Holi has still left its imprint on this page, by way of some quite rare songs remembered by our friends on this occasion.
Sumantbhai (Dadu) has sent in two songs –
A 1939 song – Phagun Ki Rut Aayee Re – Sitara Devi and Amrit Lal – from ‘Holi’, composed by Khemchand Prakash
And a 1944 song Holi Mai Khelungi Un Sang – Miss Manju (Gaali, Pt.Hanuman Prasad).
Samir Dholakia has remembered Sadanand Kamath’s post Jab Phaagun Rang Jhamakte Hon wherein Sadanand Kamath reminisces the Nazms of Nazeer Akbarabadi (1740-1830; real name Shaikh Wali Mohammed). The Holi song – Jab Pahagun Rang Jhamakte Ho – that he has remembered in particular, is sung by Chhaaya Ganguli in a concert ‘Husn-e-Jaana’ held in New Delhi sometime in 2001. Later, it was included in the music album ‘Husn-e-Jaana’ (2001).
In Ode to the Great Indian Family, Songs of Yore had reminded us that Holi also was the festival that brought back the diaspora populations back to their native places to congregate with the, typically larger, Indian Family. In the technological age of very high connectivity, this tradition may still not have lost its value. But the increasing miniaturization and fragmentation of the families have certainly led to fading out of quite a few relations that the Indian larger family has fostered. Add the impact of now prevalent practice of calling these relations by the generic English nomenclature, and one may see over some years from now that some of these distinct terms will, quite likely, be fossilized. We have picked up such relations here, well supported by equally colorfully vivid songs, so as to help retain the longevity of these relations. In order to focus on the songs while embedding the memory of the relation, I have stayed away from mentioning the underlying relationship explicitly —
Kaka Abba Bade Khiladi – Padosi (1941) – Gopal, Balkram and Balwant Singh – Master Krishna Rao – Pt.Sudarshan
Baanke Nainon Se Kar Ke Ishaare Haye Mora Chhota Sa Devar Pukaare – Tadbeer (1945) – Naseem Akhtar – Lal Mohammad – Swami Ramanand Saraswati
Meri Ayi Hai Teen Bhabhiyan – Hum Ek Hain (1946) -Zohra Ambalewali and Rajkumari – Husnlal-Bhagatram – PL Santoshi,
Naana Se Kehti Thhi Naani Hamaari – Renuka (1947) – Baby Shaila, Uncredited Male Voice – Sardar Malik – Qamar Jalaalabaadi
Tune Jahan Banake Ehasan Kiya Hai – Maa Ka Pyar (1949) – Lata Mangeshkar – Pt. Govindram – I C Kapoor
We have had several more songs still in our stock on this account. So we will venture into the Indian family relations from this post through the songs of 1950s in our next episode.
Now let us move over to songs that our other friends have remembered, for the present episode.
From the festivities of color, we now join Harish Raghuvanshi who has recalled two of the K L Saigal songs. KL Saigal songs indeed have an eternal life!
Suno Suno He Krishan Kala is one of the bhajan genre songs that Saigal had so successfully experimented with.
Panchchi Kahe Hot Udas (My Sister) Songs composed by Pankaj Mullik and rendered by Saigal is that classic treasure that has no expiry date…
We venture into our search for songs of the 1950s that seem to have faded through our memories through Peeyush Sharma’s post – The Magic of the Melodies of Roshan and Chitragupt. As can be expected, the post has quite a few songs of these two great, but relatively unsung music directors, which are still as fresh in our memories. But there are some which call for an effort to refresh. Of these, we have picked up songs of Chitragupt only for the present episode. After struggling for around 4-5 years, it was Sindbad The Sailor (1952) that brought huge fame and credit for Chitragupt. ‘The Sailor who was dancing and singing in 1952 had a grown up son and a daughter by 1958. The father and son films were directed by Nanabhai Bhatt. Chitragupt held the hierarchy rights and gave music for both Daughter of Sindbad and Son of Sindbad.’
We have picked up one song form each of these films –
Tera Mera Mera Tera – Sindbad The Sailor (1952) – Kishore Kumar, Shamshad Begum
Suniye Suniye Hamara Fasana – Daughter of Sinbad (1958) – Geeta Dutt, Mohammad Rafi
Chhedo Ji Aaj Koi Pyar Ka Tarana – Son of Sindbad (1958) – Geeta Dutt, Lata Mangeshkar
Avo Kabhi Milne Ko Meri Gali and Zamane Ke Darr Se Na Daman Chhudana are Dolly Katrak (Kwatra)’s Obscure songs from an unreleased film – Teer (1958). The music is composed by equally obscure music director Suleman Dafrani. Of course, the songs are quite a treat to listen to.
Naresh Mankad is fascinated by that ring in the young voice of Manna Dey in Suraj Zara Aa Paas Aa, Aj Sapno Ki Roti Pakayenge Hum (Ujala – 1959 – Shanker Jaikishan – Shailendra). The menu that the song offers also is quite a strong attraction:
aaloo tamaatar ka saag
imli ki chutney bane(sssssssssss)
roti karaari sikein
ghee uspe asli lage!
Hats off to Shailendra for weaving such a complex egalitarian philosophy in so simple manner that song comes off quite comfortably as children song!
For 1960s, we have Meri Zindagi Ke Chirag Ko Teri Berukhi Ne Bujha Diya ( Jaal – 1967 – Lata Mangeshkar – Laxmikant Pyarelal) for which Samir Dholakia has noted the very striking Madan Mohan style.
To conclude our present episode, we have two Mohammad Rafi songs. The first one is an Anil Biswas composition from a 1957 film, ‘Abhiman’,. Saraswati Kumar ‘Deepak’ has penned the lyrics.
Chali Jawaani Thokar Khaane, Duniya Ke Bazaar Mein – With Asha Bhosle –
For the second one, we go over to two more decades. This one is composed by Jaidev for a 1974, rather obscure, film, ‘Alingan’. The song is filmed on Romesh Sharma and Zahira and penned by Jan Nissar Akhtar.
Iss Tarah Jaao Nahin
We will meet again on 2nd Sunday of the next month… with more unforgettable songs that have started slipping out of our memory….
If you have such songs to share, you are most heartily welcome…..