We have covered Manna Dey’s songs with main stream lead actors Dilip Kumar, Dev Anand, Raj Kapoor, Ashok Kumar, Balraj Sahni, David Abraham, Bharat Bhushan and Kishore Kumar, Shammi Kapoor and Guru Dutt, Raaj Kumar and Rajendra Kumar, Prem Nath, Pradeep Kumar and Sunil Dutt , Dharmendra, Shashi Kapoor, Manoj Kumar, Pran, Joy Mukherjee in the present series till now.
We have reached end of ‘50s in the Manna Dey’s career. With that we will now also enter a third phase if career, wherein he playbacks for some of the third – generation lead players.
With Sanjeev Kumar (a.k.a. Harihar Jethalal Jariwala) [B: 9 July 1938 | D: 6 November 1985]
Sanjeev Kumar technically entered Hindi film with a very minor role of a polic offcer in Hum Hindustani (1960). He then got a role of a side-kick of Joy Mukherjee in Aao Pyar Karein (1964) – seen as one of the sycophant friend in Ye Jhuki Jhuki Si Nigahein Teri. His first step in lead role was Nishan (1965), a Wadia Brothers make B grade film.
Humkadam Humsafar Humnashi HumzubaN, Mast Apne Hal Mein Zinda Diilo Ka KarwaN – Nishan (1965) – With Usha Khanna, Mahendra Kapoor – Usha Khanna – Javed Anwar (a.k.a. Manohar Lal Sharma (father of Usha Khanna)
A boy of teen age years, in the opening lines of the song, Sanjeev Kumar transforms into a young man in the first stanza – so apt a metaphor that also mirrors Sanjeev Kumar’s graduation to lead roles.
As had been the case with several earlier lead actors covered in this series, Manna Dey sings here for Sheikh Mukhtar, who grooms Sanjeev Kumar in the film. So to say, Manna Dey plays the (indirect) role in mentoring Sanjeev Kumar to scale the heights of an illustrious histrionic career.
Apne Liye Jiye To Kya Jiye – Badal (1966) – Usha Khanna – Javed Anwar
Sanjeev Kuamr’s run with B grade film continues, so too continues his association with songs composed by Usha Khanna, who give Manna Dey a quite known, but underplayed in the Hindi film history, song in two versions
Mit Jogi Banke O Gori Aaya Hai Ab Tere Dware, Saiyan Se Gori Nazare Mila Le – Badal (1966) – Usha Khanna – Asad Bhopali
Manna Dey easily matches the playful, mischievous mood of the song.
Soch Ke Ye Gagan Zoome, Abhi Chand Nikal Ayega – Jyoti (1965) – with Lata Mangeshkar – S D Burman – Anand Bakshi
Sanjeev Kumar is in the lead role, along with one of those very unlucky, but highly, talented actress Nivedita.
Kanhaiya O Kanhaiya Koyi Murali Ki Taan Suna De, Mere Tann Mann Mein Aag Laga De, Laga De – Rajaa Aur Rank (1968) – with Lata Mangeshkar, Kaumudi Munshi – Laxmikant Pyarelal – Anand Bakshi
Sanjeev Kumar can be said to have started gaining the escape velocity in this film.., Manna Dey sings his lines in the background as a narrator.
Aye Dost Maine Duniya Dekhi Hai – Sachchai (1969)- With Mohammad Rafi – Shankar Jaikishan – Rajinder Krishna
The first sign of transformation of Sanjeev Kumar’s stature is a major role with Shammi Kapoor.
In Part 1 Sanjeev Kumar plays philosophical
In Part 2, the roles are reversed and Shammi Kapoor becomes philosophical.
Phir Kahi Koi Phool Khila – Anubhav (1971) Kanu Roy – Kapil Kumar
Not directly lip-synched by Sanjeev Kumar on the screen, the film marks Sanjeev Kumar’s footprint as an accomplished actor.
Manna Dey’s singing career, too, has passed through such turns.
Goyake Chunanche….Ho Naache Gaye jhoom Ke – Manoranjan (1974) – with Kishore Kumar and Asha Bhosle – R D Burman – Anand Bakshi
Here too Sanjeev Kumar has successfully charted his course as lead actor who plays a common police man. Rise of his stature is manifested by Kishore Kumar as his play-back voice.
In the reversal of roles that we had earlier seen the Sachchai song, Manna Dey playsback for Shammi Kapoor here.
Bindiya Jagaye Bindiya Jagaye Ho Rama, Nindiya Na Aaye Haye Bindiya Jagaye – Daasi (1984) – Ravindra Jain – Ravindra Jain
Manna Dey is possibly chosen more for the ground of song being based on classical mode, but can be taken as metaphor of Sanjeev Kumar having reached the peak of fame as an actor, to whom Manna Dey’s playback suits as much as that by Bhupinder.
with Rajesh Khanna (a.k.a. Jatin Khanna)
He made his film debut in the 1966 film Aakhri Khat, directed by Chetan Anand, followed by Raaz, directed by Ravindra Dave, both of which were a part of his predetermined prize for winning the All-India United Producers’ Talent Competition. G.P. Sippy and Nasir Hussain were the first to sign Rajesh Khanna after he won the contest.
Rajesh Khanna went onto chart a blockbuster career as the First Superstar of Indian Cinema, keeping in toe Kishore Kumar as his THE playback voice. But, he also enacted acting-as-an-art intensive roles as well. It was Manna Dey who was in his good company in such toles.
Chunari Sambhal Gori Udi Udi Jaaye Re, Maar Na De Dankh Kahin, Nazae Kahin Haaye – Baharo Ke Sapne (1967) – with Lata Mangeshkar – R D Burman – Majrooh Sultanpuri
Baharo Ke Sapne was Nasir Hussain’s low-budget project to keep the unit engaged while his Teesari Manzil was getting delayed.
Perhaps to continue the set trend of Manna Dey’s career, here too Manna Dey directly plays back for Anwar Hussain on the film, but the focus of the song is on Rakesh khanna
For the records, this remains Manna Dey’s sole hit for the banner
Zindagi Kaisi Hai Paheli Haae – Anand (1970) – Salil Chowdhury – Yogesh
Rajesh Khanna too charts on to a parallel track of acting in non-commercial films.
For the song Manna Dey was THE choice of Salil Chowdhury.
Tum Bin Jeevan Kaisa Jeevan – Bawarchi (1972) – Madan Mohan – Kaifi Azmi
Once again Manna Dey comes in to playback for Rajesh Khanna in a non-commercial lead role.
Bhor Aayee Gaya Andhiyara – Bawarchi (1972) – With Harindranath Chattopadhyay, Kishore Kumar, Nirmala Devi, Laxmi Shankar – Madan Mohan – Kaifi Azmi
Madan Mohan has also charted a non-commercial track by selecting of payback singers from classical sinigang for female singers and Hridaynath Chattopadhyay sininging for himself. Manna Dey fits into the scheme of things like a T.
Hasne Ki Chaah Ne Kitana Hamein Rulaya Hai – Aavishkar (1974) – Kanu Roy – Kapil Kumar
Here too Manna Dey does not directly playback for Rajesh Khanna, but the song remains a landmark in the careers of Rajesh Khanna as well as Manna Dey.
Mere Lal Tum To Hamesha The Mere Mann Ki Abhilasha Mein – Aavishkar (1974) – Kanu Roy – Kapil Kumar
In the narrowest scope, the song would fall into a background song genre. However, I have selected it here as a token of demonstrating virtuosity of Manna Dey’s voice, with Rajesh Kahanna in the focus as an additional justification !
Gori Tori Paijaniya…..Man Khole Bhed – Mehbooba (1976) – R D Burman – Anand Bakshi
Rajesh Khanna being ina masquerading track and the song taking up a classical base, makes Manna Dey as the ideal choice to sing the song.
Aamli Ki Taamli GaoN Mein – Prem Bandhan (1979) – with Asha Bhosle – Laxmikant Pyarelal – Anand Bakshi
Laxmikant Pyarelal must have preconceived Manna Dey as the singer for the song to playback for Rajesh Khanna as an oldish head of the tribe on the screen.
We plan to transit for Manna Dey as singer for the lead actors to Manna Dey as the singer of comedy songs in our next episode on Manna Dey and Mahmood.
3 thoughts on “Manna Dey and Contemporary Lead Actors – 7”
Your ongoing series on Manna Dey is very informative and the compilation is very good. I enjoyed reading the present instalment, too.
I knew all of the Manna Dey_ Rajesh Khanna songs listed, but two of his songs for Sanjeev Kumar were new to me.
Manna Dey_ Mehmood article will be most welcome because this combination has resulted in some great songs. In my opinion, Mehmood must be the actor for whom Manna Dey has given maximum playback.
Thanks for your very generous appreciation.