Mohammad Rafi’s First Duet Song With The Music Director
Second Five-Year Period: 1949 -1953
Many historians of Hindi Film Music consider the year 1949 as the transition year when HFM can be positively seen to be entering era of Golden Period, with Lata Mangeshkar and Mohammad Rafi, the two major singers of Golden Era, occupying the undisputed center stage. One indicator which perhaps validates this hypothesis is presence of more and more music directors who remained active during the Golden period in so far as the duets of Mohammad Rafi during the presently under consideration 5-year period of 1949 to 1953.
To commemorate the birth and death anniversaries of Mohamad Rafi, we have commenced a series on Mohammad Rafi’s first duet with a music director. Our journey began with the 1st Five-Year Period of 1944 to 1948 in the year 2021. We take up the Male-Male or Triad as well as a regular Male-Female duet in the present series because our main purpose to revisit maximum possible duets of Mohammad Rafi.
Presently we will take up the 2nd Five-Year Period of 1949 to 1953.
The year has Mohammad Rafi’s duets, almost, in the proportion of 2: 1 as compared the solos. Even with the Mohammad Rafi duets with two music directors for the year 1949 not available for these two music directors, we have been able to cover 14 music directors in 1949!
As such, we will cover the year 1949 in two parts, to be able to relish the songs thoroughly.
Naushad had composed first two duets for Mohammad Rafi in 1944 for the film Pahele Aap. Both were Male-Male duets. Naushad has since then deployed Mohaamad Rafi for the male-female duet only during 1949. Even then, in the year 1949, for Andaz, Mohammad Rafi still was not the playback voice for major lead, Dilip Kumar, of the triangle Raj Kapoor and Nargis. However, the film did have two duets wherein Rafi plays back for Raj Kapoor. Of the two Yun To Apas Mein Bigadate Hain Khafa Hote Hain is a light composition, and is retained in the film
Sun To Dil Ka Afsana – Andaz – with Lata Mangeshkar – Naushad – Majarooh Sultanpuri
This song was finally not included in the film
Naushad had two more films in 1949 Chadani Raat and Dulari. Chandani Raat had three Rafi-Shamshad Begum duets – Chhin Ke Dil KyuN Pher Li Aankhein, Kaise Baje Dil Ki Sitar and Khabar Kya Thi Ki Gham Khana Padega whereas Dulari has two Rafi -Lata duets Mil Mil Ke Gayenge Do Dil Yahaan and Raat Rangili Mast Nazare Geet Sunaye Chand Sitare. The first two duets of Chandani Rat and both the Dulari duets had become quite popular.
Husnlal Bhagatram had as many as five duets and five triads for Rafi 1949 over. Of these we have picked up one duet with Suraiya, and one triad with Lata Mangeshkar and Geeta Dutt, so that we get as many duets / duets+ songs different the co-singers.
Aataa Hai Zindgi Mein Bhala Pyar Kis Tarha – Baalam – with Suraiya – Lyrics: Qamar Jalalabadi
I had not heard this song before, but once I did, I liked it even though it has many strapping of vintage era. Of course, Rafi sounds his normal – what we get to hear in the 50s and Suraiya is, as always, so sweet to listen to.
And now triads:
Lab Pe Fariyad Hai Dil Barbad Hai – Naach – with Lata Mangeshkar, Geeta Dutt – Lyrics: Mulk Raj Bhakri
It may not be inaccurate to assume that the dancing singers may be performing a street dance, because in (only) Hindi films these people can so accurately read the thought of the protagonist’s mind and put them in words on his /her behalf. The hero sems to perform the soliloquy of spelling out his mind, perhaps on the push by the force of the line these dancers sing. Even as hero is in pensive mood and the two female actresses sing in a very energetic mood, the song was well received in those days. Rafi goes in hyper-drive tone at the end!
It would be interesting to see the way the song would have been filmed.
Two other triads in the film were Kyun Karata Maan Jawani Ka (with Lata and Geeta Dutt; Lyrics: Mulk Raj Bhakri) and Namaste Ji Namaste Ji Hamara Tumhara Jeevan Beete Hansate (with Shamshad Begum and Zohrabai Ambalewali; Lyrics: Nazim Panipati).
For the songs of Hamari Manzil, HFGK mentions Geeta Dutt and Mohammad Rafi and chorus as singers for Badla Hua Duniya Mein Ulfat Ka Zamana Hai, Woh Aur Zamana Tha Ye Aur Zamana Hai and Geeta Dutt, Mohammad Rafi and other voice for Andhere Se Na Dar Kaante Banegi KaliyaN, but both these songs have S D Batish as third singer.
Shyam Sundar is widely credited with offering Mohammad Rafi his first ever song, a triad, in the Hindi films, that for Gaon Ki Gori (1945). Presently we have Shyam Sundar composing two duets for Rafi, both with Lata Mangeshkar, a triad – Chhalla De Ja Nishani Teri Meharbani (with Shamshad Begum and Satish Batra: Lyrics Qamar Jalalabadi) for Bazaar.
Ae Mohabbat Unse Milne Ka Bahana Ban Gaya – Bazar – Lyrics: Qamar Jalabadi
This as well as the other duet Apni Nazar Se Door Woh should rank among the finest duets by Rafi and Lata.
Haaye Yeh Bholi Suratwale – Chaar Din – with S D Batish, Iqbal, Rajkumari, Lata Mangeskar, Johrabai Ambalewali – Lyrics: Shakeel Badayuni
This hexad is essentially composed in qawwali style.
Hanuman Prasad is also well-known music director vintage era.
Jale Jalaane Wale Humko Jaise Mombatti – Chilman – with Mukesh – Lyrics: P L Santoshi
Two friends merrily laugh away the world’s critical view of their carefree way of living.
What a coincidence! 1949 has one more Mohammad Rafi, Mukesh duet
Snehal Bhatkar is the music director who has composed that Mohammad Rafi – Mukesh duet.
Baat To Kuchh Bhi Nahin Dil Hai Ki Bhar Aaya Hai – Thes – with Mukesh – Lyrics: Kedar Sharma
Mukesh is assigned the pathos part of the song and Rafi with the role of counseling him!
We will take up the rest of 1949’s Mohammad Rafi’s First Duet Song with eight other Music Directors in our December 2022 episode.
We will continue remembering Unforgettable Songs that seem to Fading away from our Memories every second Sunday of the month next year too……..
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