shakeela were Sheela Vaz and Shyam Kappor, an assistant to Guru Dutt… the article narrates Shyam Kapoor’s fond memories of Gurudutt films, while updating on the present life of Shyam Kapoor.

Our friend Bhagwan Thavrani writes in to send the video clip – Woh dekho udhar chaand – Roop Kumari (1956) – Geeta Dutt , Manna Dey , because SN Tripathi has made exact replica later in 1961 as Nigahon mein tum ho – Jadoo Nagri. – Lata Mangeshkar

And now over to exclusive articles on Mohammad Rafi…

  • Combination of LP and Rafi in the films of Dharmendra and Jeetendra in the 1960s – By Dr. Souvik Chatterji – During 60s LP composed music for 71 films, which had pivotal songs of Mohammad Rafi.
  • HEADY WINE : Rafi-Dada Burman By K.V.Ramesh – Like many of his contemporaries SD Burman started out with his scores dominated by female voices. Shamshad Begum and Geeta Roy / Dutt were the two earlier voices usually associated with Dada Burman. The trend for male voices was seemingly straight forward – to replace Saigal Rafi sang his first song for S.D.Burman in ‘Do Bhai’(1947). Raja Mahendi Ali Khan’s ‘Duniya mein meri aaj andhera hi andhera’ is very Saigal inspired in so far as singing style goes.. In a movie dominated by two Geeta Roy killers – ‘Yaad karoge’ and ‘Mera sundar sapna beet gaya’ (both sung and emoted with exquisite pain) – it was but natural that this song probably sank without a trace and it’s not present in public consciousness.
  • Rafi’s Pancham note By Anuj Sharma – The combination of Rafi and Pancham produced around 110 songs and barring 4 – 5 songs each and every song of this combination was a gem….Even before Chhote Nawab happened in 1961, RD had already chosen Rafi for his first independent assignment under Guru Dutt Productions’ Raaz in around 1957. An eighteen year old Pancham had selected Rafi, Geeta Dutt and Hemant Kumar as his first set of singers for his first film….R.D’s third film ‘Teesra Kaun’ released in 1965 carried one solo by Rafi- ‘Meri jaan tu khafa hai to kya huwa’….. Do you hear SJ tune in the song????

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P.S. – Even before the post was published, Sitara Devi put the curtain down on her LIVE performances on 25-11-2014.

Carnival of Blogs on Golden Era of Hindi Film Music – October 2014

Welcome to October, 2014 edition of Carnival of Blogs on Golden Era of Hindi Film Music.

We have a discovery to report this month. It is a discovery on two counts – first one being that fact that I landed upon this blog only this month, though ought to have done so a little earlier, and the second one is because the blog itself is Back after a long hiatus!.

So, we will devote our beginning to posts on Songs, Stories, Books and More… Random Musings. However, we would pick up posts for the normal period of this edition and would find opportunities to delve into (relatively) older posts in the future editions of our carnival.

We have two posts on one subject, wherein both the posts have approached the subject from totally different angle. The subject is Lata Mangeshkar’s birthday (on 28th September). The First one is Happy Birthday, Lata ji,… despite loving Asha Bhosle to the core, there are many Lata songs that I am very fond of…The volume and quality of work she has behind her is unmatched and unparalleled. And this is an Asha fan saying this.. And the Second Post is: The Swar-Saamraagyi and the the Sangeet-Maartand: Best of Lata Mangeshkar by Anil Biswas, as can be expected on any SoY post, doing full justice the selection of the songs from 123 songs that Anil Biswas – LataMangeshkar combination has provided from 30 films.

October sets in… oh yes, Happy Birthday Asha Parekh… has chosen to present songs from Phir Wohi Dil Laya Hoon. Lakhon Hai Nigah Main, Zindagi Ki Raah Mein obviously draws a parallel with Jawaniyan Yeh Mast Mast Bin Piye  [Tumsa Nahin Dekha]. “Both songs are favourites though (I) prefer to watch the Tumsa Nahin Dekha song and listen to Lakhon Hai Nigah Mein!”

Gungunaoonga Yehi Geet Main Tere Liye – Remembering Sachin Dev Burman and Majrooh Sultanpuri is in memory of 108th and 95th birth anniversaries respectively. “Mohd Rafi .. happens to be.. favourite singer and I remember reading somewhere that Dada Burman wanted him to sing this song. He wasn’t in favour of Talat saab because of that tremble in his voice. But luckily for us, Jaidev (his assistant then) convinced Dada Burman to give Talat saab this song. Thank god for that. However much, I adore Rafi, no one could have sung this song better than Talat saab.”

We have a pair of very interesting posts on Asha Bhosle and Geeta Dutt on “Songs…and More”.

The recent one Chali Re Chali Re Main toh Des Parayee (Saranga, 1961) presents a haunting, plaintive number from film Saranga, one of the films that did make a very special space for Sardar Malik as quite an accomplished music director. The second one is w.r.t. Asha Bhosle’s birthday – Thank you for the music and memories, Asha ji! – which has picked up quite a melodious piece of Humming in Kashmir Ki Kali (1964), among other songs.

Geeta Dutt’s song Rut Phire Par Din Hamare was not there Pyasa.(1957), but has found its place here on account of “Thou shalt write a long post on at least one Sahir Ludhianvi song per week” policy. Rut Phire Par din Hamare Phire Na (Pyaasa, 1957) recollects the topic of this song in Nasreen Munni Kabir’s book (Conversations with Waheeda Rehman). According tConversations with Waheeda Rehmano Waheeda, this song had been filmed with her rowing in a boat and everyone had appreciated the picturisation. However Waheeda Rehman differed with the view and she apparently pointed out that having that song slows the pace of the story and is just boring. Guru Dutt had heard her criticism and after the first screening, had agreed with her observation (seeing people walk out for a bathroom or coffee break), had taken it off. Excerpts from this bok can be glanced at Excerpt | Conversations With Waheeda Rehman. The other one is Na Main Dhan Chahun Na Ratan Chahun (Kala Bazaar, 1960), This duet, by Geeta Dutt and Sudha Malhotra is said to have ben (actually) composed by Jaidev, the then assistant to S D Burman. This seems quite logical since “Jaidev’s bhajans from Hum Dono (1961) are remembered to the day – Allah Tero Naam, and Prabhu Tero Naam.”

Guru Dutt’s 50th death anniversary brings in San San San Woh Chali Hawa – Kaagaz Ke Phool, 1959 ‘to remember Guru Dutt not as the melancholic, unhappy genius film maker but in happier times with a happy number! He was after all only 39 when he died.’

We have several other anniversary posts in the present episode of the carnival.

Happy 88th Birthday, Madam Noor Jehan! has clips of the entire ‘90s interview on BBC plus all of Noor Jehan birthday posts going back to 2009. A veritable treasure in on Noor Jehan, in one place !

On Begum Akhtar’s birth centenary, a musical tribute at her grave…..One hundred years after she was born, Begum Akhtar is being remembered and celebrated at the place where she was laid to rest.

clip_image002How Begum Akhtar changed my life: a tribute on the singer’s 100th birth anniversaryTisha Srivastav

“Now as a woman in my 40s, having lived life a little, the Begum is back in my life, as a modern-day primer to soothe me into understanding the subtext of experiences. Of love, shocks, surprises, loneliness, romancing life itself and laughing at one’s obsessions.”

The Lonely Ghazal Queen: Begum Akhtar , a legend in her lifetime, who achieved enormous fame at a very young age, and gave joy to millions of listeners of many generations, including doyens like Mehdi Hasan, Talat Mahmood, Madan Mohan, Pt. Jasraj and Pt. Ravi Shankar, Begum Akhtar’s own life seems to be full of sorrow, pain, abusive relationships, betrayal by people she loved and a deep melancholy.

Unfathomable greatnessSaleem Kidwai

The way [Begum Akhtar] would split words or combine them into musical phrases shows how comfortable she was with Urdu’s poetic idiom. This musical comfort level with the language also marked out some of her younger contemporaries like Mehdi Hasan, Iqbal Bano and Farida Khanum, and is sadly missing from most other singers.

Kishore Kumar’s duets by SD Burman : “With 115 songs, he gave Kishore Kumar more songs than any other (male) singer. Surjit Singh’s site indicates that out of this only 53 were solos, and 51 were Male –Female duets, 8 Male duets and 3 other songs. “.. and even die-hard opinionated person like me would very happily concede that quite a few of these pre-Aradhana duets did creditable justice to S D Burman’s marked preference to Kishore Kumar.

Geet Gaya Paththaron Ne – Rajakamal Studio is very passionate retrospective of films that have created a very respectable distinctive position for V. Shantaram. The post also carries link to a song each from Rajakamal Studio’s films from Shakuntala (1943) to Pinjra (1973).

My Favourites: Songs of Yearning – This ‘someone’ is a very hazy concept. We don’t usually know who, or how or when or where we will meet this particular person; we don’t even know that we will meet that special someone. And we do, perhaps – through choice, through circumstance, through fate. Or the someone we find becomes special. But in the meanwhile, we have our own hopes, dreams and expectations of finding that glorious love

Ten of my favourite string instrument songs, where it’s not an orchestra (Ted Lyons and His Cubs, anyone? Or The Monkees?), but a hero or heroine, not a professional musician, being the one ‘playing’ an instrument?

Radio Playback India has presented Raag Hansdhwani by Hariprasad Chaurasia.. I have especial fascination for Raag Hansdhwani, primarily because of Jaa To Se Nahin Bolun Kanhaiya , A Lata Mangeshakar – Manna Dey Duet from film Parivar(1956) , and then because of this song I landed upon this very famous Taranaa by Pandit Amir Khan Saheb Incidentally one of initial blog post is a compilation [Part I, Part II and Part III] of all that I could gather at that time on internet on Hansdhwani.

In our now a regular visit to Suresh Chandvankar’s articles, we have a topical article – When Bollywood maestros collaborated to put a Gandhi prayer to melody. The film musician Vasant Desai cut a disc of Gandhiji’s poem, sung by Manna Dey and Chorus. Gandhiji is credited as the lyricist .

How a goatherd and Mozart inspired the score for Bimal Roy’s ‘Madhumati’, is an excerpt, from Bimal Roy’s Madhumati: Untold Stories from Behind the Scenes by Rinki Roy Bhattacharya published by Rupa Publications India Pvt. Ltd..

Tamilnadus’ (ex)CM J. Jayalalitha was in the news recently. But we recall hereFour dance sequences from classic Jayalalithaa movies, of which one is from Hindi film Izzat (1967) – Jaagi Badan Men Jwala, Saiyan Tune Kya Kar Dala.

MANMOHAN KRISHNA SINGS FOR OP NAYYAR is one more post where we have very unique songs. Of the two non-film songs, both penned by Saroj Mohini Nayyar, the first one is Buje Diye Hua Andhera and the second one is Diya To Jala Sab Raat Re Balam. The latter song was also recorded in film Dhake Ki Malamal by C H Atma .

We round off this carnival edition with a post from Songs..Books and More – Sabhi Kuch Lutakar (Singer – Mohd Rafi, Movie Indrani, 1958) is a “wonderful romantic Hindi number was from an old Bengali film It is picturised on an unknown face. This man (a vagabond?) is strumming a guitar and singing this song. He is watched by Kumar and Sen – a just married couple – standing outside in the veranda of their house. Interspersed with Bengali dialogues, the mood of the song is indeed very romantic.”