Fading Memories…. Unforgettable Songs: February, 2017

Some of the Talat Mahmood Duets receding from the memory

talat_other_singersAll the singing greats at the start of their careers – Talat Mahmood, Mohd Rafi, Kishore Kumar,  Mukesh, Geeta Dutt, GM Durrani, Meena Kapoor, Kamal Barot, Mubarak Begum and others

In the month of his birth anniversary (24-2-1924) as I sat down to list out Talat Mahmood’s duets that seemed to have receded from the memory, I had not expected to find enough numbers to make a full-fledged article. Nonetheless I had pre-set the conditions that not more than one song will be taken up per pairing partner and the music director. However whatever filters you set up, you can always find enough pearls from the very rich sea of duets of Talat Mahmood.  So here is my pick –

Mujhko  Apna Banaya Kisne Tune Sajania  Tune – Sampatti (1949) – Talat Mahmood,  Suprova Sarkar – Timir Burman  – Pandit Bhushan

For quite romantic banter between the two loved ones, the rhythm of the song may appear faster. But that does not impede understanding the feeling and enjoying the song.

Poochh Rahe Ve Yaar Ki Bibi Kaisi Ho – Shaadi Ki Raat(1950) -Talat Mahmood, G M Durrani, Surinder Kaur – Pt. Govindram – Sarshaar Sailani

We have a typical pre-marriage ceremony folk song from Punjab. Talat Mahmood seems to be enjoying the (musical) company of his partners.

Taqdeer Hansi Ansoo  Nikale, Ik Thes Lagi Dil Toot Gaya – Pagle (1950)  – Talat Mahmood , Rajkumari  – Snehal Bhatkar – Kabil  Amritsari

Here is a duet in which one singer is a just-settled newcomer and the other is a vintage era veteran.

Jawani Ke Zamane Mein Jo Dil Na Lagayega Pichche Pachchatayega – Madhubala (1950) -Talat Mahmood, Shamshad Begum – Lachhiram Tomar – Rajinder Krishna

Talat Mahmood easily matches the light mood of Shamshad Begum.

Tum Kaun Ho Rajkumari Ye Chanda Sa Mukhda Idhar To Karo – Rajput (1951) – Talat Mahmood, Madhubala Zaveri – Hansraj Behl –  Bharat Vyas

Technically, this is the debut film of Madhubala Zaveri. This seems to be the song of ‘swayamvar’.

Manna Dey joins Talat Mahmood and Madhubala Zaveri in this song.

Jao Jao Jao Aagayaa Bulawa Jung Ka

Damdi Damdi Paisa Paisa Jod Jod Mar Jaate Hain – Hamari Shaan (1951)  – Talat Mahmood, Kishore Kumar – Chitragupta – (?)

Talat Mahmood joins Kishore Kumar in a very unique combination. We also hear a very distinct third voice too, which may be that of Chitragupta, however this is just a guess.

Kahin Preet Se Bhara Koi Geet Gaa Raha – Paatal Bhairavi (1952) – Geeta Dutt, Talat Mahmood –  Ghantshala – Pt. Indra Chandra

This film is a remake of the Telugu film, so we see a very young NTR lip singing Talat Mamood’s playback. Geeta Dutt sings for Malathi. (Venkataeshwara Rao)Ghantshala was a highly respected music director of Telugu films.

Pyar Bhi Aata Hai Kabhi Gussa Bhi Aata Hai – Goonj (1952) – Asha Bhonsle, Talat Mahmood – Sardul Kwatra..

The song so vividly captures the small talk between the loved on matters of minor disagreements.

Chalo Chale Chalen Jamuna Ke Paar – Usha Kiran (1952) – Talat Mahmood,  Zohrabai Ambalewali, Uma Devi, Swaroop Lata – Hanuman PrasadAnjum Pilibhiti

Since we have only the audio clip, it is difficult to imagine who would be the three female actors for this song. The song certainly appears to be a group of friends singing together on some occasion, where the sole male actor sings “Aao Kar Le Karar  {Let us make an agreement)’ in response to the proposal of the female singers.

Chanda Tale Mushkurayen Jawaniya….Hothon Pe Aa Gayi Dil Ki Kahaniyan – Chandi Rani (1953) – Talat Mahmood , P Bhanumathi – C R Subrmanian, M Vishwanathan – Vishwamitra Adil

This film was made in Telugu, Tamil and Hindi. NTR is the hero and P Banumathi is the heroin. The additional noteworthy point for this film is that P Bahnumathi was also the director and (one of the) producer.

Here is the Telugu version of the song

Tu Ud Ja Panchhi Bawaare  Ja Dess Begane Jaa –  Aag Ka Dariya (1953) –  Talat Mahmood, Sulochana Kadam – Vinod  – Aziz Kashmiri

The song is set to a rather difficult rhythm, but still retained the melody.

Ek Dil… Do Hain Talabgaar Badi Mushkil Hai, Kashmakasha Mein Hai Mera Pyar Badi Mushkil Hai  – Darwaza (1954) – Talat Mahmood, Suman Kalyanpur – Shaukat Dehlvi ‘Nashad’ – Khumar Barabankvi

This is debut duet that Suman Kalyanpur recorded for Hindi films, when she was Suman Hemmady, a budding artist from AIR stable. In an interview, this is what she said about this song: “I was thrilled to sing with a singer, who was blessed with the best of aesthetics and melody. Talat Mehmood gave a divine effect to the song with his silk voice and I tried my best to match him. He was very pleased with my rendering..”

Aankhen Bhari Hui Hai Aur Dil Bhara Hua Hai – Majboori (1954) – Talat Mahmood, Meena Kapoor Robin Chatterjee – D  N Madhok

The song is set in soft tone in consonance with the words of the song. That has given full expression to Talat Mahmood’s velvety voice. Meena Kapoor matches every note.

Tera Bachpan Ek Kahani – Sangam (1954) – Talat Mahmood, Mubarak Begum – Ram Ganguli –S H Bihari

This is second of the three films that were named Sangam. This song definitely shows that Ram Ganguli was very much beyond Aag (1948).

Door Hote Nahin Jo Dil Mein Raha Karte Hai – Waris (1954) – Talat Mahood, Suraiya – Anil Biswas – Majrooh Sultanpuri

 Talat Mahmood – Suriya’s duet – Dil-e-Naadan Tujhe – from Mirza Ghalib or Raahi Matwale from this film itself have attained so high popularity that some of the other duets, like the present one, have been overshadowed.

Thandi Hawaon Mein Taaron Ki Chhaon  Mein Aaj Balam Mora Dole Jiya  – Bahu (1955) – Geeta Dutt, Talat Mahmood – Hemant Kumar – S H Bihari

In so far as I am concerned, the song has not at all receded from the memory. But A very unique combination of Hemant Kumar, Geeta Dutt and Talat Mahmood ought to yield such a sweet result!

Nazar Aa Nigahon Se Chhup Jane Wale – Piya (Unreleased film of 1950s) – Talat Mahmood, Nirmala – S Banerjee – Majnoon Lucknowi

The lady singer is none other than famous singer Nirmala Devi. The younger generation would like to know her as mother of 90’s dashing actor Govinda.

Main Padh Rahi Hoon Tumko, Mery Kitab Tum ho – Captain India (1960) -Talat Mahmood, Sudha Malhotra – Hemant Kedar – Rajaram Saki

Quite an out-of-box way of explain the fact that both the loved ones are trying to understand each other by really trying to read each other.

Jay Jay Bharat Desh – Matlabi Duniya (1961) – Talat Mahmood, Ameerbai Karnatki, Chorus – Shushant Banerjee – Jayanti Joshi

We have made one exception to our original filter because this is the only duet of  Talat Mahmood and Amirbai Karnataki together.

Tum Pe Quarban Dil…Shukria Aap Ke Pyar Ka – Sakhi Lutera (1969)  – Talat Mahmood, Usha Balsaver – B N Bali – Aziz Ghazi

The female singer and the music director are quite unknown names. The song is set to a brisk dance tune.

Mohabbat Ki Kahaniyan Sunane Lagi Hai Jawaniyan – Talat Mahmood, Lata Mangeshkar – Woh Din Yaad Karo (1971) – Laxmikant Pyarela – Anand Bakshi

Except Talat Mahmood and Lata Mangeshkar singing in a duet, we have quite a rare set of combinations in this song. If Laxmikant Pyarelal using voice of Talat Mahmood and that too at almost the fag end of his career, for Sanjay Kumar on the screen is not enough of such rare combinations, Sanjay Khan and Nada pairing as lead actors gets added to.  The song is quite different from LP signature compositions, except the orchestration of the second interlude. Of course, all other male songs of the film are in Mohammad Rafi’s voice.

Here is the full song, in audio format-

We will end our present Talat Mahmood episode with two instances of his Mohammad Rafi associations –

Ek Nazar Mein Dil Le Jaaye..Surat Ho To Aisi Ho – Baarish (1957) – Talat Mahmood, Mohammad Rafi, Franciz Vaz, Chitalkar – C Ramchandra – Rajendra Krishna

Today, this song would have been the cause of nation-wide agitations by the feminists – not one but four, clearly rogue-looking youths of the locality, serially, teasing the girl who has come to fill up her pots at the public tap.

love-and-god

The famous recording of K.Asif’s magnum opus “LOVE AND GOD”, in which Naushad got the top 7 playback singers of the film Industry to agree to sing as a chorus for one song  – TALAT MAHMOOD, MOHD. RAFI, MANNA DEY, HEMANT KUMAR, SUMAN KALYANPUR, KHAN MASTANA, and BALBIR photographed during the rehearsals of the recording! (www.talatmahmood.net)

Rahega Jahan Mein Tera Naam  – Love & God (1986) – Mohammad Rafi, Talat Mahmood, Manna Dey & Balbir –  Naushad Ali – Khumar Barabankvi

The film had got mired in several glitches and took a very long time in making. By the time film got released, two of its heroes, Guru Dutt and then his replacement, Sanjeev Kumar and K Asif, the director, had passed away.

These songs represent only a one of the many shades of Talat Mahmood’s duets. So, when we get the next opportunity, we will look at other shades of Talat duets.

We will continue our search for Unforgettable Songs that seem to Fading away from our Memories every second Sunday of the month……..

Disclaimer: All images are sourced from net. All copyrights of the respective image remain with the original owner of the image.

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Carnival of Blogs on Golden Era of Hindi Film Music – December, 2016

Welcome to December, 2016 edition of Carnival of Blogs on Golden Era of Hindi Film Music.

We will begin our present episode on a lighter note with You’ve never heard the demonetized version of this famous song from Guru Dutt’s ‘Pyaasa’. As a parody, ‘When it was our turn in the queue, the bank’s coffers were empty‘ is a part of sort of mini cottage industry – These Bollywood spoofs on demonetisation will tide you over the cashless blues.

December, 2016 also had another major event- passing away of Tamil Nadu CM, J Jayalalithaa.

Wadia and Nadia: How love kicked in pre-Bollywood filmdom – Nadia was a JBH discovery. But it was Homi (May 22, 1911 – December 10, 2004) who gave this memsahib with a thick Scottish accent, a voice. “Homi realised her language was her ‘body’,” says film theorist and curator Amrit Gangar. “He kept Nadia’s dialogue to a bare minimum because of her difficulty with Hindi.”

mary-ann-evans-aka-fearless-nadia-in-a-still-from-carnival-queen-1955
Mary Ann Evans aka Fearless Nadia in a still from Carnival Queen, 1955

Happy Birthday Dharmendra: As he turns 81, we bring you his various filmi moods – He was probably the first Indian male star who appeared bare-chested in a song in Phool Aur Patthar. From Anupama (1966) to Satyakam (1969), Dharmendra tried to create a space for himself as an actor. Hrishikesh Mukherjee’s Chupke Chupke is another film which proved that the actor could balance subtle comedy just as well as slapstick elsewhere.

MS Subbulakshmi: A journey from Kunjamma to Meera – is N Venkataraman’s tribute on her birth centenary (16 September 1916 – 11 December 2004).

December is also a month of birth dates of Dilip Kumar and Raj Kapoor, two fulsome actors of the Great Triad.

dilip-kumar

Dilip Kumar – Leaves from My Diary in an interview conducted in 1957.

prithivi-raj-kapoor-with-sons-and-a-grand-son

Prithivi Raj Kapoor with sons and a grand son

15 Songs of Shailendra: The Art of Simply Expressing Deepest Thoughts – On Shailendra’s death anniversary,Antara Nanda Mondal and Peeyush Sharma have compiled a brief list of 15 songs that give a glimpse of his massive range – encompassing songs of love and romance, songs of introspection and philosophies, songs of spiritual awakening and harsh social realities, songs of that celebrate liberation and songs that express the anguish of entrapment.

sitara-devi

We have an excellent career-sketch of Sitara Devi: The Twinkling Star profiled by Karan Bali on her second death anniversary on 25th November.  Some of her memorable films are Judgement of Allah (1935), Achhut (1940), Pagal (1940) and India Today (1940)., Roti (1942), Najman (1943) or her snake dance in Anjali (1957) or the Holi dance in Mother India (1957).

We will also take note of A Short Film Tribute to Sitara Devi   

Karan Bali has also profiled PC Barua, who is most easily remembered for K L Saigal’s songs of Devdas (1935) or Saigal’s So Ja Raajkumari So Ja (Zindagi).

The December, 2016 episode of Fading Memories, Unforgettable Songs was dedicated to Mohammad Rafi’s solo song from the first film with the music director. This part of the article covered the first three years of the first-five-year-period of 1944-1948. The second part of the article, has covered songs from 1947 and 1948 @ Mohammad Rafi’s Solo Song From The FIRST Film With The Music Director ||2||.

Here are posts on other subjects as well:

Shyam Benegal’s ‘Ankur’ and the beginning of a film movement – A Book Review by Sangeeta Datta – A script written during the filmmaker’s college years became the foundation of his sparkling career as one of cinema’s greatest realists.

smita-patil-image-credit-jhelum-paranjape

Smita Patil as a child: Mischievous, adventurous, emotional and an excellent mimic – In her review Maithili Rao notes that  Smita Patil biography reveals that the acclaimed actor, whose death anniversary is on December 13, was ‘prem mayee’: a being suffused with love.

More Delicious Chutney Covers of Hindi Film Songs – After the introductory piece, we can now expect this to be a regular fare.

Southern Spice in Hindi Music highlights key aspects of South Indian music that have been absorbed in Hindi film songs, that have added what one would call as a dash of Southern spice in Hindi film music. This is not about the vocal styles from South India, but instruments from South India. LINK TO PLAYLIST FOR SOUTHERN SPICE IN HINDI FILM MUSIC takes us to 12 such songs from 1940s to’60s, with one exception.

I have been able to land upon this quite an imaginative subject – “Samne waali khidki” songs rather belatedly.

Shankar-Jaikishan’s multi-faceted genius with ‘other’ singers – have covered so far their best songs for his leading singers, Lata Mangeshkar, Mukesh, Rafi and Manna Dey. also presented his best dance songs for Lata Mangeshkar and female dance duets. presenting my final tribute to SJ with their songs for ‘other’ singers which give a glimpse of their multi-faceted talent.

My Favourites: Heroes – 1 (40s-70s)  is the pairing list of earlier  My Favourites: Heroines – 1 (40s-70s) , based on an idea of Stars and Songs, that the author, Ava Suri, particularly like featuring the actress. In the continuum, Zeenat Aman – My favorite Songs is a collection of Baker’s dozen songs that have matching visuals to the catchy lyrics with Zeenat Aman in the focus and Ashok Kumar – 10 favorite songs that the actor sang as well as performed on the screen.

‘Diya Na Bujhe Ri Aaj Hamara’ – Kumkum The first song I got as a dancer was the song “Angana Baaje Shehnai Re, Aaj Mori Jagmag Atariya” in the film Sheesha which was sung by Shamshad Begum. ‘Raat Ke Raahi’s song ‘Daayein Baayein Chhup Chhupa Ke Kahaan Chale’ was picturized on Kumkum’s younger sister Radhika and Shammi Kapoor.Radhika also stays with her family in Mumbai.

Trios, Quartets, and More: Ten of my favourite songs has presented songs such as:

Bas mujhko mohabbat ho gayi hai (Biwi aur Makaan), 1966); Mukesh, Manna Dey, Hemant, Talat Mahmood. There is one more such experiment in the same film – Nahi Hota… Aa Tha Jab Janam Liya – Mukesh, Manna Dey & Hemant Kumar

The Legends: Asha Bhosle sets the tone with the help of solos and The Legends: Asha Bhosle – Part 2 has her duets.

We end today’s episode with a short film on songs and life of Mohammad Rafi: Part 1| Part 2 | Part 3. 

I take this opportunity to wish a great 2017 to all of you and look forward to your valued suggestions to keep our content more engrossing…

The Micro View of the Best Songs of 1949 @ SoY – Male Solo Songs – G M Durrani + Talat Mahmood

Male Solo Songs

We commence our detailed journey for the year 1949 with Male Solo Songs. I would place the full video clip for those songs that I have heard for the first time or that I do not recollect much. For the songs that are well-known even today, I plan to hyperlink to the song. Once all major songs of each of the principal singers are covered, we will take up an overall summary of the specific category to present my views on the Best of the Category.

The game of numbers does not seem to work in favour of male solo songs in comparison with female solo songs. My review of the available songs for the year 1949 present 5 major male playback singers in so far as solo songs are concerned.

We take up Solo Songs of G M Durrani first.

Jigar Ke Tukde,Ye Dil Ke Tukde – Aaiye – Nashad (a.k.a. Shaukat Ali Haidari) – Nakhshab Jarachvi

Itani Si Kahani Hai Itna Mera Afsana – Aaiye – Nashad – Nakhshab Jarachvi

Nazron Se Mili Nazarein, Dil Ho Gaya Diwana – Aaiye – Nashad – Nakhshab Jarachvi

Zindgani Ka Maza Shaadi Mein Hai – Aparadhi  –  Sudhir Phadke – Amar Varma

Pi Aaye Aa Kar Chale Gaye – Bazaar – Shyam Sunder – Wali Saheb

Ye Rahen Mohabbat Katon Si Bhari Hai – Sawan Bhadon – Husnlal Bhagatram – Ravindra Dave –Duet

Solo Songs of Talat Mahmood

The songs do reveal the silken magic of Talat Mahmood, but certainly seems to await Anil Biswas’s ‘Arzoo’ touch to emerge as The Dominant Player, irrespective of numbers. It also appears to be no coincidence that music directors of two of the three films here belong to the Calcutta school.

Teri Gali Se Bahut..Dil Par Kisi Ka Teer-e-Nazar Kha Ke Rah Gaye – Rakhi – Husnlal Bhagatram – Sarshar Sailani

Jo Beet Gaya So Beet Gaya & Din Beet Chale – Swayam Siddha – Prafull Kumar Chaudhary – Bhawani Prasad Misra

Hai Ye Maine Kya Kiya – Samapti – Timir Baran ~ Pandit Bhushan

Man Ki Naina Bol Rahi Hai – Samapti – Timir Baran ~ Pandit Bhushan

In the next post we will listen to solo songs of Surendra along with the isolated solo songs of ‘the other singers’.

Carnival of Blogs on Golden Era of Hindi Film Music – February, 2016

Welcome to February, 2016 edition of Carnival of Blogs on Golden Era of Hindi Film Music.

We take up the tributes first.

Suraiya - A personally autographed pictureSuraiya: The Last Singing Star of Indian Cinema – a tribute to her on her death anniversary on 31st January – By Parag Sankla“Almost eighty five years ago, God must have said “Today I am sending three great artists to this world. A natural actress, a beautiful lady and a melodious singer! Acting, beauty and singing. These are not three different persons, this is one girl! And here I present you Suraiya.”… Along with Kanan Devi and Noor Jehan, she was one of the most prominent female singing stars of the golden era of Hindi films….Her first two songs as a singer (“Aao aao hil mil kar khushiyan manayein” and “Rana ji ki jai jai se”) came for a film titled Taj Mahal (1941) composed by Madhavlal Damodar. This golden period of Suraiya’s career (1941 – 1946) is often ignored in many of the articles on her……I love the song “Suno more raja, nazariya milaaike” for composer Neenu Majmudar from “Main kya karoon” (1945).”…..From among other songs that have find mention in the article, we pick up Jab badal ghir ghir aayenge, kaho jee kit jaayenge – Daak Bangla. 1947 – Naresh Bhattacharya as a song that is we get to hear less.

Waheeda Rehman and Soumitra Chatterjee in Abhijan (1962)Waheeda Rehman: Quintessential Beauty with Intense Acting Prowess – By Antara Nanda Mondal – Impressed by her enigmatic screen persona and acting panache, Satyajit Ray picked her for the role of Gulabi in his celebrated Bengali film Abhijan (1962).

More about Waheeda Rehman :

Indurani, a star of the 1930s is a rich tribute on death anniversary of Ishrat Jehan Imamuddin aka Indurani on 18th February by film historian Arunkumar Deshmukh, enriched by photographs and posters by Harsh Raghuvanshi.

Ye Sama Ye Khushi Kuchh Bolo Ji Bolo Ji” – Azra – now known as “Farhana”, for the most part, acted in second heroine and character roles in around two dozen movies viz. ‘Junglee’, ‘Ganga Jamuna’, ‘Ganga Ki Lehrein’, ‘Ishara’, ‘Baharon Ke Sapne’, ‘Bandish’, ‘Wapas’, ‘Raja Saheb’, ‘Mahal’, ‘My Love’ and ‘Ilzam’ and finally bid adieu to Filmdom after she got married. In ‘Ganga Jamuna’, she was the second lead opposite Nasir Khan. Movies ‘Shaan-e-Khuda’ (1971) and ‘Pocketmar’ (1974) released after her marriage. ‘Shaan-e-Khuda’ was directed by her father Nanubhai Vakil.

Happy Brithday, Cuckoo! – Some readers of the blog Dances on the Footpath know about the incredible Cuckoo news and trivia post that have developed there. It started with so many comments to the 2011 Cuckoo birthday post (linked to below). And here are a couple of the Cuckoo birthday posts, both of which include a bunch of really good song clips. …. This blog contains a whole lot of Cuckoo…. 2011 Cuckoo Birthday Post ǁ   2014 Cuckoo Birthday Post

The Unlucky Genius Ghulam Mohammad’s best songs for Talat Mahmood – If you associate Anil Biswas, C Ramchandra, Madan Mohan and SD Burman for the best of Talat Mahmood, Ghulam Mohammad would rank at the equal footing with them.

The article is a tribute to the Unlucky Genius with his best songs for Talat Mahmood as a tribute to the singer, too, with velvet voice on his 92nd birth anniversary.

Here are some of the less heard songs:

Meri Yaad Mein Tum Na Aansoo Bahana: Remembering Talat Mahmood – Talat Mahmood was grand-uncle, naani’s (maternal grandmother’s) brother of Sahar Zaman. She reminisces her association with Talat Mahmood over the years in this article.

Talat Mahmood, the photogenic ghazal superstarManish Gaekwad notes that Talat Mahmood sang over 700 songs in his career, including a rare solo “Kadale Neelakadale” in the Malayalam film Dweepu for composer MS Baburaj. His last recording was “Mere Shareek-e-Safar”, a duet with Hemlata, for the film Vali-E-Azam (music by Chitragupta). Lyricist Ahmed Wasi writes, “Mere shareek-e-safar, ab tera Khuda hafiz” (My companion in this journey, I take your leave now). It turned out to be Mahmood’s swan song. He died on May 9, 1998, at the age of 74.

मण्टो का बम्बई” narrates the 21 minute docudrama directed by Dharmendra Nath Oza, which was first aired on TV on Sahara Samay on 3rd April, 2005. The documentary can be seen on Dharmendra Nath Oza’s YouTube Channel in six clips.

Nalini Jaywant – Down Memory Lane – is based on interview was conducted in 1960.

Remembering Nadira: The Diva Who Didn’t Want to be Rescued – Ranjib Mazumder – Remembers Nadira on her death anniversary – Two Jewish women stood out in the race among many prolific names starting from the early days of cinema. In the silent era, Ruby Myers was the most successful star known in film history as Sulochana, and in the post-independent Hindi cinema, Florence Ezekiel, better known as Nadira shone the brightest…..She was the anomaly in a society where women didn’t dare. The viewing public limited her career in a swift stroke of judgment in Shree 420, and in real life, men couldn’t gather the courage to handle an informed mind…..She craved companionship without having to be rescued, but we didn’t have enough imagination to understand that.

The Real and Reel Life of Pran, Bollywood’s Villain Extraordinaire – Ranjib Mazumder looks at some of the interesting aspects of the real and reel life of the villain extraordinaire who would have been 96….Here is one example …. “Pran was very close to Dilp Kumar and Raj Kapoor owing to their long association in the film industry……. When Dilip was getting married, Pran was shooting in Kashmir. Despite heavy rain, he managed to reach Bombay to attend his friend’s wedding. The entire gang including Raj Kapoor got drunk, banged on Dilip’s nuptial-night bedroom door relentlessly till he opened up to say hello to them.”

We now move over to the blog spots on other subjects.

Multiple Versions Songs (24): Songs having versions across different films – similar initial lyrics in mukhada – is a presentation of interesting variety of songs which have multiple versions across different films. In some cases these may be a traditional bandish, where you may find some versions outside films.

One can come across widely differing versions on the circumstances that led to the actual performance of Aye Mere Vatan Ke Logo. Subhash K Jha presents one more – India’s most patriotic song: How Lata Mangeshkar almost turned down ‘Ae mere watan ke logon’ .

Shankar-Jaikishan’s dance songs for Lata Mangeshkar – SoY now picks up one music director around him one set of posts remain anchored during the year. 2014 was the year of Anil Biswas, 2015 was that of Naushad with C Ramachndra in tandem with. S D Burman was organically covered concurrently. Now, 2016 has been dedicated to Shanker Jaikishan, with a limit of the year 1959 for the selection of the songs.

My Favourites: ‘Me Tarzan, You Jane’ Songs creates a list with ‘I am…, you are…’ motif.

Here are a few songs that typically represent the theme while not being heard often enough.

Ten of my favourite romantic duets – of pure, outright romance…Nothing to adulterate the headiness of being in love, of being confident, too, that one’s love is returned.

Ten of my favourite ‘Jaa’ songs – begin with ‘jaa’ (and being strict about this; no variations, like jaaiye or jaao). What or who is being sent away differs, but the crux of the matter remains: go. Go away. This post sprang out of an earlier post on ‘Aaja’ songs….Some interesting coincidences…Jaa tose nahin boloon Kanhaiyya (Parivaar, 1956) has, interestingly, another song in another film begins with exactly the same words: in Samrat Chandragupta, a song picturized on Nirupa Roy and Bharat Bhushan begins Jaa tose nahin boloon…..Jaa Jaa re chanda jaa re from Private Secretary (1964), is created by music director, Dilip Dholakia He has another jaa song from the same film, fabulously rendered by Manna Dey – Ja Re Beiman Tujhe Dekh Liya Jaa.. Another song, nearly decade earlier, which is similar to that of the Lata song from Private Secretary is Ja jaa re chanda teri chandani jalaye from Albeli (1955) – music director – Ravi.

Sadanand Kamath also recites similar interesting coincidence in Kaliyon mein Raam mera kiranon mein Raam hai –-It was a surprise to know just a few days back that Amirbai Karnataki, the Kannada Kokila as she was known in Karnataka, had faced a situation when she was required to lip sync in Sudha Malhotra’s voice for the song ‘Kahaan nahi Ram hai’ from the film PAWAN PUTRA HANUMAN (1957). The song is written by Saraswati Kumar Deepak and is set to music by Chitragupta. Apart from Amirbai Karnataki, the other actor in the role of Hanuman is S N Tripathi. Incidentally, Chitragupta assisted S N Tripathi before he got independent assignment as music director in 1946. Here is the song that provides the title to the post: Kaliyon mein Raam mera kiranon mein Raam hai – Pawan Putra Hanuman – Geeta Dutt .

‘Gata Rahe Mera Dil was Patchwork’: In Conversation With Vijay Anandnever-before-published interview of Vijay Anand – in conversation with Peeyush Sharma we have some interesting aspects of S D Burman’s music. “No one could dictate Burman Dada about which song must be sung by which singer. He had his own style of testing and selecting the voice. Once he would conceptualize a song and decide on the singer for the particular song, no one could influence that decision. He would go to the final limit of even scrapping the song altogether. He would then create a new song but he would not change his decision on the singer. He had the courage of his conviction. He knew which song would best suit a singer. And that decision would be the best decision and the song of course, would be a hit….There was no singer of his calibre in the entire film industry. The kind of highly complex ‘murkiyan’ (tonal embellishments) or ‘gayaki’ (rendering style) he would come up with was simply out of this world. But when he would sing the same tune for Lata or Rafi or Kishore or Asha, he would make it simpler than before.

More to read :

We end our present episode with some (interesting) posts on Mohammad Rafi

I look forward to receive your inputs for further enriching the contents of the posts…..

The Micro View of The Best Songs of 1950 @ Songs of Yore – Triads and Triads +

Having covered Male – Female duets of Mukesh, Mohammad Rafi, Talat Mahmood, GM Durrani, Chitalkar and others, Male-Male / Female-Female duets, we continue with a very interesting variation in the form of Triads and Triads+, as part of our journey through the Best songs of 1950: And the winners are?

Songs with more than two singers is also a fairly tested form in so far as Hindi Film songs go. We have quite a varied fare this year.

Mohammad Rafi + Geeta Roy + Paro + ChorusKabhi Ye Saath Na Choote YeKisi Ki Yaad Mein

Mohammad Rafi + Shamshad Begum + Talat Mahmood + Chorus – Nadiya mein utha hai shorBabul – Shakeel Badayuni – Naushad

Mohammad Rafi + G M Durrani + Mukesh + ChorusKhabar Kisi Ko Nahin Woh Kidhar Dekhate HainBeqasoor – Ehsan Rizvi – Anil Biswas

Mohammad Rafi, Amirbai Karnataki, Geeta Dutt and (?)Jab nain se nain mile umangein naach uthi man mein Veer Babhruvaaha – Anjum Jaipuri – Chitragupta

Mukesh, Zohrabai Ambalevali and Geeta RoyEk Taraf Jal Raha DeepakPreet ka Geet – Premi – Shyam Babu Pathak

Mukesh, Mohammad Rafi + Shamshad BegumHo kaale kaale baadal chhaye piyaApni Chhaya – P L Santoshi – Hanuman Prasad

Mukesh + S D Batish, Shamshad Begum + ChorusJaao Sidharo He Raadha Ke ShyamArzoo – Jan Nissar Akhtar – Anil Biswas

Talat Mahmood + Surinder Kaur + G M Durrani(?) + ChorusPuchch Rahe Ve Yaar Bibi Kaisi Hoti Hai Shaadi Ki Raat – Sarshar Sailani – S Mohinder

GM Durrani, Suriaya, Ojha & othrs – Teri zaalim nigahon ne humko ghayal kiyaNili – Surjit Sethi – S Mohinder

Khan Mstana, Mukesh and GM DurraniYah aaj ke Laila aur Majnu yun milkarPagle – Anjum Rehmani – BG Bhatkar (Snehal)

Khan Mastana, Talat Mahmood and MukeshKyun shikwa karein kyun aah bhareinPagle – Anjum Rehmani – BG Bhatkar (Snehal)

Surinder Kaur, Premlata, Asha BhosleAmbua ke ped suhaane kya kahein moseSabak DN Madhok – AR Qureshi

Continued…….

The Micro View of The Best Songs of 1950 @ Songs of Yore – Male Female Duets : Talat Mahmood with other female singers

We continue with the micro-review of Male Female Duets, as part of our journey through the http://www.songsofyore.com/best-songs-of-1950/. In the previous episodes, we have covered duets of Mukesh and Mohammad Rafi.

Today we will take up Duets of Talat Mahmood with

                                                                                             Lata Mangeshkar

1. Shikwa tera main gaaunAnmol Ratan – DN Madhok – Vinod

2. Yaad aanewale phir yaad aa rahe hainAnmol Ratan – DN Madhok- Vinod

                                                                                           Shamshad Begum

3. Milte hi aankhen dil hua deewana kisi kaBabul – Shakeel Badayuni – Naushad

4. Duniya badal gayi meri duniya badal gayiBabul – Shakeel Badayuni – Naushad

5. Jawani Ke Jamane Mein Jo Dil Na LagayegaMadhubala – Rajendra Krishna – Lachchiram

                                                                                  Rajkumari

6. Taqdeer hansi aansoo nikalePagle – Music BG Bhatkar (Snehal)

Continued…..

The Micro View of The Best Songs of 1950 @ Songs of Yore – Male Solo Songs – Several Playback Singers for For Raj Kapoor

Best songs of 1950: And the winners are?’ very interestingly notes that the year is noteworthy for the number of voices that sang for Raj Kapoor. That in deed calls for a post exclusively dedicated to these songs. We have covered here solo as well as duet songs.

Baware Nain – Kedar Sharma – Roshan

We have covered Teri duniya mein dil lagta nahi in the solo songs of Mukesh. Similarly Mukesh – Geeta Roy duet Khayalon Mein Kisi Ke Is Tarah Aaya Nahi Karate and Mukesh – Raj Kumari duet Mujhe Sach Sach Bata have been covered in the Duets section.

Pyar – Rajendra Krishna – S D Burman

Kishore KumarKachichi Pakki Sadakon Pe Meri Tamtam, Chali Jae

Kishore KumarMohabbat Ka Chhota Sa Ek Aashiyana Kisine Banaya Kisine Mitaya

Kishore Kumar with Geeta Roy – Ek Hum Aur Doosare Tum, Aur Teesar Koi Nahin

Kishore Kumar with Geeta Roy – O Bewafa Yeh To Bata

Kishore Kumar with Shamshad Begum –  Jalti Hai Duniya Tera Mera Pyar Hai

Dastaan – Shakeel Badayuni – Naushad

Mohammad Rafi with Suraiya – Taarai Aarari Taarari …Ye Sawan Rut Tum Aur Hum

Mohammad Rafi with Suraiya – Dhadak Dhadak Dil Dhadake

Mohammad Rafi with Suraiya – Dil Ko Hae Dil Ko ..Teri Tasveer Se Bahalae Hue Hain

 Sargam – PL Santoshi – C Ramchandra

Chitalkarwith Chorus- Main hun ek khalasi mera naam Bhimpalasi

Chitalkar with Lata Mangeshkar – Woh Hum Se Chup Hai Hum Unse Chup Hai

Chitalkar with Lata Mangeshkar and Chorus – Yaar Vai Vai

Chitalkar with Lata Mangeshkar, Mohammad Rafi and Chorus – Baap Bada Na Bhaiya ….Sab Se Bada Rupaiya

Jaan Pehchan – Shakeel Badayuni – Khemchand Prakash

Shankar DasguptaHum kya bataayein tumse kyun door ho gaye hum 

Shankar DasguptaDukh se bhara hua hai dil

Talat Mahmood with Geeta Roy – Arman Bhare Dil Ki Lagan Tere Liye Hai

Continued….