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I Liked Music from films

Songs of 1945 @ SoY :: Female Solo Songs – Khursheed | Kanan Devi

Solo Songs of Khursheed

Khursheed was name to reckon with in the 40s as an actree-cum-singer. We have her two films in 1945. Some of the songs do not have YT links.

Ambuwa Pe Koyal Bole, Sajana Jhula Ja Hindole Haule Haule – Moorti – Bulo C Rani – Pt. Indra

Aye Chand Na Nazar Lagana, Mera Chand Salona Hota Hai – Moorti – Bulo C Rani – Pt. Indra

Dil Jala Ke Bujha Di Jawani, Meri Ansoo Bhari Hai Kahani – Moorti – Bulo C Rani – Pt. Indra

Madmate Balam Madmate.. O Rasiya – Prabhu Ka Ghar – Khemchand Prakash – Pt. Indra

Madhuban Mein Radha Jhule Hindole – Prabhu Ka Ghar – Khemchand Prakash – Pt. Indra

Bansiwale Shyam, Bansurita Baja Ja – Prabhu Ka Ghar – Khemchand Prakash – Pt. Indra

Nadi Kinare Saanjh Sakare, Milate Rahiyo Pardesi – Prabhu Ka Ghar – Khemchand Prakash – Pt. Indra

Solo Songs of Kanan Devi

Kanan Devi was one of the Benagli actresses of Benagl who had carved her own niche in Bombay during ‘40s. We have her two films for 1945.

Koi Hamein Bata De, Kya Qasoor Tha Dil Ka – Ban Phool – Dhiren Mitra – Pt. Madhur

Chaman Mein Kaun Aya.Kaun Aya – Ban Phool – Dhiren Mitra – Pt. Madhur

Tu Sun Le Kahani….Aye Meri Munni… – Ban Phool – Dhiren Mitra – Pt. Madhur

Sawan Ki Badli Sab Ko Ek Rang Kar Dala – with chorus – Ban Phool – Dhiren Mitra – Pt. Madhur

Ab Chand Na Sharamaye, Mukhade Pe Chand Na Sharmae – Raj Laxmi – Dhiren Mitra – Suresh Chaudhari

MaiN Sharmayi Kyun Sharmayi Jab Paas The Wah Main Door Rahi – Raj Laxmi – Dhiren Mitra – Suresh Chaudhari

In the next episode, we will Micro View solo songs of Naseem Akhtar, Naseem Banu and Parul Ghosh for the year 1945.

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I Liked Music from films

The Micro View of Best Songs of 1946 @ SoY – Female Solo Songs – Khursheed, Kanan Devi

Solo Songs of Khursheed

Khursheed’s presence is in only one film in 1946, but that still provides enough evidence of her versatility.  Ram Ganguly’s composition present a mix of typical vitage era styles of orchestarion and singing, which suits Khursheed’s vocal cords.

Ban Mein Kali Koyal Boli Mere Man Ki Duniya Doli – Maharana Pratap – Ram Ganguli – Swami Ramanand

Hamari Gali Aana, Hamse AnkhiyaN Milana – Maharana Pratap – Ram Ganguli – Swami Ramanand

Achha Nahi Bhagwan GariboN Ka Satana – Maharana Pratap – Ram Ganguli – Swami Ramanand

Aayi Diwali DeeoNwali Gayein SakhiyaN O Pardesi – Maharana Pratap – Ram Ganguli – Swami Ramanand

Pagle Man Tu Ro Ro Kise Sunae – Maharana Pratap – Ram Ganguli – Swami Ramanand

Solo Songs of Kanan Devi

Kanan Devi appears in two quite opposite themed films, with Kamal Dasgupta as the common music director. As a result, we get to listen Kana Devi a=in a variety of tones.

Aaj Hui Hai Bhor Suhani Pahali Baar – Arabian Nights – Kamal Dasgupta – Faiyyaz Hashmi

HFGK does not mention singer for this song.

Koi Chale Kanto Pey – Arabian Nights – Kamal Dasgupta – Faiyyaz Hashmi

HFGK does not mention this song.

Kali Kisi Ki Muhabbat Mein Muskarati Hai – Arabian Nights – Kamal Dasgupta – Faiyyaz Hashmi

HFGK does not mention singer for this song.

Mujhe Sapane Se Kaun Jagaye – Arabian Nights – Kamal Dasgupta – Faiyyaz Hashmi

Main Dilwalo Ki Zindagi Hoon – Arabian Nights – Kamal Dasgupta – Faiyyaz Hashmi

HFGK does not mention singer for this song.

Amrut Ke Barsaiya More – Krishna Leela – Kamal Dasgupta –

Chanda Door Gagan Mein Bulaye  Aur Chakori Na PahuNch Paaye – Krishna Leela – Kamal Dasgupta

More Janam Janam Ke Saathi Tum Ho Apane – Krishna Leela – Kamal Dasgupta  – Faiyyaz Hashmi

Sawan Ki Rani Ayi Zulan Mein Liye Khushiyan – Krishna Leela – Kamal Dasgupta   Faiyyaz Hashmi

Tera Ghar Man Mera – Krishna Leela – Kamal Dasgupta

We will take up Micro View of Solo Songs of Naseem Akhtar and Paro Devi for the year 1946 in our next episode.

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I Liked Music from films

The Micro View of Best Songs of 1947 : Female Solo Songs – Khursheed, Noor Jehan, Kanan Devi

This is the last possible year when we can have Hindi (Bollywood) solos songs of these three classic vintage era female singer icons in a year, simply because Noor Jehan was to then migrate to Pakistan. Also, it was this year that Lata Mangeshkar has debuted as a playback singers for Hindi films. Lata went on to totally dominate the female playback singing scene by the turn of the decade, and has almost single-handedly scripted the history of Hindi film music. When all these characters have now been consigned to ‘have been’s, we are left with only question to continue to ponder over: What would have been the character of Hindi film songs had Noor Jehan not migrated to Pakistan?

At the cost of making the post a little linger, we have covered solo songs of these singers in one post, thereby according them a very special status.

Khursheed

Main Khoj Khoj Kar Haari, Prabhuji Aai Sharan Tihari – Aage Badho – Sudheer Phadake – Amar Varma

O Jhoom Jhoom Raha Hai Mera Man Dekho Jhoom Raha – Aage Badho – Sudheer Phadake – Amar Varma

Yah Duniya Pyari Pyari Re Wah Nai Nirali Duniya – Aage Badho – Sudheer Phadake – Amar Varma

Rut Basant Ki Aai – Angoorbala – Ram Gopal – Mr. Shyam

Jis Ke Milane Ki Tamanna Thi Wo Pyar Mil Gaya – Manjhdhar – Ghulam Haider – Shams Lakhanavi

Aaj Mohe Sajan Ghar Jaana, Balam Ghar Jaana – Manjhdhar – Ghulam Haider – Shams Lakhanavi

Thi Aaj Tak Mujhse Ye Haqeeqat Chuupi Hui – Manjhdhar – Ghulam Haider – Shams Lakhanavi

Naache Hai Man Mauj Magan Mein, Jyun Naache Hai Mor Chaman Mein – Manjhdhar – Ghulam Haider – Shams Lakhanavi

Duniya Char Dino Ka Mela, Mat Is Mein Kho Jaan Re – Mitti – Laal Muhammad + Paigankar – Nazim Panipati

Thokrein Khaayee Muhabbat Mein Pareshani Hui – Mitti – Laal Muhammad + Paigankar – Mahrool Qadari

Chhaai Kaali Ghata More Balam Akele Mat Jaiyo – Mitti – Laal Muhammad + Paigankar

These are the songs for which I have not been able to locate the YT link:

  • Taqdeer Mein Likha Hai Meri Thokare Khana – Aage Badho – Sudheer Phadake – Amar Varma
  • Jo Dil Mein Aae Kar Bande – Mitti – Laal Muhammad + Paigankar
  • Bharat Ke Rahanewale Hai, Darate Nahi Kisi Se – Mitti – Laal Muhammad + Paigankar

Noorjahan

Popular solo songs

Aa Ja Tujhe Afsana Judai Ka Sunaein – Mirza Sahiban – Pt. Amarnath + Husnalal Bhagatram – Qamar Jalalabadi

Other solo songs

Hamein To Sham-e-Gam Mein Katani Hai Jindagi Apni – Jugnu – Phiroze Nizami B A – Asgar Sarhadi

Aaj Ki Raat Saaz-e-Dil Purdard Na Chhed – Jugnu – Phiroze Nizami B A – Asgar Sarhadi

Tum Bhi Bhula Do Main Bhi Bhula Dun, Pyar Purane Gujare Zamane – Jugnu – Phiroze Nizami B A – Asgar Sarhadi

Umange Dil Ki Machali Muskarai Zindagi Apani – Jugnu – Phiroze Nizami B A – Asgar Sarhadi

Kya Yahi Tera Pyar Tha Mujhko To Inzaar Tha – Mirza Sahiban – Pt. Amarnath + Husnalal Bhagatram  – Qamar Jalalabadi

Kanan Devi

Panghat Pe Madhu Barsaye Gayo Re – Faisla – Anupam Ghatak

Asha Deep Jalayo Sajan – Tum Aur Main – Robin Chatterjee – Zakir Hussain

Awaz Di Hai Kisane Yeh Kaisi Pukar Aai – Tum Aur Main – Robin Chatterjee – Zakir Hussain

These are the songs for which I have not been able to locate the YT link:

  • Hum Tum Jo Gaate Hai Geet Suhana – Tum Aur Main – Robin Chatterjee – Zakir Hussain
  • Ae Mere Premi Ye To Kaho – Tum Aur Main – Robin Chatterjee – Zakir Hussain

In the next episode we shall take up Solo Songs of Other Female Singers and Lata Mangeshkar

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Carnival of Blogs on Golden Era of Hindi Film Music

Carnival of Blogs on Golden Era of Hindi Film Music – April, 2017

Welcome to April, 2017 edition of Carnival of Blogs on Golden Era of Hindi Film Music.

The first day of April is to make fun. We have picked up  a topical post to commence our present episode:

Some unique good good songs is an excellent presentation of songs that repeat words, so typical spoken style of Hindi language, e.g.

We will now take up the posts on the anniversaries or eulogies:

Then and now: How a ’40s movie star dealt with a bad marriage and prying eyes  -Kanan Devi broke off her short-lived marriage to Ashok Maitra after he objected to her career, thereby proving herself to be a truly independent spirit. – an excerpt with permission from Kanan Devi The First Superstar of Indian Cinema, Mekhala Sengupta, HarperCollins India.

Shamshad Begum with 3G, i.e. music directors Ghulam Haider, Ghulam Mohammad and Pt. Govind Ram,is a tribute to her on her 98th birth anniversary. The previous articles on Shamshad Begum @ SoY are available @ the tag Shamshad Begum.

The bit about Parveen Babi that you won’t find in the UG Krishnamurti biography – An outtake from the graphic novel by Nicolas C Grey and James Farley imagines the actress’s encounters with the philosopher. – Depicted here are the panels, which were not used in the final publication, the authors imagine the moment when Babi became a Krishnamurti follower – Reproduced with permission from This Dog Barking: The Strange Story of UG Krishnamurti, Nicolas C Grey and James Farley, HarperCollins India.

Yesterday’s Films For Tomorrow – It was but natural that legendary

PK Nair was a collector, a cinephile, a historian, an archivist, an evangelist, a teacher and a student of cinema

archivist and  ‘Celluloid Man’ PK Nair’s last wish was that his personal collection of books, journals and diaries be handed over the Film Heritage Foundation (FHF) to preserve after he passes on. Yesterday’s Films for Tomorrow was released recently in Mumbai to commemorate P K Nair’s 84th birthday.

Antara Nanda Mondal notes that this book is a remembrance of a person who was obsessed with not just the stories that cinema told, but with all its facets — the form, function and the ephemera of the moving image.

Peeyush Sharma pays tribute to K L Saigal with a journey through Saigal’s songs in Main Kya Janoon Kya Jadoo Hai: K L Saigal’s Magical Music .

‘KL Saigal’s Songs Started the Sugam Sangeet Revolution’ – In Conversation with Author Pran Nevile – Pran Nevile is the author of the authoritative book KL Saigal – Immortal Singer and SuperstarK.L. Saigal The Definitive Biography and the richly illustrated Nautch Girls of India: Dancers, Singers, Playmates.

After a successful career in the Indian Foreign Service and the United Nations, Pran Nevile turned to writing specializing in the study of Indian art and culture. His other books include Lahore – A sentimental Journey; The Raj Revisited; Love Stories from the Raj; Rare Glimpses of the Raj; Stories from the Raj – Sahibs, Memsahibs and Others; Beyond the Veil – Indian Women in the Raj and Marvels of Indian Painting: Rise and Demise of Company School.

In a conversation with Sundeep Pahwa in his Gurgaon home, Pran Nevile responds to a series of questions on K L Saigal drawn up by Peeyush Sharma and Sundeep Pahwa.

The April 2017 episode of Fading Memories, Unforgettable Songs was dedicated to Hasrat Jaipuri, recalling his songs for music directors other than Shanker Jaikishan. This post has covered songs from the beginning of his career till 1953.

Here are posts on other subjects as well:

Ten of my favourite ‘not-quite-duet’ songs aretechnically duets’: not songs in which both singers play an equal part in making the song what it is, but in which the ratio is somewhat skewed or in which one singer only hummed, while the other did the singing. E.g. Phir aane lagaa yaad wohi (Yeh Dil Kisko Doon, 1963): Interestingly, Yeh Dil Kisko Doon featured not one, but two, songs that were sung primarily by a man but had a woman pitching in occasionally to add another dimension to the song. In Kitni haseen ho tum, Asha Bhonsle sings half a line here, half a line there while Rafi sings the rest of the song. In Phir aane lagaa yaad wohi, however, the female singer (in this case, Usha Khanna) has even less to sing: all she sings is three words, repeated at intervals through the song: Pyaar ka aalam, while Rafi sings the rest of the song. It works very well in this dreamy dream sequence.

Here is a belated posting: Enchanting Salil Chowdhary  – Listen to 18 songs from Salil Chowdhary by clicking the link below. These songs are from the 1950s to early 70s and many of them feature brisk movements among notes and wonderful arrangements to create an enchanting experience: LINK TO PLAYLIST OF SALIL CHOWDHARY SONGS

Sound of Lollywood: An obscure movie has a hidden gem for qawwali fans – “Mere Paas Aao’ from ‘First Time’ is, by turns, spiritual and romantic and wholly enjoyable.

Sahir Ludhianvi’s ‘Woh Subah Kabhi Toh Aayegi’ finds new meaning in ‘Begum Jaan’ – A song written after 1947 aptly describes the condition of a newly independent India. –  The song Woh Subah Kabhi Toh Aayegi from Phir Subah Hogi (1958) appears in the climax of Begum Jaan, with the lyrics and context made relevant to the plot.

A Look at Some of The New Remixes of Old Bolywood Songs – Sharada  Iyer wades through remixed songs and their corresponding originals in this article.

Picture the song: When Amol Palekar grinned his way to success in ‘Ye Din Kya Aaye’ – The entire world of Basu Chatterjee’s ‘Chhoti Si Baat’ is contained in a six-minute musical interlude.

A pat of butter and a picnic basket of movie memories – This is written for the film section of the Amul India book, which you can get here.

A Ghulamm Mohd. Song – Ye Duniya Hai – Shair 1949 – Lata Mangeshkar, Mukesh

Ghantasala modulates the same phrase in several ways – ‘Emanene’ said in so many ways. As ‘barago’ says, once as question, then with anxiety, soothing and agitation.

Meethe Bol Bole, Bole Paayaliya – A Sparkling Jugalbandi of Music and DanceMeethe bol bole in Kinara is a beautiful sangam of classical excellence brought together by three maestros – the music of RD Burman, the lyrics and direction of Gulzar and the Kathak Nritya choreography of Gopi Krishna. Anand Desai and Antara Nanda Mondal explore the layers of musical delights and dance pieces hidden within this sparkling gem from Kinara, sung by Bhupinder Singh and Lata Mangeshkar.

We have taken the first step in our annual Micro View of Best Songs 1948 @SoY

We end our present episode with Dual Versions of the Same Song by Mohammad Rafi and Lata Mangeshkar – Sharada Iyer has presented 21 such songs with a small note for each song. I have picked up Mohammad Rafi’s version of Agar Bewafaa Tujhko Pehchaan Jaate…from an unheard film, Raat Ke Andere Mein (1969). The song is written and composed by Prem Dhawan

I trust you will always feel free to proffer your suggestions for making this series of posts more lively and informative….

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Carnival of Blogs on Golden Era of Hindi Film Music

Carnival of Blogs on Golden Era of Hindi Film Music – April, 2016

Welcome to April, 2016 edition of Carnival of Blogs on Golden Era of Hindi Film Music.

We will commence our present episode with My Favorites: Songs of Spring. The only restrictions placed in the selection of the songs were that the lyrics should actually mention the word ‘Spring’ in any of its synonyms – Bahaar. Basant. Vasant-  and that the picturisation should show some signs of the season, even if it only means that the song is picturised outside. This is why Aaya basant hai aaya from Subhadraharan (1964) or Dekho mausam kya bahaar hai from Opera House (1961) do not make it to the list. It’s also why Ketki gulaab juhi (Basant Bahar / 1956) is missing from this list, even though the lyrics describe the season so well. Here are some of the less heard songs from this list –

  • Bahaar aayi khili kaliyan  – Alif Laila (1953) – Lata Mangeshkar – Shyam Sundar – Sahir Ludhianvi
  • Aayi bahaar hai  – Hamari Shaan (1951) -Kishore Kumar, Shamshad Begum – Chitragupt – Raja Mehdi Ali Khan
  • Din suhane mausam bahaar ka  – Poonam (1952) – Lata Mangeshkar – Shankar Jaikishan – Shailendra
  • Shaam-e-bahaar aayi Shama Parwana (1954) – Mohammed Rafi, Suraiya – Husnlal Bhagatram – Majrooh Sultanpuri
  • Aayi jhoomti bahaar –  Insaniyat (1955)  – Lata Mangeshkar, Talat Mehmood – C Ramchandra

I have also added one from my side –

We now move over to our regular Anniversaries section.

Lalita Pawar: The Dominating Matriarch And Scheming Manthara – A tribute to the prolific Indian actress, with some interesting anecdotes on her life and times By Niilesh A Raje on her 100th birthday .

Lalita Pawar - in 1940s

Before she met with a freak accident in 1942, Lalita Pawar- born Amba Laxman Rao Sagun on 18 April 1916 – used to play the lead roles.

We have one song from a 1938 film. The clip does not have the original soundtrack with video, but the video uploader, Shalin Bhatt has filled in the gap with some rare images of Lalita Pawar

Sakhi Prem Sudhaa Bharne Aayi – Duniya Kya Hai (1938) – Music: Anna Saheb Mainkar .

Big FM had a Lalita Pawar Birthday Special

The Swar Kokila Kanan Devi – A tribute to Kanan Devi (22 April 1916 to 17 July 1992) on her birth centenary – Here is pip into her well-known and not-so-well-known songs –

On Mac Mohan’s Birthday, Remembering Sholay’s Forgotten Villain – Khalid Mohamed completes the whole picture of Mac Mohan’s persona.

Shamshad Begum’s songs by OP Nayyar is a tribute to Shamshad Begum (14 April 1919 – 23 April 2013) on her 97th birth anniversary. The back-to-back posts on Shamshad Begum’s songs by Naushad and C Ramchandra last year there was inevitably a reference to OP Nayyar as he is the third member of the trinity which made the greatest contribution to her. To this list we can expect Hansraj Behl in the future who has77 Hindi songs (solos and duets), and 50 songs from Punjabi films. Shamshad Begum’s songs by SD Burman had been presented under the title East meets West. Here are some of the less heard ones –

‘Jo Bhi Ho Tum Khuda Ki Kasam, Lajawab Ho’: Remembering Shakeel Badayuni By Peeyush Sharma – One rare feat (for those times) that gets associated with Shakeel is his hat-trick of Filmfare Best Lyricist Awards in the years 1961, 1962 and 1963. Forty six years ago, on 20th April, lyricist, poet, shayar, Shakeel Badayuni breathed his last owing to diabetes related complexes. He was just 53 years old

Two of his great ghazals, rendered by Begum Akhtar

Silsila Khatm Na Hoga Mere Afsaane Ka: Shakeel Badayuni, a Tribute – Pavan Jha – He sang his own song in Paak Daman (1957)

We now take a look at posts on other subjects –

Simple melodies of Ravi would normally have dominance of santoor and flute in their orchestration. In most of the cases, the lyrics came first and the tune later. Please enjoy 24 of his lovely songs from LINK TO SIMPLE MELODIES OF RAVI.

Ten of my favourite funny songs is a list of ten songs that are actually funny, funny because of the lyrics, the rendition, the picturization—whatever (in some stellar instances, all of the above). These may not be songs that make one laugh out loud, but they are songs that always make you smile rather more widely than usual.

We have picked up a couple of less heard songs

How Bhupinder Singh blends the ghazal with the guitar – Bhupinder had a tough call to take: should he be behind the microphone or strum a guitar? Having both wasn’t going to be easy. Some of Rahul Dev Burman’s greatest songs, including “Dum Maro Dum” (Hare Rama Hare Krishna, 1971), “Chura Liya Hai Tumne” (Yaadon Ki Baaraat, 1973) and “Mehbooba Mehbooba” (Sholay, 1975) were backed by Singh’s musical fingers. Singh has a formidable body of work in film music, having sung for over 50 films. “Dil Dhoondta Hai” (Mausam, 1975), “Naam Gum Jayega” (Kinara, 1977), “Karoge Yaad Toh” (Bazaar, 1982), “Kisi Nazar Ko Tera Intizaar”(Aitbaar, 1986), “Baadalon Se Kaat Kaat Ke” (Satya, 1998) are just a few of his most popular songs, but the ones that need to rediscovered, like the man himself.

‘In Aradhana, Sachin Karta Gave Me My Life’s Biggest Hit’: In Conversation with Shakti Samanta By Peeyush Sharma -In this never-published-before interview, Shakti Samanta recalls the superlative and everlasting music that became the hallmark of his films.. Shakti Samanta made four films each with O P Nayyar, Shankar Jaikishen and S D Burman. With R D Burman, he did the maximum number of films – 11 in Hindi plus four more in Bengali. Three of his films were with the famous Bengali singer-composer Shyamal Mitra and two each with Ravi and Ravindra Jain.

The post has several very-well songs. I have located one which is not much heard.

Dekho Dekho Jee Balam  – Bahu (1955) – Geeta Dutt, Talat Mahmood – Hemant Kumar – S H Bihari

Kite (Patang) Songs  is a result of several factors that happened in the background. To us what matters is the outcome –

Hindi film songs in SwahiliManish Gaekwad – Taarab, a fusion of Indian, Arabic, and African sounds popular on the Swahili coast of Southeast Africa, has a special place for Hindi film music. Traditionally sung in the Swahili language at weddings and social gatherings, Taarab songs weave several themes into the lyrics, including romance and politics…… There are over two dozen of these songs on YouTube – yet another instance of the phenomenal popularity impact of Hindi film music beyond its traditional markets.

Nutan on the sets of Laila Majnu (November, 1953)

Costumed as Laila, the youthful Nutan signs autographs for fans who visited the “Laila Majnu” set
Costumed as Laila, the youthful Nutan signs autographs for fans who visited the “Laila Majnu” set

Madhubala Goes Chinese (January, 1957) – Members of the Chinese Women’s Delegation dropped in on madhu bala-chinesethe sets of Om Prakash’s – whom most of us know as a veteran comedian and character actor –  “Gate­way of India” the day they arrived in Bombay. Madhubala welcomed them cordially and is seen chatting with two of the members.

Om Prakash entertained the Delegation to the screening of a special Chinese song-and-dance number filmed for “Gateway of India”. – Chal Mere Dil Ke Udan Khatole Udata Ja Tu Hole Hole  – Mohammad Rafi – Madan Mohan-  Here Madhubala, Bhagwan and a party of Chinese children dance together.

Madhubala – The Biggest Star in the Worldby David Cort for Theatre Arts – August, 1952 – The actress, born Mumtaz Ataullah in Delhi in 1933, with the greatest following, in numbers and devotion, is not to be found in Hollywood, but on the opposite side of the planet — in Bombay, India.

Poster of 1951 film 'Badal', based on Robin Hood theme
Poster of 1951 film ‘Badal’, based on Robin Hood theme

‘Badal’ was quite successful. Most of the songs of the film also had done well. We will take up one of those for the records

Do Din Ke Liye Maheman Yahan – Badal (1951) – Lata Mangeshkar – Shanker Jaikishan

Two Timir Baran songs

We end our present episode with a posts/ articles that cover Mohammed Rafi, from a wide-ranging point of views –

When Dev Anand lent his voice to a Mohammad Rafi song –This is an article that was published on 4-12-2011 – ‘Hurray Hurray’ @0.08  in the song Pyar Mohabbat Ke Siwa Ye Zindagi Kya Zindagi,(Pyar Mohabbat1966Mohammed Rafi, Asha Bhosle – Shanker Jaikishan)is recorded in Dev Anand’s voice. According to some reports, Dev Anand had also lent his voice to another Rafi song from Kala Bazar (1960) – Sooraj Ki Jaise GolayiS D Burmanby adding ‘Om dhan hai namah’ and ‘Hari dhan hari dhan’ @4.52.

Philatelic Tribute to Great Legend – Mohd Rafi

Rafi 30001

An Open Letter to Rafi Demeanors – J.K. Bhagchandani – The post is a point-to-point rejoinder to the contention that Mohammed Rafi did not have natural pain in his voice for sad songs and he has to bring in sobbing effect to infuse the right impact. The author of the post strongly states that it is not only sad songs that he has provided us with different shades/ sub-genres but almost all genres of songs sung by him have that diversity factor

I look forward to receive your inputs for further enriching the contents of the posts…..

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Carnival of Blogs on Golden Era of Hindi Film Music Music from films

Carnival of Blogs on Golden Era of Hindi Film Music – July 2013

Welcome to July 2013 edition of Carnival of Blogs on Golden Era of Hindi Film Music.

Incidentally, we have several pairs of articles on each of the subject in this edition.

“Luck very rarely smiled on Madan Mohan in terms of hit films. He always composed great music for “B” type movies which did not do well at the box-office. The music was always heavenly. Three such examples are Anpadh (1962), Jahanara (1964) and Sharabi (1965). A great composer who deserved lot more than the single National Award he won for the composition of Dastak’s song.  14th of July was the anniversary of Madan Mohan.”# Shri Shrikant Guatam, in his regular weekly column in Janmabhoomi Pravasi’s “Madhuvan” supplement, has presented “successful songs of Madan Mohan in unsuccessful films”. Among the films he has chosen for this article, we pick up “Dulhan Ek Raat Ki”, which has been reviewed by Shri Ashok Dave @ his blog-post. (Both articles are in Gujarati.)

The outstanding Madan Mohan “Dulhan Ek Raat Ki” (1966) gems which went on to become (and are) popular with critics and fans are:

Ek Haseen Shaam Ko Dil Mera Kho Gaya – Mohammad Rafi

Maine Rang Li Aaj Chunariyaan Tere Rang MenLata Mangeshkar

Aapne Apana Banaya Meharbani Aapki– Mahendra Kapoor, Lata Mangeshkar

And Madan Mohan vintage song – Sapno Men Mere Tum Aao To So Jaaun – Lata Mangeshkar

And here are songs where Madan Mohan continued to dare with experimentation while blending his distinct style:

Kai Din Se Hai Bekal, Ai Dil Ki Lagan Ab Le Chal – Lata Mangeshkar

Hamaar Kaha Maano, O  Rajaji – Asha Bhosle, Usha Mangeshkar

Kabhi Ay Haqueekat-e- Muntazir, Nazar Aa Libase – A Quawali – Lata Mangeshkar and Chorus

Zindagi Hai Dulhan Ek Raat Ki – Bhupinder

Ghayal Hiraniya Van Men – Bhupinder

Kisi Ka Kuchh Kho Gaya Hai, Jiski Shay Hai Woh Aake – Mohammad Rafi

And, a bonus find, thanks to YT, Paiyaan Padungi – Lata Mangeshkar

#Old Classic Hindi Songs has songs of Madan Mohan on this special page.

Geeta Dutt Anniversary also falls in [20th]  July. “Songs of Yore” paid a tribute by way of Geeta Dutt’s best songs by SD Burman. The article has a link to the list of Geeta Dutt’s (around) 70 + solos, composed by S D Burman @ The Legendary Nightingale.. Geeta Dutt . To this Old Classic Hindi Songs has gone on to add several songs of Geeta (Roy) Dutt that were previously posted, again under a separate heading, towards the bottom part of the separate page.

In  a rare tribute to Kanan Devi, to “Dances on Footpath”’s Seven Beautiful Songs with Kanan Devi, Who Lived April 22, 1916 to July 17, 1992. We have a rich supplement of previously posted songs of Kanan Devi, by Old Classic Hindi Songs, grouped under a separate heading, listed towards the bottom of the separate page below Madan Mohan’s songs. Click here for Kanan Devi’s songs.

Pran - The Legend…And Pran” (Kishan Sikand), The Villain of Hindi Screen, and an equally transformed ‘character actor’ in his second innings, agreed to call “The End”. “Dusted Off” vividly narrates Pran Saheb’s multi-faceted commanding presence on the screen in Pran: In Memoriam . We choose to remember his Dil KI Umange Hai Jawan from Munimji. In a pairing tribute, “Filmi Geek”’s Thank you, Pran saheb, and value-adding discussion thereat, also present Pran Saheb’s songs, one of which narrates  a “song from “’Rahu Ketu’ (1978) , picturized on PremNath and Pran. They are singing to each other, and it is a qawwali. –Main hoon tera Prem and Main hoon tera Pran, probably one of a kind song in the Indian Film history, wherein two characters sing using their own professional a.k.a. real name.”

We take the opportunity to recall Shrikant Gautam’s article in his regular column in ‘Madhuvan’ supplement of Janmabhoomi Pravasi on the occasion of  Pran Saheb being decorated with (a highly belated) Dada Saheb Phalke award.[Blog Carnival’s  April 2013 Edition].

Dances on The Footpath’ presents seven of Anil Biswas songs in Happy Birthday, Anil Biswas!, to which we have a paired brief sketch of Anil Biswas along with this video clip by  IMIRZA777.

An now we move on to a pair of articles on [or is it “in”?] 1953 – Songs of Yore, continuing the trend initiated last year – with the songs of the year 1955, has mesmerizingly thrown the gauntlet to pick up Best songs of 1953: And the winners are?. The post has generated one of the highest numbers of discussion “comments”, wherein SoY readers have expressed views on quite a wide horizon of their choices. To which Dances on The Footpath presents us an intertwined comparison of films ‘New Delhi (1956) with ‘Dupatta’ (A 1952 Pakistani film) with reference to the character enacted by Sandhya in V. Shantaram’s film Teen Batti Char Rasta (1953), in a 2009 post. The song that epitomizes the discussion is: Akhiyan hai yeh roop ki pyasi – Lata Mangeshkar, music direction by Shivram Krishna.

Teen Batti Char Rasta has a very unique multilingual song, rendered by different singers to the music composed by different music directors. Among the languages represented therein, we would, obviously, choose, the Gujarati piece @  – 4.00, rendered by Asha Bhosle for which Avinash Vyas composed the music. Here is the ‘original’ song Chaanu Re Chhapanu Kain Thay Nahin ( You can to do dream secretly)  – also rendered by Asha Bhosle on Avinash Vyas’s composition.

And how can we have month of an active monsoon without posts of monsoon songs? Dusted Off has penned Ten Memorable Rain Scenes. We have a pairing post by ‘Let Us Talk Bollywood’- Baarish (1957) no rain, but drenched in beauty and fun.
We have paired posts, too – Sunahari Raaten’s Baarish (1957) and Sharmi Ghosh Dastidar’s Raw appeal (Baarish). These three reviews collectively present us songs from the film: Yeh muh aur daal masoor ki; Dane dane pe likha hai;     Zulf hai;    Kehte hai pyaar jisko ;sad version Kehte hai pyaar jisko;  Phir wohi chaand;  Hum toh jaani pyaar karega and Mr. John ya Baba Khan ya lala Roshanadan.

We have two quite unique posts, emanating from Dusted Off’s post mentioned here above – Bollywood Food Club’s Johnnie Walker in Bollywood   and Apni East India Company’s Bolly Chandeliers. The former presents Johnnie Walker bottle and the latter one presents Chandeliers in our Hindi Films.

We have some excellent posts on Mohammad Rafi this month.

Vijay Bavdekar, Nagpur has painstakingly recalled Rafi’s Ever Remembered Songs Composed By Less Remembered Music Directors.

Ashok Dave, in his review (in Gujarati) of Baiju Bawra (1952) presents raagmala, in which  Mohammad Rafi is in his elements, which has following classical music pieces:

(1) Raag Lalit: Piyu Piyu Re Karat Hai Papiha, Ab Kaho Kaise Raakhun Jiya….

(2) Raag Gaud Malhar: RoomZoom Badariya Barase, Un bin Mora Jiya Tarase

(3) Raag Puriya Dhanashri:  Ajab Tori Prabhu Aan Baan Dekhi, Baag Men Ban Me Neelgagan Men, Dekhat Hun Teri Shan.

(4) Raag Bageshri: Hay Ri Ai Kaise Main Ghar Aaun Mitwa, Tumre Jiyara Baat Chalat Mose Roke Daro Thagawa

Rajiv Nair presents Relationship between Mohammed Rafi saab and Mahendra Kapoor. The post has refrences to – Mahendra Kapoor’s award – winning song @ the Metro Murphy All-India singing competition (1957): Ilaihi koi tamanna nahin,  “composed by Rafi saab for the competition” and  the song Mohammad Rafi called up to share with Mahendra Kapoor :“Tum Jo Mil Gaye Ho (Hanste Zakhm, 1973) by composer Madan Mohan. Dad cried and so did Rafi saab, such was the melody and the mood.”

I am quite sure listening to each of the songs that present edition of this Blog Carnival is as much sheer joy, as it was to me in listening and compiling here!

Did I miss any major blog post or an article here? Do let me know, so as to widen the reach of this Blog Carnival.