Carnival of Blogs on Golden Era of Hindi Film Music – October 2015

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Welcome to October, 2015 edition of Carnival of Blogs on Golden Era of Hindi Film Music.

We have a fairly long list of anniversaries of the playback singers this month. But before we take them up, there is one a very unique tribute that must take the precedence over all those. So, we open our account of anniversaries for the current episode of blog carnival with –

First male dancer of Hindi films: Mumtaz Ali, which is the tribute to this great artiste from the vintage era with some dance-songs picturized on him.

On the other end, we open our account of posts on birthdays / anniversaries of the playback singers with –

We begin with Lata Mangeshkar’s birthday:

The Great Mughal and The Empress of playback singing – an exclusive post on Lata Mangeshkar’s best songs by Naushad, on her 86th birth anniversary (b. 28 September 1929). The previous ones, wherein other music directors have been chosen are : Chitragupta, C Ramchandra, Roshan, SD Burman and Anil Biswas.

Ten of my Favorite Lata Mangeshkar Songs from the Films of V. Shantaram is a fairly representative list.

Celebrating a legend: A century of MS Subbulakshmi through 10 songsVeejay Sai – tracks her journey from a child prodigy to a singing movie star to the Carnatic icon she became in her lifetime…. MSS specially recorded Hari Tum Haro for Gandhiji’s birthday on 1947.

Interestingly, we have several posts that were in fact sent in by our friends, primarily to remember a song of the particular singer or the music director, but each of the post inherently is also a commemoration of the anniversary. We will take up the underlying song separately along with other songs forwarded by our friends.

Tera Mera Pyaar Koi Aaj Kal Ki To Baat Nahin – by Mahesh Mamadapur on Usha Khanna’s 74th birthdayFor some reason, Usha Khanna never received the recognition and fame that she so rightfully deserves. She is not the first, but definitely is the most successful and talented of a handful of female composers in the Hindi film industry, having composed something like about 973 songs in total.

[We have separately documented Mukesh’s songs composed by Usha Khanna for easy access.]

Lo Mil Gayi Degree Pyaar Ki by skapur01 while tastefully narrating the circumstances how Mukesh got associated with this song, the post goes onto list 36 songs that Roshan composed for Mukesh.

[We have also separately documented Roshan’s songs of Mukesh.]

MukeshGitKoshN.B. – Both these compilations have been provided none other than Shri Harish Raghuvanshi, from his one of the several painstakingly researched books Mukesh Geet Kosh. Here is a video clip wherein Shri Raghuvanshi talks about this epochal work.]

Dekha Hai Jab Se Aapka Chehra Ye Chaand Saskapur01 – Remembering Mahendra Kapoor on the anniversary of his passing away – 27th September……He got his debut break under the music direction of V Balsara in the 1953 film ‘Madmast’, with a duet with Dhan Indorewala – “Kisi Ke Zulm Ki Tasveer Hai Mazdoor Ki Basti” and a qawwaali with SD Batish – “Unhen Dekhen To Weh Munh Pher Lete Hain”. …..Next came his first solo song by Snehal Bhatkar in ‘Diwaali Ki Raat’(1956) – “Tere Dar Ki Bhikmangi Hai Daata Duniya Saari”.  In 1956 again, he recorded a duet with Sabita Bannerji for the film ‘Lalkaar’ – music director Sanmukh Babu Upadhyay – “O Bedardi Jaane Ke Na Kar Bahaane”.  The music competition and the associated assignments with major league music directors came later.

In Phir Mohabbat Ke Pyaam Aane Lagey, skapur01 remembers Hemant Kumar on the anniversary of his passing away – 26th September – by delving way back to ‘Iraada’ (1944) – the first Hindi film for which Hemant Kumar sang playback.

October 17 would have been 60th birthday of Smita Patil, who would certainly be ranked in the history as one of the most talented artist of the (what we know as) new, post-1970s cinema. We take note of some of the posts on this occasion to pay our tribute:

Smita Patil loved the camera and it loved her right backScroll Staff – Rare images from the key films of the late celebrated actress.

Songsstoriesbooksandmore has reviewed Sangtye Aika (You ask, I tell: An autobiography) by Hansa Wadkar transl. by Jasbir Jain and Shobha Shinde.

YT also has Smita Patil – Biography.

UpperStall had posted a decade back a very vivid profile of Smita Patil by Karan Bali.

If there has to be one song that can sum up the essence of Smita Patil’s acting talents, Tumhare Bine Jee Na Lage Ghar Men (Bhumika – 1977, Preeti Sagar- Vanraj Bhatia) can easily be the one.

Shammi Kapoor – In Perpetual Motion – It is not just that Shammi Kapoor didn’t know how to stand still; it is that he seemed to have an inordinate number of songs that were picturised in/on some mode of transport or the other. Last year, on this same date, the author had done a post on Shammi Kapoor and various musical instruments. Now it is time to chronicle his trysts with travel, whether in vehicles or on animals. In any case, whether they moved or not, Shammi definitely did.

We now move over to other posts from our regular blogs –

Arre kahaan chali – Arun Kumar Deshmukh – Film Jaalsaaz-59 was the first of three films with the same title. The second movie by this title came in 1969 and the third in 2000. Similarly even film Jaal was made 3 times- in 52, 67 and 86.

Unvoiced Emotions, Expressed Feelings has ten songs that fitted this category. Each song listed here has the lead characters’ ‘feel’ what they feel, and those emotions are ‘spelled’ out by others’ voices, even if the underlying mood is not similar (and in fact, is quite the opposite) in some cases. No, these are not ‘background songs’, but songs that are actually sung on screen by other characters.

Ten of my favourite ‘credits songs’ – are not necessarily ‘background songs’ as well: some of them are ‘sung’ by people onscreen. They run the gamut from songs that introduce the film’s ethos or primary theme, to—well, just another song to add to a list of romantic to philosophical to patriotic songs the film already boasts of..

All USTADJIs, who made us happy and will continue to make happy in all our coming generations.

Three Tandav dances feature Anada Bhairavi 1983 || Damini 1993 || Sivaanai Seemai 1959

‘Pyaasa’ is the Guru Dutt gift that keeps givingNasreen Munni Kabir – A new restoration of the 1950s classic provides an opportunity to appreciate all over again its many achievements.

The Namesakes: Musicians and the raags named after themAneesh Pradhan – Renditions of Mia ki Todi. by Faiyaz Khan, Amir Khan, Bhimsen Joshi and Kishori Amonkar.

‘Vaishnav Jan to Tene Kahiye’: One of Gandhi’s favourite bhajans played by classical maestrosAneesh Pradhan – Featuring duets by Bismillah Khan and VG Jog, and Rashid Khan and Shahid Parvez

Making Indian classical music relevant to the contemporary | Manasi Prasad | TEDxHyderabad – Manasi Prasad connects us to our roots by infusing the beauty of music from different times to present day creating relevance for us to understand it nuances better.

After the overview post on the Best songs of 1950, Wrap Up 1 on the best male solos, and Wrap Up 2 on the best female solos by ‘other’ singers have been the stage wise review of the readers’ views as well as SoY’s own analysis. .  Continuing the series, here is the third Wrap Up on the best songs of Lata MangeshkarBest songs of 1950: Wrap Up 3

We take of note of the review of Mem Didi (1961) for Salil Chaudhary’s songs –

Now we move over songs remembered by our friends in this month –

Bhagvan Thavrani

Ajab hai yeh duniya – Naya Aadmi (1956) – Lata Mangeshkar – Madan Mohan. Naya Aadmi, Hindi version of Santosham (1955), had 10 songs. 6 of them were composed by Madan Mohan and the rest by South Indian duo of Vishwanathan / Ramamurthy . Hemant Kumar – Lata Mangeshkar duet – laut gaya gham ka zamana – was the creation of the duo. They also created Lata solo – dile betaab thahar – while Madan Mohan created Rafi solo – gharibo ka paseena bah raha hai . The film had NT Rama Rao (NTR) had in the lead.

Samir Dholakia

Arre kahaan chali -Jaalsaaz (1959) – Kishore Kumar, Asha Bhonsle – N Datta – Majrooh Sultanpuri – The tune is based on “Lavani” songs of Maharashtra.

Sumant (Dadu) Vashi form Chicago (U S A) had sent in –

Dil Jalega To Zamane Mein Ujala Hoga – Yeh Basti Yeh Log (1965) -Lata Mangeshkar – Bhola Shreshtha

Harish Raghuvanshi

Tera Mera Pyaar Koi Aaj Kal Ki To Baat Nahin  – (Dada) (1966) – Mukesh, Usha Khanna – Usha Khanna – Asad Bhopali

Koi Kushnaseeb Na Hoga – Malkin (1953), Kishore Kumar, Mukesh, Ram Kamlani – Roshan – Rajendra Krishna

Yeh khaamoshi kyun ye madhoshi kyun – Hamaare Gham Se Mat Khelo (1967) – Jaidev – Nyay Sharma – Geeta Dutt’s only solo in Hindi films by Jaidev is the subject of Bharat Updhyay’s post.

[This film had a very well-known Talat Mahmood solo – Ansoo Chupaye Aankh Mein Khoon-e-Jigar Piya Karoon.]

Dekha Hai Jab Se Aapka Chehra Ye Chaand Sa – Husn Ka Ghulam (1966) – Mahendra Kapoor – Robin Banerjee – Anjaan

Phir Mohabbat Ke Payaam Aane Lagey Iraada (1944) – Hemant Kumar – Pt Amarnath – Aziz Kashmiri.

[There is another wonderful solo song “Aaraam Se Jo Raaten Kaaten” from this film.]

Jab tum hi chali England -Meri Asha (1950) –Agha – K Narayan Rao – a parody song posted by Atul Kumar Deshmukh

In the end, we have (our customary) very special songs of Mohammad Rafi, remembered Naresh Mankad, from Naqli Nawab (1964) [Music Director: Babul]:

There are a couple of very enjoyable Rafi – Asha Duets:

We continue our pursuit of the golden period of Hindi Film Music …….

Carnival of Quality Management Articles and Blogs – October 2015

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Welcome to October, 2015 edition of Carnival of Quality Management Articles and Blogs.

The search for “Improving measures of measurement of process” took us to the first building block -‘performance measures and metrics’, followed by the search for resources relating to the ‘structuring for the process of improvement’, “Deploying the Improvement Process” and “Implementing the Improvement Process”. While we were @ Measuring the Improvement Process, we had observed references to several techniques of measurements. Among these one of the most discussed one is The Balanced Scorecard.

We will devote our present episode to exploring this technique in details. As can be expected, subject has a vast array of reference materials in the form of articles, papers, books and other multimedia contents. Even a brief glance through these would quite a heavy task, so we will refer to the hyperlinks of the referred contents in order to remain light on this episode.

Balanced  ScorecardWe will first take up a few of the articles that provide the introduction to the subject:

Here are some more articles that discuss the concept from different perspectives:

Next is in illustrative set of papers / articles that discuss the application of BSC in different fields:

Here is why 6 Reasons The Balanced Scorecard Is Still Relevant Today – an interesting article by Ted K. Jackson

#1: It ties directly to the number one issue of executives today: strategy execution.

#2: It provides a framework to align everyone in the organization around a mission and vision.

#3: It allows organizations to be more responsive to changes in the competitive landscape.

#4: It provides quantifiable metrics that show the health of an organization.

#5: It helps drive transparency.

#6: It links projects to measures, and measures to strategy.

Bonus Reason #7: You can make it yours.

If you are interested in balanced scorecard software, try the open-source Compiere.

For those who are interested in SAP type ERP platforms, here is the link to Balanced Scorecard (CPM-BSC) @ SAP’s Enterprise Management Tool .

The Balanced Scorecard Institute is an excellent under- one-roof resource.

The more we search, more will find resources – books, papers, software. What we have listed is at best a few samples on the subject. Measurement of the continual improvement will find as many variants as required by the as differing needs of differing circumstances, performed by the people with as many differing backgrounds. Obviously, we cannot cover all such variants in a single episode of our blog carnival. The ultimate message is that measurement and improvement both have to be integral part of the operations as well strategy.

We would continue our onward journey of the process of improvement for one more month, and then conclude the series.

We turn to our regular sections now:

World Quality Month - 11 2015Bill Troy, ASQ CEO has announced World Quality Month. The 6th Annual World Quality Month is set to begin in just a few weeks.

ASQ communications, in the ‘September Roundup – Does Mission Matter?’, has collected the reflections of ASQ Bloggers on the value of mission and the valued placed on it w.r.t. the guest post by Pat La Londe, ASQ Fellow and incoming ASQ board chair, on a question how often is a company’s mission considered when choosing a retailer or business partner..

The current month episodes of ASQ TV mainly relate to the revision in ISO 9001: 2015. We plan to take up this subject for an in-depth study in our December, 2015 episode. Therefore, we have gone back a little more and chosen Thinking Creatively and the related QP story for current month’s view.

For the present month, our ASQ’s Influential Voice is Dr. Suresh Gettala.

Dr. Suresh GottalaDr. Suresh Gettala is a regional director at ASQ India. He holds a doctorate in quality management from the Indian Institute of Technology Madras, Chennai, and is also a recipient of the renowned post-doctoral fellowship from the Alexander von Humboldt  Foundation, Germany. He is a seasoned quality expert with a unique blend of academic/research as well as industry experience spanning several years in various aspects of quality management across multiple industries. He has published many research articles in reputed, peer-reviewed international journals. Suresh blogs on LinkedIn.

I look forward to your active participation in enriching the blog carnival as we pursue our Improvement journey …………

The Micro View of The Best Songs of 1950 @ Songs of Yore – Summing Up – I : Female and Male Solo Songs


We now conclude our micro-view of songs of a particular year – Best songs of 1950: And the winners are?. We have covered up documentation of the further micro-review of the songs C Ramchandra, Husnlal Bhagatram and Ghulam Mohammad, Anil Biswas and other Music directors’ Lata Mangeshakar’s songs, as well as those of Suraiya and Shamshad Begum in June 2015 and Rajkumari, Geeta Roy and Other female Singers in July 2015.. We had then continued to explore Male Solo Songs of Mukesh, Talat Mahamood, Mohammad Rafi, G M Durrani and Chitalkar, Manna Dey, Arun Kumar, Manmohan Krishna and Others too in July 2015. During August 2015, we had Other playback singers for Raj Kapoor and Male-Female duets of Mukesh, Mohammad Rafi, Talat Mahmood, G M Durani and Those of Chitalkar and Other Male Singers for our micro-review. In the concluding month of September, we completed micro-review of Triads / Triads+ too.

It is time to sum up the series, by way of MY choice of the TOP 10 songs in each category.

My Favorite Female Solos for the Year 1950

In so far as Female playback singers are concerned, songs by Lata Mangeshkar almost equal other playback singers put together, within this universe of 152 “memorable songs”. So, in terms of numbers, one may conclude that Lata’s single-handed share of around 50% has established he dominance in the field. I would take this conclusion with a pinch of salt. Some of the music directors who were to take her on completely in the later years, Madan Mohan, Roshan, S D Burman, Naushad have none to a few songs with Lata in this year. In fact only C Ramchandra, Husnlal Bhagatram and Ghulam Mohammad seem to have accepted her in totality. Anil Bisaws, too, continues to repose his faith in her. So her acceptance is not as universal as it happened during the later years.

Also, apart from the numbers, when one looks at the list of memorable songs, there are many songs by other female singers which stand out on popularity, then and in later years, as well as the merits of the composition in comparison to the songs that stand out from Lata’s stable.

Asha Bhosle’s presence is seen during the year, but there does not appear to be any song that can measure up to Memorable category.

Here is the list, in no particular order:

1. Mehfil Mein Jal Uthi Shama – Nirala – C Ramchandra – Lata Mangeshkar

2. Koi Kisi Ka Deewana Na Bane – Sargam – C Ramchandra – Lata Mangeshkar

3. Kahan Tak Hum Uthaye Gam – Arzoo – Anil Biswas – Lata Mangeshkar

4. Lagan More Man Ki – Babul – Naushad – Lata Mangeshkar

5. Man Mor Hua Matwala – Afsar – S D Burman – Suraiya

6. Nain Deewane Ik Nahin Mane – Afsar – S D Burman – Suraiya

7. Dhadke mera dil mujhko jawani Ram qasam na bhaaye – Babul – Naushad – Shamshad Begum

8. Sun Bairi Balam Kuchch Bol Ab Kya Hoga – Bawre Nain – Roshan – Raj Kumari

9. Ari Main To Prem Deewani – Jogan – Bulo C Rani – Geeta Roy

10. Mori Attariya Pe Kaga Bole – Aankhen – Madan Mohan – Meena Kapoor

As a matter of fact, even as Lata Mangeshkar corners a fairly significant score in this list, I still would not pick up any one of the songs from these as The Best Female Solo Song of 1950 or any singer as the Best Female Playback Singer of 1950 !! .

In my view, the tie truly represents the real scenario in so far as 1950 is concerned.

And now, My Favorite Male Solos for the Year 1950, (in no particular order) :

Mukesh – Preet laga ke maine ye phal paya – Aankhen – Raja Menhadi Ali Khan – Madan Mohan

Mukesh – Teri duniya mein dil lagta nahi – Bawre Nain – Kedar Sharma – Roshan

Mukesh – Mohabbat bhi jhoothi zamana bhi jhootha – Hamari Beti – Pt Faani – Snehal Bhatkar

Talat Mahmood – Ae dil mujhe aisi jagah le chal – Arzoo – Majrooh Sultanpuri – Anil Biswas

Talat Mahmood – Mera jeewan saathi bichhad gaya – Babul – Shakeel Badayuni – Naushad

Mohammad Rafi –Akele mein wo ghabraate to honge – Biwi – Wali Saheb – Sharmaji (Khayyam)

Chitalkar – Kadam Kadam Badhaye Ja, Khushi Ke Geet Gaye Jaa – Samadhi – Rajendra Krishna – C Ramchandra

Manna Dey – Upar gagan vishal –Mashal – Pradeep – SD Burman and Manna Dey

Krishna Dayal – Aa ja nigahon mein aa ja – Dahej – Shams Lakhanvi – Vasant Desai

Anil Biswas – Humein maar chala ye khayal ye gham – Arzoo – Majrooh Sultanpuri – Anil Biswas

G M Durrani – Ye Duniya Hai Bewafai Ki , Wafa Ka Raz Kya Jaane – Madhubala – Rajendra Krishna – Lachchiram

And the icing on the cake is this Non-Film Song, As per YT, created in 1950

Talat Mahamood – Mera Pyar Mujhe Lauta Do – Sajjan – V Balsara

SoY has presented its all-inclusive conclusive piece on Male Solos @ Best songs of 1950: Wrap Up 1 and “Other” Female Solos @ Best songs of 1950: Wrap Up 2


The Micro View of The Best Songs of 1950 @ Songs of Yore – Triads and Triads +


Having covered Male – Female duets of Mukesh, Mohammad Rafi, Talat Mahmood, GM Durrani, Chitalkar and others, Male-Male / Female-Female duets, we continue with a very interesting variation in the form of Triads and Triads+, as part of our journey through the Best songs of 1950: And the winners are?

Songs with more than two singers is also a fairly tested form in so far as Hindi Film songs go. We have quite a varied fare this year.

Mohammad Rafi + Geeta Roy + Paro + ChorusKabhi Ye Saath Na Choote YeKisi Ki Yaad Mein

Mohammad Rafi + Shamshad Begum + Talat Mahmood + Chorus – Nadiya mein utha hai shorBabul – Shakeel Badayuni – Naushad

Mohammad Rafi + G M Durrani + Mukesh + ChorusKhabar Kisi Ko Nahin Woh Kidhar Dekhate HainBeqasoor – Ehsan Rizvi – Anil Biswas

Mohammad Rafi, Amirbai Karnataki, Geeta Dutt and (?)Jab nain se nain mile umangein naach uthi man mein Veer Babhruvaaha – Anjum Jaipuri – Chitragupta

Mukesh, Zohrabai Ambalevali and Geeta RoyEk Taraf Jal Raha DeepakPreet ka Geet – Premi – Shyam Babu Pathak

Mukesh, Mohammad Rafi + Shamshad BegumHo kaale kaale baadal chhaye piyaApni Chhaya – P L Santoshi – Hanuman Prasad

Mukesh + S D Batish, Shamshad Begum + ChorusJaao Sidharo He Raadha Ke ShyamArzoo – Jan Nissar Akhtar – Anil Biswas

Talat Mahmood + Surinder Kaur + G M Durrani(?) + ChorusPuchch Rahe Ve Yaar Bibi Kaisi Hoti Hai Shaadi Ki Raat – Sarshar Sailani – S Mohinder

GM Durrani, Suriaya, Ojha & othrs – Teri zaalim nigahon ne humko ghayal kiyaNili – Surjit Sethi – S Mohinder

Khan Mstana, Mukesh and GM DurraniYah aaj ke Laila aur Majnu yun milkarPagle – Anjum Rehmani – BG Bhatkar (Snehal)

Khan Mastana, Talat Mahmood and MukeshKyun shikwa karein kyun aah bhareinPagle – Anjum Rehmani – BG Bhatkar (Snehal)

Surinder Kaur, Premlata, Asha BhosleAmbua ke ped suhaane kya kahein moseSabak DN Madhok – AR Qureshi


The Micro View of The Best Songs of 1950 @ Songs of Yore – Male – Male And Female – Female Duets


We continue with very interesting variations of Duets, as part of our journey through the ‘Best songs of 1950: And the winners are?

We have had a quite an extensive Tet-e-tat with Male-Female Duets of 1950. This is the year wherein we have quite a rich fare of Male-Male and Female-Female Duets.

Today we will first take up Male – Male Duets :

The first two are quite unique combinations, whereas Chitalkar pairs with Rafi to present very peppy numbers.

Mukesh + GM Durrani –

Aise Mein Koi Chham Se Jo Aa JaeHanste Ansoo – Shevan Rizvi – Ghulam Mohammad

Mohammad Rafi + Raja Gul –

Ek Chakkar Paon Mein Hai, Ek Chakkar Sar Mein HaiShadi Ki Rat – Sarshar Sailani – Pt. Gobind Ram

Chitalkar + Mohammad Rafi –

Kahnewale sach kah gaye hainNirala– PL Santoshi – C Ramchandra

Are Kismat Ka Sitara Chamka ….Sab Kuchh Deta Chhappar Fad Ke DetaSangeeta – P L Santoshi –  C Ramchandra

We then turn over to another very frequently used variation of the duets – Female- Female Duets

Lata Mangeshkar + Shamshad Begum –

Kas ke kamar ho jaa tayyaarSangram – P L Santoshi – C.Ramchandra

Trivia: (Boy) Shashi Kapoor and (Baby) Tabassum playfully grace the song.

Lata mangeshkar + Uma devi –

Na Jaane Kyon Ghabara Rahi Ho, Nazar Kuchch BahakiMaang – Prakash – Ghuam Mohammad

Lata Mangeshkar and Geeta Roy + Chorus

Panghat pe na jaiyo gori ghunghat utaar keRaj Mukut – Bharat Vyas – Govind Ram

Lata Mangeshkar and Amirbai Karnataki

Gore gore O baanke choreSamadhi – Rajendra Krishna – C Ramchandra

Lata Mangeshkar and Sarswati Rane

Jab dil ko sataye gham tu chhed sakhi sargamSargam – PL Santoshi – C Ramchandra

Tinak tin tani do din ki zindaganiSargam – PL Santoshi – C Ramchandra

Lata Mangeshkar + Raj Kumari –

Ham Aah Bhi Karate Hai …. Nazar Ne Loot LiyaWafa – Hasrat Jaipuri – Vinod

Geeta Roy + Meena Kapoor –

Maine Balam SeAadhi Raat – Rajendra Krishna – Hansraj Behl

Meena Kapoor sings the main song whereas Geeta Roy leads the chorus.

Geeta Roy + Suraiya

Preet ka nata jodnewaleAfsar – Narendra Sharma – S D Burman

Geeta Roy + Asha Bhosle –

Mausam Hai Namkeen Sanwariya , Aa Jaa ReBewee – Nazim Panipatti – Aziz Hindi

Geeta Roy + Zohrabai Ambalewali

Ek Taraf Jal Raha DeepakPreet Ka Gee – Shyam Babu Pathak

Mubarak Begum + Sulochana Kadam –

Sham Hui Aur deep Jale…..Aakash Pe Taare NaachengeBasera – Sardar Ilham – M A Rauf

(Combination of Mubarak Begum and Sulochana Kadam is one of the rarest ones. We could not find video / audio clip of this song. We trust by bringing up here, we will get the song also on internet platform someday.)

Raj Kumari + Lalita Deulkar –

Mora Bhola Sa Balma Re, Naahin Samajhe Hamare IshareKhamosh Sipahi – D N Madhok – Hansraj Behl


The Micro View of The Best Songs of 1950 @ Songs of Yore – Male Female Duets : Chitalkar and Other Male Singers with other female singers


We continue with the micro-review of Male Female Duets, as part of our journey through the Best songs of 1950: And the winners are?

Having already covered duets of Mukesh, Mohammad Rafi, Talat Mahamood and G M Durrani, today we will first take up Duets of Chitalkar with

                                                                                  Shamshad Begum

Dil mein kisi ke rahna ho to kiski ijaazat chaahiyeNirala – PL Santoshi – C Ramchandra

Next we take up some of the duet songs of other male singers

Madan Mohan + Shamshad Begum

Humse na dil ko lagana musafirAankhen – Bharat Vyas – Madan Mohan

Bahadur Shorabji Nanji (B S Nanji) + Mubarak Begum

Dekhoji Baat SunoBasera – M A Rauf

Khan Mastana + Sulochana Kadam

Ambuva Pe Koyal Kali Shor Machaye ReDushmani – Kuldeep Talwar – V Ramnath


The Micro View of The Best Songs of 1950 @ Songs of Yore – Male Female Duets : G M Durrani with other female singers


We continue with the micro-review of Male Female Duets, as part of our journey through the Best songs of 1950: And the winners are?

As of now we have already covered duets of Mukesh, Mohammad Rafi and Talat Mahmood.

Today we will take up Duets of G M Durrani with

                                                                                                   Geeta Roy

1. Humane Khai Hai Muhabbat Mein Jawani KasamDilruba – Shamshul Huda Bihari – Gyan Dutt

2. Nai Ek Duniya Basayenge HamJalte Deep – M A Taj – Sardul Kwatra

                                                                                                  Pramodini Desai

3. Chiraiya Udi Jaye Re ….. Dodo Dodo BabuDilruba – – Gyan Dutt

Shmshad Begum

4. Ham To Tere Dil Ke Bangle Mein Aana MangtaMagroor – Raja Menhadi Ali Khan – Bulo C Rani

                                                                                                Lata Mangeshkar

5. Aao Baitho Baat Soono, Kuchch Pyar Karen, Kuchc Ikraar KarenMaang – Sageer Usmani –  Ghulam Mohammad

                                                                                                Meena Kapoor

6. Meri Teri Teri Meri, Lad Gayee NazariyaShadi Ki Rat – Nazim Panipati – Pt. Gobind Ram


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