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Carnival of Blogs on Golden Era of Hindi Film Music

Carnival of Blogs on Golden Era of Hindi Film Music – December 2021

Welcome to December 2021 edition of IXth Volume of Carnival of Blogs on Golden Era of Hindi Film Music.

We straight away move on to other tributes and memories this month.

Mehfil Mein Meri continues with Lata – Non-film songs with  Part 4, covering period of late 90s,after having presented songs from 1954 till 1965 in Part 1, for the years 1966 to 1975 in Part 2 and those for 1975 till 1995 in Part III

Awara, Shree 420: The films that made Raj Kapoor the ‘showman of Indian cinema’Sampada Sharma – On Raj Kapoor’s 97th birth anniversary, looking back at the decade that established him as the ‘showman of Indian cinema’.

Raj Kapoor and Nargis in Awara. (Photo: Express Archives)

Way before OTTs, Hrishikesh Mukherjee’s Musafir starring Dilip Kumar was the gold standard of anthologiesSampada Sharma  – The three stories in Musafir are centred around these themes and are all set inside one house. As each family comes to live in this house, they bring in their sorrows and leave with joy as they end up crediting the house for taking their pain away.

Dilip Kumar: A look at his initial years from 1944-1948 – Sharda Iyer takes looks back at the nine films that Dilip Kumar had acted during 1944-1948 period.

Rajendra Krishna with Chitragupta and Ravi: Reaching for the skies – in continuation to his in-depth study of Rajendra Krishna’s career as lyricist, after C Ramchandra and Madan Mohan, Hans Jakhar delves into the musical relationships of Rajendra Krishna with Chitragupta and Ravi.

Shaayar-e-Aazam : S.H.Bihari (a.k.a Shamshul Huda Bihari) born in 1922 wrote around 400 songs for 90 films. The present article covers his songs with 10 music directors, other than O P Nayyar.

In documentary on Mumbai film critic Rashid Irani, fond nostalgia and creeping lossNandini Ramnath –  If Memory Serves Me Right is a 56-minute documentary about a 74-year-old film critic, for the Times of India and Hindustan Times, Rashid Irani, who died on July 30th , for whom cinema was a 24×7 obsession. Rafeeq Ellias’s film explores Irani’s lifelong Cinemania, his relationship with his neighbourhood in downtown Mumbai, and the loneliness and anxieties that gripped him during the coronavirus-induced lockdowns.

Also Watch: Critic Rashid Irani (1947-2021) speaks on his lifelong passion for cinema

Shailendra Sharma @ Golden Era of Bollywood has posted following memorial tribute posts:

In the series of articles on Sahir’s Songs of Romance, commemorating Sahir Ludhianvi’s birth centenary,  we now take up Sahir Ludhianvi’s Seven-film associations with Laxmikant Pyarelal and Khayyam.

December 2021 episode of Fading Memories, Unforgettable Songs takes up Mohammad Rafi’s First Duet Song With The Music Director: 1947-1948, the second part of his career’s First Five-Year Period of 1944 to 1948.

SoY has also published yours faithfully’s tribute to Mohammad Rafi on his 97th birthday, in the form of Mohammad Rafi’s Non-film Hindi Geets and Ghazals

Here is a vintage photograph, Producer-Director Sriramulu Naidu actor Raj Mehra, Om Prakash, Dilip Kumar, Badri Prasad, Meena Kumari, Shammi, and Achla Sachdev on the sets of Azaad (1955) posted on BollywooDirect:

We now move on to posts on other subjects –

Why movie villains are as interesting as the heroes is an excerpt from Balaji Vitta’s book Pure Evil – The Bad Men of Bollywood, publisher: HarperCollins India.

It’s Time To Clap! are the songs with clapping as a key element.

Kathak and Tap Dance: Similarities, Connections in Classic Films, and – Finally – Duets and Quartets! –  The article may appear  to be technical to a lay reader, but as always, by the choice of video clips that Richard puts in the article, the article remains an interesting read.

Book review: ‘Yesterday’s Melodies Today’s Memories’ – Manek Premchand’s book is “essentially about the many creative individuals whose genius produced unforgettable Hindi film songs from 1931 to 1970, and specifically between the years 1947 and 1970”.

Boat songs, part IV lists songs that have boats in a group.

Film Memorabilia Transitions from a Collector’s Passion to an Investor’s EyeSMM Ausaja takes a look at this new emerging market of as the memorabilia craze gets ready to move into NFTs- The Non Fungible Tokens.

Similar Tune, Two Different Songs picks five pairs of the songs where one Hindi film song appears to have been inspired by another from a different movie.

Book Review: Conversations With Waheeda RehmanRanjan Das crisply reviews Nasreen Munni Kabir’s interview-based book – Conversations With Waheeda Rehman, published in 2015 by Penguin.

Ten of my favourite Hindi film double roles, some of these are people portraying twins; some have other ties of blood (parent and child, for instance). Some aren’t related at all but are uncannily alike anyway.

From Bollywood Rewind – Sampada Sharma – Indian Express’s weekly column:

In continuation to our tradition of ending the post with a few songs of Mohammad we take a slight detour to take up Vinod Dua, a noted TV journalist, who passed away on 5-12-2021, talking about Mohammad Rafi:

Radio Ceylon also has paid tribute on 24-12-2021 in their prgram ‘Purani Filmon Ka Sangeet – In memory of Rafi Sahab’


 

I look forward to your inputs to enrich the contents of Carnival of Blogs on Golden Era of Hindi Film Music.

Disclaimer: This monthly series of posts is my best-effort-based compilation of posts on Hindi film songs that I normally visit regularly. As I record my sincere thanks to all the original creators of these posts, any other posts that I have nor covered herein shows my lack of awareness of existence of such posts and is by no means any disrespect to their work. The copyrights to the posts, images and video clips remain the properties of the original creators.


Carnival of Blogs on Golden Era of Hindi Film Music wishes all a melodiously happy and rhythmically fruitful 2022.

 


The episodes of January 2021 to December 2021 have been compiled as one file @ Carnival of Blogs on Golden Era of Hindi Film Music, 2021 and can be read / downloaded by clicking on the hyperlink

Categories
Carnival of Quality Management Articles and Blogs

Carnival of Quality Management Articles and Blogs – December 2021

Welcome to December 2021 edition of the IXth volume of Carnival of Quality Management Articles and Blogs.

We recapitulate that the 2021 theme for the IXth volume of our Carnival of Quality Management Articles and Blogs is Future of… as the basis for Creating and Maintaining Sustained Success.

Our topic for the discussion for the month is – The Future Sustainability – with a view to present a broader picture of the issue that has been gaining higher priority everywhere.

It is now well accepted that:  Sustainability is meeting our own (present) needs without compromising the ability of future generations to meet their own needs. It is also well accepted that sustainability is not just environmental-ism. Sustainability rests on dynamic balance of three dimensions economic development, social equity, and environment conservation, not necessarily in that order.

The UN’s adoption of Sustainable Development Goals (SDGs), in the year 2015, has laid the concrete foundation for the roadmap for a sustainable future.

The UN’s aspirational SDGs were “a great gift to humanity” when they were adopted, but much work is still needed to develop science-based pathways to show how they can be effectively and equitably implemented, said Nebojsa “Naki” Nakicenovic, professor emeritus at the Vienna University of Technology and former deputy director general of the International Institute for Applied Systems Analysis (IIASA). The World in 2050 (TWI2050) seeks to make the aspirational SDGs more practical and equitable.

The Science of Sustainability is a science-based view that provides cross-sector collaboration between environment conservation and growing human needs across traditionally disconnected sectors, and on a near unprecedented scale.

Six emerging sustainability trends are identified for the present decade[1]:

  1. Sustainability as a way of doing business
  2. Embracing accountability and importance of being transparent
  3. Education is the key in building awareness
  4. Collaboration between the public and private
  5. Innovation is imperative
  6. Rise of the circular economy.

Further readings:

  1. Our Common Future: The Brundtland Commission report
  2. The SDGs explained for business
  3. The World in 2050 Pursues Paths to a Sustainable Future
  4. The Science of Sustainability

I plan to devote the entire next year’s Xth volume of Carnival of Quality Management Articles and Blogs to this subject of Sustainability.

We now watch ASQ TV episode on–

  • SR Offers Opportunities for Quality Professionals – “Sustainability is the goal,” says Andrea Hoffmeier in this ASQTV interview. Hoffmeier, explains how quality professionals can play a role in helping their organizations and clients reach the goal of sustainability through social responsibility. She also discusses how DMAIC can be adapted for the SR audiences.

We have taken up one article from Jim L. Smith’s Jim’s Gems :

  • The Future – A single action, taken now, can have significant consequences far into the future…..Time has a way of magnifying whatever we do. So even in the smallest matters, we should strive to do what is the right thing to do. The direction and purpose of each effort we take are much more important than the size of the effort….. We need to point all our actions, large and small, important, and seemingly insignificant, in the direction we wish to see our life move. ,,,,, We are shaped by our thoughts, and we become what we think.

‘From the Editor’ (of Quality Magazine) – by Darryl Sealand, we have –

  • Assessing the Quality Situation: The Importance of Knowing Your Surroundings – Knowing the environment, or being aware of your surroundings, is key to many a task. It’s at least one of the ways we express the importance of having all the information we need in order to reach a goal…. The importance of knowing our surroundings also extends to less controllable environments….. Here is what was very widely told incident during the space race between the United States and the Soviet Union. Careful consideration of the environment of outer space and its effect on the technology and tools of a mission to space led the U.S. to invest substantially in developing a pen that would write in the zero-gravity of space. And the punchline…the Russian cosmonauts used a pencil.

I look forward to your views / comments / inputs to further enrich the theme of The Sustainability during 2022..

Note: The images depicted here above are through courtesy of respective websites who have the copyrights for the respective images.


 

Carnival of Quality Management Articles and Blogs wishes everyone the year 2022 to provide the most powerful springboard to sustained success and happiness.


 

 

Please click the hyper link to read /download January 2021 to December 2021 articles of IXth Volume of Carnival of Quality Management Articles and Blogs

[1] What is the future of sustainability as we welcome the next decade?

Categories
Fading Memories….Unforgettable Songs Remembering Mohammad Rafi

Fading Memories…. Unforgettable Songs: December 2021

Mohammad Rafi’s First Duet Song With The Music Director: 1947-1948

1947-1948

The Google Doodle by Mumbai-based illustrator Sajid Shaikh, on Mohammad Rafi’s 93rd birthday [B: 24-12-1924 | D: 31-7-1980] depicted Mohammad Rafi as the king of playback singing in Bollywood. It shows the journeys of famous Rafi songs as they progressed from the studio, onto the silver screen and into the hearts of fans forever.

The second part of the First Five-Year Period of Mohammad Rafi’s career, covering the years 1947 and1948, that we presently take up for our series Mohammad Rafi’s First Duet Song with Music Director can be said to be period when he was still in the music recording rooms. As we have seen in the first part covering years 1944 to 1946, Mohammad Rafi was at the initial phase of ‘being under test’. More and more music directors were giving him a solo here or a duet there.

As we shall presently see, the definite trend of Mohammad Rafi trying to create his own space by discovering his own style to the confident delivery of his lines against more experienced female singers of vintage era under the batons of wider range of music directors has started emerging by the end of First- Five Year Period.

1947

Six more music directors have offered Mohammad Rafi diets with as many as eight different singers – three of which are the male singers – in the year 1947.

In so far as Mohammad Rafi’s career is concerned, the year 1947 had opened the door – in the form of the solo, Duniya Mein Meri Aaj Andhera Hi Andhera (Do Bhai- Music: S D Burman – Lyrics: Raja Mahendi Ali Khan) – that led to a strong association with S D Burman.. 1947 had also Mohammad Rafi singing his first, and the only duet with Noor Jehan – YahaN Badala Wafa Ka Bewafai Ke Siwa Kya Hai (Jugnu – Music Firoz Nizami – Lyrics: Azhar Sarhadi). This also was Mohammad Rafi’s first ever playback for Dilip Kumar.

Datta Davjekar, (15-11-1917 | 19-9-2007) a fairly known name in the then Marathi films, debuts with Aap Ki Sewan Mein in Hindi Films. He composed music for 5 Hindi films, 51 Marathi and around 500 documentary films. The film, Aap Ki Sewa Mein, has other record, in the form of. Lata Mangeshkar’s maiden songs as a playback singer with the song Paa Laagoon Kar Joree Re, to its account.

Desh Mein Sankat Aaya Hai, Ab Kuchh Kar Ke Dikhalana Hai – Aap Ki Sewa Mein – with G M Sajan – Lyrics: Mahipal

The song reflects the mood of pre-independance era, as it ends with “Chheen lo , chheen lo ……..” hinting  ‘Azaadi chheen lo”. Otherwise, the lyrics are mainly about food shortages, or maybe it is talking about famine, in Bihar or Bengal, that rampaged India in that period..

There is a male-female duet son too.

Main Teri Tu Mera Dono Ka Sang Sang Basera – Aap Ki Sewa Mein – with Mohantara – Lyrics: Mahipal

Mohammad Rafi has handled the eagerness of a longing lover on his way to meet his beloved in a controlled high-octave scale rendition. The beauty of the composition is in its vibrant freshness after so many years.

Aside Trivia:

Datta Dawjekar worked as an assistant to C Ramchandra from 1952 to 1961. As such, the source of inspiration for C Ramchandra’s popular song Eenaa Meena Deekaa. . . (Aasha, 1957) is originally created for the Marathi song “Ina Mina Mona Baass” from a children’s play for Marathi stage, by Datta Dawjekar, who also wrote the lyrics for the Marathi song.

Source Credit: Shishir Krishna Shrama’s post on Datta Dawjekar

Prakash Nath Sharma does not seem to be a known name as a music director. The only film for which he seems to have composed music, Ek Kadam, does have one Mohammad Rafi – Shamshad Begum duet. Tu Bhi Rah Main Bhi (Lyrics: Avtar Visharad), that does not seem to have a digital presence on net.

C(hitalkar Narhar) Ramchandra (12 January 1918 – 5 January 1982), is another music director who went on to have a strong presence in the subsequent period of Golden Era.

Kisko SunauN Hal-e-Dil. Ham ko Tumhara Hi Aasra Tum Hamare Ho Na Ho – Saajan – with Lalita Deulkar – Lyrics: Moti B A

The duet, and Mohammad Rafi’s solo version, were immensely popular and the both has the future imprint of Mohammad Rafi’s singing style that was later identified as his unique style during his post vintage-era career of ‘50s..

The film has one more duet Main HuN Jaipur Ki Banajaran, Chanchal Mera Naam, with Lalita Deulkar (Lyrics: Qamar Jalalabadi) and two triads, Hum Banjare Sang Hamare Dhoom Macha Le Duniya (Lyrics: Moti B A) and Sambhal Sambhal Ke Jaiyo Banjare, Dilli Door Hai (Lyrics: Ram Murti Chaturvedi) with Lalita Deulkar and Geeta Dutt (Roy).

Khemchand Prakash, a doyen of ‘40s, made two most significant contributions for which the Golden Era remains indebted. One was introduction of Kishore Kumar in Ziddi (1948) – Jeene Ki Tamanna Kaun Karein …….  Marne Ki Duaein KyoN Maangein  . and gave Lata Mangeshkar a defining identity in Aayega Anewala (Mahal, 1949).

Aji Maat Poochhco Baat Ki College Albeli, Indrapuri Sakshat Colege Albeli – Samaj Ko Badal Dalo – with Arunkumar and Manna Dey – Lyrics: ?

We have only audio clips here, but the knowledgeable bloggers note that Mohammad Rafi has sung his own lines on the screen.

Part 1:

Part 2

Pt. Ramakant Paingankar-Karnad, one more of those unknown names., except that Ramakant Paigankar was known to be a part of C Ramchandra orchestra team.

Chalo Ho Gayi Taiyyar.. Thehro Jee…. – Shaadi Se Pehle – with Lata Mangeshakar – Lyrics: Pt. Mukhram Sharma

This is a simple fun song that shows the lady making a big shopping list that her beloved readily agrees to buy for her with all the strapping. The song has the distinction of being the first ever Rafi Lata duet.

K(oregaonkar) Datta is said to have given Lata Mangeshkar and Asha Bhosle a chance to sing with the then reigning queen Noor Jehan. He scored music for 17 Hindi films

Nainon Se Naina Milaake Sota Prem Jagaate – Shahkar – with Rajkumari – Lyrics: Arzoo Lakhanavi

HFGK does not mention singers for the song. The song seems to be composed as a tong-song. The singing by both the singers rhymes exactly with rhythm of the song.

Ye Duniya Sab Prem Ki Tu Prem Kiye Jaa – Shahkar – with Shamshad Begum – Lyrics: Arzoo Lakhanavi

HFGK mentions the song as Parody song (record no. GE 3729 /31), though I must confess that I could not make it why it was so. However, the song has experimented with one singer overlapping the main singer on a different scale  in the mukhada, which must have called for some very innovative recording skills on the part of the sound recordist as well the music arranger.

1948

In 1948, on the first anniversary of Indian Independence, he was awarded a Silver Medal by Jawaharlal Nehru for his, a marathon 4-part, song on Mahatma Gandhi, Suno Suno Ae Duniyawaalon Bapu Ki Amar Kahani (Music: Husnlal Bhagatram – Lyrics: Rajinder Krishna)

1948 has once again a very rich crop in so far as our present subject goes, with eight music directors and as many as ten co-singers, Except for Shamshad Begum and Ameerbai Karnataki, in the female singer section, GM Durrani in the male singer section, and Geeta Dutt and Beenapani Mukherjee one triad earlier, all other singers have partnered Mohammad Rafi first time.

Ram Ganguly (1928-1983) was part of Prithvi Theatre team. His choice of music director for Raj Kapoor’s maiden film Aag was thus a natural choice. However, because of some misunderstanding during the days when Barsaat was being planned, Aag remained the only film RK and Ram Ganguly di together,

Solah Baras Ki Bhayee Umariya – Aag – with Shamshad Begum – Lyrics: Majrooh Sultanpuri

Mohammad Rafi gets his chance in the maiden Raj Kapoor film Aag,. Since then, even if he has not been a main singer for RK films, he has always got a song or two in almost every film, some of which have become most notable songs of Rafi’s entire career.

The visuals of the song can be seen with a typical Raj Kapoor touch.

Hans Raj Behl has used Mohmmad Rafi for duets in two films in 1948 – Chunariya and Satyanarayan.

Phool Ko Bhul Le Ke Baitha Khar, Tera Kaanto Se Hai Pyar – Chunariya – with Geeta Dutt – Lyrics: Mulk Raj Bhakhari

The song seems to be some type of beggar or a fakir song.

Dilliwale Sahab Gajhab Kar Daala Re – Satyanarayana – with Beenapani Mukherjee – Lyrics: Pt. Indra

This is a thoroughly enjoyable fun song.

The film had two more duets of Mohammad Rafi and Beenpani Mukherjee – Kya Yaad Hai Tumko Wo Din Ji (Lyrics: Sewak) and Mera Dil Ghayal Karke Bairi Jag Se Dar Ke (Lyrics: Surjeet Sethi).

Ghulam Mohammad has paired Mohammad Rafi to sing with Suraiya, one of the top actress-singing star of that time. The pair then went on to sing 24 duets, some of which remain the most memorable duets, which can be a subject for a separate article in the future.

TaaroN Bhari Raat Hai Par Tu Nahi – Kajal – with Suraiya – Lyrics: D N Madhok

On the face of it the lyrics seem to express pain of the two being away from each other. However, the song runs on a fast pace, normally used for happy songs. In the absence of this dichotomy remains unresolved. However, listening to Mohammad Rafi as if he were singing a song almost after half a decade later in the time in the style of ‘40s and matching Suraiya’s exhortations for clearly expressing the love is such a pleasant surprise.

Gyan Dutt is also a very respected ‘40s name in music direction arena. We have two duets here. Of the two, Chalo Jamuna Ke Paar  … Dil Ki Dukanein Lagi JahaN Par NainoN Ke Bajar (Lal Dupatta – with Shamshad Begum, Sulochana Kadam, Chorus- Lyrics: Shewan Rzvi (?))being a very sweet-to-listen-to triad with chorus, Rafi does no get much exposure. So, I have opted for the other one for the present article.

Ari O Albeli Naar Kyon Chhupakar Kare Vaar – Lal Dupatta – with Shamshad Begum, Chorus – Manohar Khanna

This is a chhed-chhad-cum-appeasement light mood duet, the first line of the mukhada and each interlude representing chhed chhad. Mohammad Rafi seems to enjoy seriously matching Shamshad begum’s mischievous tone

Dhumi Khan, is one more of an unknown music director, even though he is shown as ‘supporting actor, music director’. YT has an interesting video clip on Dhumi Khan, that gives some more vital pieces of information. The famous duet song Ambuwa Ki Daali Daali Jhoom Rahi Hai Ali (Vidyapati, 1937- Music: R C Boral) has Dhaumi Khan as co-singer with Kanan Devi. Hopefully, the Dhumi Khan is same person.

Ek Abr-e-Siyah Chhaya Aaja Mere Saathi – Rahnuma – with Shamashad Begum- Lyrics: Dhumi Khan

The song is a simple love song, Mohammad Rafi expressing the sincere intent of the lover for his loved one.

Ek Aisa MahaL Banayenge (with Rekharani- – Lyrics: Habib Sarhadi) from the same film is not traceable on net.

Ameerbai Karnataki, a renowned playback singer, has composed songs for ‘Shahnaz’,  wherein Mohammad Rafi had two solos and three duets in the film.

Mujhe Tumse Mohabbat Hai, Ye Meri Chak Damani – Lyrics: Fiza Kausari Banaglori

Mohammad Rafi very deftly handles a medium spaced composition.

Nazaaron Se Kheloon Bahaaron Se KhelooN, Mera Bas Chale To Chand TaaroN Se KhelooN, Yahi Chahta Hai BaharoN Se KhelooN Machalatae Hue AabsaaroN Se KhelooN – Lyrics: Akhtar Pilibhiti

In response to Amirbai’s high scale singing, Mohammad Rafi comes up with a lower scale singing.in this very small clip that is available.

Tere Nazdeek Jaate Hein Na Tujhse Door Hote Hain, Mohabbat Karanewale.. Is Tarah Mazboor Hote HaiN – with Ameerbai Karnataki – Lyrics: Akhtar Pilibhiti

Mohammad Rafi gets to sing a qawwali composition early in his career.

Rasheed Attre was one of the music directors who went on to hit immense popularity even after migrating Pakistan. His composition of Faiz Mohamamd Faiz’s ghazal Mujh Se Pahale Si Muhabbat Mere Maheboob Na Mang remains the hallmark of Noor Jehan’s career.

Koltaar Mein Rang De Piya Mori Chundariya – Shikayat – Khan Mastana, G M Durrani, Aslam, Chorus – Lyrics: Ibrahim Khan ‘Momin’

Mohammad Rafi is a minor partner in this MM triad.

Statically speaking, the first Five-year-period of 1944-48 has seen Mohammad Rafi working with 26 music directors for first time for a duet song.  Each of the song has given Mohammad Rafi a different experience of singing. That perspective apart, the fact remains that the journey had taken off well and was gaining the required velocity.

We will end 1944-48 five-year-period with what I consider as Mohammad Rafi’s most iconic song, which also happens to be my most favorite among Mohammad Rafi’s songs…

Vatan Ki Raah Mein Vatan Ke Naujawan Shaheed Ho – Shaheed – with Khan Mastana, chorus – Music: Ghulam Haider – Lyrics: Raja Mahendi Ali Khan

Mohammad Rafi’s finely controlled delivery of so high passion would be hallmark of his sing style in the future.

Our journey of Mohammad Rafi’s first duet with a music director continues……


Both episodes of the 1st Five-Year Period of Mohammad Rafi’s First Duet with a Music director – 1944-1948 can be downloaded as one file by clicking on the link.


All 12 episodes from January to December 2021 of the series Fading Memories, Unfading Songs-2021 can be read /downloaded by clicking on the hyperlink.


 

We will continue remembering Unforgettable Songs that seem to Fading away from our Memories every second Sunday of the month next year too……..

Disclaimer: All images are sourced from net. All copyrights of the respective image remain with the original owner of the image.

Categories
Carnival of Blogs on Golden Era of Hindi Film Music

Carnival of Blogs on Golden Era of Hindi Film Music – November 2021

Welcome to November 2021 edition of IXth Volume of Carnival of Blogs on Golden Era of Hindi Film Music.

We move on to other tributes and memories this month.

Mehfil Mein Meri presents Lata – Non-film songs, for the period 1975 till 1995 in Part III, after having covered 1954 till 1965 in Part 1 and for the years 1966 to 1975 in Part 2.

Shabana Azmi pens note on mother Shaukat Kaifi: ‘You left and everything went wrong’ – Shaukat Azmi has done memorable roles in critically acclaimed films like Salaam Bombay, Bazaar, Umrao Jaan, Heer Raanjha and Haqeeqat.

The Masters: Roshan (14.07.1917-16.11.1967) – Anyone who loves old Hindi film music will find that, inevitably, there will be a ‘Roshan song’ among their favourites

The out of sight genius Hansraj Behl – A tribute to the great Master Hansraj Behl (19 November 1916 – 20 May 1984) on his 105th birth anniversary

Geeta Dutt and ‘haseen sitam’ of her music: Her relationship with Guru Dutt, love of her life and reason for her downfallShaikh Ayaz – Would the world of Bollywood playback have been different if she hadn’t died relatively young at 41 in 1972?

Geeta Dutt sings for Chitragupt – a tribute eon Chitragupt’s 104th birth anniversary (16th November) and Geeta Dutt’s 91st birthday (23rd November)

We recall Sounak Gupta lyrically tracing the rise of the skylark from the banks of the Meghna, who continues to enthrall music lovers with her dulcet voice, long after dusk has settled and the river has broken its banks in Eternal Wait: The Story Of The Dark Girl By The Meghna (Geeta Dutt)

Remembering Helen on her 83rd birthday is a song Meghwa Gagan Beech Jaanke – Harishchandra Taramati (1963) – Lata Mangeshkar  – Laxmikant Pyarelal – Pradeepji

Phani Majumdar: A Journey Through Life…Ratnottama Sengupta pays a glorious tribute to the filmmaker, exploring his life and works and her own personal memories. In the second part of our 2-part Special Tribute to Phani Majumdar, Silhouette presents Ranotama Sengupra’s translation of exclusive excerpts from Eka Naukar Jatri/ Journey of a Lonesome Boat, the autobiography of Nabendu Ghosh where he fondly remembers his Phani Da.

Remembering Faruq KaiserIn his career spanning over five decades, he wrote around 390 songs for about 115 films. His first movie as a lyricist was Rooplekha (1949) and last movie was Naqab (1989). The latter was released posthumously. He died on 10th November 1987.

Sushmita Sen and Zeenat Aman: Two women, an era apart and always ahead of their time – Known for their grace and poise as well as their talent, Sushmita Sen and Zeenat Aman celebrate their birthdays today. Sushmita turns 46, while Zeenat Aman turns 70.

Remembering the lovable child artiste- Baby Naaz – Born as Salma Baig on the 20th of August, 1944, in Mumbai, she was given the screen name Naaz and as Baby Naaz she went on to become one of the most loved child artistes of the Golden era of our Hindi cinema…Tragically, at the young age of 51, on October 19th, 1995, she succumbed to liver cancer.

Amol Palekar: The relatable boy-next-door who was the antithesis of angry young manSampada Sharma – On Amol Palekar’s 77th birthday, here’s revisiting his relatable boy-next-door era in Hindi movies in films like Gol Maal, Chitchor and Chhoti Si Baat, among many others — which portrayed Amol Palekar as the antithesis of big, blustery Bollywood.

Shailendra Sharma @ Golden Era of Bollywood has posted following memorial tribute posts:

In the series of articles on Sahir’s Songs of Romance, commemorating Sahir Ludhianvi’s birth centenary,  we now take up Sahir Ludhianvi’s Five Film Association with O P Nayyar.

November 2021 episode of Fading Memories, Unforgettable Songs takes up Salil Chowdhury and Shailendra’s Songs Fading From the Memory: 1958 to 1960. Till now we have covered the years

1953-1955 in 2018,

1956 in 2019, and

1957 in 2020

Here is a vintage photograph, remembering Satyen Kappu on his 14th death anniversary (27/10) as Ramlal in the movie Sholay (1975), posted on BollywooDirect:

We now move on to posts on other subjects –

What was behind the slow decline of Indian art cinema?Rochona Majumdar – The first blow to art cinema came with the restructuring of the National Film Development Corporation (NFDC) at the end of the decade of ‘80s. One unlikely factor: Richard Attenborough’s ‘Gandhi’, argues a new study.  Gandhi dovetailed with other changes that were contributing to art cinema’s continuing marginalization through the 1980s. One of these was the boom of India’s televisual and video sectors and the “migration of socially relevant content to television.” It was the arrival of globalization from 1991 onward that completely transformed India’s media ecology.

Songs of women for the women by the women – Our culture has sanskars and rituals from birth till the end of life, all accompanied by women’s songs.

What was the secret of the impeccable tuning between composers Laxmikant and Pyarelal?Rajiv Vijayakar – A new biography of the Hindi film music hit-makers includes an edited account by long-time collaborator Amar Haldipur.

Songs with Laughter, where the playback singer laughs and sings. Thus, the laughter is not in the background. Sometimes the laughter is in the mukhda or antara. In some others, it is in the interlude. In a few songs there is just a trace of laughter and in others there is whole hearted laughter.

An Actor’s Actor: Book Excerpt – Here is an edited excerpt from the book, An Actor’s Actor: The Authorized Biography Of Sanjeev Kumar (Authors: Hanif Zaeri and Sumant Batra),looking at the making and release of one of Kumar’s finest films, Aandhi (1975).

Around India’s Towns in Ten Songs, songs that are filmed in places far and wide, songs that go beyond the usual tourist attractions. Songs which make you feel you were, for those brief few minutes, in another town.

The Mela Songs, some of which are shot in a mela setting and others which refer to the mela, either literally or symbolically. Songs shot in a mela setting are largely dance numbers – some of them are rather loud, which is what they would be in a rustic setting.

From Bollywood Rewind – Sampada Sharma – Indian Express’s weekly column:

Micro View of Best Songs of 1944 @SoY concluded the micro-view of the song sof 1944 with  My Top Duets and My top music directors

SoY has also presented an exhaustive analysis to arrive at ‘fairtest outome’ for adjudging the Best Music Director spot for the year 1944 in its Best songs of 1944: Final Wrap Up 4, jointly, in favour of Naushad, Khemchand Prakash and Pankaj Mullik.

All the episodes of Micro View of Best Songs for 1944 @SoY can be read / downloaded from one file, by clicking on the hyper link.

In continuation to our tradition of ending the post with a few songs of Mohammad Rafi, which connect with the posts in the present episode, we take up a few less heard songs composed by Roshan:

Kahin Se Unchi Kahin Se Neechi Sadak Zamane Ki – Malkin (1953) – with Kishore Kumar – Rajinder Krishna

Aa Bedardi Balama Preet Ka Karein Hisaab – Chhora Chhori (1955) – with Lata Mangeshkar – Kidar Sharma

Bade Khoobsurat Bade Woh Haseen Hai Magar Kya KarooN Ke Woh Mere NahiN Hai  – Jashan (1955) – with Asha Bhosle – Rajinder Krishna

GunahoN Ka Chirag Kabhi Na Jal Sakega – Agra Road (1957) with Geeta Dutt, Shamshad Begum – Bharat Vyas

Kadki Tera Nam Hi Clerki – Aji Bas Sukriya (1958) – with Asha Bhosle, Ghulam Mohammad – Farooq Kaiser

I look forward to your inputs to enrich the contents of Carnival of Blogs on Golden Era of Hindi Film Music.

Disclaimer: This monthly series of posts is my best-effort-based compilation of posts on Hindi film songs that I normally visit regularly. As I record my sincere thanks to all the original creators of these posts, any other posts that I have nor covered herein shows my lack of awareness of existence of such posts and is by no means any disrespect to their work. The copyrights to the posts, images and video clips remain the properties of the original creators.

Categories
Carnival of Quality Management Articles and Blogs

Carnival of Quality Management Articles and Blogs – November 2021

Welcome to November 2021 edition of the IXth volume of Carnival of Quality Management Articles and Blogs.

We recapitulate that the 2021 theme for the IXth volume of our Carnival of Quality Management Articles and Blogs is Future of… as the basis for Creating and Maintaining Sustained Success.

Our topic for the discussion for the month is – The Future of Climate Change – with a view to present a broader picture of the issue that has been gaining higher priority at the strategy planning meetings of every (responsible) business.

Climate Change is the defining issue of our time, and we are at a defining moment. From shifting weather patterns that threaten food production, to rising sea levels that increase the risk of catastrophic flooding, the impacts of climate change are global in scope and unprecedented in scale. Without drastic action today, adapting to these impacts in the future will be more difficult and costly.[1]

A view of the high Norwegian Arctic in 2015. There is alarming evidence that important tipping points, leading to irreversible changes in major ecosystems and the planetary climate system, may already have been reached or passed. UN Photo/Rick Bajornas

The Tipping Point | Climate Change: The Facts | BBC Earth

A tipping point is where even a slight amount of warming can move the climate into an irreversible state.

Source: Otto, I.M. (4 February 2020). “Social tipping elements for stabilizing climate by 2050”

Depending on global economic trends, technological progress, geopolitical developments, and most important, how aggressively we act to reduce carbon emissions, the world at the end of the 21st century could turn out to be radically different. Or not….Five future climate scenarios underpin the UN’s Intergovernmental Panel on Climate Change’s latest report tell radically different stories about humanity’s future.Sup<[2]

The November edition of the Goal of the Month editorial looks at Goal 13 (Climate Action) of the Global Goals

Additional reading:

We now watch ASQ TV, wherein we refresh our viewpoints about World Quality Day (the second Thursday of November) –

Note: This year’s theme is “Sustainability: Improving Our Products, People, and Planet.” The emphasis will be on the importance of quality in sustainability and its influence on environmental, social, and governance (ESG).

Note: I plan to take up THE FUTURE part of this video for discussion in our next episode of December 2021.

We have taken up one article from Jim L. Smith’s Jim’s Gems this month:

  • Overcome Your Inner Critic – Beware of the inner critic, which can be a super villain preventing creativity – In the modern world, fear has become insidious; it is quiet but pervasively accepted as existing. One of the most common forms is what might be referred to as the inner critic…Like all faces of fear, the inner critic is a part of each of us that is designed to keep us safe. …If we can overcome our inner critic, new ideas begin to flow freely, and new possibilities emerge…. Successful people discover what matters most to them. Once that becomes clear, they work to replace their inner critic with an inner support mechanism to nurture their efforts.

‘From the Editor’ (of Quality Magazine) – by Darryl Sealand, we have –

  • Go-To, There When We Need It – The meaning of the imperative go to, four centuries ago, as used in William Shakespeare drama ‘Macbeth’, was “beat it,” now “geddoutahere”….. And in our time, go-to has come to be defined as “a person or thing that may be relied on or is regularly sought out in a particular situation.” It’s not difficult to see how the term came about—the person or thing you “go to” when you need it…. And the term is not limited to people. We may have a go-to tool to get the job done, or even a go-to food when we are feeling blue or want to celebrate.

I look forward to your views / comments / inputs to further enrich the theme of Future of… as the basis for Creating and Maintaining Sustained Success.

Note: The images depicted here above are through courtesy of respective websites who have the copyrights for the respective images.


[1] Global Issues: Climate Change

[2] 5 possible climate futures—from the optimistic to the strange  – Madeleine Stone

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Carnival of Blogs on Golden Era of Hindi Film Music

Carnival of Blogs on Golden Era of Hindi Film Music – October 2021

Welcome to October 2021 edition of IXth Volume of Carnival of Blogs on Golden Era of Hindi Film Music.

We open our present episode with the 92nd birthday of Lata Mangeshkar.

A little girl who started professional singing more than 7 decades ago is still there somewhere, says Lata Mangeshkar as she recalls such a long journey of career that notched up another hit just last month.

All Mangeshkar sisters Lata, Asha, Usha & Meena together on-screen with Brother Hridaynath in the song Chala Chala Nav Bala from the film Maaze Bal – 1943, composer Datta Dawjekar

In continuation with the practice of presenting Lata Mangeshkar’s songs from a different angle, Mehfil Mein Meri presents Lata – Non-film songs, for the period 1954 in Part 1 and for the years thereafter in Part 2.

We, also, rue the loss of Veteran actor and Mehmood’s sister Minoo Mumtaz passes away  – Komal RJ Panchal – Minoo Mumtaz (26-4-1942 | 19-10-2021) – appeared in films like CID, Naya Daur, Taj Mahal, Gaban, Zameer among others. She passed away in Canada.

Minoo Mumtaz was 79 years old. (Photo: CinemaRare/Twitter)

RIP, Minoo Mumtaz – We Have Lost Another One of the Greatest (as everyone should know) – Minoo Mumtaz was a mujra queen in her own right – in addition to being a hilarious comedienne. The previous post of 2009 where Tom Daniel’s DVD compilationis referred to, describes it as A Whole (Beautiful, Crisp, Clear) DVD of Minoo Mumtaz! It is recommended to re-visit that that post most of all because it includes a list of the contents of Tom’s DVD, which is the best place to look if you want the names of the best songs that she appeared in.

Songs of Yore also had a post, In Conversation with Minoo Mumtaz, which included an interview with her as well as one with her son, Ajaz Ali.

When an era passes – Malika Begum or Malikunnisa, better known by her screen name Minoo Mumtaz, carved a unique place for herself.

Ten of my favourite Minoo Mumtaz Songs recalls songs featuring Mino Mumtaz on the screen.

We now move on to other tributes and memories this month.

Taxi Driver — one of India’s first ‘cabbie films’, which sealed Dev Anand’s romantic hero imageUnnati Sharma – On Dev Anand’s 98th birth anniversary (27th September) a revisit to a film close to his heart — a complete Anand family production, whose heroine he married.

Hans Jhakhar has come up with a series of articles on Rajendra Krishna (6 June 1919 – 23 September 1987) and his music directors on Songs of Yore to commemorate the 34th Remembrance Day of Rajendra Krishna. The first two articles are: Rajendra Krishna with the Albela Karigar C Ramchandra and Rajendra Krishna and Madan Mohan: Classic Case of Two Geniuses at Work.

The unassuming genius of Hrishikesh MukherjeeSubhash K Jha – “I confess I’m guilty of making potboilers…That’s because I had a unit and their family to maintain. I console myself with the thought that I’ve made decent films too on family values.” …… Thankfully Hrishida quit this world before people started watching his films on phones.

Eyi Path Jodi Na Shesh Hoy: The Immortal Songs of Uttam-HemantaSounak Gupta and Antara Nanda Mondal present Silhouette’s a tribute to Uttam Kumar by revisiting the iconic Uttam-Hemanta partnership and some of their evergreen hits.

Happy Birthday, Simi Garewal, who was always ahead of her time. When Indian actresses were demure dainty and shy Simi was a whiff of fresh air. There was no pretence about her personality

Forget Dil Chahta Hai, Raj Kapoor-Nargis starrer Chori Chori was the first road trip movieUnnati Sharma – On Manna Dey’s death anniversary, remembering how the song “Yeh Raat Bheegi Bheegi” is more popular than the film itself.

Smita Patil as remembered by her sister: ‘Funny, generous, uncaged’Anita Patil-Deshmukh pays tribute to the acclaimed actor on her 66th birth anniversary.

Smita Patil photographed by Gautam Rajadhyaksha.

In Subah, Smita Patil’s character broke glass ceiling of what ambitious women can’t doUnnati Sharma – Smita Patil plays Savitri, a woman who is capable, intelligent and ambitious, but often finds herself caught up in the complications of family life.

Vinod Khanna: The actor who gave Amitabh Bachchan a run for his moneySampada Sharma – A Stardust cover of 1978 had claimed in big bold letters ‘Vinod Khanna turns No 1’ but unbeknownst to everyone, Vinod was never a part of the rat race and it was perhaps this nonchalance that made him one of the most iconic stars of Hindi cinema.

5 unknown facts about Rekha who turns a year older on October 10Subhash K Jha – Rekha prides herself on being an accomplished singer. She sang Qayda Qayda Todke Socho Ek Din in Khubsoorat for herself.

How Kader Khan became Bollywood’s go-to dialogue writer: When an impressed Manmohan Desai gifted him his TV, gold braceletSampada Sharma – On Kader Khan’s 84th birth anniversary, here’s looking at the early career of the actor as a dialogue writer and how he did some of his best work with Prakash Mehra and Manmohan Desai.

Shailendra Sharma @ Golden Era of Bollywood has posted following memorial tribute posts:

In the series of articles on Sahir’s Songs of Romance, commemorating Sahir Ludhianvi’s birth centenary,  we now take up Sahir Ludhianvi’s Four Film Association with R D Burman.

October 2021 episode of Fading Memories, Unforgettable Songs takes up (Shankar (Jaikishan) and Shailendra’s Songs Fading From the Memory: 1955 -1956 (Part). Till now, we have covered the years

1949 – 1953 in 2018

1953 (Continued) in 2019.

1954 in 2020

Here is a collection of some vintage photographs, posted on BollywooDirect:

October is the month  of festivals, or is usherer of the great Indian festival of Diwali, so “Let’s Celebrate!”: Ten festival songs.

We now move on to posts on other subjects –

Songs of Age are not those where there is an observation about how man has no control over time and hence the need to make the best of the moment at hand, but are the songs where there is a mention of not just physical age but also of time passing or of an era having passed

‘Not Quite Usual’ Songs presents songs in two broad categories – Single song-one singer-two characters and Single song-two singers-one character.

Soul music: When Hindi film songs send a prayer to the AlmightyRineeta Naik explores the omnipresent clamour for divine intervention in the form of a song. Since the array of divinities is long and colourful, the songs are equally eclectic.

Sanchari – Bengal’s invaluable contribution to Hindi Film MusicSanchari (संचारी), in its very technical sense, n Hindustani classical music has to do with the Dhrupad genre. However, Bengal composers used the term Sanchari as a piece of different tune inserted between two Antaras, thereby imparting the song its unique character.

[Note: For anyone interested in the nuances of music, this post is very informative and should be read, as you listen the songs covered in the post.]

My Favourites: Devotional Songs of Hindi films have knack to move you despite yourself; that make you want to believe even if you don’t; that, either because of the vocals or the picturisation or both, make you believe in the devotion the words expressed.

Romancing through the Window and Door is an immensely explored subject in Hindi film songs of romance. The present post complements the songs on Atariya, Angana and Chhat, thus completing all the features of a house with such possibilities.

The Rendezvous Songs has emphasis more on the element of the meeting place.” … there is an element of escaping the prying eyes of the world in many a song. Some of the songs have risqué lyrics too.”

Boat Songs – Part I focused on the songs that had only the couple on the boat. Now, Part II takes songs with three or more, but not more than five or six people. Presently, Part III finally presents boat songs sung by the boatman.

Was ‘Guide’ ever offered to Zaheeda?Subhash K Jha – Waheeda Rehman tells the whole story of how she agreed to do ‘Guide’, after two directors were changed

From Bollywood Rewind – Sampada Sharma – Indian Express’s weekly column:

Micro View of Best Songs of 1944 @SoY concluded the micro-view of female songs with MY Top Female Solo Songs  and took up that of duets with the duets that have been already covered in Memorable Songs / Special Songs, Male-Female Duets – Part 1 and Part 2 – and reached the end point in Female – Female Duets | Male – Male Duets | Triads (+)

In continuation to our tradition of ending the post with a few songs of Mohammad Rafi, I have selected duets of Lata Mangeshkar and Mohammad Rafi during 1947 to 1949, based on one duet per music director:

Chalo Ho Gai Taiyaar Zara Thehro Ji – Shaadi Se Pehle (1947) – Paigankar- Karnad – Mukh Ram Sharma

Sun To Dil Ka Afasana – Andaz (1949) – Naushad – Majrooh Sultanpuri

Apni Nazar Se Door Vo Unki Nazar Se Door Hum – Bazaar (1949) – Shyam Sundar – Qamar Jalalabadi

Lambi Zoru Badi Museebat Are Din Dekhe Na Raat – Ek Thi Ladki (1949) – Vinod _ Aziz Kashmiri

Zara Tumne Dekha To Pyar Aa Gaya – Jaltarang (1949) – Husnlal Bhagatram – Kaif Irfani

Tadapake Ab Mujhe Chhod Diya – Namoona ((1949) – C Ramchandra – Gulshan Jalalabadi

Dil Le Ke Chhupne Wale Tu Hai Kahan Bata De – Paaras (1949) – Ghulam Mohammad – Shakeel Badayuni

Saajan Ki Ot Leke Haathon Mein Haath Deke – Zevraat (1949) – Hans Raj Bahal – Habeeb Sarhadi

I look forward to your inputs to enrich the contents of Carnival of Blogs on Golden Era of Hindi Film Music.

Disclaimer: This monthly series of posts is my best-effort-based compilation of posts on Hindi film songs that I normally visit regularly. As I record my sincere thanks to all the original creators of these posts, any other posts that I have nor covered herein shows my lack of awareness of existence of such posts and is by no means any disrespect to their work. The copyrights to the posts, images and video clips remain the properties of the original creators.

Categories
Carnival of Quality Management Articles and Blogs

Carnival of Quality Management Articles and Blogs – October 2021

Welcome to October 2021 edition of the IXth volume of Carnival of Quality Management Articles and Blogs.

We recapitulate that the 2021 theme for the IXth volume of our Carnival of Quality Management Articles and Blogs is Future of… as the basis for Creating and Maintaining Sustained Success.

Our topic for the discussion for the month is – The Profiles of Future – The World without Distance

Profiles of the Future: An Inquiry into the Limits of the Possible by  Arthur C. Clarke –  originally appeared in 1962, is an anthology of essays written by Arthur C Clarke during the period 1959 – 1961. Since it was concerned with ultimate possibilities, It has under gone two revisions, in 1971 and 1999. As such the latest 1999 revision does not contain several portions of the original text.

I plan to take up a more detailed look at the book in some time next year. For the purpose of our present episode, we will briefly take a look at some of the predictions Arthur C Clarke has to make about the Future of Work (in 2050) and a few representative current views. –

Arthur C. Clarke Predicted the Future of Remote and Flexible Work in 1964 By Jennifer Parris – With regards to remote working, Arthur Clarke believed that almost any skill, from executive or administrative, to even physical skills, would be possible to perform remotely, regardless of distance. This sentiment shows that Clarke already envisioned the workplace to be a mobile one, not one reliant upon people being together in an office to perform their jobs.

For a more comprehensive look at how working from home came to be (starting with the hunter-gatherers as the earliest at-home workers!), read FlexJobs post on’ “The Complete History of Working from Home.”

Here are some more additional readings on the subject:

BBC Horizon is a widely acclaimed TV show of BBC, One of the episodes of that show, in 1964, presented Artur C Clarke’s predictions of the future. Here is that episode:

BBC Horizon (1964) with Arthur C. Clarke –

(Part 1 of 2)

Part 2 of 2

[Note: BBC Horizon Collection – 512 Episodes – can be accessed at https://archive.org/details/BBCHorizonCollection512Episodes

The big debate about the future of work, explained

3 myths about the future of work (and why they’re not true) | Daniel Susskind

New Profiles of the Future: The World in 2050 and beyond, with Lord Martin Rees

How do we find dignity at work? – Roy Bahat and Bryn Freedman | Ted Salon” Zebra Technologies

Roy Bahat wondered, what was AI doing to the people whose jobs might change, go away or become less fulfilling? The question sent him on a two-year research odyssey to discover what motivates people, and why we work. In this conversation with curator Bryn Freedman, he shares what he learned, including some surprising insights that will shape the conversation about the future of our jobs.

How will we earn money in future without jobs? – Martin Ford | TED 2017

We now watch ASQ TV, wherein we refresh our viewpoints about–

We have taken up one article from Jim L. Smith’s Jim’s Gems this month

Productive Failures – Failure can provide the seeds for success.- In a productive failure, you do not achieve your objective, but you come away with new knowledge that will increase your chances of future success. A non-productive success occurs when you achieve your objective, but you are not sure what you did right. You can build on productive failures. You can’t build on non-productive failures….The more productive failures experienced, the more you’ll learn….When bad things happen, first think, “Darn, that is really disappointing.” Then quickly think, “How can I turn this into something useful?”

‘From the Editor’ (of Quality Magazine) – by Darryl Sealand, we have –

  • Serendipity, A Meaningful Connection? – Serendipity is “the occurrence and development of events by chance in a happy or beneficial way.” – a happy coincidence or more like a “meaningful connection.” ….. It is something like listening a song for the first time and catching that meaningful lyric, or the emotion of a melody, that spoke to you in that very moment….. Quality hopes to provide with that same sense of serendipity…………….

I look forward to your views / comments / inputs to further enrich the theme of Future of… as the basis for Creating and Maintaining Sustained Success.

Note: The images depicted here above are through courtesy of respective websites who have the copyrights for the respective images.

Categories
Carnival of Blogs on Golden Era of Hindi Film Music

Carnival of Blogs on Golden Era of Hindi Film Music – September 2021

Welcome to Sptember 2021 edition of IXth Volume of Carnival of Blogs on Golden Era of Hindi Film Music.

We straight away move on to other tributes and memories this month.

The year 1971 was a glorious year for Indian cinema — it was the year classics such as Anand, Kati Patang and Mera Gaon, Mera Desh came out. It was also the year Guddi was released, which marked the debut of Jaya Bachchan, a coming-of-age story, and one of India’s best ‘fan films’

Asha Bhosle (1957-’58-’59) , when her career graph was in upswing.

‘If Raj Uncle Liked a Song, He Would Give Baba a Gold Coin’: Amla Shailendra Remembers Her Father ‘Kaviraj’ Shailendra – Amla Shailendra Mazumdar, the daughter of ‘Kaviraj’ Shailendra, in conversation with Antara Nanda Mondal, dives deep into his amazing repertoire of songs and a treasure chest of memories to understand the person behind the poet – a loving tribute to the legendary poet-lyricist on his birth anniversary.

Just 2 fragrant Salil Chowdhury songs were enough to make 1974’s ‘Rajnigandha’ bloomUnnati Sharma – On Salil Chowdhury’s 26th death anniversary, ThePrint revisits Basu Chatterjee’s slice-of-life film on love and relationships, starring Amol Palekar and Vidya Sinha.

Documentary on writer, poet and lyricist Gopaldas Neeraj is out on YouTube – The Films Division production, directed by Gurbir S Grewal, features an interview with Neeraj, who died in 2018.

‘Raj Kapoor told me to say Prem naam hai mera, Prem Chopra’: Bollywood’s iconic villain on his innings Komal RJ Panchal – As Prem Chopra turns 86 (on 23 September, 2021), the veteran actor speaks about how Raj Kapoor gave him his memorable dialogue, the way negative roles impacted his life and how the villain gradually died out of Hindi cinema.

‘Khushboo’ — how Gulzar captured a strong woman who loves but won’t be a pushoverUnnati Sharma -At a time when women did not have much say in a lot of matters, especially when it came to relationships & matrimony, ‘Khushboo’ is a story of a woman exercising her choice. Based on Bengali novelist Sarat Chandra Chattopadhyay’s — it is his 145th birth anniversary on 15 September — novel, Panditmoshai, Khushboo is set in a village.

Shabana Azmi: The most versatile actor in Hindi film industry who should be celebrated even more –  On Shabana Azmi’s 71st birthday, Sampada Sharma revisits her unique choices which balanced mainstream, as well as indie cinema perfectly.

The Greats: Rishi Kapoor is a memory call on his birthday in the form of list of some the Rishi Kapoor performances

Shailendra Sharma @ Golden Era of Bollywood has posted following memorial tribute posts:

Skateistan in Afghanistan – Films and Videos Documenting an Era Now Lost – Skateistan, is an international non-profit project that was originally started in Kabul in 2007 to encourage and teach skateboarding to children in Afghanistan, with a special concern about bringing in girls[1].….. Probably the best place to start would be a British-made documentary that won an Oscar/Academy award in 2020 –  Learning to Skateboard in a Warzone (if you’re a girl)….. “Faranas’ Story” does not contain a lot of skateboard moves, but like the award-winning documentary, it does contain a lot of very moving observations (on the part of this girl) and speculation about the future that can be a bit heart-wrenching when looked at from the present moment.

In the series of articles on Sahir’s Songs of Romance, commemorating Sahir Ludhianvi’s birth centenary,  we now take up Sahir Ludhianvi’s Three Film Associations with Jaidev and Madan Mohan

September 2021 episode of Fading Memories, Unforgettable Songs takes up Shankar) Jaikishan and Hasrat Jaipuri’s Songs Fading From the Memory: 1962. Till now we have covered

1949 -1954 in 2017

1955 – 1957 in 2018

1958 – 1959 in 2019, and

1960 -1961 in 2020

Here is a collection of some vintage photographs, posted on BollywooDirect:

We now move on to posts on other subjects –

A dramatisation of the life and works of the writer Premchand – The Films Division documentary has been directed by PC Sharma and written by him and Madan Gopal.

Q&A in songs present different types of Q&A subjects.

One Movie, Many Lyricists lists ten movies where there are four or more lyricists penning songs

Why filmmaking for Shyam Benegal is both ‘a microscope and a telescope’Nandini Ramnath  – Retirement is the last thing on the mind of the 86-year-old director, who is working on a Sheikh Mujibur Rahman biopic.

How Zohra Segal, 48-year-old mother of two, reinvented herself in LondonRitu Menon  – Edited excerpts from a biography, Zohra! A Biography in Four Acts, reveal how the actor and dancer bounced back from her husband Kameshwar Segal’s death.

Zohra Segal (right) with her sister Uzra Butt in Devon, England in 1936 | Courtesy Kiran Segal

Zeenat Aman elated over Apple phone using her ‘Dum Maro Dum’ in their international ad But …. not sure Dev Saab would have approved of what Apple has done to Dum Maro Dum. In 2011, when Rohan Sippy & Pritam made a revamped version of it, Dev Saab was so angry. “This is sheer desecration.” he had said. {Here is the Apple i13 phone ad referred to here.]

Ten of my favourite male duets which feature two men singing: two actors (at least) onscreen, two playback singers contributing their voices to the song.

Boat Songs – Part I focused on the songs that had only the couple on the boat. Now, Part II takes songs with three or more, but not more than five or six people. Excluded here are the songs sung by the boatman or if the boat carrying the singing character is part of the group of boats..

The Paper, Ink and Pen Songs are ten songs that refer to writing equipment in the mukhda. The focus of this post is not letter writing. Thus, the reference to letter writing is purely incidental in some songs. The spotlight is on the ink, the surface chosen to write, the stylus/pen and in a song or two, the scribe.

From Bollywood Rewind – Sampada Sharma – Indian Express’s weekly column:

Micro View of Best Songs of 1944 @SoY continued with  Female Solo Songs this month too with Shamshad Begum, Sitara, Leela Chitnis ,   ,Nirmala Devi and other singers, Noor Jehan  and some more other singers.

SoY has presented Best songs of 1944: Wrap Up 3 for the wrap up on duets for 1944. The three duets jointly adjudged as Best for The Year are:

1Saawan ke baadlo unse ye ja kahoRattan – Karan Diwan, Zohrabai Ambalewali – D N Madhok – Nausahd Ali

2Kya humne bigada hai kyun humko sataate hoBhanwara – K L Saigal, Amirbai Karanataki – Kidar Sharma – Khemchand Prakash and

3. O jaanewale balamwa, laut ke aa laut ke aa – Rattan – Shyam Kumar, Amirbai Karnataki – D N Madhok – Nausahd Ali

In continuation to our tradition of ending the post with a few songs of Mohammad Rafi, each one of which basically has a link with the topics discussed in the present post.

Naiyya Ka Meri Tu Hi Khavaiya – Zamana (1957) – Indeevar – Salil Chowdhury

Ya Keh De Hum Insaan Nahin, Ya Man Ja Tu Bhagwan Nahi – Chhaya (1961) – Rajinder Krishna – Salil Chowdhury

Insaan Ki Zindgi Hai Dukh Sukh Ka Ek Jhoola – Jhoola (1962) Rajinder Krishna – Salil Chowdhury

Ab Jang Shuru Kal Se Ab Kal Se Hai Sangraam – Netaji Subhash Chandra Bose (1966) – Pradeep – Salil Chowdhury

I look forward to your inputs to enrich the contents of Carnival of Blogs on Golden Era of Hindi Film Music.

Disclaimer: This monthly series of posts is my best-effort-based compilation of posts on Hindi film songs that I normally visit regularly. As I record my sincere thanks to all the original creators of these posts, any other posts that I have nor covered herein shows my lack of awareness of existence of such posts and is by no means any disrespect to their work. The copyrights to the posts, images and video clips remain the properties of the original creators.

[1] Skateboarding in Afghanistan | Oliver Percovich – The founder of Skateistan | TEDxSydney

Categories
Carnival of Quality Management Articles and Blogs

Carnival of Quality Management Articles and Blogs – September 2021

Welcome to September 2021 edition of the IXth volume of Carnival of Quality Management Articles and Blogs.

We recapitulate that the 2021 theme for the IXth volume of our Carnival of Quality Management Articles and Blogs is Future of… as the basis for Creating and Maintaining Sustained Success.

Our topic for the discussion for the month is – The Future of Work.

How the World of Work is Changing – The workplace of today looks dramatically different to the workplace of yesteryear. Besides obvious technological changes – computers replacing typewriters and machines replacing people – social change has ushered more women into what used to be predominantly a man’s world.

To review the full study please visit – https://www.nextgeneration.ie/blog/2016/04/how-the-world-of-work-is-changing and also view the infographic presented there.

The 5 Trends Shaping the Future of Work – Jacob Morgan – Everything we know about the future of work is being shaped by five trends: globalization, technology, changing demographics, new behaviors, and mobility. For the first time these five trends are coming together to force organizations to change the way they think about how work gets done.

The big debate about the future of work, explains why economists and futurists disagree about the future of the labor market.

The future of work: is your job safe? | The Economist – This is the workforce of the future. Technology is transforming the world of work beyond all recognition creating groundbreaking opportunities. But it’s also eroding the rights of workers. Some even fear a dystopian jobless future. But are these anxieties overblown? How we react to this brave new world of work today will shape societies for generations to come. What are the forces shaping how people live and work and how power is wielded in the modern age? NOW AND NEXT reveals the pressures, the plans and the likely tipping points for enduring global change.

The Future of Work – A CQI Quality Futures Report talks about the effects of digitalisation in the workplace, helping every working person and the organisation to proactively address these issues in the relevant management strategies.

The downloadable copy of this report is available @ https://www.quality.org/future-of-work

Transitioning to the future of work and the workplace – A Deloitte survey (sponsored by Facebook) asked C-suite executives for their perspectives on the future of work. Their responses reveal six themes about the future workplace—and six lessons to help leaders ease the transition.

1: Pay attention to culture; help ensure leaders actively participate in its development and dissemination.

2: Companies should be proactive in creating greater transparency in communications and new systems, and policies and reinterpreting their corporate culture around digital in the workplace, or they risk losing employees, productivity, and, potentially, customers.

3: To keep Millennials, companies should place greater emphasis on nurturing and developing their people, creating interesting and purposeful work, and building an environment with career flexibility and tools that enable employees to collaborate and exchange ideas transparently.

4: Business benefits are real—this is about getting things done

5: Start the shift to new collaboration tools but help ensure workplace practices and employee expectations are aligned with the new capabilities that are available.

6: Leaders can often underestimate the benefits of social tools at work8 and need to be educated in how to use collaboration and business social tools for improved communication, collaboration, and connectivity.

The downloadable copy of the report is available @ https://www2.deloitte.com/content/dam/Deloitte/global/Documents/HumanCapital/gx-hc-us-cons-transitioning-to-the-future-of-work-and-the-workplace.pdf

Some more videos: for further study:

We now watch ASQ TV, wherein we refresh our viewpoints about–

  • Readying Yourself for Digital Transformation Initiatives – Richard Uphoff, Manager & Registered Principal Responsible (RPR), Vanguard, discusses skills needed for digital transformation, lessons learned from 25 years of challenging initiatives, and the need to learn how to learn.

We have taken up one article from Jim L. Smith’s Jim’s Gems this month

  • Enhancing Effectiveness – If you do not feel very effective or productive while at work, it can lead to a downward spiral. Chances are you can work far more effectively than you are now and put yourself into an upward trend.

One way is to take control of your time and manage it as well as possible. Try keeping a log for a week or two and track every minute of your day at work, then analyze it. Next, develop strategies for eliminating time traps and time wasters that are pulling you away from achieving your goals

Another good opportunity is to stay current with the technical innovations in your business or industry by reading latest books, periodicals, etc.

A third suggestion is to expand the network of people who can stimulate and support you.

‘From the Editor’ (of Quality Magazine) – by Darryl Sealand, we have-

  • Answers & Questions – We’ve all seen movies where the leader inspires his or her team with a moving speech and a call to action. But one characteristic is usually absent.

“Have you ever seen them ask any questions? They just know what to do,”

And that is important for all involved—leaders, followers, associates, suppliers, stakeholders. Asking questions and searching for feedback provides the confidence of knowing everyone is on the same page.

I look forward to your views / comments / inputs to further enrich the theme of Future of… as the basis for Creating and Maintaining Sustained Success.

Note: The images depicted here above are through courtesy of respective websites who have the copyrights for the respective images.

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Carnival of Blogs on Golden Era of Hindi Film Music

Carnival of Blogs on Golden Era of Hindi Film Music – August 2021

Welcome to August 2021 edition of IXth Volume of Carnival of Blogs on Golden Era of Hindi Film Music.

August is the month of India’s Independence, which is remembered by different articles form different angles –

Play It As It WasShubhra Gupta makes a movie map of 75 films across seven decades – that celebrates the journey of the world’s largest democracy.

Upkar — film born of churn in newly-Independent India gave Bollywood a hit formula  – Unnati Sharma – Upkar, released in 1967, represents the issues India faced at the time. It celebrates rural India and depicts the temptations that may trigger greed.

In Shyam Benegal’s ‘Mammo’, the lingering effects of Partition come vividly aliveNandini Ramnath – The highly opinionated and often brutally frank Mahmooda Begum (a.k.a. Mammo) might have had something to say about the Union government’s plan to mark August 14 as “Partition Horrors Remembrance Day”.

Hindi Cinema lost Jagjit Kaur too on 15 August, 20201.

Veteran singer and wife of composer Khayyam, Jagjit Kaur, dies at 93 on 15th August – Veteran singer Jagjit Kaur started her career in the early 50s, singing songs in films like Posti (a Punjabi film), Gumasta (1951), Khoj (1953) and Dil-e-Nadan (1953) – starring Talat Mehmood and Shyama – which gave her fame as playback singer. She got married to Khayyam in 1954.

Photo: Express Archive

The blogging community also joins to mourn the loss –

‘Tum Apna Ranj o Gham – Remembering Jagjit Kaur’ presents the journey of Jagjit Kaur’s career path.

We will recall her two solos and a triad from Dil-e- Naadan (1953)

Khamosh Zindagi Ko Ek Bahaana Mil Gaya – Dil-e-Naadan (1953) – Shakeel Badayuni- Ghulam Mohammad

Chanda Gaaye Raagni Chham Chham Barse Chandani – Dil-e-Naadan (1953)  – Shakeel Badayuni- Ghulam Mohammad

Muhabbat Ki Dhun BeqararoN Se Puchho – Dil-e-Naadan (1953) – with Talat Mahmood, Sudha Malhotra  – Shakeel Badayuni- Ghulam Mohammad

We now move on to other tributes and memories:

5 songs to remember Shakeel Badayuni, Hindi cinema’s romantic poetUnnati Sharma – Ahead of Shakeel Badayuni’s 105th birth anniversary on 3 August, we look back on his remarkable career and his unabashedly romantic soul.

Mukesh’s Non-film Hindi Geets and Ghazals is a bouquet of geets and ghazals, selected form 78 NFSes that Mukesh has rendered in his active career, as a tribute on his 45th remembrance day.

The Legendary Leena Daru: Dressing up Indian Cinema’s DivasAlpana Chowdhury – She was part of the reigning troika of costume designers for actors of her time, the other two being the formidable Bhanu Athaiya and Mani J .Rabadi (elder sister of Shammi, a.k.a. Nargis Rabadi)

Revisiting Chandni that established Sridevi’s mystery and myth – Revisiting Chandni: On Sridevi’s 58th birth anniversary, here’s revisiting the film that changed the way Bollywood saw its women, and the impact of that can still be seen in Hindi films to this day.

Kumkum: The Danseuse Butterfly of Bollywood – DP Rangan pays tribute to Kumkum (22 April 1934 – 28 July 2020) on her first death anniversary.

Death is everywhere in Bollywood, but why is grief so rare?Bijal Vachharajani  – When it comes to the matter of being grief-stricken because of death, Bollywood falls upon tried and tested tropes.

5 songs and 5 moods to remember Khayyam, Bollywood’s versatile music composerUnnati Sharma – The musical maestro did merely 57 films but his output was stellar and versatile.

Forgotten Composers Unforgettable Melodies: Bipin-Babul/Babul – In spite of the some of the most remembered songs, the duo, or Babul , as the sole music director, remain more unknown than the music directors in the series Forgotten Composers: Unforgettable Melodies.

Lata Mangeshkar chooses her own favourite songs on her 90th birthday, talking to Subhash Jha about why she loves those songs.

Shailendra Sharma @ Golden Era of Bollywood has posted following memorial tribute posts:

Poet-composer Padma Sachdev, ‘mother of modern Dogri’, passes away at 81 in MumbaiUnnati Sharma – Padma Sachdev had good command over Hindi and Sanskrit as well. She had composed lyrics for Prem Paravat (1973, Ye Neer Kahan Se Barse Hai,,, Ye Badri Kahan Se Aayi Hai – Lata Mangeshkar – Music Jaidev)  – and Aankahin Dekhi (1978, Sona re, tujhe kaise miloo” – Mohammad Rafi and Sulakshana Pandit Music: J P Kaushik)

(Note:  Incidentally, this blog had occasion to recall these songs in the article Jaidev: Brilliant, But Underrated, Composer:  1972-1973

Rafi sings with Geeta Dutt is on Mohammad Rafi’s death anniversary/

Remembering Jagdish Raaj: The quintessential policeman of BollywoodAjay Mankotia   @ajaymankotia    – On his death anniversary we recall Jagdish Raaj — an actor who epitomised the role of police inspector in Bollywood.

In the series of articles on Sahir’s Songs of Romance, commemorating Sahir Ludhianvi’s birth centenary,  Sahir Ludhianvi’s Two film associations with Usha Khanna, Rashid Are, Chitragupt, Kalyanji Anandji and Sapan Chakravarty are taken up..

Pyar Kiye Jaa, classic comedy that got Mehmood his first Filmfare as comedian  – Unnati Sharma – In this ensemble 1966 romantic comedy, a remake of Tamil film Kadhalikka Neramillai, Mehmood is hilarious as a wannabe filmmaker.

August 2021 episode of Fading Memories, Unforgettable Songs takes up Shailendra’s Songs with Sardul Kwatra and Mukul Roy. Beginning the series in 2017 with Shailendra’s songs with “other” music directors, till now we have covered

In 2018, songs with Roshan

In 2019, songs with Hemant Kumar, Ravi and KalyanjiAnandji

In 2020, songs with SN Tripathi, Anil BIswas and C Ramchandra

We now move on to posts on other subjects –

Dilip-Dev-Raj or Salman-Aamir-SRK?Monojit Lahiri – Each generation brings its own challenges and opportunities, so comparisons, while forever tempting to engage in – is bound to be unfair, inaccurate and irrelevant

Madhubala: Ageless Beauty, Timeless IconSMM Ausaja – In a short-lived career, Madhubala rose to the status of a superstar on the dint of her talent and magnetic screen presence. Humble beginnings, a meteoric rise to fame, dangerous liaisons, unrequited love, and dying young made the enchantingly beautiful Madhubala a legend of Hindi cinema history.

Of Waheeda Rehman’s luminous beauty, and film that changed Guru Dutt’s fortunes: Revisiting Chaudhvin Ka Chand  – Sampada Sharma –  Starring Guru Dutt, Waheeda Rehman, Rehman and Johnny Walker, M Sadiq’s 1960 film Chaudhvin Ka Chand is the story of a romance where women get the short end of the stick.

Writing cinema: Shama Zaidi on a major problem with Hindi films and the importance of theatreAnubha Yadav – In edited excerpts from a book of conversations with female screenwriters, Scripting Bollywood – Candid Conversations with Women Who Write Hindi Cinema, Anubha Yadav, Women Unlimited. – Zaidi talks about ‘Garm Hava’ and ‘Suraj Ka Satvan Ghoda’.

Dance Songs in Old Hindi Cinema – by (guest writer) Arjun who has always been interested in dance and music even as a wee tot.

My Favourites: Flirtatious Songs that the “Never accept a ‘no’ until she says a ‘yes’ ” hero manages to turn the until-then independent minded heroine into a simpering mess merely by irritating the hell out of her.

Boat Songs – Part I focuses on the songs that has only the couple on the boat.

The Gravitas of Sitar in Songs either in a classical raga-based song, or in a song full of pathos.

Songs of the Sun very vividly enlist 10 songs on that refere to the sun, at least in the mukhada. As such, songs songs where the sun is referred to indirectly or obliquely or songs which refer to both the sun and the moon at least in the mukhda are not included here.

Ten of my favourite ‘Impossible Duets’ sung perfectly in tandem—the tune the same, one verse completely responding to the previous one, even the voices sometimes blending together? —when the two people supposedly singing the song are nowhere close to each other?

From Bollywood Rewind – Sampada Sharma – Indian Express’s weekly column:

Micro View of Best Songs of 1944 @SoY took up  Female Solo Songs with 2ndt part of solo songs Amirbai Karnataki, and those of Zohraibai Ambalewali, Hamida Bano, Zeenat Begum, Rajkumari, Sushila Rani and Khursheed.

In continuation to our tradition of ending the post with a few songs of Mohammad Rafi, each one of which basically has a link with the topics discussed in the present post.

Suno Suno Ae Duniyawalo Bapu Ki Amar Kahani – Rajinder Krishna – Husnlal Bhagatram

Awaz Do Hum Ek Hai – Jan Nissar Akhtar – Khayyam

Watan Ki Aabroo Khatare Mein Hai Taiyar Ho Jaao – Sahir Ludhiyanvi – Khayyam

Is Waste Pandrah August Hai Hamein Pyara – Lyrics: Ramesh Gupta

Pandrah August Se Hamien Kyon Itani Preet Hai

Bharatwalo Bhul Na Jana, Amar Shaheedo Ka Afasana – Rajinder Krishna

I look forward to your inputs to enrich the contents of Carnival of Blogs on Golden Era of Hindi Film Music.

Disclaimer: This monthly series of posts is my best-effort-based compilation of posts on Hindi film songs that I normally visit regularly. As I record my sincere thanks to all the original creators of these posts, any other posts that I have nor covered herein shows my lack of awareness of existence of such posts and is by no means any disrespect to their work. The copyrights to the posts, images and video clips remain the properties of the original creators.