Carnival of Blogs on Golden Era of Hindi Film Music – January, 2016

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Welcome to January, 2016 edition of Carnival of Blogs on Golden Era of Hindi Film Music.

We will begin our present issue with a tributes that were originally published in December, 2015. However, ours being a curative post, we will need to take such topical posts into our stride as a natural hazard for such curative exercises.

Week starting on 20th December is A Very Significant Week for Birth and Death Anniversaries. This post, though, has decided to include numbers that are less likely to appear on people’s greatest hits list – Nalini Jaywant (20 December), Vasant Desai (22 December), Noor Jehan (23 December), Mohammad Rafi (24 December), Naushad (25 December).

Naushad’s Priceless Moment: ‘Anmol Ghadi’ (1946) – Anmol Ghadi is the only link that connects up three greats. Naushad, Rafi and Noorjehan are also linked in an incredibly eerie way –Noorjehan’s death anniversary falls on December 23 (2000), Rafi was born on 24 December (1924) and Naushad’s birth anniversary falls on December 25 (1919).

Bimal Roy: The Eastern Mystic Who Made FilmsVijay Kumar explores the deeper existential layers of thoughts, views, emotions and relationships in Bimal Roy’s iconic films.. At the point of his death, he was working on two projects: Mahabharat and Maha Kumbh. In his death, the country missed out, on celluloid, what would have been the most authentic deconstruction and interpretation of the greatest epic, namely Mahabharat, and an understanding and exposition of the largest human congregation on the face of Earth, namely Maha Kumbh..

Bimal Roy’s Madhumati – Untold Stories from Behind the Scenes By Sathya SaranRinki Roy BhattachBimal Roy’s Madhumati – Untold Stories from Behind the Scenesaya, BimBack cover of the book with a comment from Amitabh Bachchanal Roy’s daughter has written this book as almost an offering to her father’s memory. Not party to any more of the actual work on Madhumati, Rinki’s book is an account of her search for stories about the film to know how it was made and the elements that went into making it one of the masterpieces of Indian cinema.

In his comment, MN Sardana has hoped that the book may throw light on the non-inclusion of two songs, recorded for Madhumati. First is Tan Jale Man Jalta Rahe ,sung by Dwijen Mukherjee & chorus and the second being Kancha Le Kanchi Lai Lajo Rut Matwali, Naye Paise Ko Leke Aaya Hai Naya Saal sung by Ghulam Mohammad , Asha Bhonsle, Sabita Banerjee & Chorus.

Last Month, Sadhana drew curtains to her life. She was well remembered in the offerings of rich Sadhna in 'Abana'obituaries. One of the most telling obit came in from (I think that was from) Sanjay Leela Bhanshali – she was queen of mellow drama and not the melodrama.

Sadhana was learning acting in “Filmalay acting school” and she got an opportunity to debut as heroine in “Love in Simla”. Sadhana had earlier played the second lead in a Sindhi film “Abana” that had released in 1958. Sheila Ramani played the lead in this Sindhi film.

Going back in time with Sadhana – “I want my fans to remember me as the Sadhana of Love In Simla, Mere Mehboob, Woh Kaun Thi and Arzoo.” – first published on Rediff.com in December 2012.

Abhi Na Jao Chhodkar… notes that it ought to be most appropriate to remember ‘one of my favourite actresses’ is to remember her ‘- frozen on screen, in all her beauty and grace, for all time’.  We have picked up one of the less heard song –Ab aur na kuch bhi yaad raha – Prem Patra (1962) – Lata Mangeshkar – Salil Choudhary – Rajinder Krishan

My contribution to such songs is Aaye Re Din Sawan Ke – Gaban (1966) – Lata Mangeshakar – Shanker Jaikishan.

Peeyush Sharma in his tribute – Adieu Sadhana – recollects some of the most enchanting, lilting, melodious, memorable songs that are associated intrinsically with the gorgeous style icon Sadhana.

In Tribute: Sadhana (1941-2015) Madulika Liddle looks back to “The schemer? The victim? The innocent soul? The glamour girl? The girl next door? Each of those. And more” roles of Sadhana. We have picked up Meri nazrein haseen hai ki tum ho haseen (Ek Musafir Ek Haseena, 1962, Asha Bhosle, O P Nayyar ) from My Favourite Songs of Sadhana

In Sadhana: What movies! What songs!, Dinesh Raheja remembers Sadhana’s memorable movies and songs.

Subir Sen passed away in Kolkata on December 29(,2015) at a private hospital. In one of the very fitting tributes, Aah Dil Mein Hai Nayan Mein Neer Hai, skapur01 recollects that ‘in all, he sang for less than 25 (plus one unreleased) Hindi films, and the number of songs is less than 30. He also composed music for a Hindi film that apparently was released only in England, in 1970 or thereabout. The film had songs sung by Mohammed Rafi, Geeta Dutt, Asha Bhosle, besides himself. Presently, the post has presented a very rare solo song, composed by S N Tripathi, from an unreleased film, ‘Rani Chandrawati’ from the 1960s’ – Aah Dil Mein Hai Nayan Mein Neer Hai .

We also recall an earlier post form Songs of Yore – Subir Sen: The involuntary Hemant Kumar clone.

We have picked up a couple of less heard songs from, Best songs of the most unloved singer Mahendra Kapoor, a tribute to Mahendra Kapoor on his what would have been 82nd birth anniversary (9 January 1934 – 27 December 2008)

The interview in Beete Hue Din contains some interesting information about the Metro-Murphy Competition and Mahendra Kapoor’s career.

In Ye duniya rahe na rahe kyaa pataa, Sadanand Kamath fondly recollects some of the events in the life of O P Nayyar on his 90th birthday on 16th January, 2016. ….. One of his box office hit films – ‘Phagun’ (1958) had 11 songs. When Ustad Ameer Khan asked him as to why he had composed almost all the songs in Raag Piloo, O P Nayyar told him that he did not have the knowledge of classical raagas. It was just a coincidence that his compositions matched with Raag Piloo. In the later years, Ustad Ameer Khan told him that in “akeli hoon main piyaa aa” from ‘Sambandh’ (1969), he had used about 16 different raagas…….The blogpost also further recounts a few examples of songs where he had nicely blended the playing of the musical instruments with that of the mood of the songs.

Posts that remember Suchitra Sen : Forever Suchitra Sen – A Silhouette tribute – By Amitava NagThis article has been edited from Uttam Kumar and ‘Mrs Sen’: The Magical and Hypnotic Uttam-Suchitra Years ǁ Rahe Na Rahe Hum: ‘Mahanayika’ Suchitra Sen’s Aura Lingers On… ǁ Romance In Cinema – Uttam Kumar And Suchitra Sen – A Case Study

“Phir Wohi Dil Laya Hoon” – Joy Mukerjee – As a hero, Joy Mukerjee appeared only in 32 films. In his last two outings – “Kahaani Phoolwati ki” and “Insaf Main Karoonga”, Joy took up the role of the villain.

Joy Mukherjee, in second lead, and Helen, in a rare break away from her ‘cabaret dancer’ roles, in Hum Hindustani (1960)

Joy Mukherjee, in second lead, and Helen, in a rare break away from her ‘cabaret dancer’ roles, in Hum Hindustani (1960)

In a tribute to Raj Kapoor, we have picked up a rare photograph of the sons with the father, from Rediff archives:

Shashi Kapoor, Raj Kapoor, Prithviraj Kapoor, Shammi Kapoor. Photograph: Rediff Archives

Shashi Kapoor, Raj Kapoor, Prithviraj Kapoor, Shammi Kapoor. Photograph: Rediff Archives

We now move over to other regular posts.

26 Rare Photos of Madhubala to Remind You Why She Was Such a Goddess – Vandita Kapoor has presented photos from a 1951 shoot for Life magazine by photographer James Burke may just help her keep this title forever. By turns sultry and sweet, serious and childlike, enigmatic and completely accessible — in these photos  Madhubala is thoroughly magnificent.

Madhubala - a 1951 shoot for LIFE by photographer James Burke - 2Madhubala - a 1951 shoot for LIFE by photographer James Burke -1Madhubala - a 1951 shoot for LIFE by photographer James Burke - 3

Helen Remixed 3 presents a nice mix of rare Helen videos and upgrades in 1080p High Definition.

Shammi Kapoor’s connection with the ‘Silsila’ hit ‘Neela Aasman So Gaya’ – The 1960s star had composed the song, which he gifted to Amitabh Bachchan for Yash Chopra’s ‘Silsila.’

My Favourites: ‘What’s Life?’ Songs seeks some of the ‘answers’ to that deepest of existential angst.

My Favourites: Songs of Hope and Encouragement

“This new day is too dear,
with its hopes and invitations,
to waste a moment on the yesterdays.”

पन्छी : An aviary of Songs is a Bird-watch guest article by Shalan Lal in Songs of Yore.

Bollywood’s love affair with Horse – From the list of songs chosen in the guest article by D P Rangan, we have picked up one less heard song –Humkadam humsafar humnasheen humzuban by Manna Dey, Mahendra Kapur and Usha Khanna –Nishan (1965), lyrics Javed Anwar, music Usha Khanna

The Three Mumtazes in Basant (1942) – Pramila with Mumtaz Ali in Balam Dhire Bol Koi ǁ Mumtaz Ali with Mumtaz Shanti in Gori Mose Ganga ǁ   Mumtaz Shanti lip singing Parul Ghosh’s playback voice in Mere Chhote Se Man Mein. ǁ The third Mumtaz, a.k.a. Madhubala, when this toddler grows up, sings Tumko Mubarak Ho.

A dubbed film and a song : In Prema Lekhalu 1953 A. M. Rajah, in the telugu version, starts the duet. In the Hindi version, (Aah, 1953) Lata Mangeshkar starts the song Aja Re Ab Mera Dil Pukara. The Tamil version is similar to the Telugu one, both sung by A.M.Rajah and Jikki.

Music in the house: Can you hear Noor Jehan? – by Devyani Onial – On the crowded shelves of this small room at the New Gramophone House in Chandni Chowk, perhaps the only vinyl record shop in Delhi, fading record sleeves hold gems from the past. Anuj Rajpal has an enviable stock of around 2,00,000 EP and LP vinyls and 78-RPM shellac recods.

Balaji Vittal and Anirudha Bhattacharjee are Keeping Score : Was the Sixties the defining sound of Hindi film music? – for which the foundation was collectively laid by the likes of Naushad, C Ramchandra, Shanker Jaikishan, S D Burman, Salil Chaudhary.

Matinee idols – Between 2003 and 2005 – photographer Shahid Datawala received a grant from Sarai for a project on cinema and cinema-going culture in Delhi. Thus began his journey to several of the city’s decrepit single-screen theatres. –

Before the silence: Rhythm House a haven for music lovers – by Paroma Mukherjee – In the fast-changing lives of Mumbaikars, Rhythm House stood as a haven for music lovers looking to discover new genres and seek out some solitude. With its closure, the city will lose not just an institution, but also a way of life.

In our, by now a ritual, closure we revisit the recent tributes to Mohammad Rafi:

I look forward to receive your inputs for further enriching the contents of the posts…..

Carnival of Blogs on Golden Era of Hindi Film Music – November 2015

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Welcome to November, 2015 edition of Carnival of Blogs on Golden Era of Hindi Film Music.

We will begin our present issue with a post that is so very topical.

My Favourites: Songs of Cool Breezes ushers in the early signs of winter in our part of the world. We will also enjoy the feel of the early chill by way of some of the rare songs from this excellent list:

And now we turn our sails to the tributes.

My Favourites: Salilda’s Malayalam Songs – on his 92nd birthday. ‘It may encourage folks to look up and listen to unknown gems’.

“Dekh Lo Ishq Ka Martaba Dekh Lo” – B.S.Thapa – B.S.Thapa ji who completed 92 on last 3 July may not be active in films now but his contribution to the Cinema as a teacher and a director can’t be denied with.

P.Susheela just turned 80A tribute with a list of some of her songs. Some of her Hindi films songs are here.

Please Go To My Post From Last Year to Celebrate the Birthday of the Great Sitara Devi – At this time last year, the author had posted ‘seven of her film scenes. Unfortunately, it is impossible to find an additional seven comparable clips on YouTube, especially if one tries to look for scenes from other films’. Here is one of her famous Kathak dance sequence – Thumak Chalat Ramchand.

S D Burman also gets a special mention on 40th Anniversary – on 31st October. Here are some notable tributes.

Ten best songs (solos) composed by SD Burman – The earlier saturation coverage has provided a good building block to choose one song per singer to pay the tribute to the master in this post.

Tere Mere Sapne Ab Ek Rang Hain – Eternal Melodies of SD Burman-Rafi By Peeyush Sharma – Had it not been the occasion of S D Burman’s anniversary, this post could have done full justice in this blog carnival’s special space of posts on Mohammad Rafi.

The Incomparable Music Of S D Burman Transcends Generations

My Favourites: Children’s Songs celebrates Jawaharlal Nehru’s 125h birthday on 14th November. These are not necessarily patriotic songs, but songs picturized on children, and are the ones that are sung by the children on the screen.

Some of the less heard songs:

We move over to other regular posts.

Watch 100 Years of Indian Cinema Come Alive in 200 Seconds of Sand ArtTanaya Singh pays due credit to Rahul Arya, a well-known sand artist for this 200-second action packed journey.

Posts on Scroll.in –

Do Chetan Anand’s best-known films stand the test of time?

Back to Boral: Looking for Satyajit Ray in the town in which he shot ‘Pather Panchali’

The brilliance of Salim-Javed lies not just in what they said, but how they said it

When Javed told Salim, ‘I was thinking that maybe we should work separately’Diptakirti Chaudhuri  · A new book speculates on why Salim Khan and Javed Akhtar split after a writing partnership that created some of the most iconic Hindi movies of the 1970s.

Saxy Desi: Check out the sounds of the saxophone in South AsiaNate Rabe  – this most romantic of jazz instruments, often purringly referred to as the sexaphone, was invented in 1841 in the lowlands of a somewhat more prosaic Belgium by Adolphe Sax to create a sound that floated somewhere between the silken tone of the clarinet and the brash flare of the trumpet :

The Braz Gonsalves 7 – Raga Rock | Joe Gomes – O Saathi Re | Unknown – Spinboldak Saxophony | Rudresh Mahantappa – Abhogi | Sahib Shihab – Om Mani Padme Om

Hai kya kya jalwa bhara hua Ghanshyaam tumhaari aankhon meinAtul, while discussing the HFM related statistics pertaining to 1932, noted that only nine songs from movies of 1932 are available. Six of these songs are already covered in the blog. Here is the seventh song of 1932 to appear in the blog : Hai kya kya jalwa bhara hua Aankh Ka Taara (1932) – Jahanara Kajjan – Motilal Naik

My Favourites: Teasing Songs are the songs, only about situations where the heroine (or in one case, the hero) is already in love with the hero, and her friends (/his friend) – as friends will – tease her about it.

Songs of Sensuality – Inspired by Conversations Over Chai’s great post on the same topic, here’s list of classic Hindi and Bengali songs that explore sensuality, physical affection, and longing.

Top Ten Songs Sung by Actors Themselves (or by Singers Appearing Onscreen) – Guest Post by Abhik Majumdar – ‘songs actually sung by (not merely lip-synched by) actors. Not singer-cum-actors, but people who were known only for their acting. First off, only one track per artiste. Secondly, there’s no point including songs by people known equally for their singing and acting. So no Kishore Kumar, no Suraiya, no Rajkumar (the Kannada actor), no Talat Mehmood even. Thirdly, the singing must conform to certain minimum standards of excellence. (A certain Mr Bachchhan stands excluded on this count.) Fourthly, in the early days of talkies when playback singing was unknown actors, even the most atrociously off-key ones, were compelled to sing their own songs. Since such examples are a penny a dozen, no point adding them …..’

Ten of my favourite ‘Aaja’ songs i.e. Hindi film songs that begin with the word “Aaja” The post has all the songs that would immediately reverberate in our mind when we read the title. Here are some of the less heard songs, picked up from the discussions by the readers:

Sapnon ke gaaon mein taaron ki chhaaon mein – K Satish Shenoy remembers that this song used to be played invariably in the same session on Radio Ceylon with another song ‘Kahan le chale ho,…’ from Durgesh Nandini.

In photos: Bollywood cinema is life and life is a movie – Photojournalist Fawzan Husain captures the making of Hindi movies as well as their impact on the world beyond the sets.

A tailor in Kamatipura in Mumbai works under the watchful eye of Hindi cinema’s leading ladies from the black-and-white era

A tailor in Kamatipura in Mumbai works under the watchful eye of Hindi cinema’s leading ladies from the black-and-white era

Best songs of 1950: Wrap Up 4 which is about the best duets of 1950 in continuation of the Overview post, Wrap Up 1 (best male solos), Wrap Up 2 (best ‘other’ female solos) and Wrap Up 3 (best songs of Lata Mangeshkar).

Best songs of 1950: Final Wrap Up 5 lives up to the expectations of distillation post on a subject that always had a wide range of discussions.

We have moved the songs remembered by our friends to a separate, full-fledged post w.e.f. this month. These posts will be titled as “Fading Memories….Unforgettable Songs” and would be published on second Sunday every month.

We would therefore revert to posts on Mohammad Rafi to end each of the episode of our blog carnival.

Jaao Mere Siva Tum Kahan Jaaoge – Remembering Rafi through Rahul Dev Songs By Peeyush Sharma

Here are some not so known songs:

Ten Songs of Mohd. Rafi We Could Not Include in ‘Gaata Rahe Mera Dil’ – By Balaji VittalWe can read the excerpts of The book co-authored by Aniridha Bhattacharjee, published by Harper.

We continue our pursuit of the golden period of Hindi Film Music ……

The Micro View of The Best Songs of 1950 @ Songs of Yore – Triads and Triads +

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Having covered Male – Female duets of Mukesh, Mohammad Rafi, Talat Mahmood, GM Durrani, Chitalkar and others, Male-Male / Female-Female duets, we continue with a very interesting variation in the form of Triads and Triads+, as part of our journey through the Best songs of 1950: And the winners are?

Songs with more than two singers is also a fairly tested form in so far as Hindi Film songs go. We have quite a varied fare this year.

Mohammad Rafi + Geeta Roy + Paro + ChorusKabhi Ye Saath Na Choote YeKisi Ki Yaad Mein

Mohammad Rafi + Shamshad Begum + Talat Mahmood + Chorus – Nadiya mein utha hai shorBabul – Shakeel Badayuni – Naushad

Mohammad Rafi + G M Durrani + Mukesh + ChorusKhabar Kisi Ko Nahin Woh Kidhar Dekhate HainBeqasoor – Ehsan Rizvi – Anil Biswas

Mohammad Rafi, Amirbai Karnataki, Geeta Dutt and (?)Jab nain se nain mile umangein naach uthi man mein Veer Babhruvaaha – Anjum Jaipuri – Chitragupta

Mukesh, Zohrabai Ambalevali and Geeta RoyEk Taraf Jal Raha DeepakPreet ka Geet – Premi – Shyam Babu Pathak

Mukesh, Mohammad Rafi + Shamshad BegumHo kaale kaale baadal chhaye piyaApni Chhaya – P L Santoshi – Hanuman Prasad

Mukesh + S D Batish, Shamshad Begum + ChorusJaao Sidharo He Raadha Ke ShyamArzoo – Jan Nissar Akhtar – Anil Biswas

Talat Mahmood + Surinder Kaur + G M Durrani(?) + ChorusPuchch Rahe Ve Yaar Bibi Kaisi Hoti Hai Shaadi Ki Raat – Sarshar Sailani – S Mohinder

GM Durrani, Suriaya, Ojha & othrs – Teri zaalim nigahon ne humko ghayal kiyaNili – Surjit Sethi – S Mohinder

Khan Mstana, Mukesh and GM DurraniYah aaj ke Laila aur Majnu yun milkarPagle – Anjum Rehmani – BG Bhatkar (Snehal)

Khan Mastana, Talat Mahmood and MukeshKyun shikwa karein kyun aah bhareinPagle – Anjum Rehmani – BG Bhatkar (Snehal)

Surinder Kaur, Premlata, Asha BhosleAmbua ke ped suhaane kya kahein moseSabak DN Madhok – AR Qureshi

Continued…….

The Micro View of The Best Songs of 1950 @ Songs of Yore – Male – Male And Female – Female Duets

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We continue with very interesting variations of Duets, as part of our journey through the ‘Best songs of 1950: And the winners are?

We have had a quite an extensive Tet-e-tat with Male-Female Duets of 1950. This is the year wherein we have quite a rich fare of Male-Male and Female-Female Duets.

Today we will first take up Male – Male Duets :

The first two are quite unique combinations, whereas Chitalkar pairs with Rafi to present very peppy numbers.

Mukesh + GM Durrani –

Aise Mein Koi Chham Se Jo Aa JaeHanste Ansoo – Shevan Rizvi – Ghulam Mohammad

Mohammad Rafi + Raja Gul –

Ek Chakkar Paon Mein Hai, Ek Chakkar Sar Mein HaiShadi Ki Rat – Sarshar Sailani – Pt. Gobind Ram

Chitalkar + Mohammad Rafi –

Kahnewale sach kah gaye hainNirala– PL Santoshi – C Ramchandra

Are Kismat Ka Sitara Chamka ….Sab Kuchh Deta Chhappar Fad Ke DetaSangeeta – P L Santoshi –  C Ramchandra

We then turn over to another very frequently used variation of the duets – Female- Female Duets

Lata Mangeshkar + Shamshad Begum –

Kas ke kamar ho jaa tayyaarSangram – P L Santoshi – C.Ramchandra

Trivia: (Boy) Shashi Kapoor and (Baby) Tabassum playfully grace the song.

Lata mangeshkar + Uma devi –

Na Jaane Kyon Ghabara Rahi Ho, Nazar Kuchch BahakiMaang – Prakash – Ghuam Mohammad

Lata Mangeshkar and Geeta Roy + Chorus

Panghat pe na jaiyo gori ghunghat utaar keRaj Mukut – Bharat Vyas – Govind Ram

Lata Mangeshkar and Amirbai Karnataki

Gore gore O baanke choreSamadhi – Rajendra Krishna – C Ramchandra

Lata Mangeshkar and Sarswati Rane

Jab dil ko sataye gham tu chhed sakhi sargamSargam – PL Santoshi – C Ramchandra

Tinak tin tani do din ki zindaganiSargam – PL Santoshi – C Ramchandra

Lata Mangeshkar + Raj Kumari –

Ham Aah Bhi Karate Hai …. Nazar Ne Loot LiyaWafa – Hasrat Jaipuri – Vinod

Geeta Roy + Meena Kapoor –

Maine Balam SeAadhi Raat – Rajendra Krishna – Hansraj Behl

Meena Kapoor sings the main song whereas Geeta Roy leads the chorus.

Geeta Roy + Suraiya

Preet ka nata jodnewaleAfsar – Narendra Sharma – S D Burman

Geeta Roy + Asha Bhosle –

Mausam Hai Namkeen Sanwariya , Aa Jaa ReBewee – Nazim Panipatti – Aziz Hindi

Geeta Roy + Zohrabai Ambalewali

Ek Taraf Jal Raha DeepakPreet Ka Gee – Shyam Babu Pathak

Mubarak Begum + Sulochana Kadam –

Sham Hui Aur deep Jale…..Aakash Pe Taare NaachengeBasera – Sardar Ilham – M A Rauf

(Combination of Mubarak Begum and Sulochana Kadam is one of the rarest ones. We could not find video / audio clip of this song. We trust by bringing up here, we will get the song also on internet platform someday.)

Raj Kumari + Lalita Deulkar –

Mora Bhola Sa Balma Re, Naahin Samajhe Hamare IshareKhamosh Sipahi – D N Madhok – Hansraj Behl

Continued….

The Micro View of The Best Songs of 1950 @ Songs of Yore – Male Female Duets : Chitalkar and Other Male Singers with other female singers

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We continue with the micro-review of Male Female Duets, as part of our journey through the Best songs of 1950: And the winners are?

Having already covered duets of Mukesh, Mohammad Rafi, Talat Mahamood and G M Durrani, today we will first take up Duets of Chitalkar with

                                                                                  Shamshad Begum

Dil mein kisi ke rahna ho to kiski ijaazat chaahiyeNirala – PL Santoshi – C Ramchandra

Next we take up some of the duet songs of other male singers

Madan Mohan + Shamshad Begum

Humse na dil ko lagana musafirAankhen – Bharat Vyas – Madan Mohan

Bahadur Shorabji Nanji (B S Nanji) + Mubarak Begum

Dekhoji Baat SunoBasera – M A Rauf

Khan Mastana + Sulochana Kadam

Ambuva Pe Koyal Kali Shor Machaye ReDushmani – Kuldeep Talwar – V Ramnath

Continued………..

The Micro View of The Best Songs of 1950 @ Songs of Yore – Male Female Duets : G M Durrani with other female singers

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We continue with the micro-review of Male Female Duets, as part of our journey through the Best songs of 1950: And the winners are?

As of now we have already covered duets of Mukesh, Mohammad Rafi and Talat Mahmood.

Today we will take up Duets of G M Durrani with

                                                                                                   Geeta Roy

1. Humane Khai Hai Muhabbat Mein Jawani KasamDilruba – Shamshul Huda Bihari – Gyan Dutt

2. Nai Ek Duniya Basayenge HamJalte Deep – M A Taj – Sardul Kwatra

                                                                                                  Pramodini Desai

3. Chiraiya Udi Jaye Re ….. Dodo Dodo BabuDilruba – – Gyan Dutt

Shmshad Begum

4. Ham To Tere Dil Ke Bangle Mein Aana MangtaMagroor – Raja Menhadi Ali Khan – Bulo C Rani

                                                                                                Lata Mangeshkar

5. Aao Baitho Baat Soono, Kuchch Pyar Karen, Kuchc Ikraar KarenMaang – Sageer Usmani –  Ghulam Mohammad

                                                                                                Meena Kapoor

6. Meri Teri Teri Meri, Lad Gayee NazariyaShadi Ki Rat – Nazim Panipati – Pt. Gobind Ram

Continued…….

The Micro View of The Best Songs of 1950 @ Songs of Yore – Male Female Duets : Talat Mahmood with other female singers

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We continue with the micro-review of Male Female Duets, as part of our journey through the http://www.songsofyore.com/best-songs-of-1950/. In the previous episodes, we have covered duets of Mukesh and Mohammad Rafi.

Today we will take up Duets of Talat Mahmood with

                                                                                             Lata Mangeshkar

1. Shikwa tera main gaaunAnmol Ratan – DN Madhok – Vinod

2. Yaad aanewale phir yaad aa rahe hainAnmol Ratan – DN Madhok- Vinod

                                                                                           Shamshad Begum

3. Milte hi aankhen dil hua deewana kisi kaBabul – Shakeel Badayuni – Naushad

4. Duniya badal gayi meri duniya badal gayiBabul – Shakeel Badayuni – Naushad

5. Jawani Ke Jamane Mein Jo Dil Na LagayegaMadhubala – Rajendra Krishna – Lachchiram

                                                                                  Rajkumari

6. Taqdeer hansi aansoo nikalePagle – Music BG Bhatkar (Snehal)

Continued…..

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