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Carnival of Blogs on Golden Era of Hindi Film Music

Carnival of Blogs on Golden Era of Hindi Film Music – November 2021

Welcome to November 2021 edition of IXth Volume of Carnival of Blogs on Golden Era of Hindi Film Music.

We move on to other tributes and memories this month.

Mehfil Mein Meri presents Lata – Non-film songs, for the period 1975 till 1995 in Part III, after having covered 1954 till 1965 in Part 1 and for the years 1966 to 1975 in Part 2.

Shabana Azmi pens note on mother Shaukat Kaifi: ‘You left and everything went wrong’ – Shaukat Azmi has done memorable roles in critically acclaimed films like Salaam Bombay, Bazaar, Umrao Jaan, Heer Raanjha and Haqeeqat.

The Masters: Roshan (14.07.1917-16.11.1967) – Anyone who loves old Hindi film music will find that, inevitably, there will be a ‘Roshan song’ among their favourites

The out of sight genius Hansraj Behl – A tribute to the great Master Hansraj Behl (19 November 1916 – 20 May 1984) on his 105th birth anniversary

Geeta Dutt and ‘haseen sitam’ of her music: Her relationship with Guru Dutt, love of her life and reason for her downfallShaikh Ayaz – Would the world of Bollywood playback have been different if she hadn’t died relatively young at 41 in 1972?

Geeta Dutt sings for Chitragupt – a tribute eon Chitragupt’s 104th birth anniversary (16th November) and Geeta Dutt’s 91st birthday (23rd November)

We recall Sounak Gupta lyrically tracing the rise of the skylark from the banks of the Meghna, who continues to enthrall music lovers with her dulcet voice, long after dusk has settled and the river has broken its banks in Eternal Wait: The Story Of The Dark Girl By The Meghna (Geeta Dutt)

Remembering Helen on her 83rd birthday is a song Meghwa Gagan Beech Jaanke – Harishchandra Taramati (1963) – Lata Mangeshkar  – Laxmikant Pyarelal – Pradeepji

Phani Majumdar: A Journey Through Life…Ratnottama Sengupta pays a glorious tribute to the filmmaker, exploring his life and works and her own personal memories. In the second part of our 2-part Special Tribute to Phani Majumdar, Silhouette presents Ranotama Sengupra’s translation of exclusive excerpts from Eka Naukar Jatri/ Journey of a Lonesome Boat, the autobiography of Nabendu Ghosh where he fondly remembers his Phani Da.

Remembering Faruq KaiserIn his career spanning over five decades, he wrote around 390 songs for about 115 films. His first movie as a lyricist was Rooplekha (1949) and last movie was Naqab (1989). The latter was released posthumously. He died on 10th November 1987.

Sushmita Sen and Zeenat Aman: Two women, an era apart and always ahead of their time – Known for their grace and poise as well as their talent, Sushmita Sen and Zeenat Aman celebrate their birthdays today. Sushmita turns 46, while Zeenat Aman turns 70.

Remembering the lovable child artiste- Baby Naaz – Born as Salma Baig on the 20th of August, 1944, in Mumbai, she was given the screen name Naaz and as Baby Naaz she went on to become one of the most loved child artistes of the Golden era of our Hindi cinema…Tragically, at the young age of 51, on October 19th, 1995, she succumbed to liver cancer.

Amol Palekar: The relatable boy-next-door who was the antithesis of angry young manSampada Sharma – On Amol Palekar’s 77th birthday, here’s revisiting his relatable boy-next-door era in Hindi movies in films like Gol Maal, Chitchor and Chhoti Si Baat, among many others — which portrayed Amol Palekar as the antithesis of big, blustery Bollywood.

Shailendra Sharma @ Golden Era of Bollywood has posted following memorial tribute posts:

In the series of articles on Sahir’s Songs of Romance, commemorating Sahir Ludhianvi’s birth centenary,  we now take up Sahir Ludhianvi’s Five Film Association with O P Nayyar.

November 2021 episode of Fading Memories, Unforgettable Songs takes up Salil Chowdhury and Shailendra’s Songs Fading From the Memory: 1958 to 1960. Till now we have covered the years

1953-1955 in 2018,

1956 in 2019, and

1957 in 2020

Here is a vintage photograph, remembering Satyen Kappu on his 14th death anniversary (27/10) as Ramlal in the movie Sholay (1975), posted on BollywooDirect:

We now move on to posts on other subjects –

What was behind the slow decline of Indian art cinema?Rochona Majumdar – The first blow to art cinema came with the restructuring of the National Film Development Corporation (NFDC) at the end of the decade of ‘80s. One unlikely factor: Richard Attenborough’s ‘Gandhi’, argues a new study.  Gandhi dovetailed with other changes that were contributing to art cinema’s continuing marginalization through the 1980s. One of these was the boom of India’s televisual and video sectors and the “migration of socially relevant content to television.” It was the arrival of globalization from 1991 onward that completely transformed India’s media ecology.

Songs of women for the women by the women – Our culture has sanskars and rituals from birth till the end of life, all accompanied by women’s songs.

What was the secret of the impeccable tuning between composers Laxmikant and Pyarelal?Rajiv Vijayakar – A new biography of the Hindi film music hit-makers includes an edited account by long-time collaborator Amar Haldipur.

Songs with Laughter, where the playback singer laughs and sings. Thus, the laughter is not in the background. Sometimes the laughter is in the mukhda or antara. In some others, it is in the interlude. In a few songs there is just a trace of laughter and in others there is whole hearted laughter.

An Actor’s Actor: Book Excerpt – Here is an edited excerpt from the book, An Actor’s Actor: The Authorized Biography Of Sanjeev Kumar (Authors: Hanif Zaeri and Sumant Batra),looking at the making and release of one of Kumar’s finest films, Aandhi (1975).

Around India’s Towns in Ten Songs, songs that are filmed in places far and wide, songs that go beyond the usual tourist attractions. Songs which make you feel you were, for those brief few minutes, in another town.

The Mela Songs, some of which are shot in a mela setting and others which refer to the mela, either literally or symbolically. Songs shot in a mela setting are largely dance numbers – some of them are rather loud, which is what they would be in a rustic setting.

From Bollywood Rewind – Sampada Sharma – Indian Express’s weekly column:

Micro View of Best Songs of 1944 @SoY concluded the micro-view of the song sof 1944 with  My Top Duets and My top music directors

SoY has also presented an exhaustive analysis to arrive at ‘fairtest outome’ for adjudging the Best Music Director spot for the year 1944 in its Best songs of 1944: Final Wrap Up 4, jointly, in favour of Naushad, Khemchand Prakash and Pankaj Mullik.

All the episodes of Micro View of Best Songs for 1944 @SoY can be read / downloaded from one file, by clicking on the hyper link.

In continuation to our tradition of ending the post with a few songs of Mohammad Rafi, which connect with the posts in the present episode, we take up a few less heard songs composed by Roshan:

Kahin Se Unchi Kahin Se Neechi Sadak Zamane Ki – Malkin (1953) – with Kishore Kumar – Rajinder Krishna

Aa Bedardi Balama Preet Ka Karein Hisaab – Chhora Chhori (1955) – with Lata Mangeshkar – Kidar Sharma

Bade Khoobsurat Bade Woh Haseen Hai Magar Kya KarooN Ke Woh Mere NahiN Hai  – Jashan (1955) – with Asha Bhosle – Rajinder Krishna

GunahoN Ka Chirag Kabhi Na Jal Sakega – Agra Road (1957) with Geeta Dutt, Shamshad Begum – Bharat Vyas

Kadki Tera Nam Hi Clerki – Aji Bas Sukriya (1958) – with Asha Bhosle, Ghulam Mohammad – Farooq Kaiser

I look forward to your inputs to enrich the contents of Carnival of Blogs on Golden Era of Hindi Film Music.

Disclaimer: This monthly series of posts is my best-effort-based compilation of posts on Hindi film songs that I normally visit regularly. As I record my sincere thanks to all the original creators of these posts, any other posts that I have nor covered herein shows my lack of awareness of existence of such posts and is by no means any disrespect to their work. The copyrights to the posts, images and video clips remain the properties of the original creators.

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Carnival of Blogs on Golden Era of Hindi Film Music

Carnival of Blogs on Golden Era of Hindi Film Music – December 2019

Welcome to December 2019 edition of Carnival of Blogs on Golden Era of Hindi Film Music.

First, the major events in December 2019:

Shriram Lagoo (1927-2019): Acting legend and rationalist leaves behind a rich and complex legacyDamini Kulkarni – The legend of the stage and the screen died in Pune at the age of 92 on 17-12-2019

We also take an opportunity to revisit – The Legend of Dr Shriram Lagoo | Tabassum Talkies

A boy called Yusuf – What would Dilip Kumar, who turned 97 on 11-12-2019, say on the identity debate today?

Ten of my favourite Naushad Songs is a tribute to the memory of Naushad who was born on 25 December 1919.

Dharmendra and Sharmila Tagore: Exploring the silver screen journey of two beautiful stars – The two share their birthdays besides having shared a wonderful on-screen chemistry.

Happy Birthday Dharmendra and Sharmila Tagore! – Here are films featuring the pair – Subhash K Jha recounts, Anupama (1966), Devar (1966), Satyakam (1969), Yakeen (1969), Mere Hamdam Mere Dost (1968), Chupke Chupke (1975), Ek Mahal Ho Sapno Ka (1975), Sunny (1984)  as the 8 films the duo have done together.

Also read:

We pick up other tributes and memories:

Shailendra — the Leftist poet and Dalit genius whose lyrics define beauty of simplicity – 14 December marks the 53rd death anniversary of the artist who died at the young age of 43. Regardless of his fame, Shailendra fundamentally remained a “people’s poet” .

From Hindi film music to raga-based symphonies, the remarkable journey of Anthony GonsalvesNaresh Fernandes – The renowned musician, whose fifth death anniversary is on January 18, merged the Western classical music of his Goan heritage with Hindustani melodies. (Reposting of an Jan 18, 2017 article)

Geeta Dutt – The Artist and Her Art – Geeta Dutt identified artistic “inspiration as the cause of divine fires in the creator, fires which result in his frenzied seeking after artistic perfection”. Sounak Gupta pays tribute to the artist and her art that went way beyond the limits of technique.

The Legends: Geeta Dutt presents a bare handful of songs that showcase Geeta Roy/Dutt’s immense talent,, with as many of the music directors she worked with as possible. A small representative sample form the list –

I have added Kareeb Aao Na Tadapao – Love Marriage (1959) – Shankar Jaikishan – Shailendra to the list.

The Legends: Geeta Dutt – Part 2 lists Geeta Dutt’s duets with as many singers as can be possible. Let us recall a few rarely heard duets form this list:

Raah Bani Khud Manzil – The Lingering Effect of Hemant Kumar Part 1  – His music spelt class and showcased quality. His deep, resonant, sonorous and haunting voice cast a spell on his listeners. Vasanti Limaye pays a tribute to Hemant Kumar, singer and composer. In Part II, the author explores some of his compositions of merit and his opus as a music director in Hindi films.

Hemant Kumar and Geeta Dutt rehearse with Rahul Dev Burman, then the youngest music director in 1961 (Pic: SMM Ausaja)[1]
Shailendra Sharma @ Golden Era of Bollywood has posted following memorial tribute posts:

In our series Manna Dey and his contemporary lead actors, the December 2019 episode remembers his songs with Sanjeev Kumar and Rajesh Khanna. We have covered Manna Dey’s songs with main stream lead actors Dilip Kumar, Dev Anand, Raj Kapoor, Ashok Kumar, Balraj Sahni, David Abraham, Bharat Bhushan and Kishore Kumar, Shammi Kapoor and Guru Dutt, Raaj Kumar and Rajendra Kumar, Prem Nath, Pradeep Kumar and Sunil Dutt; with Dharmendra, Shashi Kapoor, Manoj Kumar, Pran and Joy Mukherjee till now.

[N.B. – All seven episodes of the series ‘Manna Dey and His Contemporary Lead Actors’ can be viewed / downloaded as one file by clicking on the hyperlink.]

In a series on Ravi, SoY has two more articles: Ravi’s ‘other’ female playback singer: Lata Mangeshkar and Ravi’s many-splendoured genius with the ‘other’ singers

Bollywood stars who died penniless – The list includes such stars as Chandra Mohan, Mater Bhagwan, Bharat Bhushan, A K Hangal, Sulochana (Ruby Myers), Cukoo (Moray), Achala Sachdev, Vimi, Nalini Jaywant, Meena Kumari, Parveen Babi. Of course, the list can run into several pages

“Yeh Chaman Hamara Apna Hai” – Sulochna Latkar who recently turned 90 in July stays away from the limelight in the Prabhadevi area which is near Mumbai’s famous Siddhi Vinayak Temple. Film ‘Ab Dilli Door Nahin’s famous song ‘Ye Chaman Hamara Apna Hai …’ was picturised on Sulochna and Master Romi.

December, 2019 episode of Fading Memories, Unforgettable Songs takes up Mohammad Rafi’s First Solo Song With The Music Director: 1961

This was followed up by the third part of the years 1962 & 1963 of the 4th Five Year Period of Mohammad Rafi’s maiden solo song with a music director

[N.B. – All three episodes of the 4th Five Year Period of Mohammad Rafi’s First solo with a Music director : 1959 – 1963 can be downloaded as one file by clicking on the link.

We will now take up the articles on other subjects:

Shades of The Moon in the songs wherein direct help from the moon is sought for different tasks, e.g. Chandrama Ja Unse Keh De – Bharat Milap (1965) – Lata Mangeshkar & Mahendra Kapoor / Vasant Desai – Bharat Vyas  | Chanda Ja Chanda Ja Re Ja – Man Mauji (1964) Lata Mangeshkar / Madan Mohan – Rajendra Krishan

Short review – F-Rated: Being a Woman Filmmaker in India is a wide-ranging publication, by   Nandita Dutta, that tells individual stories while also probing cinematic tropes, trends and viewer demographics. The book comprises of interviews with and profiles of important Indian filmmakers, from veterans Aparna Sen and Mira Nair to Alankrita Srivastava and Nandita Das. In the process, the book presents the preferred themes and working styles of these artists, about the challenges they face as they balance profession with home life or the demands of parenthood – or cope with extra scrutiny, condescension and even sexual harassment.

Ten of my favourite ‘recording studio’ songs on radio, for albums, and so on, in which the ‘singer’ (the actor or actress lip-syncing to the song) is shown singing in a recording studio. Here are a few of the less heard songs from this list –

In the third concluding article, Best songs of 1946: Wrap Up 3, of the on-going series of Best songs of 1946: And the winners are?, Aawaz de kahan hai – Surendra and Noorjehan (Anmol Ghadi, Naushad), and Ek yaad kisi ki yaad rahi – GM Durrani and Shamshad Begum (Shama, Ghulam Haider) have been adjudged joint winners in the duets category.

[N.B. : All the episodes of The Micro View of Best Songs of 1946: Duets can be read / downloaded from one file, by clicking on the hyper link.]

In the final wrap-up article, Best songs of 1946: Final Wrap Up 4, the SoY Award for the Best Music Director of 1946 goes to Naushad.  And, special mention is made of Ghulam Haider and Hansraj Bahal for their outstanding music in the year.

[N.B. – All the episodes of The Micro View of Best Songs of 1946 can be read / downloaded from one file, by clicking on the hyper link.

We end the post with a few songs of Mohammad Rafi, each one of which basically has a link with the topics discussed in the present post, we have picked up:.

Lagi Hai Aag Dil Mein – Hulchul (1951) – with Lata Mangeshkar – Mohammad Safi – Khumar Barabanqvi

Main Bhi Jawan Hu Tu Bhi Jawan – Do Dulhe (1955) – with Geeta Dutt – B S Kalla  – Pt. Indra

Zara Si Baat Pyar Ki Zubaan Se Nikal Gayi – Salaam Memsaab (1961) – with Suman Kalyanpur  – Ravi – Asad Bhopali

Sudh Bisar Gayee Aaj – Sangeet Samrat Tansen (1962) – with Manna Dey – S N Tripathi – Shailendra

Ghar Tum Bhula Na Doge, Sapne Yeh Sach Hoge – Yakeen (1969) – Shankar Jaikishan – Hasrat Jaipuri [and its Lata Mangeshkar twin version]

Till we met again in 2020, here is wishing all a great, eventful and fruitful 2020.

Disclaimer: This monthly series of posts is my best-effort-based compilation of posts on Hindi film songs that I normally visit regularly. As I record my sincere thanks to all the original creators of these posts, any other posts that I have nor covered herein shows my lack of awareness of existence of such posts and is by no means any disrespect to their work. The copyrights to the posts, images and video clips remain the properties of the original creators.

[1] Additional reference: Geeta Dutt with newer generation of composers @ end of the article

P.S. – All episodes of Carnival of Blogs on Golden Era of Hindi Film Music  for 2019 can be viewed / downloaded as a single file by clicking on the hyper link.

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Carnival of Blogs on Golden Era of Hindi Film Music

Carnival of Blogs on Golden Era of Hindi Film Music – December, 2017

Welcome to December, 2017 edition of Carnival of Blogs on Golden Era of Hindi Film Music.

December, 2017 in any case has several anniversary / birth dates of people connected with HFM.

This month, Shashi Kapoor bade farewell to this mundane world. That would have led to Muhammad Rafi’s birthday, in the presence of Shashi Kapoor in the heaven. The first time it happened in Yeh Dil Kisko Doon (music : Iqbal Qureshi, Lyrics: Qamar Jalalabadi) in 1963,  a black and white film by K Mishra, that had over half a dozen songs from Mohammad Rafi. Here are the duets:

I have recalled the solos at the end of the present post.

Here are some other tributes to Shashi Kapoor:

Some other December tributes:

Diip Kumar:

The Many Moods of Dilip Kumar – He was a fantastic actor, a man who was equally good at comedy and romance (if you don’t believe me, just watch Beimaan tore nainwa from Tarana) as he excelled at the intense, angst-ridden characters he so often played.

Naushad:

  • Always Aashiqana With Naushad Ali’s Music presents some of the gems on the maestro’s birth anniversary (25 December)
  • Aawaz De Kahaan Hai: The Golden Music of Naushad – Naushad’s destiny was written in music, by music to be dedicated to music. Peeyush Sharma, in ‘Silhouette’ pays tribute with a glimpse of his musical journey.
  • NAUSHAD-Once All of India was crazy about his Melodies. – This master composer first made both Mukesh (Andaz) and Talat Mahmood (Babul) sound surpassingly individualistic on Dilip Kumar He was, near clandestinely, getting Mohammed Rafi ready for the big leap. From his first Anmol Ghadi solo, Tera khilauna toota baalak (1946), to O door ke musafir on Dilip Kumar in Uran Khatola (1955), Rafi came a long, long way, once the Baiju Bawra (above) miracle happened in 1952..

Noor Jehan:

My Favourites by Shailendra (30 Aug 1927 – 14 Dec 1966), who worked with nearly all music directors ( exceptions being Naushad & O P Nayyar).

Remembering Meena Kapoor, who passed away on 23rd of November 2017. Meena’s last playback singing was for the movie ‘Chhoti Chhoti Baatein’ that was released in 1965 and was also Anil da’s last film as a music director.

Chalte Chalte Mere Yeh Geet Yaad Rakhna: Bappi Lahiri’s Melodious Hits – On 27th November this year Bappi da turns 65. Also, with his first film, Nanha Shikari, released in 1973, he has completed 45 years in this industry as a music director. Peeyush Sharma takes us on a trip down his memorable songs.

Google remembered Mirza Ghalib on 27th December.

Who is Mirza Ghalib, featured on today’s Google Doodle?

Mirza Ghalib’s 220th birth anniversary: Google Doodle pays tribute to legendary poet

Here are some more posts on this occasion:

Mohammad Rafi has a special place in December on this blog:

We have two parts episode of Fading Memories, Unforgettable Songs for December, 2017 in the memory of Mohammad Rafi. In the series of articles featuring Mohammad Rafi’s Solo Song from FIRST film with the Music Director, we have covered years 1952-1953, after having covered years 1950-1951 earlier this month and year 1949 earlier this year of the 2nd five-year-slot of 1949 to 1953.

And then, we have –

And, now the posts on other subjects:

My Favourite Lullaby Songs – one of the first popular lullby songs from a Hindi movie is ‘So Ja Rajkumari So Ja‘ sung by K L Saigal from Zindagi-1940 (Music by Pankaj Malik). The song is still considered to be an ultimate lori

Ravindra Kelkar has presented three more posts on O P Nayyar @ SoY:

Raj Kapoor: ‘I dream cinema, I breathe cinema and I live cinema’Ritu Nanda – An excerpt from a compilation of writings by and about the legendary actor and filmmaker.

Beauties bond over baubles in ‘Mann Kyun Behka’ from ‘Utsav’Nandini Ramnath – Rekha and Anuradha Patel are visions to behold in the Laxmikant-Pyarelal song from Girish Karnad’s movie.

Ten of my favourite ‘Unusual Singer’ songs, which means:

(a) That it’s the person who’s lip-syncing to the song (and not the playback singer) who’s unusual…

(b) and unusual because the actor in question is a well-known face, but doesn’t usually lip-sync to songs.

“Nazar Lagi Tore Bangle Par” and Zarina Begum, who was a protégé of Begum Akhtar.  Both famously sung a version of “Nazar Lagi Tore Bangle Par” that predated the one in Kala Pani.

In our series Micro View of Best Songs 1948 @SoY of Best songs of 1948: And the winners are? , we completed the third part of Lata Mangeshkar solo songs, and then summed the Female Solo Songs for 1948 with  My Top Female Solo Songs and then went on to take up Male- female Duets in the Duets section. We covered the male female duets of Mukesh as well as those of  Mohammad Rafi. SoY has concluded the series with Best songs of 1948: Wrap Up 3 and Best songs of 1948: Final Wrap Up 4.

We have placed the articles paying tributes to Mohammad Rafi in the space for the tributes here before in the present article. So we will take up two songs of Mohammad Rafi, form the first film he played back solo for Shashi Kapoor to begin the end of the article:

Ye Dil Kiso Dun – Ye Dil Kisko Dun (1963) – Iqbal Quereshi – Qamar Jalalabadi

Mera Dil Tum Pe Aa Gaya., Mere Pahlu Se Dil Gaya – Ye Dil Kisko Dun (1963) – Iqbal Quereshi – Qamar Jalalabadi

The Christmas Celebration in Hindi Films’ picks up the rare, ddelightful Christian characters, which always brought a smile on our lips.

On that note of festive smile, I wish you all a very HAPPY & PRPOSPEROUS 2018 that keeps providing rich music to your Life.

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Carnival of Blogs on Golden Era of Hindi Film Music

Carnival of Blogs on Golden Era of Hindi Film Music – September 2013

Welcome to September 2013 edition of Carnival of Blogs on Golden Era of Hindi Film Music.

As usual, we commence our blog festival with posts on Anniversaries.

Asha Bhosle turns 80 this year. Dusted Off presented 10 different moods of Asha Bhosle in Asha in Ten Moods.

Songs of Yore continues with the series of S D Burman’s association with different playback singer in Asha Bhosle’s best songs by SD Burman.

And here are some of the other articles on Asha Bhosle, which I ‘searched’ while looking for some more of the celebration articles.

Zee News presents an interesting slideshow – Asha Bhosle`s songs through the decades,  taking you on a journey with her through her decades in Bollywood and more.

Madhu in her tripod.com bog posts has A Musical Journey With MadhuAsha Bhonsle Songs – S. D. Burman music

Bollywoodlyrics.com articles gives an overview – Asha Bhosle: Working with great music directors

And HarveyPam’s Mohan Ki Asha, and very rich comments thereto, is a great post on Madan Mohan’s Asha Bhosle songs.

Songs of Yore has paid a very unique tribute to Mukesh, on his anniversary on 27th August, through quite an impartial discussion on “why did SD Burman use him so sparingly” in Mukesh’s best songs by SD Burman . Shri Arunkumar Deshmuks reveals, in Comment #1, that Mukesh- S D Burman combination output was (just) 12 songs (only). Shri N Venkatraman, in Comment#19, fills up the two remaining songs.

Conversations Over Chai comes back to active role on the scene, through  My Favourites: Songs of Praise – “songs that did liken a woman to more than a poultry dish?”. It is also a celebration (though a bit belated) of the Second Anniversary of the blog

Vithalbhai Patel, who contributed several earthy songs in late 1970s, also passed away on 7th September. Here is list of his Hindi Films songs, as a token of our tribute to the departed soul. Biren Kothari, Pallete,  has paid an objectively passionate tribute to Vithalbhai Patel in the article (in Gujarati) ગીતકાર વિઠ્ઠલભાઈ પટેલની વિદાય: પ્યાર મેં સૌદા નહીં.

We have an unfortunate situation, where we are to pay homage to Madhubala Zaveri, on her taking up that long, fateful journey on 11-09-2013. Biren Kothari has penned  મધુબાલા ઝવેરીનો સ્વરવિલય and placed video clips of some of her songs.Madhubala Zaveri

We will also bring some more sites / posts on Madhubala Zaveri on this page:

YT Channel – MADHUBALA ZAVERI/JHAVERI

Madhu’s Tripod.com page – Talat Mehmood & Madhubala Zaveri Duets

Cineplot.com’s Madhubala Zaveri

And of course one son that always bring memories of Madhubala Zaveri, even if shae ay have a small portion in it is Boot Polish’s Thaher Jara O Janne Wale

We now change our tack – to Mohammad Rafi.com

Vijay Bavdekar digs the equation of S D Burman and Mohammad Rafi deeper in  Maestro SDBurman, Evergreen Dev Anand & All Time Great Rafi Sahab & Hidden Truths. Here are the high points – the lips movement and expressions given on face by Dev Anand, perfectly matches the Rafi’s throw of words / look back to the Golden Era of Hindi film music, you will find that other music directors kept Kishore away & preferred Rafi for Dev Anand / One interesting thing is that Rafi was Burmanda’s first choice for other Heros  / Look at the ”Trend setter-Singer ” equations,”Dilip-Rafi, Dev-Kishore and Raj-Mukesh”. Rafi sang most of the songs for Dilip Kumar, Rafi has an almost equal share with Kishore for Dev Anand and off course Mukesh sang major number of songs for Raj Kapoor, but Rafi also gave playback to Raj Kapoor for 31 songs.

Dances on the Footpath’ has presented A Song Performed By Carmen Miranda and Vasunthara Devi aka Vyjayanthimala’s Mother. The two songs, one Vasunthara performs is “ayyayyo-vasuntharadevi-mangammasabatham 1941” and the one by from which the song is inspired is “That Night In Rio (1941) – Carmen Miranda – “I, Yi, Yi, Yi, Yi (I Like You Very Much)“.

Dances On The  Footpath” also has designed a very rich YT channel  LifeIsaTrain‘s which has Classical Indian dancing feet / Noor Jehan / Kumari Kamala Lakshman and Recent uploads sub-chapters awaiting to be explored.

The discussions on S D Burman and Vyjayantimala , in this edition as well as in the last edition of Blog Festival spurred me to visit “100 Years Of Bollywood” – an excellent channel on YT an return with S.D Burman- The King Of Melody  and Vyjayanthimala – The First Female Superstar Of Bollywood  respectively.

I would also like to document the finds, Music Maestros Part-1 and Music Maestros Part-2.

My friend Samir Dholakia had forwarded a message form his friend about another YT channel: Portrait of Director –  This is a series directed by veteran film-maker Ramesh Sharma for Doordarshan and it captures the various aspects of film-making of master directors like Mrinal Sen, Ritwik Ghatak, Manmohan Desai, Shyam Benegal, Raj Kapoor and Bimal Roy.

We would, now onwards, share at least one of the clips from both these channels to bring them on same page here.

Now, we pay our first visit to Indian film posters from 1930[silent] to1970 [color]. We will take up DIL DE KAR DARD LIYA HAI MAINE SUNG BY JAGMOHAN… (Jagmohan Sursagar NFS)(1940)  and film “Fariyaad” (1942). The first one may be a repeat to many, but it is a treat worth repeating, every time. We take to full listening of Fariyaad (1942)’s these songs:

Aye Dil-e-Bequarar Bol – Shamim Kamal Pasha

Kahoji Ji Na Lage Bin Tere  – Ishwarlal , Shamim Kamal Pasha

I chose to pick up Fariyad (1942) here, because that immediately reminded me of Fariyad (1964) which had memorable Snehal Bhatkar songs:

Aap Ne Huzoor Mujse – Suman Kalyanpur , Mohammad Rafi –

Teri Nazar Ne To  Kafir Bana Diya – Mubarak Begum, Mohammad Rafi

Wo Dekho Dekh Raha Papiha –  Suman Kalyanpur, Mahendra Kapoor

Songs of Yore has presented Best songs of 1953: Wrap Up 2. Undoubtedly a very difficult job of doing a putting in ‘other’ female singers in the most relevant and respectful consideration in an otherwise Lata Mangeshkar dominated category. As we had decided last time, we will take a look at all the ‘wrap-up’s together, in more details – may be as a full-fledged separate post.

It is heartening to note that we are able to expand our catchment sources for information to be shared. However, there must be much more that remains to be explored and shared…….

I, indeed, await your valued suggestions and inputs.. …

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Carnival of Blogs on Golden Era of Hindi Film Music

Carnival of Blogs on Golden Era of Hindi Film Music – August 2013

Welcome to August 2013 edition of Carnival of Blogs on Golden Era of Hindi Film Music.

It seems we have a rich fare on dances in this edition.

Dances on Footpath’ remembers month of August for the Independence that India earned on 15t August, 1947 by Ten Favorite Songs and/or Dances from The Year 1947.

‘Dances on Footpath’ also has Five Favorite Dances to the Voice of Rajkumari this month, mostly solos, a couple of great duets, half mujras, half street or theater performances, some on familiar visual terrain and some extremely unusual-looking… but all really good dance sequences from the 1940s or early ’50s, featuring the sweet, unmistakable voice of Rajkumari.

In Vyjayanthimala’s Devadasi Dance in Piya Milan (Choreographed by V.S. Muthuswami Pillai)Minai’s Cinema Nritya Gharana has assembled a vivid analysis and comparison of Devdasi choreography, in the dance song Aaja Kahun Kana   as, different from Bharatnatyam, in Chittoor Rani Padminini dance song by leveraging the Vyjayntimala, the performer and  the choreographer- the hereditary nattuvanar V.S. Muthuswami Pillai, as the common links.

A visit to not-so-regularly-updated blog, ‘A Blog Of My Favourite Vintage Bollywood Stuff’ presents us with Some of my favourite song-dance combinations of the vintage era.

Madhulika Liddle continues to come up with quite interesting themes @ ‘Dusted Off’. We have Ten of my favourite “I am -” songs this month – where the singer introduces himself/herself by name. The “comments” to this post also further enriches the theme.

Dusted Off’’s review of Love in Bombay(2013), – “or 1971, if you go by the year the film was made, not the year the film was released. Or 1974, which was when the censor certificate dates from”, but finally released, in 2013, by sons of Joy Mukherjee after his death – needs a special mention here for the 1971-period songs of Shanker Jaikishan, who had so stunningly teamed up with Joy Mukherjee in “Love in Tokyo” : Maazaa naav ahe Ganpat Rao, Na main boli na woh bola, Saiyyaan saiyyaan,  and Rani Nacho

Shilpi Bose’s ‘Tarun Bose and The World of Cinema’  – Oonche Log (1965)– is an excellent, narrative of the film,  particularly from the point of view of Tarun Bose’s character in the film. Incidentally, “Oonche Log” also takes me back to the days of my first year of college year at Vallabh Vidyanagar (Anand, Gujarat) in 1965-66. We used to hire cycles at ½ a rupee, and make a trip to near-by Anand for a Saturday night show to see the film released on that Friday. We had gone to see Oonche Log for “on-the-screen-histrionic-duel” between Ashok Kumar and Raaj Kumar, but came back highly impressed by the dual bonus of Tarun Bose’s performance and Chitragupt’s music in the film.  Here are those songs to complete that recall:  Jaag Dil-e-Deewana (Mohammad Rafi), Aaja Re Mere Pyaar Ke Raahi Raah Sanvarun Badi Der Se (Mahendra Kapoor and Lata Mangeshkar), Haayere Tere Chanchal Nainwa (Lata Mangeshkar), Kaisi Tune Rit Rachi Bhagwan (Manna Dey and Asha Bhosle).

In Coolone160’s Sadhana- an elegant and timeless actress, we have a playlist that presents the multi-faceted theatrical personality of Sadhana.

We have had opportunity to visit a couple of more blogs this month.

We pick up SAMAY O DHEERE CHALO (Rudali – Asha Bhosle – Bhupen Hazarika – Gulzar) from Mukhtar   Sheikh’s My Vision of the Songs as a first sample. We can look forward to regular visits this blog.

Visit to ‘A Blog Of My Favourite Vintage Bollywood Stuff’ also benefited us by way of these gems: A lovely Mohammed Rafi – Suraiya duet from Sanam (1951) and My favourite Rafi songs.

Songs of Yore has kindly hosted the guest article – Forgotten Composers Unforgettable Melodies (8): Avinash Vyas  – by yours truly, in memory of Avinash Vyas’s anniversary on 20th August.

While presenting Best songs of 1953: Wrap Up 1, AKji has commenced wrapping up the discussions on the different categories for The Best Songs of 1953 @ Songs of Yore. We would take a detailed look at the entire process of review collectively, when we will have all the articles in this series available @ SoY.

I do await your keen observations on the Hindi Film Songs of the Golden Era…….and continue the search for more varied content……till we met again next month……