The Micro View of the Songs of 1948 @ SoY – The Duets – Male-Male Duet & Triads, Triads+ Songs

Male-Male Duet Songs

While remaining an essential variant of the duets, male-male duets has neither been a popular format nor been an easy one to compose. We have only two male-male duets for the year, essentially with chorus support.

Mohammad Rafi, Khan Mastana, ChorusWatan Ki Raah Mein Watan Ke Naujawan Shaheed Ho – Shaheed – Ghulam Haider – Raja Mahendi Ali Khan

Mukesh, Shailesh, ChorusRab Mere Araj Sun Meri, Sharan Ab Teri – Aag – Ram Ganguli – Saraswatikumar ‘Dipak’

Triads, Triads+

1948 has quite a fairly large selection of triads or triad+ songs. All of the songs that could be listed form HFGK do not have digital link on the most of the otherwise rich reference platforms.

Popular TRiad Song

Mohammad Rafi, Chitalkar, G M Sajan, ChorusAji Khushiyan Manae Na Kyon Hum , Ham Kise Se Kyun Dare, Kismat Hamare Sath Hai, Jalanewale Jalanewale Jala Kare – Khidki – C Ramchandra – P L Santoshi

Its all female version – by Shamshad Begum, Lata Mangeshkar, and Mohan Tara – was equally popular.

Other Triads, Triads+ Songs

Shamshad Begum, Lata Mangeshkar, Unidentified voiceHello Hello Gentleman, Milate Nahi Kyun Ham Se Nain – Actress – Shyam Sundar- Raja Mahendi Ali Khan

Moahammad Rafi, Chitalkar, Shamshad BegumAji Mera Bhi Koi Haal Suno,.. – Khidki – C Ramchandra – P L Santoshi

Lata Mangeshkar, Geeta Roy, ChitalkarTere Bina Suna Suna, Man Ka Mera Anagana  – Khidki – C Ramchandra – P L Santoshi

Suraiya, Surinder Kaur, Meena KapoorKabhi Panabhat Pe Aaja Mere Sapno Ke Raja – Pyra Ki Jeet – Husnlal Bhagatram – Rajendra Krishna

Suraiya, Surinder Kaur, Meena KapoorRut Rangeeli Hai, Suhani Raat Hai, Tum Chale Aao To Kya Baat Hai  – Pyar Ki Jeet – Husnlal Bhagatram – Rajendra Krishna

Mohammad Rafi, Shamshad Begum, Sulochana  Kadam  – Chalo Jamuna Ke Paar – Lal Dupatta – Gyan Dutt – ?

Chitalkar, Lalita Deulkar, P Chandar, S L PuriKathawa Ke Nayaa Banaihe Hai Re Malhawa, Nadiya Ke Paar Tej Dhar– Nadiya Ke Paar – C Ramchandra – Moti B A

We will take up the concluding part of the Duet Songs of 1948 in our next episode.

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The Micro View of the Songs of 1948 @ SoY – The Duets – Male Female Duets – Mukesh +

We now take up the third leg – The Duets – of ‘Best songs of 1948: And the winners are?’. As per our Micro View Practice, we will cover this leg of the Micro View journey in three stages – Male-Female Duets, Male- Male Duets and Female-Female Duets.

The Male Female Duets

The male female duets have been accorded almost equal respect as that accorded to male or female solo songs. Many of the male female duets have been accepted as the benchmark milestones as are some male or female solo songs have been accepted as the benchmark milestones in the Hindi Film Music.

Duets of Mukesh

Mukesh has a fairly substantive presence in the Male-Female Duet space for 1948. In terms of numbers, he has far more duets with Shamshad Begum. His memorable duets with Shamshad Begum also are many. However, he has at least one memorable duet with almost all other female singers, too.

+ Lata Mangeshkar

Ab Darane Ki Koi Bat Nahi Angrezi Chhora Chala Gaya – Majboor – Ghulam Haider – Nazim Panipati

Ab Yaad Na Kar Bhool Ja Aye Dil Wo Fasana – Anokha Pyar – Anil Biswas – Shums Azimabadi

+ Shamshad Begum

Raat Ko Ji Chamake Taare Dekho Balam Mohe Akhiyan Maare – Aag – Ram Ganguly – Majrooh Sultanpuri

Kaise Bataun Unse Dil Ko Pyar Kyun Hai – Anjuman – Bulo C Rani – Majrooh Sultanpuri

Bhool Gaye Kyon Ke Deke Sahara Lootanewale Chain Hamara – Anokhi Ada – Nuashad – Shakeel Badayuni

Tere Naaz Uthane Ko Jee Chahata Hai – Grihashthi – Ghulam Mohammad – Shakeel Badayuni

Dharati Ko Akash Pukare Aaja Aaja Prem Dware– Mela – Naushad – Shakeel Badayuni

The film has excellent Mukesh solo version and an ending with a pathos-full Shamshad Solo version .

Aayee Sawan Rutu Aayee Sajan Mora Dole Hai Man – Mela – Naushad – Shakeel Badayuni

Main Bhawara Tu Phool Yah Din Mat Bhool – Mela – Naushad – Shakeel Badayuni

Mera Dil Todanewale Mere Dil Ki Dua Lena – Mela – Naushad – Shakeel Badayuni

O Jaanewale O Jaanewale Ham Ko Bhool Na Jaana – O Jaanewale – Ali Hussain Moradabadi – Kaif Mustafa

Sajanwa Premkahani … O Dheere Dheere Kahana – O Jaanewale  – Ali Hussain Moradabadi – Kaif Mustafa

+ Geeta Roy

Raja Mohe Le Chal Tu Dilli Ki Sair Ko – Toote Tare – Shaukat Dahelvi (Nashad)

Rehate To Ab Har Ghadi Meri Najar Ke Samne – Toote Tare – Shaukat Dahelvi (Nashad)

+ Other Female Singers

Husn Bano +Parawane O Parawane Tu Kya Jalana Jaane – Pardesi Maheman – Hansraj Behl – Pt. Indra

Raaj Kumari +Ye Bura Kiya Jo Saaf Saaf Keh Diya – Suhag Raat – Snehal – Kedar Sharma

Meena Kapoor +Ab Yaad Na Kar Bhool Ja Aye Dil Wo Fasana – Anokha Pyar – Anil Biswas – Shums Azimabadi

Sitara (Kanpuri) +Ek Teer Chalanewale Ne Dil Loot Liya – Pugree- Ghulam Mohammad – Shakeel Badayuni

Suraiya +Laaye Khushi Ki Duniya Hansati Hui Jawani – Vidya – S D Burman – Anjum Pilibhiti

In our next episode, we will take up Micro View of Mohammad Rafi’s duets of 1948 with the female singers.

The Micro View of the Songs of 1948 @ SoY – Summing Up: MY Top Male Solo Songs

It has taken me some time to present this summing up as the mandatory step of the micro-view of the songs of 1948, the base being ‘Best songs of 1948: And the winners are? ‘ . Outwardly I would justify the procrastination on some other (so-called) pressing engagements. However, from the inner most recesses of my heart I know that my choices have already been made even before I ventured into the full scale micro-view of the Male Solo Songs.

I did listen to the songs of G M Durrani, Surendra and ‘other’ male singers a few times. However, the truth remains that I could not connect with those songs. And that is MY limitation – having been brought up listening to mostly the post-’50 songs on the radio in my formative years.

With that bias accepted, here is MY choice of the Male solo Songs for 1948:

Of these, the one I like the most is Bahe Na Kabhi Nain Se Neer.

We take up the next stage of Female Songs of 1948 from  the next episode – with Solo  Songs of Suraiya.

The Micro View of the Songs of 1948 @ SoY – Male Solo Songs – Mukesh

Numerically, Mukesh has highest number of solos among all male playback singers in 1948.

The songs that we have selected here fall in two broad categories.

The first one is the songs that were, and still have been exceedingly popular. These are:

Mukesh’s Popular Songs

Zinda Hun Is Tarah Ke Gam-e-Jindagi Nahin – Aag – Ram Ganguly – Behzad Lakhanavi

Jeevan Sapan Toot Gaya – Anokha Pyar – Anil Biswas – Jiya Sarhadi

This song has an equally popular female version too, in Lata Mangeshkar’s voice.

Ye Pyar Ki Baatein Ye Safar Bhool Na Jana – Anokhi Ada – Naushad Ali – Shakeel Badayuni

Gaaye Ja Geet Milan Ke Tu Apni Lagan Ke – Mela – Naushad – Shakeel Badayuni

Woh Teekhi Nazron Se Mere Dil Pe Kuchch Aisi Bijali – Veena – Anil Biswas –

Gokul Ki Ek Naar Chhabili Jamuna Tat Par Aayee Re – Veena – Anil Biswas – Swami Haridas

Bahe Na Kabhi Nain Se Neer – Vidya – S D Burman – Y N Joshi

Mukesh’s Noteworthy Songs

The other category is the songs that have been noteworthy, but could not attain the sustained popularity.

Woh Teer Kaleje Par Ik Shuakh Ne Mara Hai – Anjuman – Bulo C Rani – Majrooh Sultanpuri

Jalanewale Tujhe Kya Unko Khabar Ho Na Ho – Gunjan – Ashok Ghosh – S R Saaz

Koi Din Jindagi Ke Gungunakar Geeta Gata Hai – Gunjan – Ashok Ghosh – Deepak

Aye Duniya Bata De Bhagwan Kahan Hai – Jeene Do – Shaukat Hussain (Dehlvi) – Shewan Rizvi

Hoshiyar Naujwan Jag Aye Naujawan Jal Raha Hai Makan – Padeshi Mehman – Hans Raj Behl – Pandit Indra

He Khag He Mrig He Madhukar Tum Bin Suna Jeevan – Rambhakt Hanuman – S N Tripathi – B D Mishra

Beet Chali Barakha Ritu Site, Sudh Na Mili Tumhari – Rambhakt Hanuman – S N Tripathi – B D Mishra

Lakhi Bulbul Mere Kahe Ko Dinhi Videsh – Suhaag Raat – Snehal Bhatkar – Amir Khushro

Mere Sapno Ki Raani Re – Veena – Anil Biswas – Narendra Sharma

We will take up Solo Songs of G M Durrani and Surendra in our next episode of Male Solo Songs of 1948.

The Micro View of the Songs of 1948 @ SoY : Setting The Stage

Wait for the curtains to go up for a review of songs for the particular year @ Songs of Yore is more than an eager wait. It is preganat with more unknown songs now.  Having covered songs of 1955, 1953, 1951, 1950 and 1949 in the previous years, SoY has now crossed the threshold well into the Vintage Era as it now ventures into ‘Best songs of 1948: And the winners are?

As noted in the overview turnkey article, we now enter the period which has two quite distinct characteristics:

One, Lata Mangeshkar did sing over 40 songs of which you can count about ten memorable and a couple of all-time great songs, yet she was not the sole pole star, as she became from 1949 onwards. Therefore, dividing the female playback singers as Lata Mangehkar and ‘others’ as (has been) done for 1949, 1950 and 1951 would not be a true reflection of reality.

Secondly, the Vintage Era also means entering a period of more unknown than known, therefore, the year-wise review would now be more a discovery trip.

The post under consideration – Best songs of 1948: And the winners are?  – has presented quite an  encompassing overview in an established template: –

Musical landmarks: Like a golden Jubilee (Mela) and a silver Jubileen (Anokhi Ada) under the belt Naushad hasestablished his morchical position. His nearest rival C ramchandra has Nadiya Ke Paar and Kidkiin the year under review. Ghulam Hiader has presened his swan song on now the Indian soil – Shaheed. Raj Kapoor directs his maiden film Aag with Ram Ganguly as music director. Lata Mangeshkar has hardly any presence in these films.

Other important musical compositions are no less noteworthy nor have lost their charm. We will enlist them here –

Anil Biswas:

Gajre

Door papia bola – Suraiya
Baras baras badly bhi bikhar gayi – Lata Mangeshkar

Veena

Wo teekhi nazron se mere dil par – Mukes

Husnlal Bhagatram

Tere Naino Ne Chori Kiya – Suraiya

O Door Jaanewale – Suraiya

Khemchand Prakash

Marne Ki Duaen Kyon ManguN– Kisore Kumar’s maiden solo song – Ziddi

Chanda Re..Ja Re Ja Re – Lata Mangeshkar – Ziddi

Ghulam Haider

Grihasthi

Tere naaz uthane ko ji chahta hai – Mukesh & Shamshad Begum

Pugree

Ek teer chalanewale ne dil loot liya – Mukesh & Sitara (Kanpuri)

S D Burman

Vidya

Laayi khushi ki duniya – Mukesh & Suraiya

Bahe na kabhi nain se neer – Mukesh

Debut

Asha Bhosle – Only a line Bahana Khush Ho Ke Sangam Manaye – in a chorus in the song Sawaan Aya Re – Chunariya

Kishore Kumar’s first duet with Lata Mangeshkar Ye Kaun Aya Re – Ziddi

Prem Dhawan Chanda Re..Ja Re Ja Re – Ziddi

RK Films Aag

Geeta Dutt – Lata Mangeshkar’s maiden duet Har Shai Pe Jawani Hai – Majboor

Mukesh – Lata Mangeshkar duet Ab Darne Ki Koi Baat Nahin – Majboor

Ab Yaad Na Kar – Ankoha Pyar

Khayyam (as Sharmaji & (Rehman) Vermaji with Aziz Khan) Dil Dil Yun YuN Karata Hai – Geeta Dutt, Aziz Hindi – Heer Ranja

Lata Mangeshkar first song with Shamshad Begum and Mohantara Khushiyan Manayen Na Kyun Ham.. Kismat Hamare Saath Hai.. Jalanewale Jala Karen – Khidki

Surinder Kaur Itne Door Hain Huzoor Kaise – Pyar Ki Jeet

Padmini as dancer-actor in Uday Shankar’s Kalpana

S Mohinder – as music director in film Sehra and as a singer Ae dil Uda Ke – Sehra

Jaan Nissar Akhtar – as lyricist in Shikayat

Sahir Ludyanavi – as a lyricist for Badal Rahi Hai Zindagi – Azadi Ki Rah Par

Snehal Bhatkar – as a music director in Suhaag Raat

Bharat Bhushna and Geeta Bali – as actors in Suhag Raat

Fact file and Trivia notes that five songs of Meena Kapoor for Anokha Pyar were recorded on Lata Mangeshkar; Leela Chitnis played mother for first time in Shaheed; Mohammad Rafi holds a falg pole in Watan Ki Rah Mein Watan Naujawan Shaheed Ho; Ameerbai Karnataki composed music for Shahnaz, once only in her career; Vidya Nath Seth sang firve songs for Rooplelka of which he composed one song too.

List Of Memorable Songs is a fairly representative list of films, music directors and known as well as less-known songs that were released in the year. I have re-compiled this list, under the title Memorable Songs of 1948, by adding the relevant link to YT file.

For the year under review, Special songs also cover the songs which open a path of discovery on their own well as they have thir own personality. In this case too, I have brought these songs on the same page with List of Memorable Songs of 1948.

The stage is now set to commence our journey into the Micro View of the Songs of 1948. As the List of Memorable Songs and Special Songs have covered most of the well-known songs for the year, we will restrict our micro-view to in-depth listening of not-so-well-known songs. We will then combine our impressions of these songs with that we already have for the well-known ones to present our point of view in so far as

Best male playback singer
Best ‘other’ female playback singer
Best songs of Lata Mangeshkar
Best duets
Best music director

are concerned for the year 1948.

All the posts that will appear on this subject here have been tagged as Songs of 1948 @ SoY.

Carnival of Blogs on Golden Era of Hindi Film Music – December, 2016

Welcome to December, 2016 edition of Carnival of Blogs on Golden Era of Hindi Film Music.

We will begin our present episode on a lighter note with You’ve never heard the demonetized version of this famous song from Guru Dutt’s ‘Pyaasa’. As a parody, ‘When it was our turn in the queue, the bank’s coffers were empty‘ is a part of sort of mini cottage industry – These Bollywood spoofs on demonetisation will tide you over the cashless blues.

December, 2016 also had another major event- passing away of Tamil Nadu CM, J Jayalalithaa.

Wadia and Nadia: How love kicked in pre-Bollywood filmdom – Nadia was a JBH discovery. But it was Homi (May 22, 1911 – December 10, 2004) who gave this memsahib with a thick Scottish accent, a voice. “Homi realised her language was her ‘body’,” says film theorist and curator Amrit Gangar. “He kept Nadia’s dialogue to a bare minimum because of her difficulty with Hindi.”

mary-ann-evans-aka-fearless-nadia-in-a-still-from-carnival-queen-1955
Mary Ann Evans aka Fearless Nadia in a still from Carnival Queen, 1955

Happy Birthday Dharmendra: As he turns 81, we bring you his various filmi moods – He was probably the first Indian male star who appeared bare-chested in a song in Phool Aur Patthar. From Anupama (1966) to Satyakam (1969), Dharmendra tried to create a space for himself as an actor. Hrishikesh Mukherjee’s Chupke Chupke is another film which proved that the actor could balance subtle comedy just as well as slapstick elsewhere.

MS Subbulakshmi: A journey from Kunjamma to Meera – is N Venkataraman’s tribute on her birth centenary (16 September 1916 – 11 December 2004).

December is also a month of birth dates of Dilip Kumar and Raj Kapoor, two fulsome actors of the Great Triad.

dilip-kumar

Dilip Kumar – Leaves from My Diary in an interview conducted in 1957.

prithivi-raj-kapoor-with-sons-and-a-grand-son

Prithivi Raj Kapoor with sons and a grand son

15 Songs of Shailendra: The Art of Simply Expressing Deepest Thoughts – On Shailendra’s death anniversary,Antara Nanda Mondal and Peeyush Sharma have compiled a brief list of 15 songs that give a glimpse of his massive range – encompassing songs of love and romance, songs of introspection and philosophies, songs of spiritual awakening and harsh social realities, songs of that celebrate liberation and songs that express the anguish of entrapment.

sitara-devi

We have an excellent career-sketch of Sitara Devi: The Twinkling Star profiled by Karan Bali on her second death anniversary on 25th November.  Some of her memorable films are Judgement of Allah (1935), Achhut (1940), Pagal (1940) and India Today (1940)., Roti (1942), Najman (1943) or her snake dance in Anjali (1957) or the Holi dance in Mother India (1957).

We will also take note of A Short Film Tribute to Sitara Devi   

Karan Bali has also profiled PC Barua, who is most easily remembered for K L Saigal’s songs of Devdas (1935) or Saigal’s So Ja Raajkumari So Ja (Zindagi).

The December, 2016 episode of Fading Memories, Unforgettable Songs was dedicated to Mohammad Rafi’s solo song from the first film with the music director. This part of the article covered the first three years of the first-five-year-period of 1944-1948. The second part of the article, has covered songs from 1947 and 1948 @ Mohammad Rafi’s Solo Song From The FIRST Film With The Music Director ||2||.

Here are posts on other subjects as well:

Shyam Benegal’s ‘Ankur’ and the beginning of a film movement – A Book Review by Sangeeta Datta – A script written during the filmmaker’s college years became the foundation of his sparkling career as one of cinema’s greatest realists.

smita-patil-image-credit-jhelum-paranjape

Smita Patil as a child: Mischievous, adventurous, emotional and an excellent mimic – In her review Maithili Rao notes that  Smita Patil biography reveals that the acclaimed actor, whose death anniversary is on December 13, was ‘prem mayee’: a being suffused with love.

More Delicious Chutney Covers of Hindi Film Songs – After the introductory piece, we can now expect this to be a regular fare.

Southern Spice in Hindi Music highlights key aspects of South Indian music that have been absorbed in Hindi film songs, that have added what one would call as a dash of Southern spice in Hindi film music. This is not about the vocal styles from South India, but instruments from South India. LINK TO PLAYLIST FOR SOUTHERN SPICE IN HINDI FILM MUSIC takes us to 12 such songs from 1940s to’60s, with one exception.

I have been able to land upon this quite an imaginative subject – “Samne waali khidki” songs rather belatedly.

Shankar-Jaikishan’s multi-faceted genius with ‘other’ singers – have covered so far their best songs for his leading singers, Lata Mangeshkar, Mukesh, Rafi and Manna Dey. also presented his best dance songs for Lata Mangeshkar and female dance duets. presenting my final tribute to SJ with their songs for ‘other’ singers which give a glimpse of their multi-faceted talent.

My Favourites: Heroes – 1 (40s-70s)  is the pairing list of earlier  My Favourites: Heroines – 1 (40s-70s) , based on an idea of Stars and Songs, that the author, Ava Suri, particularly like featuring the actress. In the continuum, Zeenat Aman – My favorite Songs is a collection of Baker’s dozen songs that have matching visuals to the catchy lyrics with Zeenat Aman in the focus and Ashok Kumar – 10 favorite songs that the actor sang as well as performed on the screen.

‘Diya Na Bujhe Ri Aaj Hamara’ – Kumkum The first song I got as a dancer was the song “Angana Baaje Shehnai Re, Aaj Mori Jagmag Atariya” in the film Sheesha which was sung by Shamshad Begum. ‘Raat Ke Raahi’s song ‘Daayein Baayein Chhup Chhupa Ke Kahaan Chale’ was picturized on Kumkum’s younger sister Radhika and Shammi Kapoor.Radhika also stays with her family in Mumbai.

Trios, Quartets, and More: Ten of my favourite songs has presented songs such as:

Bas mujhko mohabbat ho gayi hai (Biwi aur Makaan), 1966); Mukesh, Manna Dey, Hemant, Talat Mahmood. There is one more such experiment in the same film – Nahi Hota… Aa Tha Jab Janam Liya – Mukesh, Manna Dey & Hemant Kumar

The Legends: Asha Bhosle sets the tone with the help of solos and The Legends: Asha Bhosle – Part 2 has her duets.

We end today’s episode with a short film on songs and life of Mohammad Rafi: Part 1| Part 2 | Part 3. 

I take this opportunity to wish a great 2017 to all of you and look forward to your valued suggestions to keep our content more engrossing…

The Micro View of the Best Songs of 1949 @ SoY – MY Top Duet Songs

I always have had a special inclination towards the duet songs. 1949 is the year which had a fairly large catch of the duets to listen to and quite a few have been in the all time favorites of not only my choice but probably of all listeners in general as well. As a result, I have moved along and have generously presented My Top choice duets.

Male – Female Duets

It is no surprise that Male Female duets dominate the overall choice among variants of the duets. However, the domination of duets of Mohammad Rafi and Mukesh is my limitation of taste and choice. In other words, these are the songs that I have been listening to far more frequently than the others. So my choice does reflect that bias.

Other Duets

The Female – Female duets and the solitary triad + song are more or less automatic choices, at least by application of their overall populariover all these years.

The choice of selecting The Best from these has worked out to be more difficult than I had imagined. So I propose a work around solution. I have picked up one duet each from those of Mohammad Rafi, Mukesh and from the others.

We will conclude The Micro View of the Best Songs of 1949 @ SoY in our next episode.