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I Liked Music from films

The Micro View of Best Songs of 1946 @ SoY – Female Solo Songs – Other Singers – 3

The part 1 and Part 2 of the Solo Songs of Other Female Singers for the year 1946 had captured the singers who are visible mostly in one or two films only.

The following set of solo songs is the penultimate tranche of female solo songs for the year 1946. The distribution pattern of the singers and their songs seem to follow the classic Long Tail pattern.

I have simply relied on the availability of the song on YT from among the ones or twos that could be sen scattered in the HFGK database. Barring a very few that I could take to like, documenting all other songs here appears more an exercise for the academic study, but certainly worth its while when you listen to the songs, at least once. And, if they do not sound palatable enough even then, that is the fault of our limited knowledge of the songs and the music of the vintage era.

Solo Songs of Shanta Apte

Shanta Apte was a well-known name in Marathi films. She has acted in a few Hindi films as well, where she rendered her own songs off-the-screen too.

Solah Singar Main Sajaungi – Panihari – S N Tripathi

Charon Aur Andhera, Beech Bhanwar Mein Dagmag Naiya – Subhadra – Vasant Desai – Moti B.A.

Aaj Mori Naiya Kinare Lagi, Asha ki Bel Meri Phooli Phooli – Valmiki – Shankar Rao Vyas – Mahesh Gupta M A

Saraswati Rane

Dekho Ri Sakhi PhooloN Se Phooli Dagariya – Valmiki – Shankar Rao Vyas – Mahesh Gupta, M A

Raag Dwesh Ko Chhod Ke Manwa Gyan Ki Jyoti Jaga Le – Valmiki – Shankar Rao Vyas – Mahesh Gupta, M A

Lalita Deulkar

O Rani….Rani Dheere Dheere Chalo Na Kamar Balkhay – – Valmiki – Shankar Rao Vyas – Mahesh Gupta, M A

Anima Dasgupta

Aankhon Ki Roshani Hai Dil Ki Yeh Chandani Hai – Arabian Nights – Kamal Dasgupta – Faiyaz

Shobha

Jab Dard Ka Kissa Ham Duniya Ko Sunate Hai – Circus King – J Abhyankar, Nagesh Rao – M Rajiuddin

Jyoti

Kisi Ki Yaad Sataye Balam Kiski Yaad Satae – Saathi – Gulshan Sufi – Wali Sahab

Mumtaz Shanti

Ab Zuban Pe Taale Na Dalo – Dharati Ke Lal = Pt. Ravi Shankar –

Radharani

Kya Saath Hamara Aur Inaka, Masroor Hao Woh – Laaj – Ramchandra Pal – Sagar Nizami

YT clip mentions Shamshad Begum as the singer. However the following song does show Radharani as the singer, and as she hereself has rendered her own song for the film, it would be safe to assume that singer is Radharani.

Chhayi Hui Hai Duniya Pe Abhi Raat Hai, So Ja – – Laaj – Ramchandra Pal – Sagar Nizami

Iqbal Bano

Ummeedo Par Jawani Aaj Laharai – Rehana – Qadir Faridi –

Snehprabha Pradhan

Sawan Ki Badariya Roti Hai Badariya – Salgirah – Bulo C Rani – Wali Sahab

Baby Anu

Chanda Mama Ne Amrood Churaya Re, Chori Chori Akele Hi Khaya Re – Phoolwari – Hansraj Behl – Pt. Indra

Baby Mumtaz (Madhubala)

Bhagwan Mere Gyan Ke Deepak Ko Jala De – Pujari – Hansraj Behl – Wali Sahab

We will conclude the Micro View of Solo Songs of Other Female Singers for the year 1946 with Solo Songs of Geeta Roy and Lata Mangeshkar in our next episode.

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Carnival of Blogs on Golden Era of Hindi Film Music

Carnival of Blogs on Golden Era of Hindi Film Music, June 2019

Welcome to June 2019 edition of Carnival of Blogs on Golden Era of Hindi Film Music.

We will open the present post with the birthday celebration of SoY –  Songs of Yore completes nine years by sharing some exceptional songs the author came across in the year that was. Here is the one for the quick view –

Diwana Kah Ke Logon Ne Aksar Mujhe Bulaya HaiMajboor (1964) – Mahendra Kapoor and Lata Mangeshkar – Kalyanji-Anandji – Anand Bakhshi,

Google Doodle on 87th birthday of Amrish Puri

Memories of Mogambo: Little-Known Stories About the Legendary Amrish Puri – by Ananya Barua – From a lecherous villain to a sphinx-faced guardian of morality, Amrish Puri’s ability to intimidate remains unmatched in Bollywood. But did you know that the talented thespian once worked as an insurance agent?

And now we pick up tributes and memories:

Girish Karnad –

    • The untold story of Girish Karnad – Girish Karnad did not create a spectacle out of his death. He had scripted it that way. …This was not totally unexpected. It was in keeping with Karnad’s unsentimental public persona, and a certain rational, pragmatic pursuance of life, all through its eight decades.
(Photo: India Today Group/Getty Images)
    • Girish Karnad, the Renaissance man of Indian culture, dies at 81Salil Tripathi – A playwright, actor, aesthete and classicist, Karnad delved into tradition to understand and explain modernity – The characters Karnad played were progressive, not radical; some of those characters were morally flawed and compromised. Life was not about absolutes; Karnad understood that as human condition. But his commitment to integrity was absolute.
    • Storyteller With A Cause – Girish Karnad – While Girish Karnard’s capability as an actor is well acknowledged, he also emerged as a very impactful storyteller through his art of combining underlined message with an alluring storyline and simultaneously writing award winning books too. Kalpana Swamy recounts one such unusual work of his is 1992 multiple awards winning film Cheluvi, starring Sonali Kulkarni

Actress-singer Ruma Guha Thakurta passes away on 3rd June,2019 at age of 84. After making her silver screen debut with Hindi film Jwar Bhata in 1944, Ruma Guha Thakurta, a niece of filmmaker Satyajit Ray, went on to star in Bengali movies. Apart from acting, Ruma was a popular playback singer too.

70 years of Shankar-JaikishnanRajgopal Nidamboor – Melody was S-J’s complete existence…The power of their melodies evokes a distinctive feeling, replete with that perpetual velvety touch…There is that innate sense of transcendent particle running through their compositions.

Ilaiyaraaja: Music is more like a spiritual seeking that takes one to unknown levelsS Subhakeerthana – Ilaiyaraaja, who turns 76, gets talking about his early years as a music director and why his tunes have a unique space in the hearts of both commoners and connoisseurs.

Ten of my favourite Rajendra Krishan songs are presented to mark the birth centenary of the lyricist.

Remembering a Forgotten Singer! – Lalita Deulkar – Her voice had the typical tone of vintage era and it was eloquent. Her Hindi pronunciation was also good, if we consider her pure Marathi background and that she had not taken much formal training in music. Her voice could express any emotion very easily and very effectively. If she had continued her singing career, we would have got more opportunities to listen to her songs of different genres.

Hemant Kumar’s duets with ‘other’ singers is a tribute to mark 99th birth anniversary of the music director -singer – While Lata Mangeshkar personified melody and sweetness with Hemant Kumar, the ‘other’ singers brought their own unique verve and joy, and combining with his deep melodious voice created a different kind of charming effect. Illustrative songs from this list:

Ye Mast Nazar Shokh Ada Kiske Liye Hai – Bandi (1957) – with Geeta Dutt – Hemant Kumar – Prem Dhawan

Ye  Pyar Bhara Dil Hai Mohabbat Ka Khazana  – Yahudi Ki Beti (1956) – with Asha Bhosle – Kamal Mitra – Kaifi Azmi

Shailendra Sharma @ Golden Era of Bollywood has posted following memorial tribute posts:

The Super Hits and the Forgotten Gems: 50 Years of Bappi Lahiri – One tends to overlook the many achievements of the composer Bappi Lahiri, overshadowed as they have been by his ‘Tathaiyya, tathaiyya’ brand of cacophony, his infamous penchant for gold jewellery and his heavily accented Bengali voice. Shantanu Ray Chaudhuri revisits the top 5 bona fide hits (of the many of Bappi Lahiri’s illustrious career) and 5 of the best songs that people have forgotten he had composed.

“Mai Jaan Gayi Tujhe Saiyan”- Kammo, whose first name is Kamarjehan . She got her first chance as solo dancer in Sindabd The Sailor (1952) song Jis Roz Se Hamne Tera Deedar Kiya (Music: Chitragupta- Lyrics: Shyam Hindi). She went on to work for over 60 films in her two decades long career.

RIP, Queen Harish (the World-Famous Rajasthani Folk Artist and “Dancing, Whirling Desert Drag Queen” Who Also Posted Comments on This Blog Close to Twelve Years Ago)He was an enhancer of life; investing his heart and soul into every move,” says writer and historian William Dalrymple, who loved watching Queen Harish perform.

June, 2019 episode of Fading Memories, Unforgettable Songs takes up. Dattaram – Haal-e-Dil Hamara Jaane Na.. Ye Bewafa Zamana.  This in continuation to the previous article in 2018 wherein we had covered Dattaram’s songs from 1957 to 1959

And, now commence the posts on other subjects.

The Navketan Ladies – If Dev Anand portrayed characters were mostly those on the fringes of urban society, intrinsically decent, but flawed, morally grey, human, the leading ladies of Navketan were fully fleshed-out characters; they might be the keepers of his characters’ conscience or the beacon of hope, but they got to live finely nuanced lives on screen. Nearly all the heroines in his films were strong, independent women.

The Classical Music Giants contribute to Hindi Cinema – Part I deals with the composers, who originally were related to classical music as a popular instrumentalists or classical vocalist and Part II looks at the contribution of classical vocalists to Hindi films, as a playback singer.

Ten of my favourite tree songs lists the songs with two primary conditions – the tree should be named in the first two lines, and, one song from one species of the tree only. Here are a couple of illustrative songs:

We had covered first and second part of the three-part dissertation  Chorus Songs in the Hindi Films of Yore. The third part concludes the three-part thesis on chorus songs with the Golden Decade of the 1950s.

Ab Ke Burmans Sawan Mein – The Burmonsoon Songs – Sudheer Kulkarni recollects monsoon songs of SD-RD father son duo.

Flashback series:

    • why you should watch Basu Chatterjee’s Sara Akash – Because it helped bring in a New Wave. And shows a glimpse of what the “Middle Cinema” could have looked like, for bringing formal inventiveness to a story that could have been made into a sweet little tele-drama, because it’s an adaptation of an important Hindi novel – and for a look at the inner life of a young man who has no idea what he wants, for Mani Kaul as an actor – playing almost a dialogue-less role of the elder brother.
    • Reasons to watch the anti-war film Aman (apart from the Bertrand Russell cameo) – Because it’s one of the oddest films of its time, combining surface gloss with a serious, compassionate look at the horrors of nuclear war, For a (possible) glimpse of the teenage Naseeruddin Shah – one of the extras walking alongside a large funeral procession at the end, if only one could spot him!

The continuing story of Kamini Kaushal  Uday Bhatia The 92-year-old actor appears in a small part in ‘Kabir Singh’

Bicycles and Bollywood Songs – Part 1 and Part 2Aditi Thakur relives the delights of bicycle rides in Hindi film songs, like, Kaise Bheege Bheege – Apna Ghar (1960) – Mohammad Rafi, Suman Kalyanpur – Ravi – Prem Dhawan

Following the overview article, Best songs of 1946: And the winners are?. , we have also rolled out The Micro View of Best Songs of 1946, beginning with Male Solo songs. Having covered Mohammad Rafi, Mukesh, Manna Dey, G M Durrani and Ashok Kumar till now, presently we have taken up solo songs of K L Saigal and then wound up the micro view of male solo songs with MY top Male solo songs. Best Songs of 1946 – Wrap up 1 has gone on to select K L Saigal as the Best Male Singers for 1946 for his three songs Gham diye mustaqil/ Jab dil hi toot gaya/ Ae dil-e-beqaraar jhoom.  I have collected all the posts for Male solo songs @ Male Solo Songs  for ease of reading and downloading.We have then commenced micro view of Female Solo Songs for 1946 with Suraiya and Shamshad Begum, Part 1.

To end the present post with a few songs of Mohammad Rafi, each one of which basically has a link with the topics discussed in the present post, we have picked up:.

More Raja Ho.. Le Chal Nadiya Ke Par – Nadiya Ke Par (1948) – C Ramchandra –

Masoom Chehra Ye Qatil Adayein Ke Bemot Mare Gaye Ham Bechare – Dil Tera Diwane (1962) – With Lata Mangeshkar -Shankar Jaikishan – Hasrat Jaipuri

Mere Junglee Kabutar – Ek Kali Muskayi (1968) Madan Mohan – Rajendra Krishna

Iss Vishal Dharati Par Chahe Rahein Kahin Ham Sathi – Love in Canada (1979) – with Hemant Kumar  – Hemant Kumar – Yogesh

Congress Ko Vote Do – NFS – Shankar Jaikishan – Kazi Saleem

This song was recorded for All India Congress Committee, New Delhi.

I earnestly solicit your inputs for further broad-basing our cache for the content for our carnival of blogs on the Golden Era of Hindi film music.

Disclaimer: This monthly series of posts is my best-effort-based compilation of posts on Hindi film songs that I normally visit regularly. As I record my sincere thanks to all the original creators of these posts, any other posts that I have nor covered herein shows my lack of awareness of existence of such posts and is by no means any disrespect to their work. The copyrights to the posts, images and video clips remain the properties of the original creators.

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I Liked Music from films

The Micro View of Best Songs of 1947 : Female Solo Songs – Other Female Singers and Lata Mangeshkar [4]

Lalita Deulkar

Lalita Deulkar (1925-2010) did enter Hindi Film World as an actress, but will be certainly remembered as a major female plyabck singer of the vintage era. She has provided playback for the songs in over 60 Hindi Films.

Mandir Suna Deep Bin, Naiya Bin Patwar – Bhakta Druva – Shankar Rao Vyas – Pt. Indra / Moti B A (?)

Gao Badhai Ri, Suhagan Aangan Aai – Bhakta Druva – Shankar Rao Vyas – Pt. Indra / Moti B A (?)

Meri Nao Padi Mazdhar, Paar Karo Na Karo – Bhakta Druva – Shankar Rao Vyas – Pt. Indra / Moti B A (?)

Bhajan Ke Din Do Char Re Janam Maran Tu Sudhar Re – Bhakta Druva – Shankar Rao Vyas – Pt. Indra / Moti B A (?)

Mera Deepak Jug Jug Jale, Jug Jale, Prakash Failae – Bhakta Druva – Shankar Rao Vyas – Pt. Indra / Moti B A (?)

Chor Aa Gaye Nagariya Hamar, Nanad Jara Jaagana – Saajan – C Ramchandra – Rammurti Chaturvedi

Sharda Ganguli

Tum Raja Ho, Tum Raja Ho, Hargiz Kisi Se Na Darna – Bhakta Dhruv – Shankar Rao Vyas – Pt. Indra, Moti B A (?)

Mohanatara

Prabhu Apani Zalak Dikhao, Mohe Adbhut Roop Dikhao – Bhakta Dhruv – Shankar Rao Vyas – Pt. Indra, Moti B A (?)

Tum Mein Bhi Woh, Ham Mein Bhi Woh, Tum Tum Nahim Ham Ham Nahi – Bhakta Dhruv – Shankar Rao Vyas – Pt. Indra, Moti B A (?)

Main Parbat Khadi Pukarun, Balamwa Aa Re – Woh Zamana – Bulo C Rani – Pt. Indra

Jeevan Ka Mol Hua Anmol, Jai Swadesh – Woh Zamana – Bulo C Rani – Pt. Indra

N.B. We have not included songs fro which audio /video digital links could not be established.

We will conclude the Micro View of Solo Songs of Other Female Singers and Lata Mangeshkar for 1947 in our next episode.

 

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I Liked Music from films

The Micro View of the Songs of 1948 @ SoY – Female Solo Songs – Other Female Singers

We have so far covered Suraiya, Geeta Roy, Shamshad Begum, Raajkumari and Surinder Kaur in our Micro-View of Female Solo Songs of 1948. These are the female playback singers who had fairly extended tenure during the (so-called) Golden Era of the HFM – the period from’50s till ’60s (or some cover even mid’70s.).

We have observed that even as these singers had quite a remarkable quantitative share of the songs, the songs which did remain well-known even in the Golden Period were really very few.

With this disclaimer of my personal bias, I decided to curtail songs of other female playback singers into one post. Hence, I have chosen one song of these ‘other’ female singer each. Even the, the list is fairly large. Most of these singers have had three to more than 10 songs in their account of 1948. So collectively they form what statisticians would call a very dominant tail of normal distribution curve.

Ameerbaii Karnataki – Taqdeer Ne Hansa Ke Hamein Phir Ruladiya – Shehnaz – Ameerbai Karnataki – Dukhi Premnagari

Dilshad Begum Jawani Pukare Jivan Ke Sathi – Birhan – Lachchhi Ram –

Hameeda Bano Koochch Bhi Na Kaha Ho.. Aur Keh Bhi Gaye – Parai Aag – Ghulam Mohammad – Tanveer Naqvi

Husn Bano Pee Ansoo Pee, Aahein Bhar Ji – Pardesi Mehman – Hansraj Behl – Pandit Indra

Johrabai Ambalewali – Bus Mein Kar Ke Wo Bas Kar Gaye – Padmini – Ghulam Haider – Tanveer Naqvi

KhursheedPacchataynge Jo Hamein Barbad Karenge – Aap Biti – Hari Bhai – Hasrat Lakhanavi

Lalita Deulkar Jai Bolo Mahatma Gandhi Ki – Khidki – C Ramchandra – P L Santoshi

Meena Kapoor Boot Polish Karwa Le Babu Boot Ploish Karwa Le – Ghar Ki Izzat – Pt. Govindram – Ishwar Chandra Kapoor

Meena KumariAata Hai Dil Mein Pyar Kyon Chhede Hai Bar Bar Kyon – Bichchade Balam – Bulo C Rani – Narendra Sharma

Munnavar SultanaMera Nanha Balam Na Bole – Patjhad – Ghulam Haider – D N Madhok

Parvez KapadiaHum To Motor Khareed Ke Le Aayenge – Hum Bhi Insaan Hai – H P Das + Manna Dey – G S Nepali

Sulochana KadamJahan Koi Na Ho Wahan Chalenge Hum – Lal Dupatta – Gyan Dutt – D N Madhok

Sitara (Kanpuri)Dil Ki Jaban Par Aaye To Kya Karoon – Pugree – Ghulam Mohammad – Shakeel Badayuni

Uma DeviKahi Jiya Dole Ho Ho Kaha Nahi Jaaye – Anokhi Ada – Naushad – Shakeel Badayuni

Mrs. Vishnilal Kisi Tarah Dil Hi Na Jab Chain Paaye – Anjuman – Bulo C Rani – Majrooh Sultanpuri

It may also please be noted that I have not included those female singers who, to the best of my knowledge, did sing some songs in 1948, but that was in the capacity of an actress in the respective film.

In the next episodes(s) we will take up solo songs of Lata Mangeshkar for Micro-View of Songs of 1948

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I Liked Music from films

The Micro View of the Best Songs of 1949 @ SoY – Female Female Duets – Other Female-Female Duet Songs

Substantive share of Lata Mangeshkar+ songs in the Female Female duets category for the year 1949 also can be taken as one more indicator of her emergence as THE playback singer. Of course, she does share space with all other major (so-called) competing players in this category, which seems to have weighed in her favor.

So let us listen to the female female duets of singers other than Lata Mangeshkar.

Shamshad Begum +

Aa Javo Phir Meri Bigadi Ko Banane – Dada – with Surinder Kaur – Shaukat Haidari – Majrooh Sultanpuri

Meri Pyari Patang Chali Badal Ke Sang – Dillagi – with Uma Devi – Naushad – Shakeel Badayuni

Chhak Chhak Chali Hamari Rail, Ye Hai Aage Ye Paani Ka Mail – Naach – with Geeta Roy – Husnlal Bhagatram – Mulkraj Bhakri

Pyar Ke Jahan Ki Nirali Sarkar Hai – Patanga – With Lata Mangeshkar – C Ramchandra – Rajendra Krishna

Geeta Roy +

Hasrat Bhari Nazar Ko….O Pardesiya, O Rasiya – Dil Ki Basti – with Zohra Jaan – Ghulam Mohammad – Khumar Barabankvi

Badal Gir Aaye – Karwat – with Asha Bhosle – Hans Raj Behl – V N Madhok

Kheloge Kaun Sa Khel Mere Lal – Tara – with Premlata – Vinod – Aziz Kashmiri

Mithai ki Dukan Dilli Ke Bazar – Tara – with Gandhari – Vinod – Aziz Kashmiri

Johrabai Ambalewali +

Hai Kahani Preet Ki Itwaar Se Itwaar Tak – Daulat – with Lalita Deulkar – Hanuman Prasad –Qamar Jalalabadi

Chhoon Chhoon Ghunghariya Baje, Ye Raat Phir Na Aayegi, Jawani Beet Jayegi  – Mahal – with Rajkumari – Khemchand Prakash – Nakshab Jarachavi

Suraiya +

Aye Dard-e-Mohabbat Tune Mujhe Badnam Kara Ke Chhoda – Singar – with Surinder Kaur – Khursheed Anwar– D N Madhok

Hamida Banu+

Aavo Sakhi Hum Gaye Tarana – Zevrat – with Shanta Kunwar – Hans Raj Behl – Habeeb Sarhadi

Here are a few songs for which soft links do not seem to be have been set up, as yet.

Aayee Hai, Woh Aayee Hai, Dekha Badariya Kali – Bholi – Shamshad Begum with Meena Kapoor – Pt. Govind Ram – Ishwar Chandra Kapoor

Sun O Jaanewale Rahi… In Mitti Ke Khilone Ka – Maa Ka Pyar – with Meena Kapoor – Pt. Govindram – Ishwar Chandra Kapoor

Yahan Naino Mein Pyar Dil Ko Qarar Kiya Lage Piya – Char Din – Shamshad Begum with Premlata – Shyam Sundar – Shakeel Badayuni

If anyone who has the song(s) may please either post it in the comments or upload the soft copy to me by e-mail.

In the next episode we will take up Male-Male Duets as well as Triads & Triads+ songs.

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I Liked Music from films

Summing Up: MY Top Female Solo Songs – Other Singers

We have listened to solo songs of Suraiya, Geeta Roy, Shamshad Begum, Raajkumari, Asha Bhosle and Surinder Kaur, Uma Devi & Meena Kapoor and Lalita Deulkar, Ameerbai Karnataki, Hameeda Bano, Zeenat Begum, Pushpa Hans in our Micro Analysis. In the ultimate analysis, the range of songs from even this universe of solo songs of female singers other than Lata Mangeshkar is quite diverse and substantive.

The development of my understanding and liking of the Hindi Film Songs over all  these years has been shaped at different stages of availability sources like Radio (only), audio cassettes, EP/LP records, audio / video CDs/ DVDs and then the internet. The songs that I continued to get to listen across each of this medium do remain a fairly large number. But, there is no denying that internet has filled a big void in my known unknowns as well as unknown unknowns in so far as HFM is concerned.

In order to be fair to the songs that I have listened only of late on the internet, I have decided to choose at least one song from the songs that I so listened in the present exercise of  The Micro View of the Best Songs of 1949, over and above one from already well-established, known known and liked songs.

With that caveat, here is My Choice of the TOP Solo Songs of the Other Female Singers for 1949:

I have three singers – three songs for the final bet on the BEST Other Singer – Song category:

The choice of the BEST among these will rest on where the wheel of roulette will stop.

For me any one will be a jackpot……

SoY has also released Best songs of 1949: Wrap Up 2. After a very meticulous, balanced and fair analysis, wherein the choice of the best ‘other’ female playback singer was Shamshad Begum, followed by Suraiya.

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I Liked Music from films

The Micro View of the Best Songs of 1949 @ SoY – Female Solo Songs – Other Singers – Lalita Deulkar, Ameerbai Karnataki, Hameeda Bano, Zeenat Begum, Pushpa Hans

After having covered solo songs of significant ‘other’ female singers, like Suraiya, Geeta Roy, Shamshad Begum, Raajkumari, Asha Bhosle and Surinder Kaur, and Umda Devi & Meena Kapoor, I thought I would be able to put the remaining ‘others’ of other in one post, but little did I realize that most of these ‘others’ would individually have significant number of songs. And the songs were quite prominent in the storyline of the respective films, too. That I had not heard these songs certainly does not take away the fact these were big names in the vintage era that was coming to a close, and they had had created their own niche.

So each of the singer indeed (at least) deserves a separate identification  – both in the title and the in the main body of the content.

Solo Songs of Lalita Deulkar

Kya Sach Hai Kasam Wo Bhulane Lage – Bedard – Ramprasad – Badal

Rangilee Dulhan Sharmilee Dulhan – Daulat – Hanuman Prasad – Qamar Jalalbadi

Mere Dil Ko Khilona Na Samaj Na Sajan – Sanwariya – C Ramchandra – P L Santoshi

Hum Kisko Sunaye Haal Ye Duniya Paiso Ki – Shabnam –S D Burman – Qamar Jalalabadi

Solo Songs of Ameerbai Karnataki

O Mere Chhail Chhabile, Tere Nain Rasile – Neki Aur Badi – Roshan – Kidar Sharma

Pahne Peela Rang Ki Saari – Sawan Aya Re – Khemchand Prakash – Bharat Vyas

Solo Songs of Hamida Bano

Dil Mera Tadapanewala Shaad Rahe Abaad Rahe – Janampatri – Gulshan Sufi – Aziz Kashmiri

Dil Toot Gaya, Mit Gaye Armaan – Soharat – Aziz Hindi – Nazim Panipati

Solo Songs of Zeenat Begum

Ghat Kari Matwari Ghir Ayee – Ek Thi Ladki – Vinod – Aziz Kashmiri

Jaa Ud Ja Re Kagwa Le Ja Sandeshwa – Kaneez – Ghulam Haider – Husrat Lucknavi

Solo Songs of Pushpa Hans 

Dil-e-Naadan Hua Kya Hai – Apna Desh – Purushottam – Mirza Ghalib

With this, we conclude our micro-review of solo songs of Other Than Lata Mangeshkar Female Singers.

We will take up MY Top Songs as a summing up of this section.

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I Liked Music from films

The Micro View of The Best Songs of 1950 @ Songs of Yore – Male – Male And Female – Female Duets

We continue with very interesting variations of Duets, as part of our journey through the ‘Best songs of 1950: And the winners are?

We have had a quite an extensive Tet-e-tat with Male-Female Duets of 1950. This is the year wherein we have quite a rich fare of Male-Male and Female-Female Duets.

Today we will first take up Male – Male Duets :

The first two are quite unique combinations, whereas Chitalkar pairs with Rafi to present very peppy numbers.

Mukesh + GM Durrani –

Aise Mein Koi Chham Se Jo Aa JaeHanste Ansoo – Shevan Rizvi – Ghulam Mohammad

Mohammad Rafi + Raja Gul –

Ek Chakkar Paon Mein Hai, Ek Chakkar Sar Mein HaiShadi Ki Rat – Sarshar Sailani – Pt. Gobind Ram

Chitalkar + Mohammad Rafi –

Kahnewale sach kah gaye hainNirala– PL Santoshi – C Ramchandra

Are Kismat Ka Sitara Chamka ….Sab Kuchh Deta Chhappar Fad Ke DetaSangeeta – P L Santoshi –  C Ramchandra

We then turn over to another very frequently used variation of the duets – Female- Female Duets

Lata Mangeshkar + Shamshad Begum –

Kas ke kamar ho jaa tayyaarSangram – P L Santoshi – C.Ramchandra

Trivia: (Boy) Shashi Kapoor and (Baby) Tabassum playfully grace the song.

Lata mangeshkar + Uma devi –

Na Jaane Kyon Ghabara Rahi Ho, Nazar Kuchch BahakiMaang – Prakash – Ghuam Mohammad

Lata Mangeshkar and Geeta Roy + Chorus

Panghat pe na jaiyo gori ghunghat utaar keRaj Mukut – Bharat Vyas – Govind Ram

Lata Mangeshkar and Amirbai Karnataki

Gore gore O baanke choreSamadhi – Rajendra Krishna – C Ramchandra

Lata Mangeshkar and Sarswati Rane

Jab dil ko sataye gham tu chhed sakhi sargamSargam – PL Santoshi – C Ramchandra

Tinak tin tani do din ki zindaganiSargam – PL Santoshi – C Ramchandra

Lata Mangeshkar + Raj Kumari –

Ham Aah Bhi Karate Hai …. Nazar Ne Loot LiyaWafa – Hasrat Jaipuri – Vinod

Geeta Roy + Meena Kapoor –

Maine Balam SeAadhi Raat – Rajendra Krishna – Hansraj Behl

Meena Kapoor sings the main song whereas Geeta Roy leads the chorus.

Geeta Roy + Suraiya

Preet ka nata jodnewaleAfsar – Narendra Sharma – S D Burman

Geeta Roy + Asha Bhosle –

Mausam Hai Namkeen Sanwariya , Aa Jaa ReBewee – Nazim Panipatti – Aziz Hindi

Geeta Roy + Zohrabai Ambalewali

Ek Taraf Jal Raha DeepakPreet Ka Gee – Shyam Babu Pathak

Mubarak Begum + Sulochana Kadam –

Sham Hui Aur deep Jale…..Aakash Pe Taare NaachengeBasera – Sardar Ilham – M A Rauf

(Combination of Mubarak Begum and Sulochana Kadam is one of the rarest ones. We could not find video / audio clip of this song. We trust by bringing up here, we will get the song also on internet platform someday.)

Raj Kumari + Lalita Deulkar –

Mora Bhola Sa Balma Re, Naahin Samajhe Hamare IshareKhamosh Sipahi – D N Madhok – Hansraj Behl

Continued….