Fading Memories…. Unforgettable Songs: October, 2017

Shakila in Mohammad Rafi songs

Shakila [Born: Badshah Begum – January 1, 1935] the gorgeous, beautiful, and equally talented star of ‘50/’60s, would have attained long-cherished love of Hindi Film fans only for her performance in melodious numbers like Babuji Dheere Chalna, Neend Na Mujhko Aaye and Ae Mere Dil-e-Nadaan. Most of the public media carried fond obituary on her passing away on 20th September, 2017.

In a fairly long career, Shakila acted in over 50 films and had had acted with several top notch actors like Chandrashekhar, Shammi Kapoor, Guru Dutt, Manoj Kumar, Raj Kapoor, Dev Anand, Sunil Dutt, Pradeep Kumar, Jairaj, Vijay Anand, Ajit and last but not the least, her most favorite co-artist/brother-in-law, Johnny Walker!

We dedicate our present episode to Shakila by bringing in her memories through Mohammad Rafi songs, in which she herself acted or is the focus of the song.

We have consciously avoided some songs, like Tum Poochhati Ho Ishq Bhala or Deewana Kahe Ke Aaj Mujhe Phir Pukariye or Sau Baar Janam Lengay or Zumati Hai Nazar Zumata Hai Pyar and the like, that remain very popular as much popular as the female songs filmed directly on her.

Here are some of the representative songs for the day:

Aye Saba Unse Kah Jara – Alibaba And 40 Chor (1954) –  With Asha Bhosle  – S N Tripathi, Chitragupt  – Raja Mahendi Ali Khan

The co-star with Shakila is Mahipal. Rafi and Asha Bhosle are at their usual romantic, carefree best. S N Tripathi (and Chitragupt) have also fully blossomed up to demands of the situation of the song.

Jab Rup Hi Pyasa Hokar Yu, Chhup Chhup Ke Pani Peeyega , To Rup Ka Pyasa Jo Hoga , Wo Phir Kya Peekar Phir Jeeyega – Ratna Manjari (1955) – S N Tripathi – B D Mishra

Many commentators of that period have wondered about the motivation of Shakila to opt for the mythological type, normally dubbed as B or C class films, after the roaring success of Aar Paar. It was probably this choice that took Shakila’s career into an altogether a different orbit.

Janewale O Janewale, Janewale Khuda Ki Rahmato Ka Tujh Pe Saya – Haatimtaai (1956) – with Suman Kalyanpur – S N Tripathi – Raja Mahendi Ali Khan

S N Tripathi had composed some wonderful tunes for seemingly obscure films. Hatimtaai was one such instance.

Duniya Ki Nazar Hai Buri Jhulfein Na Sanwara Karo – Agra Road (1957) – With Geeta Dutt – Roshan – Prem Dhawan

Shakila looks so stunningly beautiful that all that is said in the song about her seems to have been inspired indeed by her looks.

Ek Dil Hamare Pas Hai Nilam Karega, Fir Apne Ghar Me Baith Ke Aram Karega – Chaubees Ghante (1958) – With Asha Bhosle – Bipin Babul – Raja Mahendi Ali Khan

Rafi sounds typically Johnny-Walker-ish style in the delivery of the song. However, we have only audio of the song, so no way to know who had acted Mohammad Rafi’s playback on the film.

Qadam Qadam Pe Bahaare Lutata , Ye Kaun Aayaa Hai Aanchal Udata – Madam X.Y.Z. (1959) – With Lata Mangeshkar – Chitragupt – Prem Dhawan

One more obscure film, and one more obscure song – however music director and lyricists are well known name. Chitragupt probably still had not made his mark till then.

O Kali Topi Wale Zara Naam To Bataa -Kali Topi Lal Rumal (1959) – With Asha Bhosle – Chitragupt – Majrooh Sultanpuri

Much unlike Chitragupt tune! The tune, delivery by both Mohammad Rafi and Asha Bhosle and that wonderful use of harmonica has made the song being instantly likable and capable of being etched into the memory. Shakila also looks stunningly beautiful.

Aji Ab Kehna Maan Jao Tum Hi Bade Main Chhoti – Baraat (1960) – With Geeta Dutt –- Chitragupt – Majrooh Sultanpuri

Chitragupt had profusely used, and that too to a very telling effect, Geeta Dutt in mid50s, before he switched over to Lata Mangeshkar during 60s.  He is credited with highest number of Rafi-Geeta Dutt duets. The song does seem to a shadow parody of Ye Lo Main Haari Piya (Aar Paar) and Achcha Jee Main Haari Chalo Maan Jaao (Kaala Paani).

Zalim Kahna Man Re Chaki Chal Ne Khakar Pan, Qatal Hum Ho Gaye Nainawali Tera Kya Gaya –  Baraat (1960) –  With Geeta Dutt

I am not able resist temptation of putting up one more song from the same film. But this a bhangra song, composed wholly and truly by Chitragupt. And Shakila looks really so beautiful that many youngsters would feel Qatal Hum Ho Gaye, then and even now.

Jab Ghadi Bole Char Gori Karake Singaar Chali Aana Us Paar – Gambler (1960) – With Suman Kalyanpur – Chitragupt – Prem Dhawan

We have one more of a very unlike-Chitragupt light song. Suman Kalyanpur pairing with Rafi this time….

Yeh Rang Na Chhutega Ulfat Ki Nishani Hai – With Asha Bhosle – China Town (1962) – Ravi – Majrooh Sultanpuri

Surprisingly, for many the song falls under the category of ‘not heard before’. The tune is so unlike Ravi, perhaps nearer to N Datta’s style, probably the effect for their association together as assistants to Hemant Kumar !

Hasino Se To Bas Sahab Salaam Door Se Achchi Na Inki Dosti Acchi Na Inki Dushmani Acchi  – Ustaadon Ke Ustad (1963) – Ravi  – Asad Bhopali

We have one more unlikely song – a pure chhed chaad song, which Pradip Kumar seems to carry relatively easily. And even as the song is for a very mischievous mood, it is quite soft as a tune to our ears.

Tunak Tun Tun Bole Jiya  Mera Dil Kho Gaya Hai, Diwana Ho Gaya Hai -Khahin Pyar Na Ho Jaye (1963) – with Lata Mangeshkar – Kalayanji Anandji – Qamar Jalalabadi

This time we have a fastpaced, a bit loud, duet.

Sang Sang Rahenge Tumhaare Ji Huzoor – Mulzim (1963) – With Asha Bhosle – Ravi – Shakeel Badayuni

Ravi’s comfort with Mohammad Rafi is so clearly visible the way the song is composed.

Here is its sad version, a solo by Mohammad Rafi

We will continue our search for Unforgettable Songs that seem to Fading away from our Memories every second Sunday of the month……..

Disclaimer: All images are sourced from net. All copyrights of the respective image remain with the original owner of the image.

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Fading Memories…. Unforgettable Songs : September, 2017

(Shankar-) Jaikishan and Hasrat Jaipuri’s Songs Fading From the Memory

Septmber happens to be the month of death anniversaries of Jaikishan [Jaikishan Dayabhai Panchal, 4 November 1929 – 12 September 1971] and Hasrat Jaipuri [Iqbal Hussain, April 15, 1922 – September 17, 1999].

Shankar Jaikishan and Shailendra- Hasrat Jaipuri are always spoken in one breath. However, it is said that Jaikishan would normally compose the song that Hasrat Jaipuri would write. There should be n-number of songs of this combination that were loved then, and are loved now too. That has germinated the idea for today’s post – let us bring back, from our Fading Memories, Hasrat Jaipuri’s songs that (Shankar) Jaikishan had composed.. I spanned 14 of SJ-composed films and some HJ-penned 67 songs, in the descending chronological order. Out of these, here are 15 (S)J-HJ songs for which I could not recollect the respective tune when I read the title of the song. Thus there is a personal, yet unintentional, bias in the selection of the songs.

Interestingly, we see a fair predominance of Lata Mangeshkar in this limited collection of 13 songs, covering the period from 1949 to 1953. That, in a way seems to reflect SJ’s marked inclination towards for Lata, among all other female playback singers of that time. It must, however, be recorded here that in comparison to total number of SJ-Lata songs in these 14 films, the numbers that appear is not of significant proportion.

The 14th song is our traditional end-of-the-post-song, a Mohammad Rafi Song. Incidentally, this was the only Rafi song of the 67 that I had ran through before hitting upon a (Shanker)Jaikishan-Hasrat- Rafi song, of course, not considering Main Zindagi Mein Hardam Rota Hi Raha Hun from Barsat.

Here are the songs for the day:

Prem Nagar Mein Basnewalon, Apni Jeet Par Hasnewalon – Barsat 1949 – Lata Mangeshkar

In the standard format of a Hindi song, technically this may not be called a song. However, creative directors like Raj Kapoor very often used the audiovisual effect of a song like recitation to tellingly convey the intent of a situation. Such a demand of the director would pose a great creative challenge to the lyricist and the music director. In this particular instance HJ and Jaikishan have lived up to the challenge. Use of silhouette shots by the cinematographer Jal Mistry adds to the surreal effect.

Khushi To Qaid Mein Hai…Rota Hai Mera Dil Kisko Pukarun Kya Karun – Badal (1951) – Lata Mangeshkar

The song starts on a high-note-prelude-couplet (Sakhi), which was to become one of the signature styles of SJ compositions. The song is filmed on a budding beuty – Madhubala.

Jiyennge Jab Tak Talak Hum Unki Yaad Aayegi…Maine Kya Kiya, Sitam  Ye Maine Kya Kiya – Kali Ghata (1951) – Lata Mangeshkar.

The song follows quite difficult composition, but the result is quite mellifluous.

Tumko Apni Zindagi Ka Aasra Samje The Ham… Dil Bequar Hai Mera Dil Bequarar Hai -Nagina (1951) – CH Atma

SJ have experimented with CH Atma’s voice as playback of Nazir Khan.

O Pyar Bhari In Aankhon Ne.. Aaja Tujhko Yaad Kiya – Parbat (1952) – Lata Mangeshkar, Geeta Roy

SJ have not used Geeta Dutt as much others in the same period. However, this Lata-Geeta duet has picked up nuances of the vocal chords of both singers. Several pieces of orchestration manifest Jaikishan’s virtuosity of using different instruments quite imaginatively.

Ab To Aa Jao Balam..Furkat Ke Maare Ro Diye –Poonam (1952) – Lata Mangeshkar

Each stanza begins on high-scales with interlude orchestration using ensemble of violins. The song is filmed on Kamini Kaushal.

Apne Bimar-e-Gam Ko Dekh Le, Ho Sake To Aa Ke Dekh Le….Aaja Re Ab Mera Dil Pukara – Aah (1953) – Mukesh, Lata Mangeshkar

Here is a song which was quite popular then, and is now. The reason we have included in this post is the tellingly innovative use of the song in the narrative of the film. The original song is the manifestation of the condition of the loving couple who are getting separated by a queer turn of the circumstances – the hero going away on a long-drawn cure of what was considered near fatal TB to a faraway sanatorium.

The second version is set to a situation where the hero wants go back and meet his beloved, as promised, probably before his life comes to an inevitable end. The version begins from the stanza with which the first version had ended. Lata Mangeshkar joins in Alaap that signals the nearing reunion,

The film track has third version too – Janaaza Dekhne Mera Nikal Aaye…..Aaja Re Ab Mera Dil Pukara. Unfortunately we do not have its separate video clip.

Humko Chhedta Hai Dil,… Kaun Jaane Kya Hua, Tumne Baat Baat Meing Kya Jaadu Kar Diya – Aas (1953) – Lata Mangeshkar

Here is a happy mood song wherein rhythm-supporting bass has been used in the subdued manner. Note a short sweet opening prelude.

Aaj Ki Raat Kabhi Khatm  Na Hone Aaye…. Wo Aayenge Khushi Bankar, Baharein Saath Laayenge, Mere Ghar Mein Muhabbat Ke Nazaren Muskarayenge – Aurat (1953) – Lata Mangeshkar

For a change, we have a fast-paced song of a bubbling, happy mood.

Taaron Ko Dil Ki Baat Sunai Tamam Raat…Main Bahron Ki Natkhat Raani, Saari Duniya Mujh Pe Hai Diwani – Boot Polish (1953) – Asha Bhosle

The song has deployed a very rich orchestra for interlude, with sweet pieces of flute thrown in for support. Boot Polish must rank as one of those rare films wherein SJ have not used Lata in any song, solely on the merits of the demands of the film’s narrative! (Absence of Lata in films like Suraj or Mera Naam Joker was on account of very specific differences.)

The song is filmed on Chand Burke.

Hum Unke Paas Aate Hain Wo Ham Se Door Jaate Hain, Tadapkar Dastaan Apni Baharon Ko Sunate Hain – Naya Ghar (1953) – Talat Mahmood

SJ have used Talat Mahmood’s voice so naturally in all the songs where they came together, while retaining their musical style. We have here so sweet gem of Talat Mahmood that my heart pains to put under the omnibus category of Fading Memory songs.

Chamke Bijuriya Garje Megh Mat Ja Re Balam Pardesava – Shikast (1953) – Asha Bhosle, chorus)

SJ have used Asha Bhosle to so sweet effect in this song.

Jaage Mera Dil Soye Zamana – Badshah (1954) – Aparesh Lahiri

It appears to be very fitting to begin the end of this post with a song that is sung by a Bengali singer whose son made a big name in Hindi films in the 90s. The knowledgeable fans of Hindi Film Songs will have correctly guessed name of that 90s Lahiri – Bappi Lahiri.

Aparesh Lahiri and his wife Bansri Lahiri, of course, were famous Bengali singers and musicians in classical music. However, it must be to credit of SJ to have experimented to use Aparesh’s voice here.

Asides:

  1. SJ had used another well-known singer, Hemant Kumar, in the film for Rula Kar Chal Diye and Aa Neel Gagan Tale Pyar Ham Kare, penned by Shailendra and Hasrat Jaipuri respectively. Both songs are immortal.
  2. ‘Badshah’ was adaptation of Victor Hugo’s very famous novel, Hunch Back of Notre Dame, written in French in 1831, on which a Hollywood film of the same name also has been made.

For our traditional end of a post with a Mohammad Rafi song, we have

Soch Na Manwa…Haye Gam Ke Maaro Ka Jamane Mein Koi Na Saath Dega – Pooja 1954

By now a well-established practice of beginning the song with short prelude-couplet comes with an innovative support orchestration of a piano piece – so typical of a Jaikishan touch.

We will continue our search for Unforgettable Songs that seem to Fading away from our Memories every second Sunday of the month……..

Disclaimer: All images are sourced from net. All copyrights of the respective image remain with the original owner of the image.

Fading Memories…. Unforgettable Songs: August, 2017

Shailendra and “Other” Music Directors

Shankardas Kesarilal , born on 30 August 1923, popularly known to all of us Shailendra ,passed away by living a Chhoti Si Yeh Zindagani, like a comet that lit the sky while it lasted, at (just) the age of 43 on 14 December 1966.

Most of the songs that Shailendra wrote under the batons of Shanker Jaikishan or Salil Chaudhary or S D Burman have already been immortal. In a career[i], spanning around 800 released songs for Hindi films, Shailendra had had opportunity to work with several ‘other’ (than these three) music directors as well. Most of these songs also have been equally live in our memory today.

We will dedicate our August, 2017 episode to Shailendra’s songs with the ‘other’ directors. For this episode, special care has been exercised to cover to select chronologically first film with that music director while casting the net wide enough to cover as broad spectrum of singers as is possible. Also, I have intentionally chosen songs that I have either not heard or those that need a refresher push.

The first set of these songs, coincidentally, have Geeta Dutt as (one of) the singer.Geeta Dutt had hardly any occasion to sing Shanker Jiakishan songs. By the time Shailendra teamed up with S D Burman, S D Burman had switched over to Lata Maageshkar. So is the case with Salil Chudhary’s songs too. Therefore, this has turned out to be good incidence where we can hear Shailendra’s songs in Geeta Dutt’s voice.

Kaise Rokoge Aise Toofan Ko – Anand Math(1952) – Talat Mahmood,Geeta Dutt – Hemant Kumar

The song apparently is meant to divert the chasing British police, but has an apparent message for the inadvertent hurricane the freedom fight is likely unleash. Geeta Bali sings with gay abandon that may also mean the upsurge from the young hearts.

Ghir Aayi Hey Ghor Ghata, Apni Majbooriyon Se Lipat Ke Pyar Rone Laga – Badnaam (1952) – Geeta Dutt – Basant Prakash

The song is an ideal fit with our image of silken smoothness of Geeta Dutt’s voice.

Teri Chahat Mein Balam, Teri Chahat Mein Sanam Meet Gaye Ham Teri Kasam – Shrimatiji 1952 – Geeta Dutt – Jimmy

This is a dance song that seeks to hoodwink the listeners so as to cover the acts of the partner in the deed. So the lyricist has to not only pack in a meaningful, mind-catching message for the lay listeners and but also has to convey an intended message to the target partner.

Yeh Rut Yeh Raat Jawaan – Sailaab (1956) – Geeta Dutt –Mukul Roy

The film had 4 songs penned Majarooh Sultanpuri, 1 by Madhukar Rajashathani and 2 by Hasrat Jaipuri . All songs are in Geet Dutt’s voice, except one which had Laxmi Roy.

We now move on to songs that have other playback singers.

Mere Dil Ki Dhadkhan Kya Bole – Anhonee (1952) – Talat Mahmod, Lata Mangeshkar – Roshan

After SJ, SDB and Salil Chaudhary, Shailendra has written most number of songs for Roshan in films like Nau Bahar , Sanskaar (both in 1952), Aagosh and Mashuqua in 1953, Chandani Chowk (1954), one song each in Cofee House (1957 and Aji Bas Shukriya (1958), Deep Jalte Rahe, Heera Moti and Madhu in 1959, and Soorat Aur Seerat in 1962.

Desh Ki Dharti NeLalkara Gunja Aazadi Ka Naara – Chhatrapati Shivaji (1952):- Chitalker, chorus – C.Ramchandra

This song adds genre of patriotic songs in the Shailendra’s arsenal.

The other film where Shailendra teamed up with C Ramchandra is Anrakali (1953), which has such immortal songs as Aaja Ab To Aaja Mer Kismat Ke  Kharidar and Dua Kar Gham E Dil Khuda Se Dua Kar.

Dil Ki Lagi Khel Nahin – Bhai Saheb (1954):- C H Atma, Kaumudi Munshi – Ninu Majumdar

Each is piece of the song – singers, music directors – except Shailendra is quite rare.

Badi Mushkil Hai (Lata Mangeshkar) /\ Jiyunga Jab Talak (Talat Mahmood) – Chingari(1955) – Manohar

Down the career, Shailendra has given several meaningful twin songs. Here is the one early one.

Sapnon Ki Duniya Mein Naye Rang Laya O Man Bhaya Sawan Aaya – Pipili Saheb (1954) – Usha Mangeshkar, Meena Mangeshkar, Shaminder – Sardul Kwatra

Here is the song that has the basic flavor of a very rustic setting that is presented with in its natural simplest form.

Mehfil Mein Kaisi Chaam Chaam – Dilli Darbaar (1956) – Lata Mangeshkar – S N Tripathi

Shailendra has teamed up with S N Tripathi for more than one film – like mythological Ram Hanuman Yudh (1957) or Shiv Parvati (1962) to a period film Sangeet Samtrat Tansen (1962) to a social film Kunwari (1966).

Chal Ri Ameeren Bhai Chal Re Fakire – Dilli Ka Thug (1958):- Kishore, chorus – Ravi

This is one more example of Shailendra’s comfort in dealing with unusual situations. Here is the song that is a traditional dance song attributed to street-performances of a monkey trainer with his pet monkey. Compare this song with another song of the film, a Kishore- Asha duet – Ye Raatein Yeh Mausam Nadi Ka Kinara.

Chhupa Chhupi O Chhupi Agad bBagad Jai Re, Chuhe Mama O Mama Bhag Billi Ai Re – Savera (1958) – Manna Dey, Lata Mangeshkar – Shailesh  Mukherjee

The lead protagonists become young children in the company of the children and so does Shailendra.

Ho Choonva Moonva…. Deke Daam Lele Maati Ka Khilauna Kaisa Khel Khele Ye Maati Kholauna – Naya Kadam (1958) – Shailesh Mukherjee – Shivram–Narayan

Shailendra deftly uses a traditional street performance to deliver a strong philosophical message. I am not sure that singer of the song, Shailesh Mukherjee, is the same person as music director Shailesh Mukherjee.

Nani Teri Morni Ko Mor Le Gaye, Baaki Jo Bacha Tha Kaale Chor Le Gaye–  Masoom (1960) – Ranu Mukherjee – Robin Banerjee

The film had 5 more songs – 4 by Raja Mahendi Ali Khan and one by Sahir Ludhyanvi. So, obviously Shailendra has been allotted this situation wherein the child artistes perform the song on the screen. The song had been quite popular.

Hai Re Woh Din Kyon Na Aaye, Ja Ja Ke Ritu Laut Aaye Re – Anuradha (1960) – Lata Mangeshkar – Pt Ravi Shankar

In an otherwise an experimental social film, the songs filmed on the heroine, Anuradha (lela Naidu) help strongly develop the characterization of the role. Here is a song that is coposed on a fairly difficult Carnataki Classical Raag – Jansammohini, also known as Shiv Kalyan or Madh Kalyan.

Asides:

The piece that is considered to have inspired the song is  Ganpat Vighanharan  :

शुक्लाम्बरधरं  विष्णुं  शशिवर्णं चतुर्भुजं । 
प्रसन्नवदनं  ध्यायेत्   सर्वविघ्नोपशान्तयेत्  ।
अभीप्सितार्थसिध्यर्थम्  पूजितो  यस्सुरासुरैः  । सर्वविघ्नहरस्तस्मै  गणाधिपतये  नमः ।।

गणपत  विघ्न  गण  गजानन ।  विराजती  चन्द्रमा  भाल ।  गणपत  विघ्न  गण  गजानन  ।।

by  Ashwini Bhide

Pandit Ravi Shankar also later on used this raag for the hymn of Asiad Games 1982 – Swaagatam

Here are two representative classical pieces of Raag  Janasammohini:

Pt. Mani Prasad of the Kirana Gharana:

Ustad Aamir Khan Saheb :

https://www.youtube.com/watch?v=k-jWtjlZNiw

Jhoomte Sharabhi Zara Hosh Mein Aa– Kaanch Ki Gudiya (1961) – Asha Bhosle – Suhrid Kar

KaanchKi Gudiya invaribaly would conjure a Mukesh and Asha Bhosle duet – Saath Ho Tum Raat Jawan. However, the song that we have selected presents a very different Asha Bhosle to us.

Paisa Nahin Hota Jo Kuchch Nahin Hota – Sautela Bhai (1962) – Anil Biswas, Manna Dey – Anil Biswas
In an otherwise a very serious social subject, Anil Biswas teams with Shailendra to come up with a satirical song.

Their next association is 1965’s Chhoti Chhoti Batein.

Daaton Ka Zamana Pyare Dant Bachana – Begana (1963) – Mahendra Kapoor – Sapan Jagmohan

The obvious reason for picking this song for the present episode is it has Mahendra Kapoor. In the process, we also get the benefit of listening to a very light-hearted song from Shailendra.

Chand Tale Jhoom Jhoom Thirak Rahi Hain Ghoongherwaliyan, Mastiyon Ki Aaj Dhun Baja Rahi Hai Taaliyaan – Jab Se Tumhe Dekha Hai (1963):- Subir Sen, Suman Kalyanpur – Dattaram

As we know well, Dattaram was one of the very important links on the Shankar Jaikishan team. The song has very prominent us of what was popularly known as Dattu Theka – a typical stroke that Dattaram would invariably conjure up in his the accompanying base instrumentation.

Rahi Tu Ruk Mat Jaana Toofan Se Mat Ghabharana, Kahin To Milegi Teri Manzil Kahi Door Gagan Ki Chhaon Mein – Door Gagan Ki Chhaon Mein (1964):- Hemant Kumar (in three parts) – Kishore Kumar

One the most respected song- be it from the singer’s perspective or music director’s perspective, from the perspective of a song that includes the film title or from the perspective of the delivery of song writer’s message

I have lined up songs that have Mohammad Rafi in the end of the episode. Incidentally each one represents a very different point of a spectrum of Shailendra’s vast repertoire

Ja Ja Na Ched Maan Bhi Ja – Satta Bazar(1959) – Mohammad Rafi, Suman Kalyanpur  – Kalyanji-Anandji

This is the only song that Shailendra has penned for the film. Hasrat Jaipuri and Indeevar had two songs each, whereas Gulshan Bawra had 3 songs. This also gives us one more of a Johnny Walker song to accompany one of the most illustrious one – Jangal Mein Mor Nacha Kisi Ne Na Dekha

Gham Ki Badli Mein Chamakta Ek Sitara Hai Aaj Apan Ho Na Ho Kal Hamara Hai – Kal Hamara Hai (1959):- Mohammad Rafi, Sudha Malhotra – Chitragupt

As the name of the films suggests, the film essentially would be based on the Patriotism theme. Therefore, it is not quite surprising to see Shailendra being easily able to handle the songs that befit the theme.

Aam Chhum Taam Chhum Haar Ho Ki Jeet Ho Khel Mein Rahe Magana – Chhote Nawab (1961) Mohammad Rafi – R D Burman

Here is the song that depicts the mental state of a grown-up prince.

Illahi Tu Sun Le Hamali Duva, Hame Sirf Ek Asara Hai Tera. Teri Rahamate Rah Roshan Kare, Salamat Rahe Saya Man-bap Ka – Chhote Nawab (1961):- Mohammad Rafi – R D Burman  The song was the game changer in the film. In his maiden venture, RDB, on one hand succeeds in  providing just the right platform to Mohammad Rafi to fully express the emotions of the song and on the other hand has lived up to the challenge of the Shailendra’s very poignant lyrics.

When we look back now, we see one most glaring association missing at the core career path years of Shailendra – with Madan Mohan. Similarly, if we see the presence of R D Burman from the (so-called) next generation of music directors, one may note absence of Laxmikant Pyarelal.

We will continue our search for Unforgettable Songs that seem to Fading away from our Memories every second Sunday of the month……..

Disclaimer: All images are sourced from net. All copyrights of the respective image remain with the original owner of the image.

[i]   Virasat – Lyricist ‘Shailendra’

 

Fading Memories…. Unforgettable Songs: July, 2017

Mohammad Rafi’s Solo Song From The FIRST Film With The Music Director: 1949

To commemorate Mohammad Rafi’s anniversaries, we commenced a series of articles on Mohammad Rafi that essentially tried to bring the solo song of Mohammad Rafi with the music director.  We had planned to take up one five-year slot in a chronological order to bring all the first films in which Mohammad Rafi had had a solo song with a music director. The first slot of 1944 to 1948 was covered in Part I and Part II in December, 2016. We will take up next five-year-slot of 1949 to 1954 this year.

 [For the sake for structured documentation, I will be following the alphabetical sequence of Film names in the post.]

1949 appears to the year of bounty in so far as Mohammad Rafi is concerned. He has several re-associations, with music directors like Husnlal Bhagatram,  Hansraj Behl, Naushad, C Ramchandra, Shyam Shundar.  Many of these songs did become evergreen hits as well. He also has plenty of maiden associations with music director who offered solo song(s) to him for the first time. Many of such associations bloomed into quite fruitfully rich associations in the future.

As we will fathom though the maiden solo songs with a music director for the year 1949, we will see that there are more unknown songs than the songs known well. The journey of Mohammad Rafi maiden solo songs, thus, continues to open more and more dimensions of the range of Mohammad Rafi solo songs as we have come to know in the period of post-1950 years – the Golden Years of Hindi Film Music – when he was to ascend to Number # 1 status, among male playback singers.

The maiden solo songs with different music director for the year 1949 are enough in numbers to justify a full length post.

Lo Rukh Badal Raha Hai Zindagi Ka, Dhara Le Kar Chali Hain Duaa, Allah Ka Sahara Khudard Ye Nazara – Banoo – Pt. Ram Prasad

The song is cast in Heer (Punjabi Folk Tune) style.

Main Zindagi Mein Hardam Rota Hi Raha Hun – Barsat- Shanker Jaikishan – Lyrics: Hasrat Jaipuri

Barsat was the maiden film for Shanker Jaikishan as well. As per the demands of the story, the overwhelming number of songs has gone Lata Mangeshkar. Mukesh also had exceptionally noteworthy songs in the film. That almost became the pattern for most of the RK – SJ films down the line. Remarkably, each of RK-SJ film always had at least one Mohammad Rafi song, (‘Aah, 1955 and Jis Desh Mein Ganga Behti Hai, 1961 are equally remarkable exceptions. The Rafi song in the RK-SJ film always had a very remarkable place. Most of the songs are well-remembered today.

Jab Yaad Kiya Ham Aane Lage, Haan Aane Lage……Tum Jhidkiyan Ham Ko Dene Lage, Ha Dene Lage – Chilman – Hanuman Prasad (Sharma)

‘Chilman’ had one more solo of Mohammad Rafi – Zahe Kismat Teri Mehfil Se. Hanuman  Prasad – Rafi had one more film in the year Daulat, which also has one Rafi solo on records  – Mohabbat Ki Sabha Mein Ham Collector Ban Ke – which is not yet available on net. HFGK notes that the songs of the fil hasve also appeared in ‘Jannat’ in the same year.

Ek Din Ek Armaan Bhara Dil Ulfat Se Do Char Hua – Garibi – Bulo C rani – B R Sharma

Bulo C Rani has used Rafi’s voice for the first time. The film had one duet with Shamshad Begum and two solos. The other solo song is: Kisi Se Hamne Poochha Mohabbat Kisko Kahate Hai

Taalim Ka Taraana Unche Suro Mein Gaa – Nai Taalim – Vasant Desai – S R Chopda ‘Saaz’

HFGK lists only two songs in the name of this film. YT’s knowledgable uploader Yashwant Vyas credits Narayan Jaago, Jaago Karunanidhan Jaago (Narsinh Avtar) to Mohammad Rafi, even as HFGK has not identified any playback singer.

Ek Dil Ne Suna Ek Dil Ne Kaha, Ek Dard Bhara Afsana, Haye Dard Bhara Afsana – Parda – Shramaji – Swami Ramanand

As is well-known to most of the Hindi Film Songs fans of the golden Perion, Sharmaji is the pseudonym of Khayyam. The film had one more solos of Rafi – Sitamgar Se Leta Hai Tu Intqam

Samay Ka Chakkar So Bal Khaye – Raaz – Malik Saradar – Meeraji

We have one more song in signature style of Mohammad Rafi. HFGK has mentioned music director as Malik Saradar, whereas most of the references on net show the name as Saradar Malik. However I am not sure whether both are the same person.

Teer Pe Teer Khaye Jaa, Zulmo Sitam Uthaaye Jaa – Rooplekha – Sajjad Hussain – Khumar Barabankvi

Mohammad Rafi opens the solo account with Sajjad Hussain. The present song can easily claim the most popular and known-till-day song in our present list.

Bhaj Man Kamal Nayan Kamlesh– Sant Janabai – Sudhir Phadke – Pt. Narendra Sharma

HFGK lists 22 songs in the film, of which playback singers have been identified in two songs. Source on net identify several songs to Mohammad Rafi. That gets us the opportunity to see Rafi in his now well-known Bhajan singing elements.

Mehmaan Banke Aaye The Armaan Ban Gaye – Shoharat – Aziz (Hindvi) – Gulshan Jharma

The song also has a duet version of this song, in which Rafi teams with Hamida Bano. The clip here has both the versions.

For the year 1949, the number of music directors who opened account of Mohammad Rafi solo songs is 10, same as in 1948. The overall tally of Mohammad Rafi’s songs for the year 1949 is 121 songs, with 21 music directors, spread over 49 films, which was 52, 25 and 21 respectively in 1948. Comparable numbers for the period 1944 to 1949 is 248 songs over 113 films. That should make 1949 as the undisputed hinge over which the floodgates of Mohammad Rafi opened in the decade of 1950.

 

We will continue our search for Unforgettable Songs that seem to Fading away from our Memories every second Sunday of the month……..

Disclaimer: All images are sourced from net. All copyrights of the respective image remain with the original owner of the image.

Fading Memories…. Unforgettable Songs: June, 2017

V Balsara – Sunaye Hal-e-Dil Kya Hum Hamara

It was in 70s that whenever I could sneak out from my official work during visits to Bombay, I used to be in look out for a sneak pick into(the then) Rhythm House at Kalaghoda, even if for a few minutes. On one such visit I was on a quick look out for records of Manna Dey’s Hindi NFS. I was quickly shown one EP record that contained these songs:

Ye Aawaara Raaten Ye Khoyi Si Baaten (1960)

Nazaaron Mein Ho Tum Khayaalon Mein Ho Tum

I listened to these songs briefly and purchased the record. On way back I read its back cover to see who the music director of these songs was. When I read that it was V Balsara, the name was new to me then.

I kept listening to the record several times on reaching home. One of my friends then took it to his home. There his father also liked the songs. Few days later when he returned the record, it was accompanied by one more record. That record was an LP of his instrumental tunes, which among others, had the following:

We all were now very devout fans of V Balsara. I then went on to add a few more of his instrumental LPs.

For our present series when I noticed that June (22nd, 1922) is his month of birth day, it was with great apprehension that I started searching for his songs for the article for this month from his maiden film Circus Girl (1943) to other films like O Panchi, Rangmahal, Madmast, Talash, Char Dost, Vidyapati and Pyar. Well, my apprehensions were quite misplaced, as our netizen friends have been able to place many of the songs on net.

So here are a few of the multi-faceted songs in tribute to V. Balsara (Vistap Ardeshir Balsara).

Roothi Hui Taqdeer Ko Ab Kaise – Mukesh (NFS) – Lyrics: Madhukar Rajasthani

It seems that till he started regular work for composing music for Hindi films, V Balsara very rightly adopted the route of publishing records of NFS. These songs went a long a way in keeping V Balsara in to the memory of the listening public. There are a couple of more NFS mukesh songs that can be accessed on YT.

Ye Hawa Ye Fizza Ye Nazare Hum Yahan Tum Wahan… – Geeta Dutt

It is recorded that Geeta Dutt has only 25 NFS in her career. It is our luck that the present song happens to be one of them.

Our big catch happens to be songs of Madmast of 1953.

Chaal Anokhi Dhang Nirale, Tadap Uthe Hay, Aji Dekhane Wale – Madmast (1953) – Asha Bhosle – Lyrics: Madhukar Rajasthani

Kisi Ke Zulm Ki Tasveer Hai – Mahendra Kapoor, Dhan Indorewala – Lyrics: Manav

In our May, 2017 episode on Snehal Bhatkar, we had listened to the first solo song of Mahendra Kapoor. The present song takes on the credit of first ever recorded song of Mahendra Kapoor, much before he came to limelight after having won Murphy contest and then singing on Chand Chuupa Aur Taare Doobe

Main Lal Paan Ki Begum Hu, Begum Begum Begum Hu, Main Lal Paan Ki Begum

Main Baadshah Hu Kalekha, Main Baadshah Hu Kalekha – Shamshad Begum, S D Batish – Lyrics: J C Pant

Sunaye Hal-e-Dil Kya Hum Hamara – Lata Mangeshkar –

We then have Vidyapati (1964) which has one more Lata Mangeshkar gem which is totally forgotten.

More Naina Sawan Bhadon – Lata Mangeshkar – Lyrics: Prahlad Sharma

A song with same mukhda, based on the same raga Sjivranjani has so much of our mind space that listening to this song is so enriching experience.

Chubh Gaya Kanta, Ui Kaise Main Ab Ghar Jaaun – Pyar (1969) – Aarti Mukherjee – Lyrics: Prahlad Sharma

The common listener may have treated the song as too experimental for his liking…

We cannot conclude the episode without taking note of some of the instrumental compositions of V Balsara.

In an interview on Doordrashan Calcutta, V Balsara had narrated his association with Hindi Film world as specialist instrument player.  He has played harmonium like an accordion in several of SJ songs. Here are three such examples:

This is considered to be Solo Piano Concert. Robin De has captured it as a very documentary piece of V Balsara’s association with Bengali Music.

And Madhumati (1958)’s Aja Re Pardesi

Continuing with our tradition of ending every episode with a Mohammad Rafi song, we will end our present episode with the two solos, in two totally different moods, by Mohammad Rafi, composed by V Balsara :

Door Gagan Ke Chanda, Kahiyo Sajan Ke Sandesh…… Mo Se Rooth Gayo Banwaari Jari Gayo Madhuban, Sukhi Jamuna Gali Gali Dukhiyari – Vidyapati (1964) – Lyrics: Prahlad Sharma

Here we have signature Mohammad Rafi song, starting sakhi on a very high note then coming back to a pathos-suited scale, interspersed with scaling peaks.

Rahoge Kab Tak Hamse Dur, Pyar Ka To Aisa Dastur Ishk Pukarega Tumko, Aana Hi Hoga Re Aana Hi hoga Re, Ishq Pukarega Tumko Aana Hi Hoga Re – Woh Ladki (1967) – Lyrics: Prahlad Sharma

This can also be considered a very typical of Rafi romantic song, which we normally associate with his care-free songs.

We will continue our search for Unforgettable Songs that seem to Fading away from our Memories every second Sunday of the month……..

Disclaimer: All images are sourced from net. All copyrights of the respective image remain with the original owner of the image.

Fading Memories…. Unforgettable Songs: May, 2017

Snehal Bhatkar – Hamaari Yaad Aayegi

Most of the Hindi Film songs fans should not find it difficult to remember that composer of one of Mubarak Begum’s iconic Song Kabhi Tanhaiyon Mein…. Hamari Yaad Aayegi is Snehal Bhatkar.

Snehal Bhatkar (original name Vasudev Gangaram Bhatkar, a.k.a. Vasudev, B. Vasudev, Snehal and V G Bhatkar) – 17th July, 1919 / 29th May, 2007 has composed songs for 27 Hindi films and 12 Marathi films. His contribution in Marathi NFS is also highly respected.

Snehal Bhatkar’s maiden film as a music director was Rukamani Swayamvar, in 1946, jointly with Sudhir (Phadke). In the credits of the film, his name appears as Vasudev.

Mera Sandesha Le Jaa – Rukimani Swayamvar (1946) – Lalita Deulkar

His first film as a solo music director was Neel Kamal (1947) where his name appears as B Vasudev in the titles. This is also the debut film of Raj Kapoor and Madhubala.

Jaiyo Na Bides Mora Jiya Bhar Aayega – Neel Kamal (1947) – Rajkumari, B Vasudev – Lyrics : Kedar Sharma

All songs lip-synched by Raj Kapoor in this film have B Vasudev’s playback voice. Songs of Mukesh are rendered by other characters on the screen in the film.

Snehal Bhatkar continued to use B Vaudev for his next two films – Suhag Raat (1948) and Thes (1949)

Ye Bura Kiya Jo Saaf Saaf Keh Diya Ke Mere Sanware Piya, Tose Door Rah Ke Chain Paye Na Jiya – Suhag Raat (1948) – Rajkumari, Mukesh – Lyrics: Kedar Sharma

This the debut film of Bharat Bhushan and Geeta Bali.

In order to listen to Geeta Dutt under Snehal Bhatkar’s baton, we will take up one more song from this film.

Mere Dil Ki Ho Mere Sine Ki Mere Dhadkano Me Sakhi Kaun Aa Samaya – Suhag Raat (1948) – Geeta Dutt, Shamshad Begum – Lyrics: Kedar Sharma

In 1950, Shobhna Samarth took up her first production and directorial venture, Hamari Ladki. Probably, that prompted Snehal Bhatkar to switch his identity too. He now adopted Snehal Bhatkar as his new pseudonym. ‘Snehal’ in this name was prompted by the name of her new born daughter, Snehlata.

Tujhe Kaisa Dulha Bhaye Ri,Banki Dulhaniya – Hamari Beti (1950) – Nutan – Lyrics: Pt. Phani

Shobhna Samarth not only launched her older daughter Nutan with this film, she also introduced her younger daughter Tanuja as a ‘baby’ in the film. Nutan herself sings her first song on both sides of the screen.

An Aside:

It is so very well known that Nutan did sing for herself again in Chhabili (1960). This was also produced and directed by Shobhna Samarth and had Tanuja in side main role along with Nutan in the lead. Her songs Aye Mere Humsafar and Laheron Pe Lahar (with Hemant Kumar), Yaaron Kisi Na Kehna  (with Geeta Dutt) or Mila Le Haath (with Sudha Malhotra) are remembered even today.

Nutan also gave voice to her own songs in a 1983 film Mayuri, for which she also penned the lyrics as well. Kanu Roy had composed these songs.

Nainan Me Barsaat Man Me Kaajal Kaali Raat, Andhkar Hi Andhkar Hai Diwas Rain Ban Jaat – Nand Kishore 1951 – Lata Mangeshkar – Lyrics: Pt. Narendra Sharma

The film has had set up Lata Mangeshkar’s strong connection with Snehal Bhatkar.

Rut Basant Ki Mad Bhari Phulo Ka Saringa, Aaja Mere Bhawara Kaliyan Kare pukar, Chaloge Kya Chaloge Kya Sang Mere Saath – Bhola Shankar (1951) – Rajkumari – Lyrics: Bharat VyasThe film has two each of Lata Mangeshkar’ s and Rajkumari’s solo songs. I have picked up one of Rajkumari’s playful solo song. Snehal Bhatkar has also sang a duet and two triplets in the film. However, soft links of these songs do not seem to be available.

Snehal Bhatkar did have one film – Gunaah – in 1953. Of the songs composed by Snehal Bhtakar, the songs available on YT are of Lata Mangeshkar. So, in order to get as many more singers to listen to under Snehal Bhatkar’s baton, we will take up his three films in 1955 and one in 1956.

Pyar Ki Nazro Se Unko Dekhta Jata Hai Dil, Baat Unke Samne Kahne Se Ghabrata Hai Dil – Aaj Ki Baat (1955) – Talat Mahmood – Lyrics: Raj Baldev Raj

This is Leela Chitnis’s maiden production – direction venture. The song is a rare Talat Mahmood song, which has been covered up in the dusts of oblivions.

Mera Resham Ka Rumaal Kare Jadu Ka Kamaal, Mai Aayi Hu Aasman Se Suno Jami Pe Rahne Walo, Aasman Par Bade Maje Hai, Aasman Ka Tiket Katalo Tiket Katalo – Daku 1955 – Anwar Husain, Asha Bhosle – Lyrics: Kaif Irani

Anwar Hussain is the son of second marriage of Jaddanbai – with Irshaad Meer Khan, and thus step brother of Nargis, who was the offspring of Jaddanbai’s third marriage – this time with Mohan Babu. In the present song, Asha Bhosale plays back for Azuri – a celebrated dancer of her time – and Anwar Hussain sings the song for himself more as a side kick.

Chupke Chupke Koi Mere Sapno Me Aane Laga….Dhire Dhire Koi Mere Dil Ko Tadpane Laga – Bindiya (1955) – Madhubala Zaveri – Lyrics: S H Bihari

When a music director has not succeeded on the box office, he gets more of B or C grade films. These films do not have budgets that neither can support famous singers nor can make room for these songs in their packed schedules. As a result, the music director has to up his creative talent and try out relatively not so successful singers. However, in the retrospect now, we as listeners are gainers.

Bhaun Bhaun Bhaun Bhaun….Chhota Sa Pappu Hun Jaau Kaha…. – Jaldeep (1956)

We now have a totally different, very light and apparently frivolous song, wherein we see Snehal Bhatkar in quite a new light. The playback singer for the songs is  identified. As can be seen in the notes to video clip, on  screen, we see three children. The elder male child is Ashok Sharma (son of Kidar Sharma). The female child is Preetibala, who later came into mainstream Hindi films as Zeb Rehman. The younger male child is Dubey.

Before we conclude today’s episode, we will take up the maiden solo song of Mahendra Kapoor.

Tere Dar Ki Bhik Mangi Hai O Daata Duiya -Diwali Ki Raat-1956 – Mahendra Kapoor – Lyrics: Madhukar Rajasthani

It is matter of well-settled records that Mahendra Kapoor’s maiden song in Hindi Films was Kisi Ke Zulm Ki Tasveer, a duet composed by V Balsara for Madmast (1953). D. Indorewala accopanied Mahendra Kapoor in that song. The present song goes in the records as a maiden solo song of Mahendra Kapoor.

Continuing with our tradition of ending every episode with a Mohammad Rafi song, we will end our present episode with the probably the first duet of Mukesh with Mohammad Rafi :

Baat To Kuchch Bhi Nahi, Dil Hai Ke Bhar Aaya Hai – Thes (1949) – Lyrics: Kedar Sharma

We will continue our search for Unforgettable Songs that seem to Fading away from our Memories every second Sunday of the month……..

Disclaimer: All images are sourced from net. All copyrights of the respective image remain with the original owner of the image.

Fading Memories…. Unforgettable Songs: April, 2017

Hasrat Jaipuri – Beyond Shanker Jaikishan

Hasrat Jaipuri (April 15, 1922 – September 17, 1999), born as Iqbal Husaain, recorded Jiya Beqaraar Hai as his first solo song for Hindi films for Barsat (1949). His second song (and first duet) was Chhor Gaye Baalam for the same film. Ever since, Hasrat Jaipuri, and for that matter his conjugate lyricist Shailendra, are considered inseparable element of the Shanker Jaikishan songs.

However, It is no secret that Hasrat Jaipuri, and Shailendra too, have written many songs for other music directors as well. Hasrat Jaipuri has penned songs for Sajjad  Hussain to C Ramachandra, to  golden era’s Madan Mohan, S D Burman and to the 90s ear music directors like Nadeem Shravan, Jatin Lalit too.

As our tribute to Hasrat Jaipuri, in the present episode, we will recollect his songs for other music directors. The period under our present consideration is from the beginning of his career till 1953. We will restrict ourselves to one song for each of the (other) music director in this period.

The first film is Wafa (1950). HJ has three songs in the film. Two songs are composed by Vinod and one by Bulo C Rani.

Armaan Bhara Dil Toot Gaya – Wafa (1950) – Mukesh, Lata Mangeshkar – Bulo C Rani

This song strongly establishes that HJ’s sensitivity seen in the lyrics of Barsat songs is not once in a blue mood affair.

In 1951, HJ’s filmography lists Bade Sahab for which Nisar had composed the music. As of now, our highly resourceful net-friends do not seem to have located the songs, so we do not have been to locate link to the digital version of the songs.

There is one more film, the unreleased one in 1951 – Imaan. The film had four songs from HJ – three solos by Asha Bhosle and one duet of Talat Mahmood-Asha Bhosle.

O Julmi Nayana Roye Ja Tu – Imaan – Asha Bhosle – Pt. Motiram

This should go down as the first film where Asha Bhosle has rendered HJ’s song. HJ’s songs in Asha Bhosle’s voice should in itself be an interesting subject to explore !

1951 had one more HJ- Pt. Motiram film – Lachak, which had one song to HJ’s account – A Rafi- Asha duet.

1951 also had HJ collaborating with Sajjad Hussain too.

Khalayaon Mein Tum Ho – Sainyaa (1951) – Lata Mangeshkar, Chorus – Sajjad Hussain

This is almost a signature composition of Sajjad, in which HJ has maintained the mood by deploying not-so-complicated lyrics.

1951 has one more HJ film – Saudagar – for which Hanuman Prasad has composed two duets in G M Durrani- Asha Bhosle’s voice. Unfortunately I could not locate link to digital audio versions of the songs on net.

HJ has written one song for Anandmath (1952), a Filmisyan production of famous novel by Bankim Chandra Chatterjee.

Dil Ka Paimana Ho Ulfat Ka Hath Hai, Julfo Ka Badal Ho Jhumne Ki Raat Hai, Pine Ki Raat Hai – Anand Math (1952) – Rajkumari – Hemant Kumar

The stage is set for the king to entertain himself and his English sahibs.

Annadata (1952) has five songs from HJ’s pen, of which digital versions of G M Durrani- Shamshad duet and a Rafi-Shamshad- Lata- Meena Mangeshkar chorus songs are not yet uploaded on net. Three solos of Lata Mangeshkar are available on YT.

Baharo Ke Dole Me, Aayi Hai Jawani, Aayi Jawani, Aaj Apni Adao Pe Huyi Mai Diwani – Annadata (1952)- Lata Mangeshkar – Mohammad Shafi

Mohammad Shafi was considered to be a highly talented composer, who did not get the due favour from the lady luck of the commercial success. This song amply manifests Mohammad Shafi’s talents.

Badnaam (1952) had three songs to HJ’s account – two Lata solos and one Shankar Dasgupta solo. HJ has written songs for Basant Prakash for Nishan Danka and Saloni too in this year.

Yeh Ishq Nahin Asan – Badnaam (1952) – Shankar Dasgupta – Basant Prakash

Hamari Duniya has three songs of HJ, one solo each of Lata Mangeshkar, Geeta Dutt and Rajkumari. Geeta Dutt song does not seem to be have been posted on YT.

Raat Arman Ki Saji Hai – Hamari Duniya (1952) – Rajkumari – Shyam Babu Pathak

Jab Tak Chamke Chand Sitare, Tum Ho Hamare Saiya Hum Hai Tumhare, Apne Milan Ka Sath Na Chhute, Hatho Me Aake Sajni Hath Na Chhute – Neelam Pari (1952) – Geeta Dutt, G M Durrani – Khursheed Anwar

Neelam Pari had 4 of HJ’s songs.

Shrimatiji had HJ’s one solo.

Taqdir Ne Luta Mujhe Taqdir Ne Luta, Manjil Pe Lake Pyar Ne Begana Kar Diya – Shrimatiji (1952) – Geeta Dutt – Jimmy

Ek Dil Hazar Jhakhm Kaise Jee Sakenge Ham – Aag Ka Dariya (1953) – Talat Mahmood – Vinod

Anarkali was a landmark film, in so far as its songs are concerned.  Basant Prakash did compose one song and then all other songs were composed by C Ramchandra. Hasrat Jaipuri and Shailendra wrote two each and all other songs were written Rajendra Krishna.

Zindagi Bebas Hui Hai Beqasi Ka Sath Hai, Ek Ham Hai Is Qafas Me Ya Khuda Ki Zat Hai

O Asaman Wale Shikawa Hai Zindagi Ka …Sun Dastan Gam Ki Afasana Bebasi Ka

Both the songs are gems. So I would happily break the rule that we had set for ourselves and would most happily include the other song also as the penultimate song for our present episode.

Is Intezaar- e-Shauk Ko Janamo Ki Pyas Hai, Ik Shama Jal Rahi Hai To Wo Bhi Udas Hai

Muhabbat Aisi Dhadakan Hai Jo Samajhai Nahi Jaati

We have few more films in 1953 for which HJ has written lyrics for music directors other than Shanker Jaikishan. But, that is for the future journey.

We will end our present episode with the HJ song composed by R C Boral:

Humne To Dard-E-Dil Ko Tamanna Bana Liya – Dard-e-Dil (1953)

We will continue our search for Unforgettable Songs that seem to Fading away from our Memories every second Sunday of the month……..

Disclaimer: All images are sourced from net. All copyrights of the respective image remain with the original owner of the image.