Welcome to March, 2018 edition of Carnival of Blogs on Golden Era of Hindi Film Music.
We begin our March, 2018 episode with two obituaries. One is in memory of Sridevi and the other one is in memory of Shammi..
- No One Could Have Expected This Loss – RIP, Sridevi
- Sridevi’s superior southern style – Sridevi recast her gamut of talents professionally as an actor to comply with her limited northern brief
- The Moonlight Has Dimmed – Sridevi was the quintessential director’s actress, molding herself like clay into what her directors demanded of her. Director Shekhar Kapoor once remarked that Sridevi made love to the camera. The quiet, reserved woman who sat quietly in one corner of the sets, makeup on, waiting for her co-stars to arrive or the shot to be ready, would transform once the director called ‘Action’.
Annu Kapoor on Shammi: In spite of setbacks, she always smiled – Born as Nargis Rabadi in 1931 in a Parsi family Shammi debuted against Sheikh Mukhtar in Ustad Pedro(1949), then as one of the lead actors of Malhar (1951). The film didn’t do well commercially even though she got noticed. Soon after, she was cast along with Dilip Kumar and Madhubala in Sangdil (1952).
We recall here one of her forgotten appearance in Musafirkhana (1955)
And, now, we take up the tributes in March, 2018:
Remembering Baby Naaz, Sridevi’s voice in her early Hindi films – Soumya Rao – Despite achieving acclaim early on as a child actress, Salma Baig spent her later years lending her voice to the cinematic dreams of others.
Chalo Ik Baar Phir Se: The Versatility of Ravi – The trademark of music director Ravi’s compositions? They are hummable, memorable and as alive in our memories as yesterday. Monica Kar looks at the phenomenon this giant, prolific, composer was and what he leaves behind.
Music Composer Ravi & The Golden Age Of Hindi Cine Music – A Suresh Sharma Film, showcasing his last composition
As a matter of mere coincidence, the choice of Romantic Songs by Sahir, in the course of celebrating Sahir Ludhyanavi’s 96th birthday (on 8th March, 2018), happens to be duets. Here is one of the rare duets from the post: Chand Bhi Koi Deewana – Pyas (1968) – Asha Bhosle & Mahendra Kapoor – N Datta
Recalling a Fine Actor and Poet – Sajjan (Lal Purohit), born in 1921 was a rare combination of actor and a poet. He wrote several geets that Talat Mahmood crooned in his soft voice:
- Mera Pyaar Mujhe Lauta Do
- Phir Pyaar Kiya Phir Roya, Kya Tadbeereen Kaam Karen Jab Apna Naseeba Soya
- Has Raha Hai Chaand Taare Kar Rahe Atthkheliyaan
- Chup-chaap Akele Chhup-chhupke Main Geet Kisi Ke Gaata Hoon, Dil Ke Zakhmon Ko Chheen Chheen Main Apna Jee Behlaata Hoon.
‘The New York Times’ obituary of Madhubala notes her tragic life, compares her to Marilyn Monroe – The Madhubala tribute, published by ‘The New York Times’, is part of ‘Overlooked’, a series of obituaries of 15 trailblazing women.
Riding in Masculine Style celebrates launching of ROXOR by Anand Mahindra from their US plant. M&M’s Jeep was one popular vehicle which actors have even been singing songs while driving it too. The post lists some cases of actors behind the wheel in a Jeep during a song, whether they themselves were lip-syncing or another actor was, or even if the song was being filmed background
Nasir Hussain-The King Of Musical Hits (16 November 1926 – 13 March 2002) had a ear for good, popular music.. He started his career as story writer in 1948. The famous films he wrote for Filmistan include Anarkali (1953), Munimji (1955), and Paying Guest (1957)
March, 2018 episode of Fading Memories, Unforgettable Songs is dedicated to: S N Tripathi: Unremembered music director of remembered songs:: 1951 – 1956 in continuation with March, 2017 episode of his songs from 1941 to 1950.
And, now the posts on other subjects:
Songs in the praise of Nature lists the songs that mainly describe the beauty of nature, and also some may describe its connection to the character singing the song. E.g.
Mausam Hai Jawan – Tower House (1962) – Asha Bhosle – Ravi – Asad Bhopali
The Trio of DEV ANAND,DILIP KUMAR and RAJ KAPOOR in 1960s combined to formed the trilogy of the Indian cinema in the 1950’s and 60’s. All the three started their career as Hero before Independence. In the 1950s all of them were in the peak of their career. Each had their own brand value and distinct persona and loyal following. ..
Love gets spooky in ‘Lag Ja Gale’ from the suspense thriller ‘Woh Kaun Thi?’ – Nandini Ramnath – The song from Raj Khosla’s classic features Sadhana at peak etherealness. A remake of Raj Khosla’s Gothic-style suspense thriller Woh Kaun Thi? (1964) is on the cards. To be produced by KriArj Films, the movie will retain two of the biggest reasons behind its success: the songs Naina Barse Rimjhim Rimjhim and Lag Ja Gale.
Bollywood’s Connection with Goa – Goans played a major role in Bollywood music until the 1980s,Initially only Goans, having trained in Western music, knew how to compose music for orchestras, with a multitude of instruments playing in harmony.The biggest connection with Goa is Lata Mangeshkar and Asha Bhosle who are from Goa.
‘Devdas’ to ‘Daas Dev’: What torch songs say about Indian cinema’s favourite tragic hero – Archana Nathan – There’s a song to fit every mood in every adaptation of Sarat Chandra Chattopadhyay’s classic novel.
In our tradition of ending our post with article on Mohammad Rafi or a topical song of his, I have picked up songs that basically have link with the topics discussed in the present post, i.e. two songs filmed on Shammi but wherein Mohamamd Rafi playbacks and one of the many Ravi- Sahir compositions for the year 1963. The second of the Rafi song on Shammi also is penned by Sahir Ludhyanvi ::
Thoda Sa Dil Lagaa Ke Dekh – Musafirkhana (1955) – with Shamshad Begum – O P Nayyar – Majrooh Sultanpuri
This is an Asymmetric Duet where Rafi is in the support role.
Jahan Jahan Khayal Jata Hai, Wahan Wahan Tumhi Ko Paata Hai – Bade Sarkar (1957) – with Geeta Dutt – O P Nayyar
Itni Haseen, Itni Jawaan Raat Kya Karein – Aaj Aur Kal (1963) – Ravi – Sahir Ludhyanvi
I earnestly seek your suggestions / inputs / criticisms so as to make our Film Blog Festival more interesting and live.