Mohammad Rafi’s First Solo Song With The Music Director: 1961
To commemorate Mohammad Rafi’s anniversaries, [Born: 24 December, 1924// Death: 31 July, 1980] we commenced a series of articles on Mohammad Rafi that essentially tried to bring the solo song of Mohammad Rafi from the first film with the music director. Beginning 2016, we have taken up one five-year slot every year, in the chronological order, starting from 1944, the year in which Mohammad Rafi sang his maiden solo song in Hindi Films. Till now we have covered
We have heard Mohammad Rafi’s maiden solo song with a music director for the first part of 1959-1960 of the 4th Five Year period in July, 2017.
Presently, we will take up the second part – 1961 – for the 4th Five Year period. The films appear herein in the alphabetical order of their names.
In our earlier articles we used to take due note of the popular, and not-popular-but-remarkable songs for the years under review for those music directors who have already appeared in the previous Five-Year periods. We have continued with that practice.
As may be expected, in the decade of 60s, we find more songs that went on to become popular, sometimes far more than the more meritorious songs from the same film. Relative longevity was seen to be shortening up. However, this possibly outcome of the changing taste of Hindi Films – as more films went color from B&W format, the element of art in the film was becoming more a special genre, filmmaking had better technical back-end support. Now, films, in general, were the commercial films – set to a few stereotypes and their variations. In so far as the Hindi film music was concerned, ‘60s saw the beginning of the ebb, from the high highs that were scaled till now.
Mohammad Rafi has 71 solo song in 1961.
First, we will note the popular songs for the year for those music directors who have appeared in the previous years.
Shankar Jaikishan – Aas Ka Panchhi (Char Dino Ki Chhuti Hai); Boy Friend (Dheere Chal .. Ay Bheegi Hawa, Mujhe Apna Yaar Bana Lo, Salam Aap Ki Meethi Nazar Ko); Jab Pyar Kisi Se Hota Hai (Jab Pyar Kisi Se Hota Hai, Teri Zulfon Se Zudai); Junglee (Chahe Koi Mujhe Jaunglee Kahe, Aiya Ya Karoon Main Kya Suku, Ehsan Tera Hoga Mujh Par); Sasural (Teri Pyari Pyari Surat Ko, Wallah Yar Lut Gaye Hum) | Chitragupt – Bada Admi (Akhiyan Sang Akhiyan Lage, Agar Dil Kisi Se Lagay Na Hota) |Salil Chowdhury – Chhaya (Yaa Kehde Ham Insaan Nahi); Kabuliwala (O Saba Kahena Mere Didar Ko); Maya (Koi Sone Ke Dilwala, Sanam Tu Chal Diya Rasta Mere Bina, Zindagi Hai Kya Meri Jaan) | Naushad – Ganga Jamuna (Nain Lad Jai Hai) | Ravi – Gharana (Husnwale Tera Jawab Nahi); Nazarana (Baazi Kisine Pyar Ki) | Jaidev – Hum Dono (Main Zindagi Ka Saath Nibhata, Kabhi Khud Pe Kabhi Haalat Pe) | Madan Mohan – Sanjog (Do Ghoont Maine Pee) | Ghulam Mohammad – Shama (Woh Sadagi Kahe Ise Diwangi Kahe) | Khayyam – Shola Aur Shabnam (Jane Ky Dhundhati Raheti Hai) |
We now take a closer look at Mohamad Rafi’s first solo song with a music director for the year 1961. This year, we have three very talented, but not commercially successful music directors, one who succeeded by defying the Hindi Film ‘normal’ of ‘assistants do not succeed’ and two music directors for the South remakes.
In order to err on the safer side, we have included all the solos of the film wherein Mohammad Rafi and a music director have their first solo song.
Not accepted well in Hindi Films, S Madan earned big fame in Punjabi films. Many of his songs in Punjabi films have been plagiarized in Hindi films. He assisted Vinod in the early part of his career.
Ye Kaisi Deewaar Hai Duniya – Batwara – Lyrics: Majroojh Sultanpuri
The background song epitomizes the division between two brothers.
P Nageswara Rao
Nageshwara Rao was well-known name in Telugu films.
Narayan Ki Isi Murti Se Hoga Govinda – Bhagwan Balaji –Lyrics: Sarswati Kumar Deepak
It seems every remake – dubbed version- of South Indian religious films has at least one song by Mohammad Rafi.
Rahul Dev Burman
When Rahul Dev Burman (27 June 1939 – 4 January 1994) debuted as an independent music director, the Golden Era of Hindi Film music was at its high-sun point. The ecosystem was extremely competitive with high-quality-but-very-popular individual styles of the music directors who had entered the scene in the late second half of the ‘40s./ early first half of ‘50s.R D Burman easily transformed himself from the understudy of his father, S D Burman, into an independent music director, by developing his own distinct style of compositions. Along with Laxmikant Pyarelal, he very effectively carried the baton form the second generation of music directors to the third generation.
Aam Chum Taam Chum – Chhote Nawab – Lyrics: Shailendra
Produced by Mehmood, the film revolved around a mentally under-developed character of Memood. The song epitomizes physically fully-grown-up, but mentally childlike personality of the lead male character, Choote Nawab – The Child Ruler.
Ilaahi Tu Sun Le Hamaali Dua – Chhote Nawab – Lyrics: Shailendra
R D Burman creates a very mature tune in the very first film. Along with all other playful songs, the present song and Lata Mangeshkar’s Ghar Aaja Ghir Aaye demonstrate the depth of versatility of R D Burman’s musical range.
C Arjun assisted Bulo C Rani in his early career. C Arjun’s first Hind film Road No. 303 (1960) had a couple of Mohammad Rafi duets. His Punar Milan (1964) Mohammad Rafi solo Paas Baitho Tabiyat Bahal Jayegi remains one of the best ever Rafi song. But of course C Arjun is more immortalized by his Usha Mangeshkar record-breaking prayer Jai Santoshi Ma (1975)
Ho Gori Zulm Kare Zulf Ka Bikhar Jaana – Main Aur Mera Bhai– Lyrics: Jaan Nisaar Akhtar
Mohammad Rafi is at his playful best in this lively song.
Insaan Kitne Yug Beete Yunhi Rahi Nadaan.. Moorakh Hai Insaan – Main Aur Mera Bhai – Lyrics: Jaan Nisaar Akhtar
This should be background song.
Arun Raghavan is one of the 48 music directors who have composed only one Mohammad Rafi song. As he is a music director of South Indian films, this does not seem to be so stounding statement.
Chali Aaj Rajbhawan Se..Yug Yug Se Anyaya – Mera Suhag – Arun Raghavan – Vinod Sharma
Like other South Indian film remakes in Hindi, Mohammad Rafi gets to sing a background song.
SL Merchant, Shri Ram
SL Merchant, Shri Ram are perhaps more active in Tamil films.
Kaisa Hai Ye Shraap Haye Re..Haye Re Qismat – Sati Renuka – Bharat Vyas
As has been now a well-formed pattern, Mohammad Rafi gets to sing this background song.
Putraheen Ko Pita..Janani Janani Mahima Hai – Sati Renuka –Bharat Vyas
One more background song in a South Indian remake Hindi film.
Known more as assistant to S N Tripathi, then Chitragupt and lastly as arranger to Laxmikant Pyarelal, Dilip Dholakiya took up D Dilip as his pen name when composing independent music in Hindi films. He also was a very accomplished singer. He did sing a few Hindi songs under S N Tripathi and Chitragupt. The only Hindi song that he has rendered under his own baton is Khanke Kangana Khan Khan Re, Chhanake Ghungharu Chhan Chhan Re – Saugandh (1961) – with Lata Mangeshkar and Mohammad Rafi in the lead.
Apne Liye Jiye To Zamane Mein Kya Jiye.. Kaun Raha Hai Kaun Rahega – Saugandh – D Dilip – Prem Dhawan
The song is a background song, filmed on Gemni Ganeshan on the screen.
As a special note on Dilip Dholakia – Mohammad Rafi, I succumb to the urge to record here a beautiful Gujarati solo song from this pair – Meethadi Nazrun Vaagi – Satyavan Savitri ,1963)
Since we have far too many song to listen to in the present post, we will take up the last two years – 1962 and 1963- of the 4th Five Year period in our episode of 15th December, 2019.
We will continue remembering Unforgettable Songs that seem to Fading away from our Memories every second Sunday of the month……..
Disclaimer: All images are sourced from net. All copyrights of the respective image remain with the original owner of the image.
N.B. : All episodes for the year 2019 can be seen / downloaded as one file by clicking on Fading Memories..Unforgettable Songs – 2019