The Micro View of the Best Songs of 1949 @ SoY – Female Female Duets – Other Female-Female Duet Songs

Substantive share of Lata Mangeshkar+ songs in the Female Female duets category for the year 1949 also can be taken as one more indicator of her emergence as THE playback singer. Of course, she does share space with all other major (so-called) competing players in this category, which seems to have weighed in her favor.

So let us listen to the female female duets of singers other than Lata Mangeshkar.

Shamshad Begum +

Aa Javo Phir Meri Bigadi Ko Banane – Dada – with Surinder Kaur – Shaukat Haidari – Majrooh Sultanpuri

Meri Pyari Patang Chali Badal Ke Sang – Dillagi – with Uma Devi – Naushad – Shakeel Badayuni

Chhak Chhak Chali Hamari Rail, Ye Hai Aage Ye Paani Ka Mail – Naach – with Geeta Roy – Husnlal Bhagatram – Mulkraj Bhakri

Pyar Ke Jahan Ki Nirali Sarkar Hai – Patanga – With Lata Mangeshkar – C Ramchandra – Rajendra Krishna

Geeta Roy +

Hasrat Bhari Nazar Ko….O Pardesiya, O Rasiya – Dil Ki Basti – with Zohra Jaan – Ghulam Mohammad – Khumar Barabankvi

Badal Gir Aaye – Karwat – with Asha Bhosle – Hans Raj Behl – V N Madhok

Kheloge Kaun Sa Khel Mere Lal – Tara – with Premlata – Vinod – Aziz Kashmiri

Mithai ki Dukan Dilli Ke Bazar – Tara – with Gandhari – Vinod – Aziz Kashmiri

Johrabai Ambalewali +

Hai Kahani Preet Ki Itwaar Se Itwaar Tak – Daulat – with Lalita Deulkar – Hanuman Prasad –Qamar Jalalabadi

Chhoon Chhoon Ghunghariya Baje, Ye Raat Phir Na Aayegi, Jawani Beet Jayegi  – Mahal – with Rajkumari – Khemchand Prakash – Nakshab Jarachavi

Suraiya +

Aye Dard-e-Mohabbat Tune Mujhe Badnam Kara Ke Chhoda – Singar – with Surinder Kaur – Khursheed Anwar– D N Madhok

Hamida Banu+

Aavo Sakhi Hum Gaye Tarana – Zevrat – with Shanta Kunwar – Hans Raj Behl – Habeeb Sarhadi

Here are a few songs for which soft links do not seem to be have been set up, as yet.

Aayee Hai, Woh Aayee Hai, Dekha Badariya Kali – Bholi – Shamshad Begum with Meena Kapoor – Pt. Govind Ram – Ishwar Chandra Kapoor

Sun O Jaanewale Rahi… In Mitti Ke Khilone Ka – Maa Ka Pyar – with Meena Kapoor – Pt. Govindram – Ishwar Chandra Kapoor

Yahan Naino Mein Pyar Dil Ko Qarar Kiya Lage Piya – Char Din – Shamshad Begum with Premlata – Shyam Sundar – Shakeel Badayuni

If anyone who has the song(s) may please either post it in the comments or upload the soft copy to me by e-mail.

In the next episode we will take up Male-Male Duets as well as Triads & Triads+ songs.

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The Micro View of the Best Songs of 1949 @ SoY – Female Female Duets of Lata Mangeshkar

We have covered duets of Mohammad Rafi   – with Lata Mangeshkarwith Suraiya and with Shamshad Begum, with Geeta Roy and with other female singers, Duets of Mukesh and then an omnibus Other Male Female duets for 1949 in the previous posts.

Today, we will cover Female Female duets for 1949.

Lata Mangeshkar +

Ahaha, Ahaha, Ao Chale Chale Wahan, Bolo Chale Chalen Kahan– Aaiye – with Mubarak Begum – Shaukat Haidari – Nakhshab Jarachavi

Dar Na Mohabbat Kar Le – Andaz – with Shamshad Begum – Naushad – Majrooh Sultanpuri

Chup Chup Khade Ho Zaroor Koi Baat Hai – Badi Behan – With Premlata – Husnlal Bhagatram – Qamar Jalalabadi

Duniyawalo Mujhe Batao Kya Hai Sachcha Pyar – Balam – With Suraiya – Husnlal Bhagatram – Qamar Jalalbadi

Interestingly, this song also has a Male-Male Version : Mohammad Rafi and S D Batish

Jara Sun Lo Hum Apne Pyar Ka Afsana Kahate Hai – Bazar – with Rajkumari – Shyam Sundar – Qamar Jalalabadi

Agre Ko Ghagharo Mangva De Raja – Laadli – with Ashalata- Anil Biswas – Nazeem Panipati

Chhota Sa Mandir Banaun Jay Jay Jay Prem Devata – Laadli – with Meena Kapoor – Anil Biswas – Chandrasekhar Pandey

Hum Jaani Re Jaani Re Hum Jaani Re – Sanwaria – with Geeta Dutt – C Ramchandra – P L Santoshi

Chalo Ghunghat Mein Guiyan Chhupake Gajab Tore Naina – Sipahiya – with Geeta Roy – C Ramchandra – Rammurti Chaturvedi

We will take up other Female Female Duets in our next episode.

The Micro View of the Best Songs of 1949 @ SoY – (Male-Female) Duets – Duets of Mukesh

Mukesh has had quite well-known duets with almost every other female playback singer for the year 1949.

Films like Dada or Shabnam or Sunhere Din or Thes had more than two duets. I have accommodated one duet here and one more in my Top Choice songs, but still had to leave out the third one. Fortunately these ones are easily accessible on YT.

+ Lata Mangeshkar

Tirchhi Nazar Hai, Patli Qamar Hai – Barsaat – Shanker Jaikishan – Shailendra

Yeh Duniya Hai…. Yahan Dil Ka Lagana Kisko Aata Hai – Shair – Ghulam Mohammad – Shakeel Badayuni

+ Shamshad Begum

O Badi Julmi Tamanna Hai Dil Mein, Ho Aaj Mere Dil Mein – Dada – Shaukat Dehlvi – Majrooh Sultanpuri

Pyar Mein Tumne Dhokha Shikha, Ye To Batao Kaise – Shabnam – S D Burman – Qamar Jalalabadi

Maine Dekhi Jag Ki Reet, Sab Jhuthe Ho Gaye – Sunehare Din – Gyan Dutt – D N Madhok

+Surinder Kaur

Sari Duniya, Four-twenty…. Sari Duniya… – Dada – Shaukat Dehlvi– Shevan Rizvi

Dil Do Naino Mein Kho Gaya, Bura Hua Ya Bhala – Sunehare Din – Gyan Dutt – D N Madhok

+ Rajkumari

Bolo Bolo Sajan Bolo – Thes – Snehal (V G Bhatkar) – Kidar Sharma

+ Suraiya

Badra Ki Chhaon Tale Nanhi Nanhi BundiyaLekh Krishna Dayal – Raghupat Roy

+ Geeta Roy

Kismat Mein Bichchadana Tha, Hui Kyon Unse Mulaqaat Re – Shabnam – S D Burman – Qamar Jalaabadi

+ Asha Bhosale

Ye Qafila Hai Pyar Ka Chalta Hi Jaayega – Lekh – Krishna Dayal –Qamar Jalalabadi

We will take up some more Male Female Duets for 1949 in the next episode.

Carnival of Blogs on Golden Era of Hindi Film Music – September, 2016

Welcome to September, 2016 edition of Carnival of Blogs on Golden Era of Hindi Film Music.

As always, we first take up posts that focus on memories –

The Many Moods of Meena Kumari – with the exception of sadness  – and indeed the listing in the post and in the discussion thereon present Meena Kuamri in so different moods that it now appears she was known more as ‘tragedy queen’.

SoY has already presented OP Nayyar’s songs for Rafi, Mahendra Kapoor and Shamshad BegumBest songs of Asha Bhosle by OP Nayyar – on her 83rd birth anniversary (b. 8 September 1933) – now, does succeed in bridging the obvious gap while deftly handling  the difficult task of presenting a representative set of songs from 300+ to choose from.

For Noor Jehan’s 90th Birthday, Here’s a Lovely Performance by Her from 40 Years Ago listing of songs (and other things), along with the times in the video when they appear:

0:00                 Awaaz De Kahan Hai
2. 5:06             Talk and Interview
3. 9:17             Sanu Nehar Waley Pul Te Bulake
4. 13:59           Mujhse Pehli Si Mohabbat
5. 20:04           Chithi Zara Saiyaanji
6. 24:30           Bhoolnewale Se Koi Keh De

Kahin Door Jab Din Dhal Jaaye – Mukesh’s Hit Songs for HeroesPeeyush Sharma takes up on a journey through some of Mukesh’s hit songs, which he sang for the reigning heroes or stars of his time, presented in the alphabetical order in the article, in a tribute to the Golden Voice Mukesh. V. Balsara, the music director settled in Calcutta, had (once) commented that one Mukesh song in the film assured that at least one song would be a hit. The article has a special mention of Saath Ho Tum Aur Raat Jawan (Kanch Ki Gudiya, 1961, Suhrid Kar / Shailendra / Asha Bhosle and Mukesh, picturized on Manoj Kumar and Sayeeda Khan) on Public Demand.

rekha-_the-untold-story

For Rekha, the show won’t endSanjukta Sharma‘Rekha: The Untold Story’ taps into that irresistible fantasy of knowing a who has been mythologized all her life.

Lucknow’s Great Son: Naushad Ali recollects the LP record (Odeon ‎– 3AEX 5015)   ’The Genius of Naushad” that has  a collection of some of his greatest hits sung by voices as diverse as Mohammad Rafi, Mukesh, Suraiya and Shamshad Begum.

Music by Naushad, lyrics by Shakeel Badayuni: The great partnership in Hindi film music history is an excerpt of Ganesh Anantharaman’s book Bollywood Melodies A History of the Hindi Film Song, published by Penguin Random House India.

We now take a look at posts on other subjects –

My Favourites: Picnic Songs – Picnics in Hindi films today seem to have gone the way of the dodo, but they were a staple, indeed, integral part of the narrative in the 60s and 70s. Picnics were the perfect occasion to include a song; mostly, it was there so the hero and heroine could a) tease each other b) make fun of the other c) fall in love with each other.

Dekho Dosto Chhed Ka Maza! – Guest article by Shalan Lal – The Chhed chhad songs or the sketches are sub-division of a general term called Comedy. The post and as is always the case, the discussion thereon , are quite scholarly penned presentations of songs and views thereon.

My Favourites: Zulfein – History, mythology and fairy tales are replete with hairy tales……But. Hindi films knew how to celebrate hair. Especially women’s hair, because ‘zulfein’ seemed to refer only to women’s hair. So here are some …‘zulf’ songs, songs that are romantic, sensuous, playful… and extremely lovely plus a bonus song. This has nothing to do with romance, or passion –

Ten of my favourite Aankhen songs is again a very meticulously curated list that includes

‘Mother India’ at the Oscars: ‘The audience laughed with the characters and cried with them’  – Bunny Reuben – Here’s what Sylvia Norris wrote (“Filmfare:” June 6, 1958): The day Mehboob Khan met Cecil B. DeMille in Hollywood; he was referred to as ‘The DeMille of India’. This is a title he richly deserves; not only for his latest spectacle, Mother India, but for the thirty years of devotion he has given the Indian film industry.

Here is one batch of articles from the recent past editions of Scroll.in last month-

The debt owed by Gulzar’s lyrics to Mirza GhalibManish Gaekwad  recounts how the lyricist isn’t shy to admit, in the series of conversations with Nasreen Munni Kabir’s book ‘In the Company of a Poet’,  that the song ‘Dil Dhoondta Hai’ from the film ‘Mausam’ was inspired from Ghalib’s couplet.

In Missing silent film ‘Bilwamangal’ finally returns to India,  Scroll Staff  narrates the story of a digital version of 20-minute duration that arrived at the National Film Archive of India from Cinematheque Francaise in Paris.

Akshay Manwani in a Film flashback: To understand Hindi cinema of the 1960s, start with 1957  hat-tips a great year in which apart from ‘Pyasa’ and ‘Mother India’,  several other films also shaped the future of Hindi cinema on various fronts, showing early signs of the frothy ’60s.

The ‘Prabhat touch’: How the legendary studio became a respectable workplace for actressesZinnia Ray Chaudhuri presents the essay, titled Teen Deviyan: The Prabhat Star Triad and the Discourse of ‘Respectability’  – available on the free online encyclopedia Sahapedia, – in which film historian Sarah Niazi reflects on the circumstances at the film production company that boosted the presence of women in various capacities.

In Micro View of the Best Songs of 1949 @SoY, having covered Male Solo Songs, Other Than Lata Mangeshkar Female Solo Songs, we continued the journey now with Solo songs of Lata Mangeshkar. After part 1 and 2 we covered of part 3 and the review – Summing Up: MY Top Lata Mangeshkar Solo Songs and have moved on to Male-Female Duets category. We have covered duets of Mohammad Rafi with Lata Mangeshkar, Suriya and Shamshad Begum and Geeta Roy and other female playback singers..

We end today’s episode with a post on Mohammad Rafi’:

Bringing Generations Together – Rafi Sahab’s Magic – Achal Rangaswamy discusses with son whether Mohammad Rafi would have been able to sing the songs being “dished out” and how.

I look forward to receive your inputs for further enriching the contents of the posts…..

The Micro View of the Best Songs of 1949 @ SoY – (Male Female) Duets – Mohammad Rafi with Geeta Roy and other female playback singers

Mohammad Rafi’s duets seem to manifest a classic oligoploic distribution. The duets with Lata Mangeshkar peaked in numbers, and if the ones with Shamshad Begum were quite respectable, those with Suraiya showed a marked corresponding reduction.

We just can locate only two duets with Geeta Roy and with several others it does not even cross the single number.

In the overall analysis, all of Mohammad Rafi duets do outclass all other male-female duet combination(s) by quite a wide margin. Interestingly, the distance, both in number and in qualitative comparison narrows down drastically when we add ‘popularity’ of the song as an additional filter.

+Geeta Roy

Kante Banegi Kaliyan – Hamari Manzil – Husnlal Bhagatram – Rajendra Krishna

Gaya Andhera, Hua Saveram Jaag Utha Insaan – Karwat – Hans Raj Behl – Saraswati Kumar ‘Deepak’

+ Shyama, Chorus

Fariyaad Na Karana, Kahin Fariyaad Na Karana – Gharana – Muhammad Shafi – ?

+Ameerbai Karnataki

Main Kaise Kah Doon – Jeevan Saathi – S Mohinder – ?

+ Johrabai Ambalewali

Na Kah Sake, Na Tadap Sake – The Last Message  – Abid Hussain  – Shareen Bhopali

(video link could not be located)

+ Binapani Mukherjee

O Lachchhi, O Lachchhi, Tu Man ko Lage Achcchhi – Roomal – Hans Raj Behl – mulkraj Bhakri

+ Asha Bhosle, Chorus

Lo Dum Dabakar Bhage, Ham Sab Ke Sab Hoshiyaar– Roomal – Hans Raj Behl – Naazim Panipati

+ Hamida Banu

Mehamaan Ban Ke Aaye The – Shoharat – Aziz (Hindvi)  -?

The song has one version as Mohammad Rafi solo. Her we have both versions.

+ Mohantara

Sandesh Mera Pa Ke, Mujhe Daras Dikhana – Veer Ghatotkach – S N Tripathi – Anjum Rehmani

We will take up Duets of Mukesh with other female playback singers in our next episode(s).

Summing Up: MY Top Female Solo Songs – Other Singers

We have listened to solo songs of Suraiya, Geeta Roy, Shamshad Begum, Raajkumari, Asha Bhosle and Surinder Kaur, Uma Devi & Meena Kapoor and Lalita Deulkar, Ameerbai Karnataki, Hameeda Bano, Zeenat Begum, Pushpa Hans in our Micro Analysis. In the ultimate analysis, the range of songs from even this universe of solo songs of female singers other than Lata Mangeshkar is quite diverse and substantive.

The development of my understanding and liking of the Hindi Film Songs over all  these years has been shaped at different stages of availability sources like Radio (only), audio cassettes, EP/LP records, audio / video CDs/ DVDs and then the internet. The songs that I continued to get to listen across each of this medium do remain a fairly large number. But, there is no denying that internet has filled a big void in my known unknowns as well as unknown unknowns in so far as HFM is concerned.

In order to be fair to the songs that I have listened only of late on the internet, I have decided to choose at least one song from the songs that I so listened in the present exercise of  The Micro View of the Best Songs of 1949, over and above one from already well-established, known known and liked songs.

With that caveat, here is My Choice of the TOP Solo Songs of the Other Female Singers for 1949:

I have three singers – three songs for the final bet on the BEST Other Singer – Song category:

The choice of the BEST among these will rest on where the wheel of roulette will stop.

For me any one will be a jackpot……

SoY has also released Best songs of 1949: Wrap Up 2. After a very meticulous, balanced and fair analysis, wherein the choice of the best ‘other’ female playback singer was Shamshad Begum, followed by Suraiya.

The Micro View of the Best Songs of 1949 @ SoY – Female Solo Songs – Other Singers –Asha Bhosle, Surinder Kaur

We have now covered four ‘other’ female singers – Suraiya, Geeta Roy,  Shamshad Begum and Raajkumari – who have had a fairly significant share of solo songs in 1949. Among the solo songs that I selected for ‘other’ female singers, Asha Bhosle (4) and Surinder Kaur (5) would have jointly crossed the double digit threshold to earn a separate post in our Micro Review.

Here is a one-from-the film- filter selected result:

Solo Songs of Asha Bhosle

On a very first look at the female solo songs of 1949, I had thought that I would hardly find an insignificant enough solos and a couple of Asha Bhosle duets.  However, as I sorted through the songs with a fine tooth comb, I did find noticeable enough numbers. No surprises here that Asha Bhosle has yet to set her signature groove.

Chupake Chupake Mast Nigahein – Ek Teri Nishani – Saardul Kwatra – A Shah

Kahati Jawani Kisi Ko Dil Mein Basa Le – Lekh – Krishna Dayal – Qamar Jalalabadi

Mere Pyare Sanam Ki Pyari Gali Ho – Parda – Sharmaji (a.k.a Khayyam) – Swami Ramanand

Hai Mauj Mein Apne Begane, Do Chaar Idhar Do Char Udhar – Raat Ki Raani – Hans Raj Behl – Arzoo Lakhanavi

YT records this one as the first recorded song of Asha Bhosle.

Solo songs of Surinder Kaur

Surinder Kaur also has fairly noticeable presence during the year, in terms of some very pleasant solos and  duets.

Ae Chand Tere Saath To Rehate Hain Sitaare – Dada – Shaukat Dehlvi (a.k.a. Nashad) – Rafi Ajmeri

Kya Tum Na Aaoge, Umeedon Pe Udasi Chhayi Hui Hai – Kaneez – Ghulam Haider – Harishchandra Akhtar

Dil Ke Maalik Toot Gaya Hai Mera Dil Toot Gaya Hai – Roop Lekha – Khan Mastana

Ye Lakhon Hasaratein – Sanwariya – C  Ramchandra – P L Santoshi

Chanda Re Main Teri Gawahi Lene Aayee – Singaar – Khursheed Anwar – D N Madhok

Tum Sang Akhiyan Mila Ke – Sunhere Din – Gyan Dutt – D N Madhok

Our next stop is the last one on our journey of ‘other’ female singers, where we will take up ‘others of the ‘other’ female singers.