Carnival of Blogs on Golden Era of Hindi Film Music – November, 2017

Welcome to November, 2017 edition of Carnival of Blogs on Golden Era of Hindi Film Music.

November, 2017 – month of a century+10 birth day of Prthviraj Kapoor and passing away of a noted thumri and khayal exponent Girija Devi.

Remembering Prithviraj Kapoor on His Birthday – the Dubsmash Way – Prithviraj Kapoor was honored with the Padma Bhushan in 1969 and the Dadasaheb Phalke Award in 1971.

Clockwise: From Top Right: Aawara (1951), Mughal-e-Azam (1960), Sikandar (1941)

No Singer Like Girija Devi Will Ever Be Born: Pandit Jasraj 

The Depth of Girija Devi’s Fluid Notes Will Continue to Anchor the Memory of Banaras by Navina Jafa – The energy that buoyed Girija Devi’s creativity as well as her magical execution of thumri and khayal emerged out of the mehfils.

Credit: Still from the documentary Girija Devi: A Lifetime in Music by Madhu Chandra, Debapriya Adhikary and Samanwaya Sarkar

We remember here her most famous rendering: Ras Ke Bhare Tore Nain: Raag Bhairavi

We will now take up tribute posts:

Shyama, the Impish Girl in the Dungarees, Is No MoreKaran Bali

There was magic whenever Geeta Dutt lent her voice for Shyama. This vibrant singer and exuberant actress complemented each other perfectly through several films like Shrimatiji.

5 Roles That Could’ve Changed Sanjeev Kumar’s Destiny as an Actor are those of Mirza Ghalib (in Mirza Ghalib, 1988); B V Pradhan in Saaransh (1984); Jailer Raghuvir Sinh in Kaalia (1981); Gabbar / Veeru in Shlay (1973) and Rana Bhojraj in Meera (1979).

‘Who’s Chitragupta?’ Only the Hindi film music composer of numerous forgotten gemsRudradeep Bhattacharjee – A reassessment of the composer, whose birth centenary falls on November 16, is long overdue.

[N.B.: I have picked up a two random, less heard, Mohammad Rafi songs, at the end of our present episode.]

Chitragupt- A Tribute also has picked a few rare songs:

Suna Hai Jab Se Mousam- Ramudada (1961) Kamal Barot / Lyrics- Prem Dhawan

Gori Tori Banki Chitwan Mein – Aadhi Raat Ke Baad (1965) Manna Dey / Lyrics- Prem Dhawan

The Uncommon Roshan – What sets legendary composer Roshan apart from his peers? What – if any – is the hallmark of his compositions? What makes him so different and so intriguing? Monica Kar takes a look.

A 16th November, 2015 article of Peeyush SharmaThe Magic of the Melodies of Roshan and Chitragupt – does not merely connect up Roshan and Chitrgupt through 16th November, respectively death anniversary and birth date….

Actor, producer, novelist and raconteur: Archival documentary reveals Prem Nath’s many roles : ‘Amar Prem Nath- Last of the Titans’ has been directed by his son, Monty Nath, and is being screened on Zee Classic…… Kalicharan (1976) contains a meta-moment: as the characters played by Prem Nath and Ajit play a game of chess, a police officer’s portrait hangs in the background. The figure in the painting is Prem Nath’s father.

Remembering Ghulam Haider on his Death anniversary is all-round memoir of Ghulam Mohammad’s major songs.

Remembering AMJAD KHAN on his 77th Birth Anniversary through his iconic dialogues.

Lata Sings For RD has a few less remembered songs: like, Din jaa rahe hain raaton ke saaye :Doosri Sita (1974) – Lyrics: Gulzar

The November 2017 episode of Fading Memories, Unforgettable Songs was dedicated to Salil Chowdhury’s Hindi Film Songs in Other Languages.

Here are posts on other subjects as well:

Percussion Discoveries: Kathak Bols Can Be Great Just for Listening, and I Have Finally Found a Queen of the Dholak! – The path of discovery takes us from LP recording of SItara Devi to 1951 film Dholak’s song Mausam Aya Hai Rangeen, in which dholak is being played all female cast (on the screen). The hunt for a real female dholak player does not find any result from India or Pakistan or the UK or the U.S.A. It lands up at some place closer to the countries in the Western hemisphere that obviously influenced the Latin-flavored jazz within that song from the film Dholak. Her name is Chantal (referred to at different times, I see, as Chantal Mangal or Chantal Khaderoe), and she is from the Caribbean – specifically, Suriname. She is seen performing @ Sarnami khana pakana and a live Baithak Gana. YT search leads to a couple of more performances – here and here.

Bol Ri Kathputli: Personifying the Puppet Perfectly – Among the memorable dances picturised in Hindi films, Bol Ri Kathputli from Kathputli (1957) is an innovation in terms of choreography and music. Anand Desai and Antara Nanda Mondal explore the finer nuances of this exuberant story of the puppet personified by Vyjayanthimala, written by Shailendra, composed by Shankar Jaikishan and sung by Lata Mangeshkar.

Folk Dances in Bollywood’ presents some popular folk dances of Bollywood.

Merchant Ivory classic ‘Shakespeare Wallah’ restored, to have limited re-release along with 29 other Merchant-Ivory productions.

And They Made Classics – Director-Writer Duo of Bimal Roy and Nabendu GhoshAntara Nanda Mondal – Directed by Ratnottama Sengupta, And They Made Classics goes behind-the-scenes through an interview with Nabendu Ghosh that was taken in 2005 where he talks about his association with Bimal Roy. The film explores behind the scenes stories about the casting, the arguments, the reactions, the way they worked, along with clips, stills, documents.

[N.B.: Antara Nanda Mondal had published Nabendu Ghosh: The Master of Screen Writing on 26th March, 2016 to commemorate the birth centenary of Nabendu Ghosh.]

The Story of Babul mora naihar chhooto hi jaye-The Queen of Thomris is historical narrative of The Famous thoomari, with video clips of different versions.

RD Burman and His LyricistsPeeyush Sharma and Antara Nanda Mondal take us through a journey of discovering and enjoying gold nuggets of RD Burman’s music created with some of the most prolific lyricists he worked with.

‘Aaj Phir Jeene Ki Tamanna Hai’ from ‘Guide’ is an ode to life – In Vijay Anand’s 1965 film, Waheeda Rehman finally let rips after a lifetime of sorrow and neglect.

S D Burman’s Love and Hate for Lata traces some of S D Burman’s great Lata Songs

Madhubala, As Anarkali, Unveiled In Madame Tussauds Delhi

My Favourite ‘EYE’ Songs lists songs that describe a certain quality of the eyes, it can be romantic, naughty, sad, quiet, magical, frightened or just beautiful!

Incomplete Films: Ek Tha Raja Ek Thi Rani

Ek Tha Raja Ek Thi Rani saw Nargis paired opposite Kishore Kumar for the first time, a most unusual pairing. The film, written by Inder Raj Anand, had them both in double roles, in a tale of mistaken identities

Controversy in Bollywood Films  discusses some of those Bollywood films which made controversy at the time of their release.

Is that really a lesbian moment in ‘Khwab Bankar Koi Aayega’ from ‘Razia Sultan’? – Kamal Amrohi’s historical is chiefly remembered for its soundtrack, which includes a daring clinch between Hema Malini and Parveen Babi

There is Always a Story Behind a Great Song bring forward some of these interested inside stories to the readers.

In our series Micro View of Best Songs 1948 @SoY of Best songs of 1948: And the winners are?, we continued with the posts on Female Solo Songs. Having heard Suraiya, Geeta Dutt, Shamshad Begum and Raajkumari, we explored solos songs of Surnder Kaur, Other Female Singers and the 1st of 3 parts of Lata Mangeshkar solos.

We will begin the end of the present post with a post on The 11 Emotions of Mohammad Rafi which has presented Mohammad Rafi’s ‘ability to express the emotions which make up different slices of life across 11 different Ras (emotions).

We will also listen to two of the great but receded-from-the-memory-songs of Chitragupt:

Dharati Aaazad Hai Aaasmaan Aazad Hai – Sindbad The Sailor (1952)

Itni Badi Duniya Jahan Itna Bada MelaToofan Mein Pyar Kahaan (1963) – Prem Dhawan

I trust you will always feel free to proffer your suggestions for making this series of posts more lively and informative….

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Carnival of Blogs on Golden Era of Hindi Film Music – October, 2017

Welcome to October, 2017 edition of Carnival of Blogs on Golden Era of Hindi Film Music.

October, 2017 is the month of Deepawali. So, ‘Let’s Celebrate Diwali!’ at the very beginning of our present blog carnival posts.

We dedicate our October, 2017 episode to Kundan Shah with a selected few obituaries published in memory of his passing away:

Kundan Shah passes away: How the Jaane Bhi Do Yaaro director served anger with bittersweet laughterSita Menon

The one thing that binds all of Kundan Shah’s work is the streak of comedy—of a varied kind | Photo Credit: The Hindu

Kundan Shah (1947-2017): Master of capturing grace in nonsenseNamrata Joshi

So Long Kundan, and Thanks for Inflicting Us With Your Madness and GraceSudhir Mishra

Why Kundan Shah’s Later Works Didn’t Match up to His GeniusSubhash K Jha

And then,

Veteran filmmaker and actor Lekh Tandon dies at 88 – Tandon acted in such films as Swades (2004), Paheli (2005), Rang De Basanti (2006), Chennai Express (2013) and Chaarfutiya Chhokare (2014). Among the films he directed were Amrapali (1966), Dulhan Wahi Jo Piya Man Bhaaye (1977), Agar Tum Na Hote (1983), Doosri Dulhan (1984) and Uttarayan (1985). Tandon also directed television serials Phir Wahi Talaash (1989) and Farmaan (1990).

Here is a retrospective Guftagoo with Lekh Tandon :

We will now take up tribute posts:

Ten of my favourite Roshan songs is a (belated) tribute on birth centenary (14th July, 1917) of the music director.

Best songs of Kishore Kumar 1.0  can easily stand up to great popularity of Rafi or Talat or Mukesh songs in the same period. However, it is KK2.0 that is known more because that is when he became undisputed no. 1.

The alternative Kishore Kumar playlist that is just as good as his most popular songsRudradeep Bhattacharjee – On the brilliant singer’s 30th death anniversary, a reminder of his offbeat tunes.  We have recaptured these pre-1969 songs here:

Woh Meri Taraf Yun Chale Aa Rahe Hain – Kafila (1952) – Husnlal Bhagatram – Vrajendra Gaur

Chup Ho Jaa Amiron Ke Sone Ki Ghadi Hai – Bandi (1957) – Hemant Kumar – Rajinder Krishna

Chand Chup Chaap Hai Sitare Gum Sum – Daal Mein Kala (1964) – C Ramchandra – Bharat Vyas

Akela Hoon Main – Neela Asman (Unreleased)

It’s Mehmood’s birthday! – At his peak, he was paid more than even the film’s hero. Apart from his own disnctive style of acting, his contribution as producer of films, songs fimed on Mehmood has created a very definite space.

MEHMOOD-The Man Who Taught the Nation How to Laugh! – For a brief period in the 1960s, thanks to him, comedy was king. And Mehmood was the uncrowned King of Comedy. A time came, when he was so much “in demand” that producers approached him, offering him full-length comedy films.

How Hema Malini came to be known as Hindi cinema’s ‘Dream Girl’ – Producer and mentor B Ananthaswami came up with the title for her debut film, ‘Sapno Ka Saudagar’. – Ram Kamal Mukherjee – In the authorised biography Hema Malini : Beyond the Dream Girl, the 1970s and ’80s star looks back on her career highs and lows, her relationship with co-star Dharmendra, and her love for classical dance.

Hema Malini Beyond the Dream Girl

The Divas: Hema Malini presents what can be considered as her definitive work on her 69th birthday.

Rekha before Bollywood: A gawky teenager, a Bond girlArchana Nathan – The 63-year-old actor began her career in small yet noticeable roles in Telugu and Kannada films.

Many of Lata Mangeshkar’s best songs by Hemant Kumar have ranked in the all-time greats of Lata’s songs.

50 years of FARZ – This film FARZ released on 6th Oct 1967 gave bolllywood the new star Jeetendra, This movie also gave him that Jumping Jack image, and something that he put to good use in loads of movies at least till Gulzar gave him an image makeover with Parichay (1972).

The October 2017 episode of Fading Memories, Unforgettable Songs was dedicated to Shakila in Mohammad Rafi songs.

Here are posts on other subjects as well:

The blockbuster combination of Guru Dutt and OP Nayyar in ‘Aar Paar’ – The 1954 classic is packed with chartbusting songs, from ‘Babuji Dheere Chalna’ to ‘Sun Sun Sun Sun Zalima’. – Rudradeep Bhattacharjee – To Mohammed Rafi’s “Sun Sun Sun Sun Zalima”, Geeta Dutt’s retort is “Ja Ja Ja Ja Bewafa. Later in the film, when the lovers have their customary tiff, Sultanpuri inventively reworked the lines Ja Ja Ja Ja Bewafa and fashioned a soulful song out of it. Nayyar and Sebastian have kept things simple, slowing down the tempo of Sun Sun… and using minimal instrumentation whilst letting Geeta Dutt do her thing.

Ek Nazar 1951: A Precursor to SD Burman’s Music Trends –S D Burman had had 6 releases – Baazi, Bahar, Buzdil, Ek Nazar, Naujawan and Sazaa. All musically hits, these six films ensured a total of 46 songs in that year. He was composing with a variety of lyricists – Rajendra Krishna in Bahar, Ek Nazar and Sazaa, Sahir in Baazi, Naujawan and Sazaa, Kaifi Azmi and Shailendra in Buzdil, in the immediate footsteps of Shabnam and Mashaal in the previous years. However, in these half dozen musical offerings this year Ek Nazar, is less remembered. Peeyush Sharma presents a very interesting analysis why for a phenomenon that were a precursor to SDB’s hits that would follow later, styles that would evolve and set precedents and experiments that would become the hallmark of the singers.

Ten of my favourite come-hither songs are the songs sung to a single person, not an audience… inviting love (or lust, or whatever interpretation one might want to put on it)….. I have picked up Haaye Mere Ppaas Toh Aa (Shikar, 1968) from the list, simply because it has so young and charming Sanjeev Kapoor being seduced by none other than Helen.

‘Chale Aao’ Songs are the songs that has Chale Aao(come at once or just ‘come back‘) as per the situation in the song) in at least initial lines of the mukhada. For one song, those are the last words of the mukhada. Not surprisingly, the list has only one male solo!

My Favourites: Songs of Regret – Hindsight being perfect, we often dissect our past in the hope that we can find answers to that most frustrating of questions – ‘What if?’. Hindi films have a song to fit the occasion.

Karva Chauth In Hindi Cinema – Normally Ham Dil De Chuke Sanam is credited with giving a decorated prominence to Karav Chauth. But there was a fullfledged song, way back, in Bahu Beti 1965 – Aaj Hai Karwa Chauth Sakhi – Asha Bhosle – Ravi – Sahir Ludhyanvi

In 1994 film Chand Ka Tukda a song was picturised in Gujarati style.

In our series Micro View of Best Songs 1948 @SoY of Best songs of 1948: And the winners are?, we continued with the posts on Female Solo Songs by concluding the   first part and the second part  of the solo songs of Geeta Dutt with the third part.  We took up solo songs of Shamshad Begum with part one, two, three and the concluding fourth one. We ended the month with solo songs of Raajkumari. SoY has already published Best songs of 1948: Wrap Up 2 covering the female solos and adjudged Lata Mangeshkar and Shamshad Begum as the joint winners.

We will begin the end of the present post with a post on Mohammed Rafi with legacy of composer Roshan.

We will also listen to two of the great but receded-from-the-memory-songs:

Aise To Na Dekho Ke Bahak Jaye Kahin Hum, Aakhir Koik Insaan Hai Farishta Nahi Hum – Bheegi Raat (1965) – with Suman Kalyanpur – Lyrics: Majrooh Sultanpuri

The song to end the today’s blog-post is one of the most-unlikely Roshan compositions:

Sun Ae Mahjabeen Mujhe Tujhse Ishq Nahin | Dooj Ka Chand (1964) – Lyrics: Sahir Ludhyanavi

I trust you will always feel free to proffer your suggestions for making this series of posts more lively and informative….

Carnival of Blogs on Golden Era of Hindi Film Music : September, 2017

Welcome to September, 2017 edition of Carnival of Blogs on Golden Era of Hindi Film Music.

Actress Shakila, who is known for the song Babuji Dheere Chalna, passed away in Mumbai on 20th September, 2017.

Actress Shakila dies of heart attack: 5 songs that will remind you of ‘the fairy queen of Indian fantasies’  – Ankita MehtaShakila was one of the top actresses in the 50s and 60s. She acted with Guru Dutt in Aar Paar (1954), Dev Anand in C.I.D (1956), Raj Kapoor in Shriman Satyawadi (1960), Shammi Kapoor in China Town (1962) and Sunil Dutt in Post Box 999.

Shakila, the star of ‘Aar Paar’ and ‘CID’ dies at the age of 82 – She made her debut as a child actor in 1950 and made her breakthrough in Guru Dutt’s ‘Aar Paar’. Born as Badshah Begum on January 1, 1935, Shakila was introduced to cinema by her aunt, who went on to manage the acting careers of Shakila and her sisters Noor, and Nasreen. Shakila’s early appearances include Dastaan (1950), Sindbad the Sailor (1952), Rajrani Damyanti (1952), Aagosh (1953), Shahenshah (1953), Raj Mahal (1953) and Armaan (1953).

Most of the newspapers, like Indian Express, Times Of India, National Herald, Hindustan Times , Free Press Journal, The Quint, News18.com, The Hindu Business Line , Mumbai Mirror etc. also have paid rich tributes.

We will also take a retrospective look and read Shakila (Shakeela) – Interview – by Nalini Uchil in 1984. the interviewer notes that she had great fun while she worked in films. ……Now, Shakila has no use for awards or trophies. …..And nothing will make her come back into films.).

We will now take up tribute posts:

M.S. Subbulakshmi: The woman who built bridges with her music : Madurai Shanmugavadivu Subbulakshmi, who was born on 16 September 1916 and died on 11 December 2004, remains an unsurpassed phenomenon in Carnatic music

Seven Contemporary Covers of Songs Once Famously Sung By Noor Jehan… on her birthday.

Forgotten Composers Unforgettable Melodies: S Mohinder is combined tribute post to S Mohinder on his 92 birthday and Asha Bhosle on her 84th birthday on 8th September:

Kaun kahe unse ja ke ae huzoor by Asha Bhosle from Paapi (1953), lyrics Sarshar Sailani

The September 2017 episode of Fading Memories, Unforgettable Songs was dedicated to (Shankar-) Jaikishan and Hasrat Jaipuri’s Songs Fading From the Memory.

Here are posts on other subjects as well:

Ten of my favourite ‘imprisoned singer’ songs – Hindi cinema has its fair share of people who are in prison, at times in really dire straits but still being able to summon up the energy to sing.

National film archive adds 162 films to its stash – According to a press release, 125 of the newly acquired films are in their original negative format. These include Mani Kaul’s Uski Roti (1969), SU Sunny’s Kohinoor (1960) starring Dilip Kumar, and Jayant Desai’s Amber (1952) starring Nargis and Raj Kapoor.

OP Nayyar’s influence on other Music Directors – Ravindra Kelkar maps representative songs for the three scenarios of the songs composed by other MDs which sound like OP:

1) Those songs which were composed in OP style willingly
2) Those songs composed in OP style due to pressure from producer/distributor
3) Those songs composed in OP style with the intention of cutting OP out

We have reviews of three books at Conversations over Chai:

  • To Her, With Love – that of ‘The Classic Biography of Meena Kumari’
  • No Holds Barred – that of Rishi Kapoor’s autobiography; Khullam Khulla
  • To the Movies Born – that of Asha Parekh’s autobiography. ‘The Hit Girl’, co-authored by Khalid Mohammed

Hindi Songs With Whistling – a list of hindi film songs, where whistling forms a significant part of the song or at times, identity of the song. Not included are the songs having whistling only for a few seconds, may be at the end or the beginning. (e.g. ‘Tum Pukar Lo’ from Khamoshi)

In photos: A Jitendra Arya exhibition captures a budding film industry and a changing nationDamini Kulkarni – acclaimed photographer Jitendra Arya’s camera was as intrepid and bohemian as its owner, capturing Indian personalities like MF Hussain, Ravi Shankar, and Dilip Kumar, as well as powerful international figures like British Nobel laureate Bertrand Russell, Clement Atlee, and Grace Kelly. Arya’s skill as a portraitist has been compared to the versatility of Yousuf Karsh, who has been widely regarded as one of the best photographers of the 20th Century.

Teesri Kasam – A Story of Love That Meandered to its Dead EndTeesri Kasam – the name given to Maare Gaye Gulfam for its cinematic version – was hailed a classic and collected reasonably well at the box-office though a little too late for its producer – the great poet Shailendra. Vijay Kumar explores the similarities and deviations between Teesri Kasam and Maare Gaye Gulfam, both written by the renowned Hindi literatteur Phanishwar Nath Renu. In this exhaustive critique, he peels the layers off five songs of Teesri Kasam, revealing the deep and profound message they express about the anguish of women in the rural hinterland.

Duet Songs with ‘Two Moods’ lists songs having two different moods, mainly Happy and Sad, in broad terms.

In our series Micro View of Best Songs 1948 @SoY of Best songs of 1948: And the winners are?, SoY has presented Best songs of 1948 songs: Wrap Up 1 wherein Mukesh is adjudged the Best Singer for the song Gaaye ja geet milan ke or Kabhi dil dil se takarata to hoga.  In continuation of the series on this blog, we continued with the  posts on Female Solo Songs with following up the first part with the second part  of the solo songs of Geeta Dutt with .

We will end the present post with two very well-known Mohammad Rafi songs featurin Shakeela on the screen.

Jitni Haseen Ho Tum Utani Hi Bewafa Ho – Mangu Dada (1970) – C Arjun – Akhtar Romani

Chheda Jo Dil Ka Fasana Hasa Jor Se Kyon Jamana Alla Jaane Walla Jaane –  Nakli Nawab (1962) – Babul – Raja Mehandi Ali Khan

We also have a Book Review: Sujata Dev’s ‘Mohammed Rafi: Golden Voice of the Silver Screen

I trust you will always feel free to proffer your suggestions for making this series of posts more lively and informative….

Carnival of Blogs on Golden Era of Hindi Film Music – August, 2017

Welcome to August, 2017 edition of Carnival of Blogs on Golden Era of Hindi Film Music.

We have three posts for our present episode that befit the season:

Beyond ‘Maa Tujhe Salaam’, the film songs that dare to step out of line when things go off-key – Rather than pop patriotism tunes, it’s the songs about dissent and debate that resonate as India turns 70 – Rineeta Naik recalls the anti-nationals in Hindi films who stepped out of line and reminded us of the times when things went off-key… The songs presented here convey a poet’s despair over social and moral decay, the agony of a man unfairly marked as a traitor, and the exuberant cynicism of city-dwellers who discovered that “sone ki chidiya” rhymes nicely with malaria.

Celebrate the monsoon with this performance of raag Mia ki Malhar by Amir Khan – Malhar raags are prescribed for the rainy season. – Aneesh Pradhan – Amir Khan’s presentation of Mia ki Malhar, a raag considered to have been created by the 16th-century vocalist and composer Mia Tansen, has always been considered by musicians and aficionados as one of the most iconic interpretations of the raag. The recording featured here was made for the All India Radio National Programme of Music in 1958, but it continues to haunt listeners to this day.

Rainy Days has captured songs picturised in the rain, let it be for a part of the song or the entire length, from drizzle to showers! The song may not be about the rain itself.

We will first take up the posts on Meena Kumari in our regular anniversaries or eulogies posts:

Meena Kumari: An enigma – DP Rangan pays a very touching and vivid tribute to Meena Kumari on her 85th birth anniversary (1 August 1932 – 31 March 1972).

Gaddeswaroop’s Blog has added two songs in Meena Kumari singing for herself in 1947

Ankhiyan Taras Rahin Un Bin – Piya Ghar Aaja (1947) – Bulo C Rani – Pt. Indra

Sawan Beet Gayo Mai Ri – Duniya Ek Sarai (1947) – Hansraj Behl – Kidar Sharma

We also take a look at the life of Meena Kumari in Meena Kumari Biography by Javed Akhtar. The Enigma Called Tragedy Queen Meena Kumari Part 1 ǁ Part 2 ǁ Part 3; Virasat – Meena Kumari Part 1 of 2 ǁ Part 2 of 2 and the 20 Rare Pictures of Meena Kumarisupplement good deal of interesting aspects on the subject

We have chosen to take a Retrospective look to revisit:

No One Quite Like Her –  The Inimitable Meena Kumari’ – “Good looks, great talent and unhappiness. Perhaps no other star combined all three in such a heady brew as Meena Kumari did.” Sathya Saran writes about how the iconic actress carved out an inimitable niche for herself, had held sway over her audiences for two decades and continues to fascinate her fans to this day….. Nothing added as much to the legend of Meena Kumari as her liviing of it. For many it seemed the natural culmination to a life of suffering. To be abandoned and exploited, and left without money after earning  sums that were beyond the reach of lesser stars, and die sick in heart and body is a tale that cannot fail to touch anyone who hears it.

The Legend That Was Meena Kumari in which Antara Nanda Mondal poignantly notes that pain and anguish was part of her life and she brought them to the fore in her performances that became iconic.

At a film premiere – Talat Mahmood with Meena Kumari, Usha Kiran, music director Madan Mohan and other guests

Meena Kumari – Interview (1952). This is an interview when Meena Kumari was on the verge completing two significant and much talked-about films, “Footpath” and “Baiju Bawra”, in which she had played the feminine lead.

Remembering singer Parul Ghosh, one of Hindi cinema’s quietest trailblazers – Wife of an illustrious husband, sister of a famous brother, Parul Ghosh made indelible contributions to music. Rudradeep Bhattacharjee pays tribute on her fortieth death anniversary.

All these years later, nobody exudes flamboyance like Shammi Kapoor – On the Hindi film star’s death anniversary, a reminder of his irresistible exuberance. Akshay Manwani states that In his book on dancing star and rebel hero, Shammi Kapoor: The Game Changer, journalist and film critic Rauf Ahmed gives readers a view of Kapoor’s ascent into stardom.

70mm Man: C Mohan, who designed the logo for ‘Sholay’ and other classics – Ramesh Sippy’s landmark film was released this week 42 years ago. Its designer was one of the leading exponents of Bollywoood Expressionism.

And Happy Birthday to Another Big Reason I Got Drawn Into Hindi Films, that of Vyjayanthimala, who just happens to be celebrating her birthday as this post was in the writing. There is one more post on Vaijayantimala’s birthday – Seven Dances for Vyjayanthimala’s Birthday  – posted seven years ago. This post has video clips of some of her lesser known dance songs,

Of the Ten of my favourite Mumtaz songs, presented in celebration of the 70th birthday on 31sy July, I have picked up O matwaare saajna chhalak gaya mera pyaar (Faulad, 1963) as my own offering to the celebration.

The August 2017 episode of Fading Memories, Unforgettable Songs was dedicated to Shailendra and “Other” Music Directors

Here are posts on other subjects as well:

The first duo Husnlal-Bhagatram (2): Their songs for ‘other’ singers’ is a follow up post to The first duo Husnlal-Bhagatram (1): Their songs for Suraiya, Lata Mangeshkar and Rafi, SoY recounts the memorable meeting with 90-year-old Nirmala Devi, wife of Pt. Husnlal.

Gulzar’s 1988 movie ‘Libaas’ to be finally released later this year -Zee Classic and Amul Mohan, the son of the producer Vikas Mohan, will release the film.

Subodh Agrwal has taken up a very difficult subject of Asymmetric Duets. He has further tightened the rules by taking up the duets in which the rhythm and the tune do diverge and yet complement each other too. SoY readers have chipped in a very large number of such interesting songs.

In our series Micro View of Best Songs 1948 @SoY of Best songs of 1948: And the winners are?, we have conclude the sub-series of Male Solo Songs with My Top Male Solo Songs and commenced the series of posts on Female Solo Songs with 21-solo-songs of Suraiya, following up with the first part and second part  of the solo songs of Geeta Dutt.

We will end the present post with a chance Mohammad Rafi song that an e-mail from my friend Samir Dholakia presented me.

De De Mori Mundari – Sat Saaliyaan (Punjabi) 1964 – S.Madan- Naqsh Lyallpuri – Mohd.Rafi

Note: In the song @4.28 a reference to other well-known songs – Akhiyan Sakhi Akhiyan Lagi and Ek Chatur Naar- is made as a parody

The song merited some more searches that led to a full-fledged parody song as well from the same film:

Bahut Shukriya Badi Meharbaani

Not to be satisfied now, I search more, and get two beautiful duets with Suman Kalyanpur:

Sohniye Tu Na Modi Munh

Kehdi Gallon Russiyan Ne

and a signature Rafi song

Sat Saaliyaan – Oye Sohna Jeha Mukhda

BTW, the music director S Madan is known to us for his far more famous and melodious duet with Asha Bhosle:

Ye Raat Ye Fizaain Phir Aain Naa Aaye – Batwara –Majrooh Sultanpuri

Batwara too had one signature Rafi song:

Yeh Kaisi Deewar Hai Duniya 

I trust you will always feel free to proffer your suggestions for making this series of posts more lively and informative….

Carnival of Blogs on Golden Era of Hindi Film Music – July, 2017

Welcome to July, 2017 edition of Carnival of Blogs on Golden Era of Hindi Film Music.

We will first take up the posts on the anniversaries or eulogies:

One hundred years of Sarat Chandra’s ‘Devdas’ being published as a book (on 30th June 1917).

More on Sarat and Devdas : In The mortals of Devdas by J.N.Sinha: Its admirers have tracked many a character in Saratchandra Chattopadhyay’s life and his novels….On a closer look, Devdas is none other than the author himself, and Paro a young vivacious girl of the same town.”

Roshan at 100: The ultimate playlist, plus the story of the three lives of a single songRudradeep Bhattacharjee – The legendary music composer had a golden run during the 1960s, but the foundation was set in the previous decade. – One of Roshan’s most memorable songs from the 1960s is Rahein Na Rahein Hum (Mamta, 1966). It was a reworking of another Lata Mangeshkar song Thandi Hawayein, composed by SD Burman for the film Naujawan (1951). This is fascinating because of various reasons: one, RD Burman himself reworked the tune for one of his famous songs (Sagar Kinare); two, SD Burman himself is said to have been inspired by a tune he had heard being played on the piano in a Juhu hotel; three, Roshan used the tune way back in 1954 in a little-known film called Chandni Chowk in Tera Dil Kahaan Hai.

OP Nayyar-Geeta Dutt: A peerless combination – Ravindra Kelkar pays tribute to Geeta Dutt on her 45th death anniversary (23 November 1930 – 20 July 1972)

On this occasion, we will also take a retrospective look at articles on Geet Dutt @ Silhouette Magazine :

The Masters: Madan Mohan commemorates what would have been 93rd birthday of the music director….He once said that “…the foremost requirement of a song is only one thing;  it should be capable of capturing the interest of the listeners in a short period and sustaining it in the years to follow.” He needn’t have worried; his legacy endures, as timeless as his soul-stirring compositions.

The foregoing post has studiedly avoided Lata – MM songs because the author had already done an exclusive post: An Afternoon Tryst with Madan Mohan and Lata Mangeshkar

The music man and his treasure bag: songs in Aashirwad – a song-sequence series post that remembers Sumita Sanyal on her passing away. [Here’s an earlier piece about the Aashirwad song “Saaf Karo Insaaf Karo”]

Jalaa do yeh duniya: poets and merchants in Pyaasa and Navrang – “when I think of the Pyaasa scene, I also think of a very different sort of scene from a film made two years later – another song that touches on the dilemmas facing a pure artist in a material world, but does it with splendid lightness of touch. That Song is “Kavi Raja”, sung by the film’s lyricist Bharat Vyas, begins with a group of friends – poets as well as poet manqués – coming together for an impromptu little sammelan.

[Earlier Mint Lounge columns on songs-sequence articles here]

Even in the darkness, he dreamed of lights: A tribute to renowned cinematographer KK MahajanRudradeep Bhattacharjee – On the death anniversary of Kewal Krishan Mahajan, or KK as his friends called him, a look back at his unmatched legacy.

The July 2017 episode of Fading Memories, Unforgettable Songs was dedicated to Mohammad Rafi’s Solo Song From The FIRST Film With The Music Director: 1949

Here are posts on other subjects as well:

The first duo Husnlal-Bhagatram (1): Their songs for Suraiya, Lata Mangeshkar and Rafi – Having done series on Anil Biswas, Naushad, C Ramchandra, SD Burman and Shankar-Jaikishan, SoY now has taken up the lesser, but no less talented star-duo of Husnlal Bhagatram.

Gaddeswarup’s blog expands the on Husnlal Bhagatram by recalling Satish Chopra’s article ‘The diamond cutters!’, and that famous song Chup Chup Khade Ho from Badi Bahen. Here is the Tamil version of the song Enni Enni Parkka Manam, that was filmed on debutant Vyjayantimala in the film ‘Vaazhkai’ (1949). The film was re-made in Hindi as Bahaar, for which S D Burman had composed the music.

In ‘Ninaithen Vandaai’, MGR and Jayalalithaa are Antony and CleopatraArchana Nathan – In ‘Kavalkaaran’, Jayalalithaa’s character revisits the stories of star-crossed lovers and decides her own love story deserves a happy ending.

Is ‘Aapki Yaad Aati Rahi’ from ‘Gaman’ the ultimate separation song?Nandini Ramnath – In Muzaffar Ali’s debut film, Farooque Shaikh drives a taxi in Mumbai while Smita Patil waits interminably for him. The song is a version of Makhdoom Mohiuddin’s ghazal Aapki Yaad Aati Rahi. Chhaya Ganguli’s masterful rendition of a song that speaks of the pain of a prolonged separation wafts over some of the quietest visuals in the movie. In Gaman, Jaidev’s brilliant soundtrack has one of the greatest laments about life in Mumbai. Seene Me Jalan is the mournful flipside of Ae Dil Hai Mushkil from CID (1956).

Mehfil Mein Meri is a new addition to our blogroll. The blog opens its books with Voice of Dev Anand which has listed some of the songs of Dev Anand by various playback singers

Ten songs picturized in famous gardens, with a rider that song from the same garden would not be included in this post.

Favorite Scenes Showing Kathak Footwork (danced by Gopi Krishna, Sitara Devi, and Roshan Kumari) – I have picked up two songs that are not heard often and one from A Satyajit Ray film:

K.N. Singh – My Memorable Roles (1963) –“Every actor knows that doing a long stretch of walking in front of the cameras is the worst possible ordeal for a newcomer. The camera is a harsh, relentless observer—a one-eyed monster all eyes for the smallest gaucherie. And why only an actor? Off-camera, how many men can walk manfully, unself-consciously, in the full gaze of a roomful of watchful people?”

Baghban” directed by A.R. Kardar, is the film Singh rates highest. He played a villain in it “but the violence was not physical but subtly mental.” To this role and film, Singh ascribes his “continuance” in films.

In our series Micro View of Best Songs 1948 @SoY of Best songs of 1948: And the winners are?, we have added the detailed posts on Male Solo songs with those of G M Durrani, Surendra and Other Male Singers.

To end the today’s post with an article on Mohammed Rafi, I have picked up a two Madan Mohan’s (relatively) unheard songs and a video clip of a public performance.

Tribute to Rafi Saheb and Madan Mohan – Singer Khalid Baig

Oonche Oonche Melahonwale – Jagir (1959) – Lyrics: Raja Mehdi Ali Khan

Har Sapna Ek Din Toote Is Duniya Mein – an unreleased song

I trust you will always feel free to proffer your suggestions for making this series of posts more lively and informative….

Carnival of Blogs on Golden Era of Hindi Film Music – June, 2017

Welcome to June, 2017 edition of Carnival of Blogs on Golden Era of Hindi Film Music.

It is a great pleasure to open the curtains of June 2017 post of blog carnival series with Songs of Yore completes seven years that presents what has by now been a well-established tradition of presenting some quite unusual songs and songs of some unique personality form the world of music on the occasion of celebration of the birth anniversary of this blog. Master Madan is the case in point this year.

We will now take up the posts on the anniversaries or eulogies:

‘Not very beautiful but vivacious’: How Nargis was cast in her breakthrough movie ‘Taqdeer’Kishwar Desai –  June 1 marks the birth anniversary of Nargis, one of Indian cinema’s greatest actresses. Nargis had appeared in a few films in small roles before Taqdeer, which was directed by Mehboob Khan. She was 14 at the time, and was paired with Motilal.

The Spontaneity of Nutan That Rose Above ‘Acting’Antara Nanda Mondal pays a tribute to the legendary actress Nutan with a brief journey through some of her immortal songs – in which she essayed an amazing variety of roles. Her spontaneity and versatility made her rise above the accepted norms of ‘acting’ in mainstream cinema.

Nutan speaks about Bimal Roy is recently added by the Youtube channel WildfilmsIndia which features many videos of a geographical, historical and cultural nature.

KA Abbas, ‘biggest bulk buyer of tickets’ of his own films and eternal dreamerJuhi Saklani– The medium was always the message for Khwaja Ahmed Abbas (June 7, 1914-June 1, 1987), the celebrated writer, filmmaker and columnist.

Chaar Rahein – K A Abbas at the junction between tradition and progress – is one of the most structurally interesting Hindi films of its time, with separate stories coming together through the device of the crossroads and the personal journeys of the characters passing it. Two years earlier, Hrishikesh Mukherjee’s debut film Musafir had used a house and its landlord to link three discrete narratives. If the “makaan” in that film represents a society made up of many types of people, Char Dil Char Rahein is about the tradition-modernity conflict facing a nation; it is, literally and otherwise, set at the intersection between old roads and a new one.

Sajjad Hussain, the composer whose music has endured ‘with a tenacity that defies reason’Rudradeep Bhattacharjee – June 15 marks the birth centenary of the multi-instrumentalist and legendary composer of the movies ‘Sangdil’ and ‘Rustam Sohrab’. …Hussain’s work in the film, a historical titled Daiwayogaya (1959) (a Sinhala film), has largely escaped our attention. This, among other things, means that most of us have been bereft of the pleasure of listening to the spellbinding Adarayai Karunawai.

Sudhir, in his tribute post on Atul’s Songs a Day remembers Sajjad Hussain  thru’  Chali Pawan Purvaai, Chali Pawan (Dharam, 1945; Singers – Naseem Banu, Ratanbai).

Gaddeswarup Blog adds Sajjad Hussain: A biography and his perhaps most popular song…

Ye Hawa Ye Chandani Teri Ek Nazar Ka Khumar Hai – Sangdil (1952) – Talat Mahmood

The June 2017 episode of Fading Memories, Unforgettable Songs was dedicated to V Balsara, known probably more for his mastery in playing different musical instruments.

Here are posts on other subjects as well:

Documentary retraces the journey of the woman from Faizabad who became Begum AkhtarNandini Ramnath – Nirmal Chander’s visually sumptuous (documentary) ‘Zikr Us Parivash Ka’ is a cradle-to-grave account of one of India’s most celebrated classical music artist.

Two snake dances from S.D. Burmam and one from Naushad

O Pardesiya..Pyar Ki Bahar Leke, Dil Ka Qarar Leke… – Bahar (1951) – Shamshad Begum – S D Burman

Serpent Dance – Guide (1965) – S D Burman

Snake Dance – Dastan (1950) – Naushad

Film Songs Based on Classical Ragas (12) – A morning with Asavari/Jaunpuri in which the guest author Subodh Agrawal decodes the similar ragas Asavari, Jaunpuri and Dev Gandhar with his characteristic clarity.

‘Roop Tera Mastana’ simply refuses to grow oldArun Fulara  – ‘Aradhana’ director Shakti Samanta filmed the song in a single audacious take.

My Favourites: Memorable Scenes From Hindi Films, depicting many moods; scenes that, if you tell the name of the film, are the ones one will immediately recollect.

Before ‘Tubelight’, ‘Dr Kotnis Ki Amar Kahani’ dreamt of Hindi-Chini bhai bhaiNandini Ramnath – V Shantaram’s 1946 movie retraces the journey of Indian doctor Dwarkanath Kotnis from Sholapur to the Chinese battlefield.

Homes and Houses: Ten songs Hindi cinema has done ample justice to the concept of ‘home’ and ‘house’, from songs like Ek bangla bane nyaara to films like Dastak, Biwi aur MakaanHamaara Ghar, Gharaunda and Tere Ghar ke Saamne. The author has picked pre-1970 songs of Homes that are envisioned, homes that are hoped for, homes that light up with joy because of the coming of a festival or the arrival of a loved one, homes destroyed. Here are a couple picks form the list:

Cycle trails of BollywoodAfter taking us through horses, tongas and steam engine, DP Rangan now logically takes us on a joy-ride of cycle songs. Along the way, he also writes a dissertation on its history.

Nain se nain from generation to generation

Ustad Fateh Ali Khan of Patiala – Raag Darbari

Raag Darbari fusion with rock music – composed by his nephews Wali hamid ali khan & Kamran Akhtar

Shah Rukh Khan’s Doodle Among Stunning Rare Film Collectibles, Stills, Artwork in Osian’s Auction –  Antara Nanda Mondal– Among the rare collectibles in the auction are a bunch of original artworks by renowned filmmakers Satyajit Ray and Mani Kaul. Besides there are original publicity-material art for Andaz (1949), Anari (1959), Guide (1965), Deewaar (1975) and others. A huge collection of rare posters, showcards, lobby cards, photographic stills from the golden 1950’s period to the era of Amitabh Bachchan to the current trinity of Salman, Shah Rukh and Aamir Khan go under the hammer at the prestigious auction on 22 June, 2017.

SIKENDER. 1941 starring Prithviraj Kapoor in title role
Sepia toned Photographic Stills Mounted on Lobby Cards, probably used for early re-release publicity ({Pic: Osians)

In our series Micro View of Best Songs 1948 @SoY, we have commenced the detailed posts on Male Solo songs with those of Mohammad Rafi and Mukesh.

To end the today’s post with an article on Mohammed Rafi, I have zeroed upon an old post – Seven of My Favorite Rafi Songs– from Dances on Footpath. The author also has noted that these seven songs are not appreciated as Rafi songs go. Well, of the seven songs mentioned therein YT link 4 links have become dysfunctional. At least two songs do certainly would not be qualified as “unappreciated” So here are just two songs that stand out:

Nazron Ke Teera Maare Kas Kas – Do Ustaad (1959) – with Asha Bhosle – O P Nayyar – Qamar Jalalabadi

My Dearo Dearo Mummy Nahin – Nagina (1951) – with Shmashad Begum – Shanker Jaikishan

I trust you will always feel free to proffer your suggestions for making this series of posts more lively and informative….

Carnival of Blogs on Golden Era of Hindi Film Music – May, 2017

Welcome to May, 2017 edition of Carnival of Blogs on Golden Era of Hindi Film Music.

Month of May also has brought in two very specific posts:

Singing for a better tomorrow: A Hindi film song helpline for May DayAshwini Deshpande

On International Workers’ Day, a reminder of the times when lyricists, in Hindi films. These songs were filled with optimism, hope and dreams of a better life marked by equality.

Month of May also has a most significant milestone for Indian Cinema. DG Phalke’s labour of love ‘Raja Harishchandra’ was released on May 3, 1913. Here is what went into the making of the first Indian feature filmSruthi Ganapathy Raman  recalls  that it was far from easy to make.

We will now take up the posts on the anniversaries or eulogies:

Passing away of Vinod Khanna did result in a downpour of eulogies, form all and different quarters.

  • Vinod Khanna conquered Hindi cinema by just being thereMustansir Dalvi – When not playing the villain, Vinod Khanna played straight man to the more garrulous co-stars.
  • Thus Endeth Another Chapter of “a man with sad eyes, self-confident without being arrogant, the quietness of a man who was – finally – at peace with himself. For someone who was so much a man’s man, so ruggedly handsome, what remains with me is the half-smile that quirked his lips in the most endearing way, and the way his eyes lit up when he smiled. That smile made him at once real, and human.”
  • In Tribute: Vinod Khanna (1946-2017) – The deeply nuanced roles that went to actors like Sanjeev Kumar may not have been Vinod Khanna’s, but the roles he played, he played well. He played them convincingly, and he played them with a flair that was very appealing.
  • ‘Where are the available men’ and other tales from the sets of the sexual liberation drama ‘Rihaee’ – Arunaraje Patil faced typical and unforeseen challenges while directing her first solo feature in Gujarat in 1988 – edited excerpts from her autobiography Freedom My Story– “It was during the dubbing of Rihaee, that Vinod, finding me preoccupied, literally cornered me into telling him what the problem was. When he found out what was bothering me, he stepped out of the studio, went to his car and got me thirty thousand rupees. This was exactly what I needed for the first print. When I made a fuss about taking it, he thrust it in my hands and said, ‘Don’t worry, payable when able.’”
  • Remembering (and Re-Introducing) Vinod Khanna – Little wonder then that this strikingly handsome man, who might have made a career out of being a poster boy, letting his sunglasses and open shirts do most of the work for him, participated in a number of relatively offbeat or understated films – starting with Gulzar’s Mere Apne and Achanak and Sunil Dutt’s Reshma aur Shera, and continuing for the next two decades, through Meera, Lekin… , Muzaffar Ali’s uncompleted Zooni, or Patil’s Rihaee

Zohra Sehgal was the mother of all screen grandmothersRhea Nath – In movie after movie, the dancer and stage actress played a matriarch as charming as she is crusty.

Waqt Ne Kiya – The Introspective Songs of Kaifi AzmiPeeyush Sharma – We have picked up one rare song here and one – one of the finest – at the end of our episode:

Aaj ki kaali ghata  – Uski Kahani, 1966 – Geeta DuttKanu Roy

Zindagi Ek Safar Hai Suhana: Shankar Jaikishan’s Melodies of 1971 – 18 Films, 104 Songs Peeyush Sharma – Shankar, bade goodbye to this world on 26 April 1987. Jaikishan departed on 12th September, 1971. SJ (Shankar-Jaikishan) had 18 Hindi and one Telugu film releases this year. They had also now started working with a variety of lyricists; Hasrat was the regular as always, they added Rajendra Krishan, S H Bihari, Neeraj, Shaili Shailendra, Anand Bakshi, Varma Mallik, Indeevar and even Gulzar. Jaikishan had earlier appeared on screen way back performing on the Mukesh song, Ae pyase dil bezubaan, tujhko le jaaun kahan, in Begunaah in 1957. This year he made an appearance as Jaikishan himself, working on a balancing machine while recording the Kishore song Naach Meri Jaan Fatafat. The song went on Mehmood.

We have picked up three songs form the Telugu film Jeevitha Chakram:

Kallallo Kallupetti

Kanti Choopu (Female)

And its male version

Shankar-Jaikishan’s duets (1): Mukesh/Rafi with female singers and Shankar Jaikishan’s duets (2) is the continuum of singerwise posts for Lata Mangeshkar, Mukesh, Rafi, Manna Dey, ‘Other singers’ and two posts on their dance songs – for Lata Mangeshkar and female dance duets.

The May 2017 episode of Fading Memories, Unforgettable Songs was dedicated to Snehal Bhatkar. Snehal Bhatkar composed songs for 27 Hindi films and 12 Marathi films. His contribution in Marathi NFS is also highly respected.

Here are posts on other subjects as well:

Returning to the songs of Ningalenne Communistakki (but still looking for subtitles) presents songs from a classic Malayalam film Ningalenne Communistakki.

Ashwin Bhandrakar debuts with guest post Beena madhur madhur kacchu bol in unpretentious style peppered with a dash of humour on bees and honey.

Pakeezah’ resonates to the sound of Meena Kumari’s ankletsManish Gaekwad – The soundtrack of the 1972 classic was by Ghulam Mohammed, who used the foot ornaments to startling effect.

Lovers burn up the phone wires in ‘Jalte Hai Jiske Liye’Nandini Ramnath – The song from Bimal Roy’s 1959 classic ‘Sujata’ is one of the most quietly raging love songs out there.

Dil Dhoondta Hai’ and the heart that never stops searchingBubla Basu -Gulzar’s ‘Mausam’ features two versions of a love. From the first words “Dil dhoondta hai” (the heart is searching), we slip into the nostalgic, compelling mood of the film. Someone, somewhere, somehow is searching for someone. The solo is an echo of a love that is lost but not forgotten…. Madan Mohan’s haunting music and Gulzar’s evocative lyrics ensure that we recognise the song later in the film when Sanjeev Kumar and Sharmila Tagore render a longer and livelier duet.

The original ‘Meri Pyari Bindu’ from ‘Padosan’ is more than just a comical tune – The popular song by Kishore Kumar from the 1968 comedy mixes traditional Baul music with elements of the qawwali and the love ballad.

Two Mukesh duets buzzing me today: Yeh Duniya Hai… Yahan Dil Ka Lagana Kis Ko Aata Hai (Shair,1949, Ghulam Mohammad) and   Khayalon Mein Kisi Ke Is Tarah Aaya Nahin Karate (Banware Nain, 1950, Roshan).

When the bhajan ‘Om Jai Jagdish Hare’ inspired a Pakistani love songKaran Bali – ‘Phirni Aan Main Labdi’, from the 1957 movie ‘Nooran’, features Pakistani singing sensation Noor Jehan. – Written by Hazin Qadri, Phirni Aan Main Labdi is among several wonderful tunes by composer Safdar Hussain for Nooran.

We could not make any progress in annual Micro View of Best Songs 1948 @SoY.

We end our present episode with Kafi Azmi’s the song that just sweeps you away: Tum jo mil gaye ho (Hanste Zakhm, 1973, Madan Mohan). It has got the rhythm of the crashing waves and pouring rain in every note. It rises and falls like the tidal sea waves, races like the wind and then slows down to a gentle pitter-patter only to pick up the pace again at a frenetic speed. What an amazing song, composition and rendition by the trio of Kaifi Azmi-Madan Mohan-Rafi.

Tum bhi the khoye khoye, main bhi bujhaa-bujhaa
Thaa ajnabi zamaanaa apnaa koi na thha
Dil ko jo mil gayaa hai teraa sahaaraa

I trust you will always feel free to proffer your suggestions for making this series of posts more lively and informative….